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Snuffboxes stolen in Paris daylight robbery to go on display at V&A

Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.

Caravaggio portrait of influential patron—and future Pope Urban VIII—purchased by Italy for €30m

The Italian government has acquired a rare Caravaggio portrait of Maffeo Barberini, the future Pope Urban VIII, for €30 million following a year of negotiations with private owners. The 17th-century masterpiece, which depicts one of the artist's most influential patrons, will join the permanent collection of the Galleria Nazionale d'Arte Antica at Palazzo Barberini in Rome. It represents one of the largest sums ever paid by the Italian state for a single work of art.

The Future is Handmade – The Regina A. Quick Center Hosts Community Art Project in the lobby this Season

The Regina A. Quick Center for the Arts at Fairfield University has debuted "The Future is Handmade," a large-scale exhibition featuring eight female artists with regional ties. Curated by Linda Colletta and organized by the Center for Arts & Minds, the showcase transforms the center's lobby into a vibrant gallery of mixed-media, textiles, and sculpture. The exhibition opened alongside a performance by the dance company BODYTRAFFIC, emphasizing a multidisciplinary approach to community engagement.

Danger and inspiration: Bangladeshi artists divided about country’s future after historic election

The 11th Chobi Mela photography festival in Dhaka has become a vital site for political discourse following Bangladesh's historic election and the 2024 revolution. Through public installations like 'Women in the July Uprising,' artists are documenting the pivotal role of women in toppling the previous regime and addressing the subsequent erasure of their contributions under the new political landscape. The festival also highlights the ongoing struggle for justice regarding the 'disappeared' through the documentary work of photographers like Mosfiqur Rahman Johan.

Saudi Arabia looks to its Modern art history as the art world eyes up the Gulf

Saudi Arabia is actively showcasing its Modern art history through major exhibitions and sales. The 'Beginnings of Saudi Art Movement' at the National Museum in Riyadh features over 250 works by 73 artists from the 1960s-1980s, highlighting pioneering figures like Mounirah Mosly and Safeya Binzagr. Simultaneously, the Desert X AlUla exhibition is displaying monumental, long-unseen sculptures by Modernist artist Mohammed AlSaleem.

Two Museum Exhibitions Reframe Amazon Civilizations

Two museum exhibitions, one at Americas Society in New York and another at the Musée du quai Branly – Jacques Chirac in Paris, are reframing perceptions of Amazon civilizations by centering the artistic and cultural traditions of the region's Indigenous peoples. The New York show, "Amazonia Açu" (on view through April 18, 2026), features works by artists including Sara Flores, Sheroanawe Hakihiiwe, PV Dias, and the film collective Colectivo Tawna, blending mediums and challenging Western distinctions between art and craft. The Paris exhibition, "Amazônia – Indigenous Creations and Futures" (through January 18), presents the Amazon as a culturally rich, inhabited ecosystem rather than a pristine wilderness.

‘Creative, provocative, controversial’: Truth Social ads for Nazi-owned art spark heated debate

The German Art Gallery (GAG), a Dutch-run gallery specializing in art once owned by Nazi leaders including Adolf Hitler, has sparked controversy by advertising on Truth Social, the right-wing platform founded by Donald Trump. The gallery’s founder, who uses the pseudonym Marius Martens, defends the move as a cost-effective way to reach a broad American audience, including conservatives, and denies any ties to neo-Nazi ideology. Critics, including a Truth Social user who alerted The Art Newspaper, argue the ads—taglined “Art of the German Elite, 1933-1945”—appear to celebrate Nazism. Curator and historian Gregory Maertz notes that while the GAG holds one of the most complete private collections of Third Reich art, the rising market for such works may reflect a global revival of right-wing sentiment.

Storm over closure of South Africa’s much-loved Irma Stern Museum

The Irma Stern Museum (ISM) in Cape Town, South Africa, was abruptly closed in October 2024 after the University of Cape Town (UCT) and the Irma Stern Trust ended their 56-year partnership. The museum, housed in Stern's former home The Firs, displayed her collection of artifacts and her own works. The closure sparked public outrage over lack of transparency, with staff removed without clarity and the announcement made only after pressure. The trust, owned by Nedgroup Private Wealth, plans to relocate artworks to a new storage facility and repurpose The Firs, but no reopening date has been set.

Tiffany Shlain uses trees and technology to trace Jewish history in new exhibit

Tiffany Shlain, a multidisciplinary artist and founder of the Webby Awards, has opened a new exhibition titled "Ancient Wisdom for a Future Ecology: Trees, Time, and Technology" at the di Rosa Center for Contemporary Art in San Francisco. The show, which debuted in October 2024 at the Skirball Cultural Center in Los Angeles as part of a Getty Museum initiative, uses massive tree trunk slices—some weighing 10,000 pounds—to explore Jewish history, feminism, and existential questions. Shlain, known for her work blending feminism, technology, and Judaism, also co-created a video on the teenage brain with Goldie Hawn and recently screened her 2005 documentary short "The Tribe."

Burning Man Art: It’s Closer Than You Think

Burning Man art is increasingly appearing in museums, cities, and regional events worldwide, moving beyond the temporary desert environment of Black Rock City. Artists like Miki Masuhara-Page and Walker Babington have brought their interactive sculptures—such as 'Cosmic Messenger' and 'Burden of the Beast'—to venues including the Portland Winter Light Festival and The Hermitage Museum and Gardens in Norfolk, Virginia. The Black Rock City Honoraria Program, funded by the nonprofit Burning Man Project, supports approximately 75 artworks annually, while the Art department assists nearly 400 pieces destined for the playa.

Miami's Women Photographers International Archive finds a new home

The Women Photographers International Archive (WOPHA) has opened its first physical space at Green Space Miami on the city's Upper East Side. Founded in 2018 by curator Aldeide Delgado and artist Francisco Masó, WOPHA is dedicated to researching and promoting the contributions of women and non-binary photographers to modern and contemporary art. The Green Family Foundation Trust, which owns Green Space Miami, is lending the space to WOPHA until December 2026. The inaugural exhibition, "tide lines of the frame" (through December 14), features works by 2025 artists-in-residence Kat Thompson and Nathyfa Michel, curated by Cecilia González Godino of the Institute of Contemporary Art in Philadelphia.

New exhibition in the Colorado Capitol’s Rotunda Gallery celebrates women artists

A new exhibition titled "Living Tradition. Past. Present. Future. Colorado Women Artists" has opened in the Colorado State Capitol's Rotunda Gallery, featuring 12 mobile murals honoring past, present, and future women artists from Colorado. Organized by the Women's Caucus for Art Colorado Chapter (WCACO) over four years, the show also includes additional works in the Governor's and Lieutenant Governor's offices. The murals, created collaboratively by a team of female artists, depict black-and-white portraits of each honoree surrounded by imagery from their own work, with finishing touches applied by designated "Face Whisperers."

Pulitzer Prize-winning art critic Christopher Knight is retiring

Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after more than 40 years in the field, with his final day set for November 28. Knight spent 36 of those years at the Los Angeles Times, becoming one of the last full-time art critics at a major U.S. daily newspaper. He won the Pulitzer Prize for criticism in 2020 for his incisive coverage of the Los Angeles County Museum of Art's proposed overhaul, and received a $50,000 Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation the same year. Knight also authored two books and appeared on programs like 60 Minutes and PBS NewsHour.

Best new awards & arts prize winners: November 2025

The article reports on several major arts and literary prize winners announced in November 2025. Swedish photographer Martina Holmberg won the £15,000 Taylor Wessing Photo Portrait Prize for her portrait 'Mel,' with other prizes awarded to Luan Davide Gray, Byron Mohammad Hamzah, and Hollie Fernando. Australian author Helen Garner won the Baillie Gifford Prize for Non-Fiction for 'How to End a Story.' The Forward Poetry Prizes named joint winners Vidyan Ravinthiran and Karen Solie for best collection, while Bogdan Ablozhnyy received the Camden Art Centre Emerging Artist Award. Historian Sunil Amrith won the British Academy Book Prize for 'The Burning Earth,' and the Women's Prize for Playwriting announced its longlist.

How China’s private museums are navigating a post-boom era

China's private museum sector, which boomed in the 2010s with hundreds of new institutions often tied to property developments or vanity projects, is now contracting. Notable closures include Guangzhou's Times Museum (shuttered in 2022, later relaunched as a project space), OCAT Shanghai (closed indefinitely in 2021), and Qingdao's TAG Museum (suspended operations in 2024). Other prominent museums like Sifang Art Museum, Yinchuan MoCA, and Shanghai MoCA have scaled back, while Long Museum's future appeared uncertain after its owners auctioned part of their collection. The downturn follows the collapse of China's property sector, Covid-19 restrictions, and a broader economic slump.

Lina Ghotmeh: ‘Museums should go beyond conservation to foster exchange, reflection and critical thinking’

In February 2025, Beirut-born, Paris-based architect Lina Ghotmeh won the competition to oversee the remodelling of the Western Range of the British Museum, a series of galleries comprising one-third of the historic London institution. Her project team includes conservation specialists Purcell and engineers Arup. Ghotmeh, known for her human-centred, sustainable approach and her 'archaeology of the future' methodology, has previously designed the Stone Garden tower in Beirut and the 2023 Serpentine Pavilion in London. She also holds commissions for a contemporary art museum in AlUla, Saudi Arabia, a Venice Biennale pavilion for Qatar, and the Bahrain Pavilion for Expo 2025 Osaka.

Manhattan’s New Museum to collaborate with Fondazione Sandretto Re Rebaudengo on artist commissions

The New Museum in Manhattan is partnering with Fondazione Sandretto Re Rebaudengo, founded by Italian patron Patrizia Sandretto Re Rebaudengo, to launch the New Futures Production Fund. This initiative will support the production and exhibition of new works by international artists, with Italian-born Diego Marcon as the first commissioned artist. Marcon's new work will debut in a solo exhibition at the New Museum next year before traveling to the foundation in Turin. The collaboration coincides with the New Museum's expansion, a seven-story addition designed by Rem Koolhaas and OMA's Shohei Shigematsu, which will double its exhibition space.

Denver Art Museum proudly presents Andrea Carlson’s first museum survey, A Constant Sky

The Denver Art Museum (DAM) has announced "A Constant Sky," the first museum survey of artist Andrea Carlson. The exhibition, which marks the museum's centennial of collecting Indigenous arts, features Carlson's bold paintings that challenge colonial narratives and cultural consumption. The show is curated with input from Dakota Hoska, former Associate Curator of Native Arts at DAM, now at the National Gallery of Art, and John Lukavic, Andrew W. Mellon Curator of Native Arts at DAM.

Head of Carter museum in Fort Worth is leaving after 14 years

Andrew J. Walker is stepping down as executive director of the Amon Carter Museum of American Art in Fort Worth after 14 years. His tenure included launching a community artists initiative, overseeing a major renovation, and acquiring works by over ten Indigenous photographers. The museum also faced controversy last fall when it temporarily closed the exhibition "Cowboy" without explanation, later reopening it with a "mature content" label—a decision artist Rafa Esparza called censorship. Scott Wilcox, the museum's chief operating officer, will serve as interim leader while a search for a new director begins.

Reviving Metcalf Château: Celebrating Hawaiʻi artists who redefined modern art

A new exhibition at the University of Hawaiʻi at Mānoa’s Walter Dods, Jr. RISE Center honors the Metcalf Château, a pioneering collective of Asian-American artists who gathered in a house on Metcalf Street in the 1950s to redefine modern art in Hawaiʻi. Curated by Allison Wong and initiated by longtime university supporter Walter Dods, the show features works by founding members Bumpei Akaji, Satoru Abe, Tadashi Sato, Edmund Chung, Tetsuo “Bob” Ochikubo, Jerry T. Okimoto, and James K.K. Park, with a ceremonial blessing by Kahu Kordell Kekoa.

Brave New Work Is Coming to Santa Barbara

A three-day citywide symposium titled "Brave New Work: AI and Tech in the Hands of Artists" will take place in Santa Barbara from October 7-9, 2025. Organized by Michael Delgado in partnership with the Santa Barbara Museum of Art, the Museum of Contemporary Art Santa Barbara, and UCSB, the event brings together leading artists and scientists for panel discussions, exhibitions, networking, and public art installations. Participants include internationally renowned artists Nancy Baker Cahill, JoAnn Kuchera-Morin, Victoria Vesna, and Beatie Wolfe, alongside technology leaders Kevin Davis, Ken Kosic, and Alan Macy. Highlights include a companion exhibition curated by the Brill Family Foundation, an AR installation at MCASB, performances from the Quantum Concerto, and free projected public artworks at the Michael Towbes Library Plaza.

New Exhibition on Richard Hunt, Chicago Sculptor Who Made Monuments for the Nation, Provides an Intimate Look

The Loyola University Museum of Art (LUMA) has opened "Freedom in Form: Richard Hunt," an exhibition showcasing the work of the late Chicago sculptor who created over 160 public monuments across the U.S. The show, which runs through Nov. 15, 2025, features sculptures, maquettes, tools, and selections from Hunt's personal library, offering an intimate view of his career. It premiered in 2024 at the Abraham Lincoln Presidential Library in Springfield, where it was organized after First Lady of Illinois M.K. Pritzker recommended Hunt. The exhibition includes early works like "Hero's Head" (1956), inspired by Emmett Till, and later pieces such as "Hero Ascending," planned for installation at the Emmett Till/Mamie Till-Mobley historic landmark home.

Artist Tiff Massey's "Baby Bling" exhibit to become permanent collection at Detroit Institute of Arts

Detroit-based artist Tiff Massey's artwork "Baby Bling" (2023) has been acquired as a permanent collection piece by the Detroit Institute of Arts (DIA), following the success of her temporary exhibition "7 Mile + Livernois." The sculpture, made from steel beads, woven rope, and brass, reimagines childhood hair accessories known as "bobos" worn by Black women and girls, celebrating Black hair culture and identity. Massey, the youngest artist to have a solo exhibition at the DIA, saw her "7 Mile + Livernois" show attract over 220,000 visitors from May 2024 through May 2025. "Baby Bling" will be installed in the museum's newly reimagined Modern and Contemporary wing when it reopens in 2026.

Photo London, the UK’s leading photography fair, is relocating

Photo London, the UK's leading photography fair, is relocating from Somerset House to the newly renovated Olympia in west London starting with its 11th edition in May 2026. The move follows a decade at Somerset House and coincides with Olympia's £1.3bn redevelopment co-designed by Heatherwick Studio and SPPARC. Director Sophie Parker cited feedback from galleries and collectors requesting a more flexible, cohesive space, while co-founder Michael Benson called the relocation a 'thrillingly adventurous reimagining' of the fair's future.

Tate chair floats selling Turbine Hall naming rights for ‘a minimum of £50m’

Tate chair of trustees Roland Rudd has suggested that naming rights for the Turbine Hall at Tate Modern could cost a minimum of £50 million. The proposal, reported by The Telegraph, is tied to the institution's new Tate Future Fund, launched last week with a goal of reaching £150 million by 2030. Rudd stated that endowing curators, directors, or naming the iconic space are all potential options for donors, though a Tate spokesperson emphasized the comments were hypothetical and the fundraising campaign is just beginning.

Lesia Vasylchenko wins the PinchukArtCentre Prize

Lesia Vasylchenko, a Kyiv-born artist, has won the 2025 PinchukArtCentre Prize, receiving 400,000 Ukrainian hryvnia (about $10,000). Her winning installation includes two video works: one reflecting on the shelling during Russia's full-scale invasion of Ukraine, and another using AI to compress 30 years of sunrises into a single event. At the awards ceremony held on 18 June in Kyiv—a day after a deadly Russian drone attack killed at least 28 people—Vasylchenko announced she would donate the entire prize to support the Armed Forces of Ukraine. Special prizes were awarded to painter Kateryna Aliinyk and artist Yevhen Korshunov, each receiving 100,000 hryvnia and additional support.

Māori art returns to New York’s Met museum in reimagined exhibition

The Metropolitan Museum of Art in New York City has reopened its Oceania galleries after an extensive renovation and reimagining from an Indigenous perspective. The new Arts of Oceania installation features over 650 works representing 140 cultures from across the region, including Australia, New Guinea, and New Zealand. Curated by Maia Nuku, the exhibition took eight years to plan and showcases artworks created in the last 500 years, emphasizing the ocean as a connective highway rather than a barrier. The reopening continues the legacy of the landmark 1984 exhibition Te Māori: Māori Art from New Zealand Collections, which set a benchmark for shared decision-making between museums and Indigenous communities.

Refurb and rehang at London's National Gallery, Tate Modern turns 25 and Inge Mahn's ‘Balancing Towers’—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast, hosted by Ben Luke, covers three major stories. First, the National Gallery in London reopens its Sainsbury Wing after a two-year closure, featuring a major architectural overhaul by Annabelle Selldorf and a complete rehang of the collection; Luke tours the space with director Gabriele Finaldi. Second, Tate Modern celebrates its 25th anniversary, with Luke discussing its impact and future with Louisa Buck and Dale Berning Sawa. Third, the Work of the Week segment highlights Inge Mahn's sculpture 'Balancing Towers' (1989), featured in the exhibition 'Are we still up to it?' – Art & Democracy at Herrenchiemsee Palace, discussed with co-curator Oliver Kase.

In New York, Art Abounds This May Amid Market Uncertainty

New York's art world is gearing up for a packed May season, with major art fairs—Frieze New York, NADA New York, Independent, and TEFAF New York—all overlapping during a single week for the first time. More than 360 exhibitors will participate across these four main events, alongside smaller fairs like Spring/Break Art Show, 1-54 Contemporary African Art Fair, Future Fair, and Esther II. Auction houses and galleries are also staging high-profile sales and exhibitions, creating a concentrated period of activity for collectors and dealers.

That Lovely Land of Might-Have-Been at The Falstaff Project

A new group exhibition, "That Lovely Land of Might-Have-Been," opened at The Falstaff Project in El Paso, featuring works by over twenty artists including Haydee Alonso, Diamond Stingily, and Edward Thomasson. Curated by artist Miguel Bendaña, the show presents a diverse range of media, from video installations to other contemporary forms, and will run from January 29 through March 8, 2026.