A major retrospective of artist and writer Theresa Hak Kyung Cha highlights her pioneering work in feminist conceptual art, focusing on videos and performances that explore displacement, language, and the violence of cultural hegemony. The exhibition, born from recent reassessments of her legacy, reconstructs the image of an artist whose brief career anticipated contemporary struggles with nationalism and identity.
A new exhibition titled 'About Women' featuring seven decades of work by photographer Dorothy Bohm opens at Farleys House & Gallery, the former home of photographer Lee Miller. The show highlights Bohm's female-focused street photography, spanning from black-and-white to color work, and draws a direct connection to Miller's legacy.
Studio SALES in Rome presents "Concetto Pozzati. 50 years later," an exhibition revisiting the artist's 1976 retrospective at the Palazzo delle Esposizioni. Organized in collaboration with the Archivio Concetto Pozzati, the show focuses on Pozzati's experimental work from the 1970s, featuring four large canvases from the original exhibition alongside works on paper displayed using plexiglass. The pieces, some unseen since 1976, explore mixed techniques like spray painting and screen-printing, highlighting a period when Pozzati moved away from his signature style.
A series of diverse art exhibitions are opening across Seattle in May. Highlights include a show exploring the influence of Japanese woodblock prints on Northwest artists at the Cascadia Art Museum, a site-specific installation in a private garage gallery called Double Garage, and a large-scale display of drawings on sticky notes by Clare Johnson at Gallery 4Culture. Other featured shows include Emma Bergman's surreal multimedia installation at Specialist Gallery and a landmark retrospective of light artist Tom Lloyd at the Frye Art Museum.
The Sarah Bouchard Gallery in Woolwich is hosting "La Chimera del Oro," a solo exhibition of new ink works and historical graphite drawings by 91-year-old Argentinian artist Josefina Auslender. The exhibition explores the metaphorical "chimera" of wealth and success, contrasting the allure of material gain with the rigorous, honest pursuit of artistic integrity. The new series introduces vibrant gold, yellow, and orange tones into Auslender’s traditionally dark, monochromatic palette.
The Bowdoin College Museum of Art (BCMA) will present two exhibitions this winter: "Josefina Auslender: Drawing Myself Free" (December 11, 2025–May 31, 2026), the first museum retrospective of Argentine-born, Maine-based artist Josefina Auslender, featuring over 90 drawings from the 1970s to the present; and "Hung Liu: Happy and Gay" (January 22–May 31, 2026), which examines how Hung Liu reinterpreted Chinese propaganda from her childhood during the Cultural Revolution through ten paintings, prints, archival materials, and a video. Both shows explore themes of immigration, history, memory, and personal experience.
The Institute of Contemporary Art (ICA) at the University of Pennsylvania has opened two new exhibitions. "Mavis Pusey: Mobile Images" (through December 7, 2025) is the first major museum survey dedicated to Jamaican-born geometric abstractionist Mavis Pusey (1928-2019), featuring over 60 works from her 50-year career, including her "Broken Construction" series. Co-organized with the Studio Museum in Harlem and curated by Hallie Ringle and Kiki Teshome, the show includes archival materials. The second exhibition, "Entryways: Xenobia Bailey" (through August 9, 2026), continues ICA's collaboration with textile studio Maharam, featuring a window installation by Philadelphia-based fiber artist Xenobia Bailey, curated by Denise Ryner.
London’s cultural calendar is reaching a turning point this month as several major exhibitions and festivals prepare to close. Key highlights include the Sony World Photography Awards at Somerset House, a retrospective on the influential Blitz club at the Design Museum, and Min Woo Nam’s solo exhibition at LBF Contemporary. The month also sees the return of The Other Art Fair to the Old Truman Brewery, showcasing independent artists alongside community-driven events like the Telegraph Hill Festival.
Luhring Augustine gallery in New York is presenting 'Beyond the Stars,' the first posthumous solo exhibition of the late Indian-born artist Zarina. The show features prints, collages, cast paper works, and sculptures spanning seven decades, focusing on themes of borders, displacement, and exile shaped by the Partition of India and her nomadic life.
嶋田美子：滅私｜愛護 @ オオタファインアーツ
Ota Fine Arts in Tokyo is hosting a solo exhibition by Yoshiko Shimada titled "Selfless Devotion / Loving Care," running from March 14 to May 16, 2026. The exhibition features a significant selection of Shimada’s seminal works from the early 1990s, including "A Woman Shooting II," "A House of Comfort," and "Tied to Apron Strings." These pieces utilize photography, installation, and found objects to confront difficult historical narratives.
The Milwaukee Art Museum is hosting "Gertrude Abercrombie: The Whole World is a Mystery," a nationally touring retrospective featuring 83 paintings by the surrealist artist. The exhibition, which runs through July 19, is the only stop in the Midwest for the tour and includes works such as "Witches Switches" and "Inheritance," alongside wearable art from the 1950s. The gallery is designed as a maze to reflect Abercrombie's complex mind, and the museum is offering related events like Kohl's Family Sunday and MAM After Dark.
The Portland Art Museum is hosting the first major museum retrospective of Yoshida Chizuko (1924–2017), a pioneering Japanese modernist painter and printmaker. The exhibition features over 100 works, including early oil paintings, monotypes, woodblock prints, lithographs, and mixed media pieces, many never before exhibited. It traces her career from avant-garde abstraction in the 1940s and 1950s through op art and photoetchings in the 1960s and 1970s to nature-inspired late works, and includes a planned major acquisition from the Yoshida family estate.
Minnie Evans (1892–1987), a self-taught African American artist who worked for 25 years as a ticket seller at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. Long overlooked after her death, Evans created thousands of vibrant, kaleidoscopic drawings featuring florals, animals, and abstraction, often on scrap paper using affordable materials. A touring exhibition, "The Visionary Art of Minnie Evans," is currently on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger exhibition opens this November at the High Museum of Art in Atlanta before traveling to the Whitney Museum of American Art in summer 2026. Evans had a 1975 retrospective at the Whitney during her lifetime but faded from prominence afterward.
Galerie Bernard Bouche in Paris is presenting 'Lusco-fusco', a new exhibition by Portuguese photographer Jorge Molder, opening March 28. The show features two interrelated photographic series, 'Dorothy' (black and white) and 'Cesare' (color), which extract and rework still images from Robert Wiene's 'The Cabinet of Dr. Caligari' (1920) and Victor Fleming's 'The Wizard of Oz' (1939). Molder halts the cinematic narrative to explore stillness, ambiguity, and the motifs of masks, dreams, and multiple identities through self-portraiture.
Tang Contemporary Art in Beijing is launching a massive retrospective titled '1985–2025: Chinese Modern Ink Art,' curated by Zou Jianping. Featuring over 120 works by 68 artists across two gallery spaces, the exhibition traces the forty-year evolution of ink painting from the '85 New Wave movement to the present day. The show highlights key figures such as Gu Wenda, Wang Tiande, and Liu Qinghe, showcasing how the medium transitioned from traditional brushwork to experimental forms including installation and digital media.
The Seton Gallery at the University of New Haven is presenting "Embrace: Elizabeth Gourlay," an exhibition celebrating the life and work of the late Connecticut-based abstract painter Elizabeth Gourlay. The show features her richly layered, color-sensitive paintings and includes an opening reception on February 7 and an exhibition talk on February 22, running through March 10.
The Art Gallery of Swan Hill in Victoria, Australia, will open three significant First Nations exhibitions on 29 May 2026. The shows are: 'JXSH MVIR: Forever I Live', the first major solo retrospective of the late Yorta Yorta, Gunditjmara and Barkindji artist Josh Muir, co-curated by his partner and mother; 'Gulgawarnigu | Thinking of Someone. Something', a touring digital portrait and landscape exhibition by young Indigenous artists from Roebourne, Western Australia, developed through a partnership with NEO-Learning and Big hART; and 'Big Place', a new exhibition drawn from the gallery's permanent collection featuring works from Western Australia, the Northern Territory, the Tiwi Islands and South Australia.
Julien's Auctions will sell equipment and ephemera from the estate of Kraftwerk co-founder Florian Schneider on November 19 at the Musicians Hall of Fame & Museum in Nashville, with online bidding already open. Highlights include an EMS Synthi AKS suitcase synthesizer used on the 1974 album *Autobahn* (est. $15,000–$20,000), a 1960s flute from Schneider's early career, and his 1964 Volkswagen van featured in the "Tour de France" video.
The Oxford Festival of the Arts is bringing a major visual art component to its 2025 program, featuring free exhibitions by world-renowned artists across multiple venues in Oxford city centre. Highlights include James Gemmill's cinematic paintings at St John's College, a collaborative installation by Chinese artist Qu Lei Lei and Caroline Deane at OVADA examining humanity and geopolitics, a retrospective of Ukrainian artist Oleksandr Dubovyk's 'White Bouquet' series, and a charitable project supporting Ukrainian children through art. All exhibitions are free and require no booking.
Two Cincinnati museums will present simultaneous exhibitions dedicated to artists Charley and Edie Harper this fall. The Taft Museum of Art will host the first solo museum exhibition of Edie Harper's work, featuring over 100 pieces spanning her entire career. Meanwhile, the Cincinnati Art Museum will mount the first full-scale retrospective of Charley Harper's paintings, with about 150 works on display, covering his career from early pieces to near his death. Both exhibitions open in October 2026, with the Taft's running through January and the Cincinnati Art Museum's through March.
An exhibition titled “From Reality to Realism, A Lifetime Perspective,” featuring works by veteran artist Ward Nichols, opened at the Wilkes Art Gallery in North Wilkesboro, North Carolina on April 17. The opening event included a jazz performance by the Todd Wright Trio, hors d’oeuvres and drinks, and a street closure on C Street / Ward Nichols Way. Nichols, a full-time professional artist for over 60 years, has participated in 200 group shows, more than 170 solo exhibitions across 94 galleries and museums in 24 states, and has received 30 major awards including the Grumbacher Award of Merit from the El Paso Museum of Art. The exhibit runs through June 17.
Juneau's First Friday in May 2026 features a diverse array of events, including a storytelling project called "Tambayan at Kwentuhan" that shares oral histories from Filipino elders, an exhibition titled "Dizzy Hooligan" by Kiyana Fonua recalling Kava gatherings in Anchorage, and a retrospective of Indigenous fashion designer Dorothy Grant at the Alaska State Museum. Other offerings include a chamber music concert by Taku Winds, a "Critter Trek" exhibition at the Juneau-Douglas City Museum featuring local wildlife art, planetarium explorations, a book release by author Corinna Cook, and displays of woodworking by Phil Paramore and jewelry by Colleen Goldrich.
Missoula artist Julia LaTray presents a solo exhibition titled "Animal Pleasures" at Bob's Your Uncle gallery in May, featuring paintings of animals on glitchy, digitized backgrounds alongside lighting and other works. The gallery is only open to the public on dedicated nights, so the exhibition is paired with performances, comedy, and readings on May 1, 8, 15, and 29. Separately, Hanis Coos artist Sara Siestreem brings her major exhibition "Acts of Love, Refusal and Resistance" to the Missoula Art Museum, filling the museum's main galleries with large-scale mixed-media paintings and sculpture, including handmade baskets and ceramic molded versions with gilded flourishes. The museum hosts a First Friday reception on May 1 and a "Coffee and Conversation" with the artist on May 2.
London's Design Museum is opening "NIGO: From Japan with Love," the first UK retrospective dedicated to Japanese designer Nigo, founder of streetwear brand A Bathing Ape (BAPE) and current artistic director of Kenzo. The exhibition, featuring over 700 objects including rare archival garments, a recreation of Nigo's teenage bedroom, and ceramics inside a life-size glass tea house, traces his career from 1980s Tokyo street culture to global fashion influence.
A major retrospective titled "NIGO: From Japan with Love" opens at the Design Museum in London on May 1, 2026, marking the designer's first major exhibition outside Japan. The show features over 700 objects spanning three decades, including around 600 items from NIGO's personal archive, a reconstruction of his teenage bedroom, vintage clothing, early designs, collaborations, hand-thrown ceramics, and a life-size glass tea house created for the exhibition. The display traces his career from Harajuku street culture through founding A Bathing Ape to his current role as artistic director of Kenzo.
Creative director Daniel Roseberry led an intimate tour of the Victoria and Albert Museum’s landmark exhibition, "Schiaparelli: Fashion Becomes Art," which opened in London on March 28, 2026. The retrospective features over 400 objects, ranging from Elsa Schiaparelli’s 1927 trompe l’oeil sweaters and the 1938 Skeleton Dress to Roseberry’s contemporary surrealist designs. During the walkthrough with British Vogue, Roseberry highlighted the historical continuity between the house’s archival disruption and his modern innovations like the hand-painted puzzle dress.
The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.
The Floyd Memorial Library in Greenport, New York, is hosting an opening reception for the exhibition "Stow Wengenroth The Flacks: The Greenport Group." The show features nearly fifty rarely seen lithographs by Stow Wengenroth, a prominent 20th-century printmaker whose work is held in major institutions like the Met and MoMA. The exhibition also highlights Wengenroth’s creative circle, including doll-maker Edith Flack Ackley and children’s author Marjorie Flack, alongside contemporary commissions by puppet-maker Carmen Campos.
The Metropolitan Museum of Art has launched a major retrospective titled 'Raphael: Sublime Poetry,' featuring over 230 works sourced from more than 60 international institutions and private collections. The exhibition provides a chronological survey of the Renaissance master’s career, spanning his early years in Urbino to his definitive period at the papal court in Rome, and includes iconic paintings such as the 'Alba Madonna' alongside rare preparatory sketches and immersive projections of his Vatican frescoes.
The Dallas Museum of Art (DMA) has launched "Constellations: Contemporary Jewelry," its first exhibition dedicated exclusively to its contemporary jewelry collection. The show features hundreds of pieces organized into four thematic sections—Zones of the Body, Archetypes, Signals, and Play—alongside a historical retrospective titled "Connecting the Dots." The exhibition highlights experimental and often impractical works that blur the lines between wearable objects and sculpture, featuring artists such as Brian Fleetwood, Joyce J. Scott, and Peter Chang.