“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

Rose Art Museum Presents Fred Wilson: Reflections August 20, 2025 – January 4, 2026

The Rose Art Museum at Brandeis University will present "Fred Wilson: Reflections," a major survey of the artist's work from 2003 to the present, on view from August 20, 2025, through January 4, 2026. Curated by Dr. Gannit Ankori, the exhibition spans three sections, including Wilson's glassworks inspired by the 2003 Venice Biennale, his black-and-white Flag paintings, and the debut of a new immersive installation, "Black Now!," which features over 2,500 found objects collected since 2005 that explore themes of race, identity, and material culture.

Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

The Victoria & Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" at the Sainsbury Gallery from March 21 to November 1, 2026. The exhibition traces the legacy of founder Elsa Schiaparelli from the 1920s to the present, under current owner Diego Della Valle and creative director Daniel Roseberry. It will feature over 200 objects spanning Paris, London, and New York, including garments, accessories, jewelry, paintings, photographs, and archive material. Highlights include the Skeleton dress (1938) and the Tears dress (1938), created in collaboration with Salvador Dalí. The show also explores Schiaparelli's relationships with clients like Wallis Simpson and artists such as Pablo Picasso, Jean Cocteau, and Man Ray.

In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

William Kentridge's latest exhibition, 'A Natural History of the Studio,' at Hauser & Wirth in New York presents over 70 drawings from his nine-part film series 'Self-Portrait as a Coffee-Pot,' alongside new sculptures. The works, created during the pandemic, explore self-portraiture through charcoal, pastel, and collage, often featuring doppelgängers that argue and disagree, reflecting the artist's engagement with theater and the materiality of his forms.

“Dyke is our armor:” A conversation with dyke artist Sarah-Joy Ford’s about her new exhibition Dykeland (2025)

Dr. Sarah-Joy Ford, an artist and independent scholar based in Todmorden, West Yorkshire, has opened her exhibition "Dykeland: Volume 1" at The Whitaker Museum & Art Gallery in Rossendale on June 7, 2025. The show explores the history of dyke and lesbian landscapes in the UK, focusing on queer relationality to placemaking and preservation. It interweaves historical material, personal memory, and fantasy in response to Jane Cambell's upcoming poetry collection "Dykeland and other secret islands," and is displayed alongside Cambell's art. Ford uses quiltmaking as a medium to share lesbian and queer archival material, continuing a tradition of queer fabric art that includes recent installations like the ACLU's 258-square-quilt display on the National Mall and the Euphoria Quilt by Eliot Anderberg.

The Met to Present Focused Exhibition of George Morrison Works from the Artist’s Early Years in New York

The Metropolitan Museum of Art will present "The Magical City: George Morrison’s New York," a focused exhibition of works by George Morrison (1919–2000), a Native American artist from the Grand Portage Band of Lake Superior Chippewa. Running from July 17, 2025, to May 31, 2026, at The Met Fifth Avenue, the show highlights Morrison’s early years in New York City, where he became a key figure in the American Abstract Expressionist movement. It features paintings, drawings, and archival materials from his time at the Art Students League and his interactions with peers like Willem de Kooning and Franz Kline, tracing his evolution from figurative work to abstract automatism infused with Ojibwe aesthetics.

A natural history of the studio

William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.

Arkansas Museum of Fine Arts exhibition highlights the art of conservation

The Arkansas Museum of Fine Arts (AMFA) in Little Rock is opening an exhibition titled "The Long View: From Conservation to Sustainability: Works From the Bank of America Collection" on June 13, running through August 31. The show features paintings, photographs, prints, and sculptures from the mid-19th century to the present, highlighting artists who advocated for conservation and sustainable habitats. A free family event, "Family Fest: Into the Wild," will be held on June 14 with activities led by the Arkansas Game and Fish Commission, including artmaking, live animals, and outdoor demonstrations.

Souto’s work featured in Joslyn’s ‘Made in the Plains’ exhibition

Francisco Souto, a professor of art and director of the School of Art, Art History and Design at the University of Nebraska–Lincoln, is one of 20 artists featured in the exhibition "Made in the Plains" at the Joslyn Art Museum in Omaha, running from June 7 to September 21, 2025. The show highlights new and recent work by artists living in Nebraska, Iowa, and South Dakota, showcasing diverse materials and approaches. Souto is debuting a new polyptych, "8 Million Broken Dreams," consisting of eight circular panels with stone arrangements that reference the over eight million people who have left Venezuela, incorporating visual elements inspired by Carlos Cruz-Diez's mosaic floors at Simón Bolívar International Airport.

Steamy scenes in urban underworlds were Edward Burra’s great subject—now they're coming to Tate Britain

Tate Britain is staging a major retrospective of Edward Burra (1905-76), the English painter known for his vivid depictions of urban underworlds, jazz clubs, and later brooding landscapes. The exhibition, curated by Thomas Kennedy, features over 80 paintings and newly discovered archival material spanning Burra's career from the 1920s to the 1970s, including rarities like 'Cornish Clay Mines' (1970) from a private collection. It also draws on Burra's extensive correspondence—described by his biographer Jane Stevenson as 'grubby letters'—which offers unprecedented insight into his personal world and chronic pain from rheumatoid arthritis and anemia.

Stanford University acquires Filipina American artist Pacita Abad’s archive

Stanford University has acquired the archives of Filipina American artist Pacita Abad, a gift from the Pacita Abad Art Estate that also includes funding to catalog 120 linear feet of archival materials—photographs, correspondence, exhibition records, and personal artifacts. The archive will be stewarded by Stanford University Libraries' Bowes Art and Architecture Library in collaboration with the Cantor Arts Center, and is expected to be available to students and scholars within a year. The acquisition follows Abad's posthumous traveling retrospective that opened at the Walker Art Center in 2023, which brought her prolific 32-year practice to the attention of U.S. institutions.

Mbare Art Space: a colonial beer hall in Zimbabwe has become a vibrant arts centre

Moffat Takadiwa, a leading figure in Zimbabwe's artist-run spaces movement, has transformed a former colonial-era beer hall in the Mbare township of Harare into the Mbare Art Space. Opened in 2019 under a long lease from the Harare City Council, the nonprofit hub now houses studios, an exhibition hall, a digital hub, and office space, serving as a vibrant center for artistic and community revival. The beer hall was originally built by British colonial authorities as a tool of social control and segregation, but Takadiwa has repurposed it into a site of creative freedom and empowerment, inspired by global precedents like Theaster Gates' Stony Island Arts Bank in Chicago.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

Inside Denver’s Cookie Factory Turned Art Gallery

A former fortune cookie factory in Denver's Baker neighborhood has been transformed into a nonprofit art space called the Cookie Factory, opening this weekend. The 5,000-square-foot venue, founded by philanthropist and real estate developer Amanda J. Precourt, features a gallery, sculpture garden, and video-screening rooms. The inaugural exhibition, 'Nothing Without Nature,' presents site-specific works by Colorado-based artist Sam Falls, created using natural materials and processes. The space is free to the public and will also host fundraising events, performances, and community meetings.

A rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate change

The 2025 Venice Architecture Biennale, curated by Carlo Ratti, opens with immersive installations that confront climate change, including a film on civilizations rising and collapsing, a reflective pool installation by Michelangelo Pistoletto symbolizing humanity-nature reconciliation, and a non-functional air conditioner display by Transsolar Klima Engineering. Ratti issued the Biennale's first open call, selecting over 300 multidisciplinary teams—engineers, scientists, artists, and architects—to explore new building methods that reject Modernist materials like steel and concrete in favor of natural and Indigenous approaches.

Veronica Ryan: Unruly Objects

The Pulitzer Arts Foundation and the Wexner Center for the Arts have co-organized an exhibition titled "Veronica Ryan: Unruly Objects," curated by Tamara H. Schenkenberg with curatorial assistant Molly Moog. At the Wexner Center, the presentation is further organized by Schenkenberg and Julieta González, head of Visual Arts. The exhibition is supported by a range of funders including ENGIE, the American Electric Power Foundation, and the Mellon Foundation, among others.

Behind the scenes of the Met’s revamped Rockefeller Wing with its acclaimed architect

Kulapat Yantrasast, the Bangkok-born architect behind Why Architecture, has completed a $70 million overhaul of the Metropolitan Museum of Art's Michael C. Rockefeller Wing, which houses the arts of Africa, Oceania, and the ancient Americas. Working with executive architect Beyer Blinder Belle, Yantrasast redesigned the 40,000-square-foot exhibition hall to address longstanding conservation issues caused by a 200-foot glass wall on Central Park that exposed fragile objects to heat and light. The wing reopens to the public on May 31 after four years of construction.

The best museum shows to see during Tefaf New York 2025

The article highlights several major museum exhibitions opening during Tefaf New York 2025. At the Brooklyn Museum, "Solid Gold" (through July 6) traces the material's historical and cultural significance across fine art, fashion, jewelry, and design, featuring works from ancient Coclé gold plaques to pieces by Agnes Martin, Louise Nevelson, and Alexander Calder. The Metropolitan Museum of Art presents "Sargent and Paris" (through August 3) for the centenary of John Singer Sargent's death, reuniting his scandalous "Portrait of Madame X" with preparatory sketches and exploring his formative decade in Paris. The Jewish Museum offers "The Book of Esther in the Age of Rembrandt" (through August 10), examining the biblical story's influence on 17th-century Dutch art through works by Rembrandt and his contemporaries.

Spiders of Paradise to open at Tweed Regional Gallery

Tweed Regional Gallery & Margaret Olley Art Centre will present 'Maria Fernanda Cardoso: Spiders of Paradise' opening on May 9, 2025. The exhibition, developed and toured nationally by the Museum of Contemporary Art Australia (MCA Australia), features Colombian Australian artist Maria Fernanda Cardoso's photographic project on the Australian Maratus spider. It includes 17 large-scale digital photographic portraits created with scientific imager Geoff Thompson and entomologist Andy Wang, plus an immersive projection of Cardoso's video 'On the Origins of Art I-II' (2016), co-owned by MCA Australia and Tate.

Rashid Johnson Finds His Promised Land at the Guggenheim (Published 2025)

Rashid Johnson has mounted a major exhibition at the Solomon R. Guggenheim Museum in New York, titled "Rashid Johnson: The Promised Land." The show spans the artist's career, featuring his signature works in sculpture, painting, and installation that explore themes of Black identity, history, and the African diaspora. It includes iconic pieces such as his "Anxious Men" series and large-scale works incorporating materials like shea butter, books, and plants.

Tutto Boetti 1966–1993

Tutto Boetti 1966–1993

Magazzino Italian Art has announced a major survey exhibition titled "Tutto Boetti 1966–1993," scheduled to run from April 2026 through April 2028. The show features approximately 30 works tracing Alighiero Boetti’s career from his early industrial material experiments in Turin to his later collaborative embroideries and graph paper works. The exhibition draws from the museum’s permanent collection, the Boetti estate, and private loans, and will be launched alongside a scholarly symposium organized with the Fondazione Alighiero e Boetti.

THE MONUMENTALITY OF THREAD OLGA DE AMARAL AT MALBA

The Museo de Arte Latinoamericano de Buenos Aires (Malba) has opened a major retrospective of Colombian artist Olga de Amaral, titled 'Olga de Amaral: Textile Body,' to celebrate the museum's 25th anniversary. The exhibition, running until May 11, features over fifty works from six decades, including key series like Entrelazados and Brumas, drawn from collections across the Americas.

CRUZ DIEZ AT ISLAA COLOR AS AN EXPERIENCE IN CONSTANT TRANSFORMATION

The Institute for Studies on Latin American Art (ISLAA) in New York is presenting "Carlos Cruz-Diez: Color at Stake," an exhibition of twenty-three works by the late Venezuelan artist. Spanning from 1955 to 1988, the show highlights his pioneering investigations into color as a dynamic, participatory experience, featuring key series like Physichromie and Chromointerférence alongside archival materials.

antonio pichilla quiacain elizabeth xi bauer

Artist Antonio Pichillá Quiacaín, born in 1982 and based in San Pedro La Laguna, Guatemala, presents his solo exhibition “Umbilical Cord” at Elizabeth Xi Bauer gallery in London. The show, on view through August 2, 2025, features new and recent works that explore Maya visual culture, Indigenous craft traditions, and the knot as both a formal element and a metaphor for connection, life, and time. A 3:22-minute video from 2021 shows the artist in a forest with traditional weaving materials, while the exhibition also marks the gallery’s announcement of representing the artist.

総合開館30周年記念「ルイジ・ギッリ 終わらない風景」@ 東京都写真美術館

The Tokyo Photographic Art Museum is hosting "Luigi Ghirri: Endless Landscapes," the first Asian museum solo exhibition dedicated to the Italian photographer Luigi Ghirri (1943–1992), running from July 3 to September 28, 2025. The exhibition presents a wide range of Ghirri's work, from his early masterpieces to his late pieces, including his famous series on Giorgio Morandi's studio. It also features works and materials by his wife, graphic designer Paola Borgonzoni (1954–2011), highlighting her crucial role in his career. Related events include a symposium with Ghirri's daughter Adele Ghirri and curator Ilaria Campioli, gallery talks, and the Japanese premiere of the documentary film "Infinito."

In Medias Res. Sofia Defino Leiby by Gabriela Acha

Berlin-based artist Sofia Defino Leiby is currently transitioning her practice between her Alt-Treptow studio and a residency at Defet House in Nürnberg. Her multidisciplinary approach integrates painting, collage, and performance, drawing heavily from a 'running narrative' of personal notes, found ephemera, and high-end materials like Schmincke paints. The work often features visceral, layered compositions that utilize everything from vintage packaging to Swiss Aura-Soma bottle imagery.

Artist in Focus: Louis Pohl Koseda. Constructing the City as Memory.

British artist Louis Pohl Koseda is gaining attention for his intricate works that blend drawing, painting, and architectural theory to explore the city as a psychological structure. His practice, which he terms 'metafictionism,' utilizes fine-line drawing to create layered compositions where figures navigate unstable, theatrical urban environments. Influenced by his upbringing in an East London Hare Krishna community, Koseda’s work focuses on how belief systems and social fabrics are mapped onto the physical and imagined spaces of the city.

‘I see hidden codes within the everyday’: Sandra Poulson’s first museum exhibition explores material histories of global exchange

The article features an interview with Angolan artist Sandra Poulson about her first museum exhibition, 'Este quarto parece uma República! (This bedroom looks like a republic!)', on view at MoMA PS1 in Queens until October 6. The exhibition, originally commissioned by Jahmek Contemporary Art in Luanda and shown at Sadie Coles HQ during Condo London 2025, uses wood and found furniture to explore how symbols in everyday objects reflect postcolonial legacies, global trade, and power structures. Poulson discusses her father's Portuguese phrase that inspired the title, the material history of wood from Dutch colonies, and the use of institutional logos on T-shirts in Angola as a form of propaganda.

tom price radical material experimentation

Artist Tom Price discusses his material-driven practice in an interview with Artnet News. Based in Mallorca, Spain, and a Royal College of Art graduate, Price explores how materials like coal, resin, and tar carry symbolic weight and drive conceptual narratives in his sculptures. His "Meltdown" series and works such as "The Presence of Absence" (2014) demonstrate his focus on material transformation, figuration, and abstraction.