A visitor recounts a personal gallery crawl through New York City neighborhoods like Tribeca, Chelsea, and the Lower East Side, highlighting specific exhibitions at Andrew Kreps Gallery, James Cohen Gallery, Chapter NY, and Bortolami Gallery. The article details works by artists including Thérèse Oulton, Elias Sime, Sonya Kelliher-Combs, Rosha Yaghmai, Vian Sora, and Sophie Reinhold, emphasizing the diversity of styles and materials on view.
Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.
Artist Megan Jenkinson presents her latest body of work, 'Secateur / Sequitur', at Two Rooms in Auckland. The exhibition features intricate photocollages that blend botanical elements with man-made materials like wire, drawing inspiration from classical philosophy and the Japanese art of ikebana. Jenkinson’s meticulously structured compositions explore the tension between the natural world and human systems of order.
TEFAF Maastricht is reinforcing its position as a premier destination for high-end collectors by increasingly integrating 20th-century secondary market material alongside its traditional Old Masters and antiquities. Despite a period of leadership instability—marked by the recent departure of managing director Dominique Savelkoul after less than a year—the fair remains a critical fixture for 276 exhibitors. This year's edition highlights a diverse range of objects spanning 7,000 years, from Neolithic pottery to contemporary photography and high jewelry worn by celebrities like Helen Mirren.
San Diego is hosting a variety of cultural events from March 4-8, ranging from sports and live music to theater and food festivals. Key highlights include the Seven Seas Food Festival at SeaWorld, a Great Gatsby-themed afternoon tea at Fairmont Grand Del Mar, and concerts by Aimee Mann and Lala Lala. The weekend also features celebrations for International Women’s Day, including a makers market and brunch at Stone World Bistro & Gardens.
Frieze Los Angeles 2025 is showcasing a diverse array of sculptural works that emphasize tactile materials and bodily forms. Highlights from the fair include Vincent Pocsik’s architectural mirrors at Nazarian Curcio, Shana Hoehn’s public installation featuring human limbs emerging from a fallen tree, and Alejandro García Contreras’s intricate ceramic spiderwebs. The presentation underscores a trend toward figurative sculpture that blends personal symbolism with physical presence, with several works already finding buyers among notable collectors.
Korean-born, Los Angeles-based artist Ken Gun Min is set to debut his third solo exhibition, 'Strange Days of a Quiet Sun,' at Nazarian/Curcio in Los Angeles. The showcase features a new body of work including a monumental double-sided folding screen and paintings that utilize Min's signature technique of combining embroidery, beading, and hand-applied materials with traditional pigments. The exhibition explores themes of sadness and estrangement through the astronomical metaphor of a 'quiet sun,' blending Western art history with East Asian traditions.
Ai Weiwei has launched his first major solo exhibition in India at Nature Morte gallery in New Delhi, timed to coincide with the India Art Fair 2026. The show features a range of works spanning three decades, including his signature large-scale Lego compositions and porcelain sculptures. Notably, the artist debuted new pieces that engage specifically with Indian art history, reimagining works by modernists SH Raza and VS Gaitonde, as well as traditional Rajasthani Pichwai paintings, through his modular toy-brick medium.
Michelangelo Pistoletto, a leading figure of the Italian arte povera movement, has opened his first-ever solo exhibition in St. Moritz, Switzerland. The show, presented at the Robilant + Voena gallery's outpost in a repurposed 18th-century church, features five new mirror works from his "Color and Light" series and a sixth new piece from his "Black and Light" series, all created specifically for the ecclesiastical space.
Five art openings in London are scheduled for the first week of 2026, split across two nights. On Thursday, January 8, two group exhibitions debut: 'PELT' at OHSH Projects (above Peckham Rye Station) features 19 artists exploring skin as a site of memory and mortality, and 'Connecting Threads' at Great Pulteney Street Gallery presents 11 artists expanding textile art. On Friday, January 9, three solo shows open: Max Boyla's 'Spooky Action At a Distance' at Palmer Gallery, Willa Cosinuke's 'Split Studies' at Chilli, and Sverre Malling's 'At The Mistress’ Request' at Kristin Hjellegjerde Gallery.
Six notable projects at Art Basel Miami Beach 2025 are highlighted, including presentations by Chicago-based galleries Document, Gray, moniquemeloche, and Patron, which showcase artists who experiment with material form and lived experience. Other featured works include Aleksandra Waliszewska's cat-centered paintings at Dawid Radziszewski, Myungmi Lee's vibrant game-inspired works at Wooson, Etel Adnan's rare 1960s drawings at Galerie Lelong, and Mary Bauermeister's newly discovered 1950s works on paper at Michael Rosenfeld Gallery.
David Shrigley has unveiled a new exhibition titled 'Exhibition of Old Rope' at London's Stephen Friedman Gallery, featuring ten tonnes of discarded rope sourced from seaports, climbing schools, tree surgeons, offshore wind farms, and shorelines across the UK. The rope, roughly 20 miles in length, has been intensively cleaned and piled high in the Mayfair gallery, with a deliberately provocative price tag of £1 million. The show runs until 20 December 2025.
Clarissa, a new curatorial platform from Émergent Magazine, launched its first group exhibition during Frieze Week in London. Staged across three levels of a former club and sex shop in King’s Cross, the show features a mix of established and emerging artists—including Michael Dean, Hilary Lloyd, Tobias Spichtig, Joel Wycherley, Remi Ajani, and Tiago Francez—alongside works by Patricia L Boyd, Oscar Enberg, Hamish Pearch, and others. Curated by Reuben Beren James and Albert Riera Galceran in collaboration with the nomadic collective Soft Commodity, the exhibition aims to ignore art-world hierarchies and focus on intuitive dialogues between artists across generations and geographies.
The Melrose Gallery in Johannesburg is hosting "Junkyard Dogs," an exhibition featuring South African artists Dr. Willie Bester and Prof Pitika Ntuli, running until October 31. The show transforms discarded materials into sculptures, paintings, and installations that address social and political issues, including apartheid and post-colonial identity. Curated by Ashraf Jamal and Tumelo 'Tumi' Moloi, the exhibition includes a soundscape, children's workshops, poetry sessions, and guided walkabouts, all free to the public.
This article highlights five standout exhibitions at small and rising galleries for September 2025. Featured shows include Ali Tahayori's "Archive of Longing" at THIS IS NO FANTASY in Melbourne, where family photographs are transformed into fragile glass sculptures exploring memory; Michael Batty's "Ladders and Tone Poems" at Mark Moore Fine Art, an online exhibition of abstract, geometrically arranged paintings; and "William S. Burroughs: REDUX 1995–2025" at Robert Berman Gallery in Santa Monica, a survey of the Beat writer's gestural abstract paintings and mixed-media works.
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The third annual Space to Breathe summer art exhibition, titled 'Making Waves – Breaking Ground,' is on view at Bowhouse in St Monans, Fife, Scotland, from 19 July to 4 August 2025 and 16-31 August 2025. Organized by Sophie Camu Lindsay and Alexander Lindsay in collaboration with Purdy Hicks Gallery, the show features 11 artists and over 100 works—paintings, drawings, and photographs—that explore the natural world, particularly land and sea. The installation uses a unique hanging system in the 900-square-meter barn space, allowing visitors to create their own journey through the works. Artists push boundaries in technique, with many using innovative photographic processes that blur the line between photography and painting, such as Anaïs Tondeur's rayograms of radioactive plants from Chernobyl.
Vogue India highlights 11 new art shows opening across India in August 2025, including the 8th edition of Delhi Contemporary Art Week, which brings together six women-led galleries. Notable exhibitions include 'The Personal is Mythical' at Latitude 28 featuring Gond artist Bhajju Shyam, 'Roots of the Earth' at Jhaveri Contemporary exploring marginalized histories, and a solo show of Madhvi Parekh at DAG celebrating her folk modernist works. Other shows include 'Objects May Appear Softer…' at Black Cube Gallery, focusing on Indian female artists.
Three Israeli artists—Ronit Porat, an evacuated photographer working with archival materials; an emerging artist using shrapnel from rocket shells as art material while serving as an IDF reservist; and a young artist opening a new exhibition after a break—are profiled in this column by Basia Monkaj. Each answers three questions about inspiration, the definition of art, and what makes their work unique, set against the backdrop of the ongoing war in Israel and the centenary of Surrealism.
The Paul W. Zuccaire Gallery at Stony Brook University presents "Weaving Words, Weaving Worlds: The Power of Indigenous Language in Contemporary Art," a group exhibition featuring 24 artists including Jeffrey Gibson, Jaune Quick-to-See Smith, and Kay WalkingStick. The show, on view from July 17 through November 22, explores how traditional and new media art can serve as a vessel for cultural continuity, storytelling, and the reclamation of Indigenous languages, with a focus on Algonquian languages spoken across Long Island and the Northeast. Archival materials from Stony Brook University’s Special Collections, including the Native Long Island map with over 400 Algonquian words, provide historical context.
Nickola Pottinger presents her first solo museum exhibition, "fos born," at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, curated by chief curator Amy Smith-Stewart. The show features Pottinger's emotive, organic sculptures called "duppies," inspired by Jamaican folklore and her West Indian upbringing in Brooklyn. Constructed from recycled materials like furniture, bones, bird cages, and pigmented paper pulp made from family documents and rubble, the works explore themes of cultural identity, motherhood, and the duality of post-colonial existence. The exhibition centers on the recent birth of Pottinger's daughter, Zora, with pieces like "Give tanks and praises" (2025) incorporating a cast of the artist's pregnant torso.
The Baloise Art Prize has been awarded to London-based artist Rhea Dillon and Lebanese Canadian artist Joyce Joumaa for their presentations in the Statements section of Art Basel. Dillon, represented by Soft Opening gallery, exhibited *Leaning Figures*, a series of wall-mounted sculptures made from resin mixed with molasses and Jamaican soil, replicating cut-crystal plates. Joumaa, shown with Montreal’s Galerie Eli Kerr, presented *Periodic Sights*, an installation of repurposed fuse boxes illuminated with photographs of everyday scenes from Beirut and Tripoli, addressing Lebanon’s energy crisis. As part of the prize, Dillon’s work was acquired by the Museum für Moderne Kunst (MMK) in Frankfurt, and Joumaa’s by Mudam Luxembourg.
Amoureuse des arbres, la sculptrice Lélia Demoisy sublime la nature par l’hybridation
Lélia Demoisy, a French sculptor born in 1991, creates hybrid works that blend wood with animal elements, such as a yew wood sculpture covered in fox fur or a suspended skeleton made from naturally curved thuya branches. She lives in a small village in the Yvelines region, where she works with wood and metal herself, often sourcing materials locally, and recently participated in the Maif pour le vivant committee as the only artist on the jury.
Lehman College Art Gallery is presenting the 2026 Thesis Exhibition, running from May 20 to 28. The show features over thirty undergraduate and graduate artists, showcasing a wide range of conceptual approaches and material experimentation.
The 61st Venice Biennale's international exhibition, titled "In Minor Keys," opened with a somber curatorial press conference, as artistic director Koyo Kouoh, who died in May 2024 at age 57, was not physically present. The exhibition features 110 invited participants across the Arsenale and Giardini, including works by Buhlebezwe Siwani, Johannes Phokela, Wangechi Mutu, Ebony G. Patterson, and Kambui Olujimi. Protests marked the opening, with gatherings at the temporary Israeli pavilion and Pussy Riot's presence at the Russian pavilion, while the exhibition itself asks viewers to look closer at overlooked forms of representation and consider innovative models of measuring the world.
An exhibition at the Grolier Club in New York City, titled "Running Through Heaven: Visions of Jack Kerouac," presents over 60 pieces of ephemera and unpublished correspondence from the Beat Generation icon's life. Curated by antiquarian collector Jacob Loewentheil, the show includes first editions, a Buddhist mala, a tobacco pouch, and a signed 1964 portrait of Kerouac, organized thematically around religion, jazz, and family. The exhibition runs through May 16 and offers an intimate look at the man behind the myth.
Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.
Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.
Ukrainian-born artist Jonko “George” Voronovsky transformed his modest retirement room at Miami’s Colony Hotel into a dense, vibrant sanctuary of over 5,000 artworks. After surviving the horrors of the Russian Revolution, Nazi labor camps, and permanent separation from his family, Voronovsky immigrated to the U.S. and spent his final years creating "memoryscapes." These works, crafted from found materials like pizza boxes and soda cans, depicted idyllic, colorful scenes of his youth in Ukraine, contrasting sharply with the trauma of his past.
NIKA Project Space in Paris presents "Sour Things: The Door," a new installation by Palestinian artist Mirna Bamieh, on view from April 17 to May 23, 2026. Curated by Anne Davidian, the exhibition marks Bamieh's return to the gallery following her solo presentation that inaugurated NIKA's Paris space in 2024, and serves as the latest chapter in her ongoing "Sour" series.
Lo Brutto Stahl in Paris is hosting a group exhibition titled "Where it doesn’t reach," featuring the works of Hélène Janicot, Park McArthur, and the late conceptual artist Bas Jan Ader. The show creates a dialogue between contemporary sculpture and installation by Janicot and McArthur and historical lens-based media by Ader. Notably, the exhibition's reach extends beyond the Parisian gallery space to include a presence in Basel.