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Sotheby’s Hong Kong concluded its fall auction series with a robust $426 million total, headlined by a record-breaking $25 million sale for Yoshitomo Nara. Amidst this market momentum, Nara’s upcoming LACMA retrospective was announced to travel to Shanghai’s Yuz Museum. Meanwhile, the New York art scene is bracing for major institutional milestones, including the Metropolitan Museum of Art’s 150th-anniversary plans and the imminent public opening of MoMA’s $450 million expansion.

Megamurals, Guerrilla Girls and something rotten in the Oval Office – the week in art

The Guardian's weekly art roundup highlights several exhibitions, including Wilhelm Sasnal's politically charged paintings at Sadie Coles HQ in London, a Joan Eardley retrospective in Edinburgh, and a Guerrilla Girls show in East Sussex. It also reports on Art UK's digitization of over 6,700 UK murals, the theft of Impressionist paintings from an Italian museum, and the discovery of a stolen ancient gold helmet.

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A senior curator and two collections committee volunteers have resigned from the Art Gallery of Ontario (AGO) after the institution voted against acquiring a new slideshow work by artist Nan Goldin. The purchase was rejected by an 11-9 vote, with some committee members finding Goldin's November 2024 speech denouncing Israel's attacks on Gaza as genocide to be "offensive" and "antisemitic." Goldin had spoken at the Berlin opening of her traveling retrospective, expressing moral outrage and arguing that calling anti-Zionism antisemitic is a false equivalency. The AGO's modern and contemporary curator, John Zeppetelli, stepped down allegedly because of the incident, while the Vancouver Art Gallery and Walker Art Center proceeded with their part of the acquisition.

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This roundup covers multiple developments across the Asian art world. Notable events include the death of Korean artist Suki Seokyeong Kang at age 47; Robin Peckham leaving his role as co-director of Taipei Dangdai; Lucy Liu becoming a partner at Rachel Uffner Gallery, which will rebrand as Uffner and Liu; STPI Creative Workshop and Gallery presenting the first Southeast Asian solo show for Cuban artist Wifredo Lam; Art Week Tokyo returning with Adam Szymczyk curating its AWT Focus platform; Japanese painter Yu Nishimura joining David Zwirner; and the Rijksmuseum inviting Fiona Tan to curate a major exhibition. Other highlights include the 13th Seoul Mediacity Biennale, Tate Liverpool's planned 2027 reopening with a Chila Kumari Singh Burman retrospective, a Louvre-Doraemon collaboration, Boo Ji-hyun's permanent installation in Japan, Christie's Hong Kong Spring Asian Art Week sales totaling HK$567.6 million, and Sotheby's postponing a controversial Hong Kong auction of Buddhist relic-linked jewels. Hyundai Artlab named Jiaying Sim and Elvia Wilk as its 2025 Artlab Editorial Fellows.

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Yinka Shonibare, the London-based British-Nigerian artist, established the nonprofit Guest Artists Space (G.A.S.) Foundation in Nigeria in 2019 to address the lack of artistic infrastructure in Lagos. The foundation, which grew out of his earlier Guest Projects initiative in London, operates two facilities: the G.A.S. Lagos Residency and the G.A.S. Farm House in Ijebu, Ogun State. It hosts residencies and programs supporting artists and curators from Africa and beyond, and launched the G.A.S. Fellowship Award in 2022. The article highlights the experience of 2024 fellow Amanda Iheme, an architecture photographer who expanded her practice during her residency. Shonibare funds the foundation partly from his own art sales, and the piece notes his recent major exhibitions, including at the Venice Biennale and Serpentine Galleries, as well as his current show at Fondation H in Madagascar.

What Is a "Post-Duchamp" Art World?

Scholar Thierry de Duve discusses the legacy of Marcel Duchamp in conjunction with a new exhibition at the Museum of Modern Art (MoMA) featuring seven of the artist’s “boîtes-en-valise.” These portable miniature museums, created decades before Duchamp’s first formal retrospective, are framed as evidence of his genius in anticipating the institutional logic of the modern museum. The conversation explores how Duchamp’s provocative works, such as the readymade "Fountain," fundamentally altered the trajectory of art history and defined the "post-Duchamp" era.

Art Industry News: November 1, 2021

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The global art landscape is undergoing significant shifts, from the cultural erasure facing Afghan artists under Taliban rule to a surge in grassroots restitution efforts led by organizations like the Nepal Heritage Recovery Campaign. Meanwhile, major institutional moves include the appointment of Julieta González as artistic director of Brazil’s Inhotim and the opening of the Nesr Art Foundation in Luanda, Angola, which aims to bolster the local contemporary art scene through residencies and private collection displays.

Kamrooz Aram Is Everywhere

Iranian artist Kamrooz Aram is currently experiencing a significant institutional and commercial moment, with his work appearing in three major exhibitions across two continents simultaneously. Critic Aruna D’Souza highlights Aram’s ability to synthesize Islamic visual idioms with Western abstraction, creating a painterly language that transcends cultural hierarchies and treats historical narratives with a unique lightness.

Congress Adopts HEAR Act, Hockney to Celebrate 90th Birthday at Tate Modern’s Turbine Hall: Morning Links for March 17, 2026

The U.S. House of Representatives passed the HEAR Act, a bipartisan bill designed to extend and strengthen laws for the restitution of Nazi-looted art. The bill's new amendments, which declare looted art a violation of international law and expand U.S. jurisdiction, have drawn both praise for aiding restitution and concern over potentially unfair burdens on current owners.

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Sasha Suda, the former director and CEO of the Philadelphia Art Museum, gave her first extensive interview since her firing last November to Philadelphia Magazine, alleging that the board attempted to strip her of the CEO title. She claims former board chair Leslie Anne Miller initially offered both roles but later tried to separate them, only allowing her to hold both temporarily. Suda says she rejected the revised offer, leading the board to backpedal. The article also reveals that Suda placed chief curator Carlos Basualdo on administrative leave in 2024, a decision that upset some trustees and may have contributed to tensions. Suda was abruptly fired on Election Day via email citing "cause," and she and the board have traded allegations over misuse of funds and unfair investigations.

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The Smithsonian Institution, a government-funded museum network in Washington, D.C., was forced to close this weekend due to the ongoing government shutdown, marking another blow after repeated attacks by the Trump administration. The National Gallery of Art had already closed the previous weekend, while the Smithsonian had used its own funds to stay open until now. Separately, a traveling Ruth Asawa retrospective opening at New York's Museum of Modern Art on October 19 is reportedly the museum's largest show ever dedicated to a woman artist, featuring 376 works across 16,000 square feet, though MoMA has not officially confirmed this record. Other news includes a forgotten Paul Gauguin painting heading to auction at Artcurial, Sotheby's seeking third-party guarantees for three Klimt paintings from the Leonard Lauder collection, a reattributed Liotard portrait, and Chilean artist Cecilia Vicuña winning the 2025 Roswitha Haftmann Prize.

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This article from Cultured magazine presents a roundup of five distinct stories spanning art, culture, and technology. It features a new column by psychoanalyst Jamieson Webster in conversation with artist Mindy Seu about digital libidinal history; an analysis of the declining photography auction market by collector Ralph DeLuca; a review of the Los Angeles art scene by Juliana Halpert; a guide to Paris Art Week following a heist at the Louvre and the opening of Art Basel Paris; and a report on the Fondation Louis Vuitton's retrospective of Gerhard Richter curated by Nicholas Serota and Dieter Schwarz.

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A new arts institution called Canyon is set to open on Manhattan's Lower East Side in 2026, occupying a 40,000-square-foot former commercial space at the foot of the Williamsburg Bridge. Founded by philanthropist and art collector Robert Rosenkranz and Joe Thompson, the founding director of MASS MoCA, Canyon will focus on video art, sound art, and performance art. The venue will include 18,000 square feet of exhibition space, a 60-foot-tall performance area, and a 300-seat performance hall. Early programming plans include a retrospective of Japanese artist Ryoji Ikeda and an expanded iteration of the video game-themed group exhibition "Worldbuilding," curated by Hans Ulrich Obrist. The architecture firm New Affiliates is redesigning the space, and Sam Ozer has been appointed curator-at-large. Admission will be $30, with free access for school groups and library cardholders.

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Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.

The Box LA, Beloved Risk-Taking Art Space, Closes After 19 Years

The Box LA, a pioneering experimental art space in Los Angeles known for its fearless support of unconventional and performance art, is closing after 19 years. Founded in 2007 by Mara McCarthy in Chinatown (later moving to the Arts District), the gallery operated as a commercial space but with a nonprofit ethos, championing underrecognized artists from her father Paul McCarthy's generation alongside emerging talents. Its final exhibition, a retrospective of Wally Hedrick presented with Parker Gallery, ended April 4, with a closing celebration planned for June 6 featuring a fashion show by Johanna Went. The closure is attributed to financial struggles, exacerbated by the Eaton Fire that destroyed McCarthy's home and her family's, and a shift in support from McCarthy Studios.

The Pet Food Store Owner Behind the Venice Biennale’s US Pavilion, 400-Year-Old Pendant in English Painting Resurfaces, and More: Morning Links for April 20, 2026

The New York Times profiled Jenni Parido, the 37-year-old commissioner of the upcoming US Pavilion at the Venice Biennale, who has no professional arts background and previously ran a luxury pet food store in Florida. She selected Jeffrey Uslip as curator, and artist Alma Allen will represent the US after other artists reportedly declined.

See Inside the Long-Lost Lee Miller and Cecil Beaton Album Full of WW2-Era Photographs

The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.

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New York's Metropolitan Opera is considering selling two monumental Marc Chagall murals, 'The Sources of Music' and 'The Triumphs of Music' (1966), valued at $55 million by Sotheby's, to address a severe financial crisis. The Met has already drawn $120 million from its endowment, reduced performances, and struck a controversial $100 million deal to perform in Saudi Arabia, which has drawn scrutiny over human rights abuses. The murals, which hang in the Grand Tier, would remain in place even if sold, and the Met is also exploring naming rights and theater leasing.

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The Smithsonian's National Portrait Gallery removed wall text referencing President Donald Trump's two impeachments from its "America's Presidents" exhibition after installing a new portrait of him. The original label had noted Trump's political accomplishments and his impeachments for abuse of power and inciting insurrection, which had reportedly been a sore point for the Trump administration. Separately, Colombian painter Beatriz González died at age 93; she was known for reworking Old Master paintings in garish colors and later addressing political upheaval in her country.

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Nan Goldin used the opening of her retrospective “This Will Not End Well” at Berlin’s Neue Nationalgalerie to deliver a forceful 14-minute speech condemning the Israel-Gaza war and criticizing Germany’s censorship of pro-Palestinian voices. She called for a phone-free moment of silence for the dead in Palestine, Israel, and Lebanon, and framed her exhibition as a test case for artistic freedom. The event drew a large crowd, police presence, and was widely shared on social media by figures like Ai Weiwei and Wolfgang Tillmans.

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New York's major art museums, including MoMA, the Guggenheim, the Metropolitan Museum of Art, and the Whitney, are experiencing attendance figures that have not surpassed their peaks from several years ago. MoMA projects reaching 3.24 million visitors for the 2012–13 fiscal year, just shy of its 2009–10 record of 3.22 million, driven by blockbuster exhibitions like "Magritte: The Mystery of the Ordinary" and a Sigmar Polke retrospective. Meanwhile, the Guggenheim's attendance peaked in 2009, the Met saw its busiest season in 2011–12 with 6.28 million visitors and is now on track for a second consecutive decline, and the Whitney's high was 372,000 in 2009–10. Factors cited include a harsh winter, ongoing construction at the Met, and a shift toward more scholarly exhibitions, though tourism growth in New York continues, especially among international visitors.

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Artnet News published its quarterly museum artist ranking for June 2025, analyzing temporary exhibitions at over 250 U.S. museums to identify which living artists received the most institutional attention. The list includes over 4,500 names, with Indigenous contemporary artists dominating the top ranks: Cara Romero and Sky Hopinka remain highly visible, joined by Jeffrey Gibson and Andrea Carlson. Cindy Sherman appears in at least 10 group shows nationwide, while Alex Katz continues as a rare painter favored by museums at age 97. The ranking prioritizes career retrospectives, dedicated exhibitions, and special commissions over group show appearances.

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New York City will gain a major new cultural venue in 2026 called Canyon, a 18,000-square-foot hub on the Lower East Side dedicated to durational, time-based art forms such as video, sound, and performance. Founded by philanthropist and collector Robert Rosenkranz, the space is designed by New Affiliates Architecture and will feature state-of-the-art galleries, a 300-seat performance hall, and a skylit piazza with food and beverage options. Joe Thompson, founding director of MASS MoCA, will serve as the venue's director. Canyon has already appointed conservator Cass Fino-Radin as director of art and technology and curator Sam Ozer as curator-at-large, with partners including Rhizome, Electronic Arts Intermix, and the Archive of Contemporary Music. Its inaugural exhibitions will include a major retrospective of Japanese new media artist Ryoji Ikeda and a show titled "Worldbuilding" curated by Hans Ulrich Obrist.

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Stanford University's libraries and Cantor Arts Center have acquired the archives of Filipina American artist Pacita Abad, who died in 2004 at age 58. The 120-foot-long collection, a gift from her estate managed by her husband Jack Garrity, includes correspondence with artists like Faith Ringgold, photographs from her childhood in Manila, and materials from her global travels and exhibitions. The acquisition comes with a donation to support processing, and is seen as a homecoming for Abad, who left the Philippines in 1969 after student protests and later settled in the Bay Area, where she studied and began her art career.

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The Gordon Parks Foundation is celebrating its 20th anniversary in 2026, marking two decades since the founding of the organization dedicated to preserving the legacy of photographer and artist Gordon Parks. Executive Director Peter W. Kunhardt, Jr. reflects on the foundation's growth, including exhibitions, museum partnerships, publications, and fellowships that support emerging artists. The foundation was co-founded by Parks and Kunhardt's grandfather, Phil Kunhardt, in 2006. As part of the anniversary, the foundation is publishing a new edition of "Gordon Parks: Diary of a Harlem Family, 1967/1968" and will realize three gallery exhibitions, starting with "We Shall Not Be Moved" at Alison Jacques Gallery in London, curated by Bryan Stevenson.

New venue for video, sound and other durational art forms coming to Manhattan

A new nonprofit venue for durational art, Canyon, will open on Manhattan's Lower East Side in 2026. Founded by philanthropist Robert Rosenkranz through the Rosenkranz Foundation, the 40,000-square-foot adaptive reuse space is overseen by Joe Thompson, founding director of Mass MoCA. Designed by architecture firm New Affiliates, Canyon will feature 18,000 square feet of galleries for video and audio, a 60-foot-tall central plaza, a 300-seat performance hall, bars, a cafe, and a restaurant. Cass Fino-Radin joins as director of art and technology, with Sam Ozer as curator-at-large. Planned programming includes a retrospective of Ryoji Ikeda and a group exhibition curated by Hans Ulrich Obrist titled "Worldbuilding."

Tate announces major David Hockney, Edvard Munch and Sonia Boyce exhibitions for 2027

Tate has announced its 2027 exhibition program across its four UK sites. Major shows include a Lynda Benglis exhibition and an Edvard Munch show at Tate Modern, a Sonia Boyce retrospective at Tate Britain, and two exhibitions celebrating David Hockney's 90th birthday. The program also features Tate Modern's first Monet exhibition, the UK's first solo show for Algerian artist Baya, a survey of Nalini Malani, and a major exhibition on Asian ink painting.

Auguste Renoir in 2 Minutes

Auguste Renoir en 2 minutes

Pierre-Auguste Renoir remains a cornerstone of Impressionism, celebrated for his transition from porcelain painting to becoming a master of figure and light. While he initially pioneered plein air techniques alongside Claude Monet, Renoir eventually pivoted toward a more classical study of 18th-century masters, focusing on portraits, domestic scenes, and nudes. His career was marked by iconic works like 'Bal du moulin de la Galette' and a persistent drive to paint even as severe rheumatism physically debilitated him in his final years at Cagnes-sur-Mer.

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Jack Vettriano, the self-taught Scottish painter behind Britain's best-selling image of 2012, *The Singing Butler* (1992), has announced that he may never paint again after dislocating his shoulder. Vettriano told the Independent that he is undergoing physiotherapy but faces a long recovery and cannot paint in the foreseeable future. The news comes as a blow to his devoted fan base, who had been hoping for new work following his 2013–14 retrospective at Kelvingrove Art Gallery and Museum in Glasgow, which drew 123,000 visitors.

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Sean Combs, also known as Diddy, may lose a prized Kerry James Marshall painting, *Past Times* (1997), among other assets if found guilty of sex trafficking charges, which he has denied. The painting was purchased at Sotheby's in 2018 for $21.1 million, setting an auction record for Marshall. Reports indicate Combs had been actively collecting art since 2014 with adviser Maria Brito, but with multiple civil suits pending, speculation has grown that he might be forced to sell.