Event: Hammad Nasar and Billy Tang, Off the Record

ArtReview and Ursula magazine have announced a collaborative talk featuring curators Hammad Nasar and Billy Tang as part of their "Off the Record" series in London. The event, held at the Farm Shop in Mayfair, is designed as an intimate, live conversation focused on the working methods and inspirations of creative visionaries. Nasar, a veteran curator and MBE recipient, will join Tang, the Artistic Director of the new Yan Du Project, to discuss their respective practices and the evolution of creative thinking.

The Asian Market Carries Art Basel Hong Kong

Le marché asiatique porte Art Basel Hong Kong

Art Basel Hong Kong 2026 concluded with strong attendance and significant sales, demonstrating the fair's central role in the Asian art market. The event attracted over 91,000 visitors and featured 240 galleries, with a strong presence from the Asia-Pacific region, Europe, and the United States. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner reported multimillion-dollar sales of works by artists such as Louise Bourgeois, Liu Ye, and Marlene Dumas, alongside notable transactions for works by Tracey Emin and Antony Gormley.

The Best Exhibitions to See in Paris Right Now

Les meilleures expos du moment à voir à Paris

Beaux Arts Magazine has published a guide to the best current exhibitions in Paris for spring 2026, highlighting major shows such as "Martin Parr. Global Warning" at the Jeu de Paume, "Matisse. 1941–1954" at the Grand Palais, "Michel-Ange Rodin" at the Musée du Louvre, "Renoir et l'amour" at the Musée d'Orsay, "Calder. Rêver en équilibre" at the Fondation Louis Vuitton, and "Splendeurs du baroque" at the Musée Jacquemart-André. The article also features retrospectives of Hilma af Klint at the Grand Palais, Károly Ferenczy at the Petit Palais, Henry Taylor at the Musée Picasso, a Lee Miller exhibition at the Musée d'Art moderne de Paris, a Giovanni Segantini show at the Musée Marmottan Monet, and a Nan Goldin multimedia presentation at the Grand Palais.

How Much Is That Chagall in the Window: Metropolitan Opera Faces Funding Crisis After Saudi Deal Collapse

The Metropolitan Opera in New York faces a $30 million deficit after a $200 million funding deal with Saudi Arabia collapsed. The Saudi government withdrew from the agreement, which would have sent Met performers to the Royal Diriyah Opera House for three weeks each February, citing economic pressures from the Iran War and the blockage of the Strait of Hormuz. To address the shortfall, the Met is considering selling two monumental Marc Chagall paintings—The Sources of Music and The Triumph of Music (1966)—valued at $55 million, along with other options like selling naming rights or seeking a similar deal with another country.

American Artist, Penny Arcade Among 2026 Guggenheim Fellowship Cohort

The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows for 2026, awarding 223 individuals across 55 disciplines. This year’s cohort includes a significant number of visual artists and art professionals, such as American Artist, John Ahearn, Sonya Clark, and Fia Backström, alongside scientists, writers, and scholars. The fellowships provide varying monetary awards, typically ranging from $30,000 to $45,000, to support the recipients' ongoing creative and intellectual projects.

Emerson Bowyer Appointed Chief Curator of Kimbell Art Museum

The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.

8 Must-See Solo Gallery Shows in May

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, highlighting exhibitions in New York, Chicago, San Francisco, and Los Angeles. Featured artists include Domenico Gnoli at Lévy Gorvy Dayan, John Stezaker at Gray in Chicago, Alison Elizabeth Taylor at Jessica Silverman in San Francisco, Charles Ray at Matthew Marks Gallery and Jeffery Deitch in Los Angeles, Jose Dávila at Sean Kelly, and Peter Hujar at Ortuzar, among others. The article provides details on each artist's practice and the scope of their exhibitions, such as Gnoli's largest U.S. show in five decades and Hujar's restaging of his final solo exhibition.

Pulp singer Jarvis Cocker and Kim Sion to curate 2027 Hepworth Wakefield show.

Musician Jarvis Cocker, best known as the frontman of the band Pulp, and his wife Kim Sion, a creative consultant, will curate a group exhibition titled “The Hodge Podge” at The Hepworth Wakefield in the UK in 2027. The show will feature a diverse range of artworks across different eras and media, focusing on artists who challenge conventional definitions of art. This marks Cocker’s first curatorial project at a major institution.

How Dayanita Singh Got Into Venice’s Archives

Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.

12 exciting fashion and jewelry exhibitions that will make you travel this summer

12 expos de mode et de bijoux passionnantes qui vous feront voyager cet été

Beaux Arts Magazine presents a curated selection of twelve fashion and jewelry exhibitions across France, Paris, and Vienna, running through summer 2026. Highlights include a retrospective of Mossi Traoré at the Mucem in Marseille, a showcase of Thai haute couture at the Musée des Arts Décoratifs in Paris, and "Africa Fashion" at the Musée du quai Branly, celebrating African design from the independence era. Other featured exhibitions cover Christian Dior, Gianni Versace, Daniel Brush, Provençal costumes, and anniversaries of glittering fashion houses.

The most beautiful Parisian museum terraces to enjoy the sunny days

Les plus belles terrasses de musées parisiens pour profiter des beaux jours

Beaux Arts Magazine has published a guide to the best museum terraces in Paris for enjoying the sunny days of spring and summer. The article highlights five standout spots: Rose Bakery at the Musée de la Vie romantique, Joli at the Musée Carnavalet, the Grand Café at the Grand Palais, Corail at the Musée d'Art moderne, and Sama at the Institut du monde arabe. Each terrace is described for its unique atmosphere, from the bucolic garden of the Musée de la Vie romantique to the spectacular colonnade of the Grand Palais, with details on chefs, menus, and seasonal highlights.

Artist Nathaniel Mary Quinn, admired by the Rolling Stones and Leonardo DiCaprio, returns with hometown show

Artist Nathaniel Mary Quinn, known for his distinctive collage-like composite portraits, is opening his first solo exhibition in his hometown of Chicago at the National Public Housing Museum. Titled "A Love Letter to My Mother," the show honors his late mother and includes a replica of his family's living room in the Robert Taylor Homes public housing project. Quinn, who is represented by Gagosian, has seen his work acquired by major institutions including the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Art Institute of Chicago. His art will also appear on the cover of the Rolling Stones' forthcoming album "Foreign Tongues."

7 Must-See Shows During Art Brussels

The article provides a critic's guide to seven notable exhibitions to see in Brussels during the Art Brussels fair. It highlights Richard Tuttle's assemblages at Galerie Greta Meert, an expansive Lutz Bacher show at WIELS, and other presentations by artists like Tarek Lakhrissi, Mire Lee, and Tiona Nekkia McClodden across various galleries and institutions.

Danielle Mckinney Shares the Advice That Keeps Her Painting Even on Her Worst Days

Danielle Mckinney, a rising painter known for intimate depictions of Black women in moments of repose, shares insights into her creative process in a studio visit interview. She has two concurrent exhibitions: one at the Norton Museum of Art in West Palm Beach (through Oct. 4) and one at Marianne Boesky Gallery in New York (through June 13), where she debuts a series of watercolors and continues dissolving boundaries between figures and their domestic surroundings.

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The 2026 IFPDA Foundation Benefit Gala took place on the Upper East Side, honoring Christophe Cherix, Director of The Museum of Modern Art. Held in the historic Veterans Room at the Park Avenue Armory, the event gathered notable figures including artists Hank Willis Thomas and Yashua Klos, collectors Sharon Coplan, Stewart Gross, and Jordan Schnitzer, dealers Carolina Nitsch, Jill Newhouse, and Joni Moisant Weyl, and curators Nadine Orenstein, Freyda Spira, and Andrew Weislogel. A new print edition by Stanley Whitney, produced with Universal Limited Art Editions, was released to support the IFPDA Foundation’s grantmaking initiatives.

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Art dealer Gordon VeneKlasen, former longtime partner of Michael Werner, launched his own gallery at the start of 2025. The new VeneKlasen Gallery made its art fair debut at the inaugural Art Basel Qatar in Doha and will open twin shows of the late German artist Sigmar Polke at its New York and London spaces on March 3 and 12, respectively. In an interview, VeneKlasen discusses his career trajectory, from studying art history and working at the Ashmolean Museum to a stint with the U.S. Census Bureau, before joining Michael Werner and eventually striking out on his own. Several artists, including Florian Krewer, Issy Wood, and Sanya Kantarovsky, are following him to his new venture.

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Cultured magazine highlights three emerging artists to watch during Frieze Los Angeles: Katelyn Eichwald, Nevine Mahmoud, and Casey Bolding. The article features interviews with each artist, discussing their upcoming presentations in LA, their creative processes, and how their life experiences inform their work. Casey Bolding, for example, discusses his exhibition "Bloodstream" at Karma Los Angeles and how his background in graffiti and faux finishing influences his paintings.

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Brazilian artist Jonathas de Andrade discusses his collaborative, research-driven practice in a studio visit feature for CULTURED magazine. He describes working with actors, cart drivers, carrier pigeon racers, and zoo employees to create installations, photographs, and films that examine the architecture, labor, and history of northeast Brazil. This month, a Vatican-commissioned video installation about Brazilian activist nuns opens at MACRO in Rome, while a series of flags developed with canoeists on the São Francisco River is on view at the Victoria & Albert Museum in London. De Andrade shares his daily rituals, inspirations, and the expansive definition of his studio—a sanctuary in Recife filled with collected magazines, images, and objects.

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On Wednesday, artists Kenturah Davis and Dominique Fung joined LYRA Art Foundation founder Tanya Eves and CULTURED Editor-in-Chief Sarah Harrelson for a breakfast panel in New York. The conversation explored how patrons and institutions can help artists overcome limitations in resources, space, and funding to realize ambitious projects. Davis, a multidisciplinary artist working with text, graphite, and oil paints, and Fung, a painter and sculptor whose installation on death rituals and excavation opens at the Institute of Contemporary Art San Francisco with LYRA support, shared their experiences alongside art world leaders including Aspen Art Museum CEO Nicola Lees, art advisor Allan Schwartzman, Whitney Museum Chief Curator Kim Conaty, and Met curator Jane Panetta.

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Cultured magazine profiles a cross-section of Atlanta art collectors as the Atlanta Art Fair returns for its second edition, highlighting the city's growing art scene. The article features Esohe and George Galbreath, who discuss their collection of about 200 works focused on emerging Atlanta artists, their annual art party ARTiculate ATL, and how their tastes have evolved from figurative works responding to cultural moments to smaller pieces that allow for greater diversity.

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The article, written by an art critic for Cultured, opens by describing recent U.S. government actions under Executive Order 14253, including the National Park Service's restoration of a monument to Confederate General Albert Pike and a White House letter to Smithsonian Secretary Lonnie G. Bunch III ordering a review of Smithsonian programming to align with a directive to "celebrate American exceptionalism." The critic notes Bunch's balancing act of cooperating while asserting the Smithsonian's independent authority. The piece then pivots to the state of art criticism, referencing Domenick Ammirati's essay on the perpetual "crisis in criticism," and highlights Marco Brambilla's exhibition "Limit of Control" at bitforms gallery as the year's most under-appreciated show, praising its use of AI to explore political violence and protest.

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Cultured magazine publishes an interview with French conceptual artist Sophie Calle, conducted by a journalist who navigates Calle's characteristic conditions for the conversation. The article recounts the process of securing the interview—including a preliminary phone call from Calle to set rules—and describes Calle's home in the South of France, her tan arms, black sleeveless top, and signature glasses. The journalist references Calle's early photobooks published by Siglio, her "Unfinished" series displayed at the Musée Picasso in Paris (2023–24), and her project "The Address Book," which involved interviewing acquaintances of a stranger whose address book she found on the streets of Paris. The interview also touches on a companion catalog of moldy works after a flood in Calle's storage space, and a large photograph of dried flowers from architect Frank Gehry.

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Jon Neidich, a 43-year-old New York nightlife entrepreneur and collector who chairs the board of Creative Time, discusses his art collection in an interview. He shares that his first purchases were works from Robert Longo's "Men in the Cities" series and a Tracey Emin neon titled "Trust Yourself," which offered a wholesome counterpoint to his nightlife-focused world. Neidich credits his mother, Brooke Garber Neidich, a voracious collector of mid-century and contemporary artists, for teaching him to navigate the art world. He also recounts a hard-won acquisition of Victor Moscoso and Lee Conklin rock posters from Matthew Marks gallery, and highlights John Baldessari's "Throwing Three Balls in the Air to Get a Straight Line" as a piece he often stares at.

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This article from Cultured magazine covers multiple art-related stories, including a profile of restaurateur Keith McNally's memoir, a list of must-see museum exhibitions in New York for spring, a review of Mary Abbott's overlooked Abstract Expressionist work now on view at Schoelkopf Gallery, a feature on Salman Toor's major new exhibition "Wish Maker" at Luhring Augustine, and a discussion on designing more empathetic museums. It also includes a beauty and fashion trends piece with creative nominations.

The Angel of History Is Stuck in Jerusalem

The Jewish Museum in New York's exhibition 'Paul Klee: Other Possible Worlds' is missing its central artwork, Paul Klee's 'Angelus Novus' (1920). The original, owned by Walter Benjamin and normally housed at the Israel Museum in Jerusalem, is absent due to "current conditions affecting international transport," a likely reference to the Israel-Hamas war. A reproduction stands in its place, alongside Benjamin's famous 'Angel of History' text, which interprets the angel as a figure witnessing the catastrophic pile-up of history.

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Billionaire art collector and Citadel CEO Ken Griffin stated that the United States is “eroding” its brand due to economic policy changes during President Donald Trump’s first 100 days. Speaking at Semafor’s World Economy Summit on April 23, Griffin warned that the reputation and creditworthiness of US Treasuries are at risk, citing recent tariff-driven sell-offs of government bonds. He expressed concern about policy volatility undermining the goal of reshoring manufacturing and noted that investors using the euro as a reference have lost 20% of their value in four weeks. Griffin also voiced support for DOGE, the Department of Government Efficiency led by Elon Musk, which has recommended cuts to the National Endowment for the Humanities.

Expo Chicago art fair returns with a ‘refined’ floor plan and Obama Center ties

Expo Chicago, the city's major international art fair, has opened its 2024 edition at Navy Pier with a redesigned floor plan intended to improve visitor flow and gallery visibility. The fair features over 170 galleries from 29 countries, with a notable contingent of Chicago-based exhibitors and a special section dedicated to art from the African diaspora.

Felix Art Fair Founder Mills Morán Steps Back From Gallery Duties

Mills Morán, cofounder of the Los Angeles gallery Morán Morán, is stepping away from its day-to-day operations to focus on Felix Art Fair, the fair he cofounded with his brother Al Morán and collector Dean Valentine in 2018. The fair, held at the Hollywood Roosevelt Hotel alongside Frieze Los Angeles, has staged eight editions. Morán announced the decision in a statement shared with artists and colleagues, citing personal recalibration after nearly two decades in the art world and a desire to be more present for loved ones.

M+ in Hong Kong and Centre Pompidou in Paris Plan New Five-Year Partnership

M+ in Hong Kong and the Centre Pompidou in Paris have announced a new five-year partnership beginning next year. The agreement, announced at M+ on May 15, includes lending artworks for exhibitions, collaborative research and commissions, curator exchanges, and a four-year postdoctoral fellowship. A major exhibition focusing on visual culture in France and Greater China will debut at the Pompidou when it reopens in 2029 or 2030, then travel to M+.

Mary Lovelace O’Neal, Abstract Painter Who Refused to Conform, Dies at 84

Mary Lovelace O’Neal, an abstract painter known for her gestural, unruly works that defied categorization, died on Sunday in Mérida, Mexico, at age 84. Her galleries, Jenkins Johnson and Marianne Boesky, announced her passing. O’Neal produced sprawling paintings characterized by tangles of drippy strokes, often using lamp black pigment to create intensely black canvases. She rejected labels like Abstract Expressionist or Minimalist, insisting she was simply a painter. Her series "Whales Fucking" (1979) and a 2020 exhibition at Mnuchin Gallery revived her profile, leading to inclusion in the 2024 Whitney Biennial.