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lorna simpson met museum painting survey review 1234743323

Lorna Simpson's paintings are the subject of a new survey exhibition at the Metropolitan Museum of Art in New York, titled "Source Notes," on view through November 2. The show features over 20 paintings created between 2014 and 2024, marking the first exhibition to survey Simpson's output in this medium. Curated by Lauren Rosati, the exhibition aims to provide an overview of her painterly practice while connecting it to her collage work, with two vitrines displaying her collages to illustrate the fluidity between the two practices. Simpson, best known for her photography from the 1980s, debuted her paintings at the 2015 Venice Biennale organized by the late curator Okwui Enwezor.

michael armitage david zwirner new york gallery review 1234742248

Michael Armitage's solo exhibition "Crucible" at David Zwirner's new Annabelle Selldorf-designed gallery in New York features paintings centered on migration, including the work *Path* (2024), inspired by a 2015 Vice News story about an Eritrean teenager's harrowing journey to Europe. The show also includes *Raft (ii)* (2024), a blurry homage to Théodore Géricault's *Raft of the Medusa*, and new sculptures that resemble wood carvings. The gallery itself, a single-story 18,000-square-foot space, opened after a larger planned venue fell through due to financial headwinds during Covid.

Are We Too Reverent of Marcel Duchamp?

The Museum of Modern Art has launched a major retrospective of Marcel Duchamp, co-organized with the Philadelphia Museum of Art. The exhibition tracks the artist's evolution from his early Cubist experiments and the scandal of 'Nude Descending a Staircase' to his radical invention of the readymade, exemplified by the infamous urinal, 'Fountain'. The show presents a comprehensive look at 'The Duch' through a reverential, church-like atmosphere, concluding with his later years as a dapper, enigmatic figure of the avant-garde.

MoMA Survey Shows How Marcel Duchamp Changed the Art Game

The Museum of Modern Art (MoMA) has launched a comprehensive survey of Marcel Duchamp’s work, highlighting the artist's revolutionary impact on the definition of art. The exhibition traces Duchamp's transition from traditional painting to his radical 'readymades,' which prioritized intellectual concepts over aesthetic craftsmanship.

Anne Hardy’s Hollow Humanoids

British artist Anne Hardy presents a suite of floor-based installations and assemblage sculptures titled "Interloper" at Visual. The exhibition features a series of "Beings"—twisted, life-size humanoid entities constructed from rusted wire, crushed cans, soil, and the artist’s own cast body parts and clothing. These figures, often posed in yoga-like positions or meditative stances, appear as hollow, faceless outlines that blend a sense of vitality with physical disintegration.

Joachim Trier on the Art of Calculated Chaos

A major retrospective of Tracey Emin's work has opened at Tate Modern in London. The exhibition presents a comprehensive overview of the artist's career, featuring her confessional and often provocative works that have defined her public persona.

The National Gallery of Art’s Dear America Needs a Postscript

The National Gallery of Art in Washington, D.C. has opened "Dear America," an exhibition organized around the themes of "Land," "Community," and "Freedom" that attempts to survey the entire history of the United States through its collection. The show features works by artists including Mitch Epstein, Victoria Sambunaris, Sedrick E. Huckaby, and Nancy Andrews, with sections on the American landscape, industrialization, and diverse communities. However, the review notes that the exhibition feels overly literal, with American flags prominently featured and a sense of ticking off boxes rather than offering a challenging or intellectually rigorous presentation.

The Enigma of Alison Knowles

Lauren Moya Ford reviews the only book dedicated to Fluxus artist Alison Knowles, who died six months ago. The book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by Nicole L. Woods (2026), attempts to illuminate Knowles's life and work, but Ford notes that much of her personal life remains mysterious despite the author's efforts. The article is part of a broader books newsletter that also features new tomes on Hans Holbein’s portraits, Jan Staller’s photographs of Manhattan construction sites, and a discussion of a Black Panther family album at the Studio Museum in Harlem.

Frida-Mania Hits MoMA

The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.

Review: Cleveland Museum of Art's Murakami show is big and bold but maybe too much of a good thing

The Cleveland Museum of Art has opened a sprawling retrospective exhibition of Takashi Murakami, one of Japan's leading contemporary artists, showcasing his signature "Superflat" style that blends fine art with pop culture. The show features vast wallpaper designs, sculptures with plastic-like smoothness, and immense mural-sized paintings that combine cartoon characters, acid-hued colors, and traditional Japanese ink-and-brush techniques. The exhibition runs through September 7 and costs $30 for adult non-member tickets.

Hans Holbein Painted the Human

A new book, 'Holbein: Renaissance Master' by Elizabeth Goldring, published by Yale University Press and the Paul Mellon Centre, offers a comprehensive scholarly examination of the 16th-century German painter Hans Holbein the Younger. The review focuses on Holbein's masterful portraiture, particularly his depictions of opposing Tudor-era figures like Sir Thomas More and Thomas Cromwell, which are highlighted as embodying the era's complex political and religious tensions through their visual presentation at the Frick Collection in New York.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

art cady noland thomas eggerer jochen klein

Cultured magazine reviews Cady Noland's 2025 exhibition at Gagosian Gallery's 24th Street location in New York, running through October 18. The show features the artist's signature objects—Budweiser cans, shotgun shells, barricades, and images of Patty Hearst and Lee Harvey Oswald—arranged in a fragmented, almost sale-like display. The review notes the inclusion of Steven Parrino's works alongside Noland's, referencing their collaboration at White Columns in 1988, and highlights new elements like "SALE" signs with manicule illustrations. The critic describes the exhibition as a "fascinating mess" rather than a straightforward success.

The tiniest event can tear a hole. Sara MacKillop by Margaret Kross

Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.

A Mirrored Monet review – painter reflects on his past in a musical with heart and humour

A new musical titled 'A Mirrored Monet' explores the life of Impressionist painter Claude Monet, focusing on his later years as he reflects on his youth, his artistic struggles, and the personal sacrifices he made, particularly regarding his first wife Camille. The production uses innovative set design to immerse the audience in the Impressionist style and features a strong cast portraying Monet and his contemporaries.

Review: “50th Anniversary Exhibition Part I” at Moody Gallery, Houston

Moody Gallery in Houston opened “50th Anniversary Exhibition Part I” on September 13, showcasing 38 artworks by gallery-affiliated artists. The show is deliberately non-chronological and non-comprehensive, featuring works ranging from 2006 to 2025, including pieces by Melissa Miller, William “Bill” Steffy, Michael Kennaugh, Dan Sutherland, Pat Colville, Tracye Wear, Al Souza, and the collaborative MANUAL (Ed Hill & Suzanne Bloom). The exhibition spans three spaces and highlights the gallery’s eclectic, open-minded approach and its commitment to promoting Texas-based artists.

Blank Spaces. Sung Tieu by Sarah Johanna Theurer

Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.

raisonne weekend tournament zito madu

Cultured magazine's article "Weekend Tournament" reviews a group exhibition at Raisonné Gallery in New York, organized by Raquel Cayre and Ariel Ashe, that explores the intersection of sport, art, and design. The show features 63 works by 27 artists including Paul Pfeiffer, Adam McEwen, Le Corbusier, Cory Arcangel, and Rachel Harrison, with pieces ranging from a graphite replica of a school water fountain to an active ping-pong table and a mini-golf course. The author, Zito Madu, draws parallels between his own background as a professional soccer player turned writer and the exhibition's invitation to engage physically and playfully with art.

The Big Review

Tate Britain has launched a major survey dedicated to the visionary artist and poet William Blake, marking one of the most comprehensive exhibitions of his work in London. The show brings together his intricate watercolors, prints, and prophetic books, offering a deep dive into his unique mythological universe and radical political views.

New biography offers well-crafted story of Louise Bourgeois’s rich life

Marie-Laure Bernadac’s new biography, 'Knife-Woman: The Life of Louise Bourgeois', provides a comprehensive look at the French-American artist’s prolific career and traumatic upbringing. The book explores how Bourgeois transformed childhood wounds—specifically her father’s infidelity and psychological cruelty—into a radical body of work spanning sculpture, installation, and textiles. From her early encouragement by Fernand Léger to her late-career fame with the 'Maman' spider sculptures, the biography traces her evolution from a painter to a boundary-defying sculptor who utilized materials ranging from latex to marble.

The Big Review | Jacques-Louis David at the Musée du Louvre, Paris ★★★★★

The Musée du Louvre in Paris has opened a major retrospective of Jacques-Louis David (1748-1825), the greatest Neoclassical artist, marking his biggest survey in nearly four decades. The exhibition, mounted for the 200th anniversary of his death, comprises just over 100 works, including strategic loans from France and eight other countries, and complements the Louvre's own holdings. The show aims to redefine David beyond the Neoclassical label, presenting him instead as both a "realist" and an "idealist," and is compared to blockbusters like the Rijksmuseum's Vermeer show.

Highs and Lows at Princeton’s New Art Museum

Brian T. Allen reviews the newly opened Princeton University Art Museum, praising its architectural design while questioning the curatorial direction. He contrasts the new building's impressive appearance with his concerns about the museum's exhibition choices, recalling past successful shows like the Berlin Painter exhibition and a Clarence White photography show that he found more intellectually rigorous.

Comment | Turner gets all the kudos, but it was Constable who was the truly radical painter

A commentary argues that John Constable, not J.M.W. Turner, was the truly radical painter, despite Turner receiving far greater public recognition through a museum, a prize, and a place on the £20 note. The article highlights a new exhibition, "Turner and Constable," opening at Tate Britain (until 12 April 2026), which recreates their 1831 Royal Academy display and contrasts Constable's English pastoral scenes with Turner's dramatic, un-British visions. It contends that Constable's full-size oil sketches, such as those at the Victoria and Albert Museum, had a deeper and more lasting effect on modern painting than Turner's work.

In a new biography, Vanessa Bell is cast as the Bloomsbury Group's leading light—and as central to 20th-century visual culture

Wendy Hitchmough’s new biography, *Vanessa Bell: The Life and Art of a Bloomsbury Radical*, argues that Vanessa Bell (1879–1961) was a central figure in 20th-century visual culture, both as an artist and designer. The book details how Bell navigated sexism through collaboration and anonymity, with works like *Dancing Couple* only attributed to her in 1999. Hitchmough, a former curator of Charleston, presents Bell’s life with a matter-of-fact tone, weaving in the complex personal and professional entanglements of the Bloomsbury Group, including her relationships with Clive Bell, Roger Fry, and Molly MacCarthy.

In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

William Kentridge's latest exhibition, 'A Natural History of the Studio,' at Hauser & Wirth in New York presents over 70 drawings from his nine-part film series 'Self-Portrait as a Coffee-Pot,' alongside new sculptures. The works, created during the pandemic, explore self-portraiture through charcoal, pastel, and collage, often featuring doppelgängers that argue and disagree, reflecting the artist's engagement with theater and the materiality of his forms.

Review: “Toshiko Takaezu: Worlds Within” at the Museum of Fine Arts, Houston

The article reviews "Toshiko Takaezu: Worlds Within" at the Museum of Fine Arts, Houston, the artist's first nationally touring retrospective in 20 years. Organized by the Isamu Noguchi Foundation and Garden Museum, the exhibition features some 100 artworks from the 1950s until her death in 2011, including large-scale ceramics, weavings, and paintings. It traces Takaezu's journey from her childhood on a Maui watercress plantation to her transformative studies at Cranbrook Academy of Art and a pivotal trip to Japan, where she studied Zen Buddhism and worked under various ceramicists.

Surprised by Jack: A Review of “Jack Whitten: The Messenger” at MoMA in New York

The Museum of Modern Art in New York is hosting "Jack Whitten: The Messenger," the largest survey ever mounted of the late abstract artist Jack Whitten, who died in 2018. The exhibition features 175 works spanning his sixty-year career, from early quasi-representational pieces to his innovative "slab" paintings made with a custom squeegee device and his later "tesserae" works that mimic glass tiles using acrylic paint. The show includes archival audio of Whitten discussing his creative process, which blended philosophy, craft, and science, and is curated by MoMA's Michelle Kuo, who knew Whitten personally.

Hiroshige: Artist of the Open Road review – ‘I could look forever at these passing moments in cosmic colours’

The British Museum presents a rapturous exhibition of Utagawa Hiroshige's prints, showcasing the early 19th-century Japanese artist's vivid, Technicolor depictions of fleeting moments in Edo (now Tokyo). The show highlights his innovative use of rain, snow, and everyday scenes, such as pleasure boats, cherry blossoms, and temporary riverside restaurants, and includes a final section on his global influence, though critics find this epilogue rushed.

Review: Thomias Radin, Echoes of KA at Esther Schipper, Berlin

Thomias Radin’s fourth solo exhibition at Esther Schipper in Berlin, titled "Echoes of Ka," presents a multidisciplinary environment blending painting, woodwork, and installation. The Guadeloupe-born artist draws heavily from Caribbean embodied knowledge, dance philosophy, and the ancient Egyptian concept of 'Ka'—a vital life force—to transform the gallery into a choreographed 'secret garden.' The works, characterized by vibrant colors and gestural oil paintings on raw linen, are informed by Radin’s collaboration with dance scholar Léna Blou and his own practice of improvisation.