Italy’s Uffizi Hit by Cyberattack, Says Security Wasn’t Compromised

The Uffizi Galleries in Florence suffered a significant cyberattack in February, with hackers reportedly stealing access codes, internal maps, CCTV camera information, and the institution's entire photographic archive. The attackers issued a ransom demand to director Simone Verde. In response, the museum moved valuable jewels to the Bank of Italy, sealed emergency exits at the Palazzo Pitti with bricks, and closed a section of the palace, though it attributes some actions to planned renovations and fire-safety compliance.

Gaudí Attribution Confirmed for Xalet del Catllaràs

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A comprehensive architectural report commissioned by the Government of Catalonia has officially confirmed that Antoni Gaudí designed the Xalet del Catllaràs, a remote chalet in the Catalan mountains. Built between 1901 and 1908 for engineers working at coal mines owned by Gaudí’s patron Eusebi Güell, the building’s attribution was previously suspected but unverified. Researchers used structural analysis of the canted arches, room distribution, and specific lime plastering techniques to link the pyramidal structure to Gaudí’s signature modernist style.

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Empress Elisabeth of Austria (1837–1898), known as Princess Sisi, has re-entered the cultural spotlight after eagle-eyed historians noticed a striking similarity between Franz Xaver Winterhalter's informal portrait of the Empress with her hair down and a bridal scene in Guillermo del Toro's new film *Frankenstein*, where actress Mia Goth appears with flowing auburn locks. The comparison, shared widely on social media by historian Rachael Gibson and others, gave Winterhalter's 19th-century portrait a new viral moment, sparking renewed interest in Sisi's life and the role of hair in Victorian Europe.

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Prospect New Orleans, the citywide triennial launched in 2007, will not mount a seventh edition in 2027. Instead, the organization will focus on creating a publication titled "20 Years of Prospect," featuring oral histories, critical essays, and archival imagery from its first six editions. The decision, driven by factors including legacy preservation and funding constraints, was characterized by former executive director Nick Stillman as a holistic step back from the demanding three-year cycle to ensure the organization's accomplishments are recognized and organized. Prospect has operated on budgets between $5 million and $6.3 million per cycle and has received NEA grants since 2019.

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The Department of Homeland Security (DHS) posted a painting by the late artist Thomas Kinkade titled *Morning Pledge* on social media platforms Facebook, Instagram, and X, with the caption “Protect the Homeland.” The painting depicts an idealized American small town with midcentury cars, a schoolhouse, and an American flag. Kinkade, known for mass-producing sentimental, conservative scenes and dubbed the “painter of light,” was widely dismissed by the mainstream art world as kitschy. The DHS post coincided with the opening of a new ICE detention center in the Florida Everglades, nicknamed “Alligator Alcatraz,” built to imprison immigrant detainees, and with the passage of a controversial bill expanding ICE funding while cutting healthcare and food benefits.

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Spain's Supreme Court has ordered the heirs of former dictator Francisco Franco to return two 12th-century religious statues depicting Isaac and Abraham to the city of Santiago. The sculptures, originally part of the Portico of Glory at the Cathedral of Santiago de Compostela, were removed under Franco's administration in the mid-20th century and transferred to the Meirás Palace at the request of Franco's wife. The court ruled that the transfer was illegal and that the statues remain the property of the city, rejecting the family's claim that they were purchased through an antique dealer in 1954.

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Bonhams Los Angeles is auctioning the archive of legendary album cover designer Gary Burden, who died in 2018, in a sale titled "Cover to Cover" running from June 20 to 30. The collection includes original artwork, sketchbooks, and ephemera from Burden's five-decade career, featuring iconic covers for the Doors' *Morrison Hotel* (1970), the Eagles' *Desperado* (1973) and *One of These Nights* (1975), Joni Mitchell's *Ladies of the Canyon* (1970), and Jackson Browne's 1972 debut, among others. Highlights include a lithograph for the Eagles' *One of These Nights* (estimate $10,000–$15,000) and Burden's preparatory pencil sketch for *Desperado* (estimate $30,000–$40,000).

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Martin Scorsese's 1990 film *Goodfellas* features a brief but memorable scene where mobsters Tommy DeVito (Joe Pesci), Jimmy Conway (Robert De Niro), and Henry Hill (Ray Liotta) visit Tommy's mother, played by Scorsese's own mother Catherine. She shows them a small painting of a man in a boat with two dogs facing opposite directions, prompting an improvised, humorous exchange of amateur art criticism that ties into the film's dark plot. The painting was actually based on a photograph by Adam Woolfitt from the November 1978 issue of *National Geographic*, depicting Irish river advocate John Weaving and his dogs Brocky and Twiggy; the on-screen version was created by Pileggi's mother.

Grimes joining LinkedIn is artwashing at its most brazen. I should know – I released my new film on there

Artist Alan Warburton critiques the migration of creative professionals to LinkedIn, sparked by musician Grimes' recent pivot to the platform to promote her appearance at an Nvidia tech conference. Warburton, who recently released his AI-focused film 'Image Empire' on the site, describes the move as a desperate response to the 'enshittification' of traditional creative platforms like Twitter and Vimeo, which have been overrun by bots and AI-generated content.

This Professor Won the ‘Bauhaus Bathroom’ Design Competition for the Gropius House

The New York Times Art section announced the winner of a competition to design a public restroom at the historic Gropius House in Lincoln, Massachusetts. The winning design, dubbed the 'Bauhaus Bathroom,' was created by a professor whose identity has not been disclosed in the provided text. The competition aimed to add a functional, contemporary restroom that respects the iconic Bauhaus architecture of the house, which was designed by Walter Gropius in 1938.

Louvre Plans Its ‘Most Ambitious’ Painting Restoration Ever: A Refresh for Rubens’s Medici Cycle

The Louvre Museum has announced a four-year restoration project for Peter Paul Rubens's monumental 'Marie de' Medici Cycle,' comprising 24 large-scale paintings. The works will be removed from public view starting this fall as the museum transforms their dedicated gallery into an on-site restoration studio to address yellowed varnishes and discordant past retouching.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

Sasaoka Yuriko’s Violent Puppeteering

The Shiga Museum of Art is hosting "Paradise Dungeon," a comprehensive exhibition of Sasaoka Yuriko’s video and sculptural works. The show traces the artist's career from her 2011 response to the Tōhoku earthquake to her latest large-scale installations, characterized by a "grotesque" aesthetic involving marionettes with digitally superimposed human faces. Her work utilizes mediated artifice—including fairground-style soundtracks, repurposed toys, and violent puppetry—to explore themes of consumption, sacrifice, and the dehumanizing nature of digital observation.

In the Gallery: See work by Rogue Valley artists

The article provides a comprehensive listing of art galleries and events in Oregon's Rogue Valley for the month of May. It highlights recurring monthly art walks in Jacksonville and Phoenix, and details exhibitions at ten local galleries including American Trails, Art & Soul Ashland, Art du Jour Gallery, Art on First, Art Presence Art Center, Ashland Art Works, and Collier Gallery. Featured artists include David Mensing, Kelly Anderson, Corbin Brashear, Nancy Darte, Elizabeth Ellingson, John Weston, and Dave Leibowitz, with a variety of media from painting and sculpture to photography and jewelry.

Chinese Dissident Artist Badiucao on His First Solo Gallery Show

Chinese dissident artist Badiucao has opened his first solo gallery show, titled “Disagree Where We Must,” at Goldstone Gallery in Melbourne, Australia, his adopted hometown. The exhibition features nearly three dozen works, including canvases and conceptual pieces that critique developments in mainland China and Hong Kong, as well as geopolitical tensions involving Russia and the Middle East. Badiucao, who has faced threats and censorship for his criticism of the Chinese Communist Party, previously held institutional exhibitions in Europe but had never before had a solo show at a commercial venue.

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

The High Point Museum in North Carolina had a $349,000 federal grant to replace its HVAC system canceled after staff at the Department of Government Efficiency (DOGE) used ChatGPT to evaluate the proposal. According to a federal lawsuit, the AI chatbot flagged the climate-control project as related to diversity, equity, and inclusion (DEI) initiatives, leading to its termination, despite the grant's stated purpose of preserving the museum's collection.

Other Worlds of Light: Zarina’s “Beyond the Stars”

Luhring Augustine gallery in New York is presenting 'Beyond the Stars,' the first posthumous solo exhibition of the late Indian-born artist Zarina. The show features prints, collages, cast paper works, and sculptures spanning seven decades, focusing on themes of borders, displacement, and exile shaped by the Partition of India and her nomadic life.

Raphael: Sublime Poetry

This article announces the first comprehensive U.S. exhibition on Raphael, titled "Raphael: Sublime Poetry," which offers an immersive look at the artist's meteoric career through drawings, paintings, prints, and tapestries. It traces Raphael's journey from his birth in Urbino in 1483, through his training under his poet-painter father Giovanni Santi and later Pietro Perugino, to his rise as a peer to Leonardo and Michelangelo in Florence and his final decade as the favorite artist of the popes in Rome, where he was celebrated as the "prince of painters."

Art Around Town

A comprehensive listing of current and upcoming visual art exhibitions, events, and installations in Athens, Georgia, is provided. The guide includes shows at venues ranging from the Georgia Museum of Art and the Lamar Dodd School of Art galleries to local breweries, coffee shops, and community centers. Featured exhibitions highlight work by students, local members, and established artists like Beverly Buchanan and Julie Green, alongside new murals and public art projects.

Announcement

Announcement

The Contemporary Art Daily has released the full digital archive of artist SoiL Thornton's solo exhibitions. The comprehensive collection, published in their Contemporary Art Quarterly, documents Thornton's work dating back to 2017, providing centralized access to years of the artist's major projects and installations.

Gallery 14 Fine Art Photography features two members and a guest artist

Gallery 14 Fine Art Photography in Hopewell, New Jersey, will host a group exhibition from May 16 through June 14, featuring two member artists and one guest artist. The show includes John Stritzinger's series 'Trees Find A Way,' which captures trees in urban and rural settings; Dutch Bagley's 'What In The World,' a self-taught photographic exploration of environment and diversity; and guest artist Elvira Peretsman's 'The Fractured Perspective,' which uses experimental in-camera techniques to reveal abstract geometric forms. A meet-the-artists reception is scheduled for Sunday, May 17 from 1 to 3 p.m.

“Joseph Barrett: Views from his Lahaska Studio” to open at Silverman Gallery

The Silverman Gallery of Bucks County Impressionist Art in Holicong, Pennsylvania, will open a new exhibition titled “Joseph Barrett: Views from his Lahaska Studio” on May 16-17, 2025, with opening receptions featuring live jazz and refreshments. The show runs through June 20 and includes previously unseen works such as “View from My Window,” “Neshaminy,” and “County Theater in Snow,” alongside Barrett’s painting “Estate of Joseph Stanley,” recently returned from a two-year display at the U.S. Embassy in Kigali, Rwanda, as part of the State Department’s Art in Embassies program.

Carole Harris’ Origin Story in “This Side of the River” at MOCAD

The article reviews Carole Harris's solo exhibition "This Side of the River" at the Museum of Contemporary Art Detroit (MOCAD), curated by Abel Gonzalez Fernandez. The show features twenty fiber pieces and archival materials spanning from 1966 to the present, tracing Harris's creative evolution and her responses to Detroit's social and urban changes. It highlights early works like "Potpourri" (1976) and "Black Jack" (1976) from her 1977 debut at Gallery 7, a Black Power-era space founded by Charles McGee, and later pieces such as "Down the Road a Piece" (2003) that mark her shift toward improvisational, abstract compositions.

Exhibition | Jorge Molder, 'Lusco-fusco' at Galerie Bernard Bouche, Paris, France

Galerie Bernard Bouche in Paris is presenting 'Lusco-fusco', a new exhibition by Portuguese photographer Jorge Molder, opening March 28. The show features two interrelated photographic series, 'Dorothy' (black and white) and 'Cesare' (color), which extract and rework still images from Robert Wiene's 'The Cabinet of Dr. Caligari' (1920) and Victor Fleming's 'The Wizard of Oz' (1939). Molder halts the cinematic narrative to explore stillness, ambiguity, and the motifs of masks, dreams, and multiple identities through self-portraiture.

Exhibition | 'The Shape of Summer: From Boudin to Wesselmann' at Bailly Gallery, Bailly Gallery Paris, France

Bailly Gallery in Paris is presenting an exhibition titled 'The Shape of Summer: From Boudin to Wesselmann,' featuring works that explore the theme of summer from the 19th century to the present. The show spans artists from Eugène Boudin to Tom Wesselmann, highlighting the evolution of summer imagery in art.

Exhibition | Yue Minjun, 'Crab' at Tang Contemporary Art, Hong Kong

Tang Contemporary Art in Hong Kong is hosting 'Crab', a comprehensive solo exhibition by the renowned Chinese contemporary artist Yue Minjun. The show traces three decades of his career, featuring his iconic 'Laughing Face' series alongside newer works like the 'Flower Series' and 'Stack Series' that utilize diverse mediums including oil, sculpture, and printmaking.

How Gretchen Andrew’s AI art is revealing the societal scars of ‘facetuning’

Gretchen Andrew, a former Silicon Valley software engineer turned artist, has created a series titled "Facetune Portraits: Universal Beauty" that critiques unattainable beauty standards perpetuated by social media and AI. Using images of Miss World contestants, she employs the apps Facetune and Body Tune to digitally alter the photos, then works with creative robotics company Matr Labs to produce oil paintings. An oil paint printer creates the original image, and an XY-axis drawing robot adds brushstrokes based on discrepancies between the original and AI-modified versions, resulting in unsettling portraits that highlight the 'scars' of digital manipulation. The series won the Acquisition Award at Untitled Art Miami Beach and has been shown at Hope 93 gallery in London and Heft Gallery in New York, with a major institutional acquisition pending.

Christie’s Paris Sells $64 Million Worth of 20th- and 21st-Century Art at Auction

Christie’s Paris held a series of auctions focused on 20th- and 21st-century art, achieving over $64 million in total sales with a 92% sell-through rate. The sales included works from the Lise and Roland Funck-Brentano Collection and the Henri Canonne Collection, and featured Impressionist, Modern, and Contemporary art. Three world records and one national record were set, including a wooden relief by Sophie Taeuber-Arp that sold for $3.4 million and Jane Avril au Divan Japonais by Henri de Toulouse-Lautrec, which fetched over $6 million and set a national auction record for the artist. The evening sale alone brought in over $34 million, and the Contemporary Art sale exceeded its high estimate at over $9.4 million.

Amorepacific Museum of Art Presents APMA, CHAPTER FIVE - FROM THE APMA COLLECTION

The Amorepacific Museum of Art in Seoul has launched "APMA, CHAPTER FIVE – FROM THE APMA COLLECTION," a major exhibition featuring approximately 80 works from its permanent holdings. Running from April 1 to August 2, 2026, the showcase includes a diverse array of paintings, sculptures, and installations by over 40 influential Korean and international artists. High-profile participants include Kiki Smith, Rose Wylie, Carol Bove, and Gala Porras-Kim, alongside Korean masters such as Nam June Paik, Lee Bul, and Haegue Yang.

In the heart of Trastevere, an exhibition by an artist paying homage to an ancient Roman goddess

Nel cuore di Trastevere la mostra di un artista che omaggia un’antica dea romana

Diego Gualandris presents 'Floralia,' a solo exhibition at ADA gallery in Rome's Trastevere district, running until May 24, 2026. The show blends painting and music to create a modern homage to Flora, the ancient Roman goddess of spring and fertility. Gualandris displays a series of medium- and small-scale canvases from 2026 alongside a 1970s gramophone playing two original tracks—'The world in a flowerbed' improvised by the artist on piano with saxophonist Francesca Pegurri, his mother. The exhibition also references Hermann Nitsch through works like 'Prinzendorf,' and features playful, erotic botanical compositions that invite viewers to lie down and experience the space through sound and imagery.