The New Museum in New York has unveiled a sensory-driven installation that utilizes scent as a primary medium, challenging the traditional ocular-centric experience of contemporary art spaces. Visitors are greeted by a distinct, musky aroma that permeates the galleries, part of a curated effort to explore the intersection of olfaction, memory, and physical space.
A new exhibition at the Museum of Art and Archaeology at the University of Missouri, titled "Camouflage: In Plain Sight," transforms military uniforms and related objects into works of art. The show features over 50 items, including a deconstructed World War I uniform by contemporary artist Ashley V. Blalock and historic pieces like a Civil War jacket, exploring how the visual language of warfare is repurposed for artistic expression.
The House of Creatures exhibition at Milan Design Week 2026 presents a collection of sculptural works designed to represent hybrid beings through material and form. The show brings together designers who interpret creatures as symbolic figures, translating mythology and emotion into physical pieces across furniture, lighting, and collectible formats. Each work is positioned as an individual presence within a gallery setting, forming a sequence of distinct forms rather than a single unified installation, with materials including ceramics, textiles, and metal constructions.
A heritage art exhibition in a local community is showcasing works that reinterpret and revitalize regional stories and traditions. The show features pieces by local artists who draw on historical narratives, folklore, and cultural artifacts to create contemporary visual art, aiming to connect residents with their shared past through a modern lens.
The Springfield News-Leader, in partnership with the Springfield-Greene County Library District, is publishing a historical photograph from its archives. The 1961 image shows Kenneth M. Shuck, director of the Springfield Art Museum, examining Civil War artifacts—including a saber, a drum, and a painting of Union General Nathaniel Lyon—in preparation for a centennial exhibition.
The Army Museum in Paris is hosting "Explorations: A State Affair?", a comprehensive exhibition running from April 15 to August 16, 2026. The showcase traces three centuries of French global expeditions, from the aftermath of the Seven Years' War in 1763 through the space race to contemporary missions focused on climate change and resource security. Featuring a diverse array of artifacts including maps, scientific instruments, military uniforms, and paintings, the exhibition highlights the military's central role in scientific discovery, territorial expansion, and state power.
The Potters Bar Museum is hosting a specialized exhibition titled "The Railway comes to Potters Bar," focusing on the historical impact of the rail network on the local community. The display features a collection of archival photographs, artifacts, and historical documents detailing the evolution of transport in the area.
Conduit Gallery in Dallas is hosting "Dynamatic," a solo exhibition by Brooklyn-based artist Kendall Glover featuring sculptures and textiles produced within the last year. The show highlights three distinct series: large-scale tubular steel sculptures, experimental bronzes cast from rattan and thread, and a collection of silver-leafed crocheted works known as "Quasars."
A new exhibition titled 'Give Me a Ring: A Telephone Retrospective' has opened at the San Francisco Airport Museum. The show explores the history, design, and cultural impact of the telephone through a collection of artifacts and artworks.
The article reports on the opening and conceptual framework of the Museum of Narratives, a new institution in Japan dedicated to exploring and presenting stories through its collections and exhibitions. It emphasizes the museum's focus on narrative as a fundamental human and artistic practice, positioning it as a unique cultural destination.
The Field Museum in Chicago is set to debut "Amerika Samoa," a temporary exhibition opening March 6, 2026, in the Regenstein Halls of the Pacific. Co-curated by Reggie Meredith Fitiao and Su’a Uilisone Fitiao of the nonprofit Fa’asamoa Arts, the show focuses on two primary Samoan art forms: siapo mamanu (painted barkcloth) and tatau (tattoo). The exhibition features contemporary works alongside historical pieces from the museum's collection, including a collaborative large-scale siapo created with the Chicago Samoan community.
A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.
The Museum of Art and Design (MAD) in New York is presenting "Designing Motherhood: Things that Make and Break our Births," an exhibition curated by Elizabeth Koehn that examines fertility and parenthood through over 250 objects, including mass-market items, medical devices, design notes, archival letters, and video. The show features artifacts such as hospital baby blankets, 17 historical pessaries, 12 IUDs, and the Del Em menstrual extraction tool from 1971, alongside clips from the 1952 film "All My Babies" featuring midwife Mary Coley. The exhibition defines motherhood capaciously, not limited to one sex or gender or to biological childbearing, and also addresses choosing to delay or forgo parenthood.
The article reports a significant shift in the Islamic art market, where traditional Persianate works from Iran are declining in sales and value, while art from India and historic Arab polities is rising. At Sotheby's April 2025 sale, 14 of 27 Persian works went unsold, continuing a long-term slump. Key factors include U.S. sanctions on Iran that restrict export of Iranian-origin works, aging collectors, maturing museums, and a generational shift away from classical art toward contemporary pieces. In contrast, Mughal art from India is experiencing a steady price increase, reflecting the repositioning of the market away from Persianate mainstays.
The Ohio State University Department of Art Faculty Exhibition is currently on view at the Urban Arts Space, featuring works by 23 full-time, tenured, tenure-track, and visiting faculty. The exhibition spans from historical artifacts to cutting-edge technology, with many works focusing on the natural world or technology. Highlights include virtual reality experiences and David John King's "Here Hear," which combines tiny objects on a rotating platform projected onto a wall via video camera, drawing from the artist's dreams and memories.
Phillips auction house will debut a new category called "Out of This World" within its Modern & Contemporary Art Evening Sale on November 18 in New York, headlined by "Cera," a 66-million-year-old juvenile Triceratops skeleton. The specimen, excavated in 2016 from South Dakota's Hell Creek Formation, is the first full juvenile Triceratops ever discovered and the first Triceratops of any kind to appear at a U.S. auction in over a decade, with an estimate of up to $3.5 million. The sale also includes other natural-history rarities such as a large gold nugget and a fossilized marine reptile.
China Institute Gallery in New York has transformed a logistical setback into an opportunity, mounting an urgent contemporary art exhibition that showcases works by Chinese and Chinese American artists. The show, organized on short notice after a previously planned exhibition fell through, features a range of pieces addressing themes of identity, diaspora, and cultural heritage, reflecting the gallery's pivot toward more current and pressing artistic conversations.
De Beers has partnered with Frieze Masters to present an immersive installation titled 'Voyage Through the Diamond Realm,' showcasing diamonds that date back 3.5 billion years. The display, curated by Lynn Serfaty of De Beers, features a 20-minute film exploring the myths, history, and science of diamonds, along with a commissioned sculpture from Botswana craftspeople using uncut diamonds and ostrich eggshells. This marks De Beers' first presentation at an art fair.
The New York Times reports on a new exhibition at San Francisco's Asian Art Museum that juxtaposes traditional Asian art with contemporary works, exploring themes of joy, pathos, divinity, and spectacle. The show brings together ancient sculptures, paintings, and ritual objects alongside glittering modern installations, creating a dialogue across time and culture.
Ancient artefacts from the sunken city of Canopus, submerged off the coast of Alexandria, have been recovered for the first time in 25 years. During a three-day underwater heritage event (19-21 August), archaeologists lifted limestone structures, a quartz sphinx bearing cartouches of Ramses II, and a white marble statue of a Roman nobleman from the Mediterranean. The operation was led by the European Institute for Underwater Archaeology (IEASM) in cooperation with the Egyptian Ministry of Tourism and Antiquities, with French underwater archaeologist Franck Goddio playing a key role. The finds are now on display in the exhibition 'Secrets of the Sunken City' at the Alexandria National Museum.
Artist Ms Walker, a recent graduate, is participating in the 29th annual Three Counties art exhibition. Her work, titled 'Factory Worker's Jacket,' explores the loss of traditional craftsmanship in north Staffordshire, focusing on the pottery industry in Stoke-on-Trent and the silk and natural dye industry in Leek. The piece uses vintage and naturally dyed fabrics patchworked together, distressed, and visibly mended to tell the story of pottery makers working in dangerous factory conditions and constantly repairing their worn uniforms. The free exhibition features a diverse mix of art, including paintings, photography, and a motorbike installation, and is open Tuesday to Saturday from 11:00 to 15:00 BST.
The Journal Gazette reports on a history and art exhibition in Fort Wayne that honors the wartime work of native son Bill Blass and the Ghost Army. Bill Blass, who would later become a renowned fashion designer, served in the 23rd Headquarters Special Troops, a top-secret U.S. Army unit known as the Ghost Army, during World War II. The exhibition highlights the unit's deceptive tactics—using inflatable tanks, sound effects, and fake radio transmissions—to mislead German forces, and features artifacts, photographs, and artworks related to their missions.
Sharjah Art Foundation has launched two new programmes: a Studio Programme offering long-term and free workspace for artists, recent graduates, and PhD candidates, and a Residency Programme providing flights, accommodation, and a monthly stipend for visual artists, performers, writers, and other creatives. The programmes will be hosted across multiple venues in Sharjah, including the Collections Building, Bait Obaid Al Shamsi, Bait Al Serkal, Al Hamriyah Studios, and Kalba Ice Factory, each with distinct histories and architectural features.
The article reviews the exhibition 'Roaring: Art, Fashion, and the Automobile in France, 1918-1939,' which explores the intersection of art, fashion, and automotive design during the interwar period in France. The show features a range of works including paintings, sculptures, fashion designs, and vintage automobiles, highlighting how the automobile became a symbol of modernity, speed, and luxury in French culture between the two world wars.
Frisco Mayor Jeff Cheney is drawing attention to a surprising trend: residents are leaving the city in search of more vibrant arts and entertainment options. This May, Cheney is asking voters to support Propositions A and B, which would fund a world-class Center for the Arts designed by Pelli Clarke & Partners. A study commissioned by Visit Frisco and conducted by Buxton used GPS data to confirm that residents frequently travel to nearby entertainment venues like Toyota Music Factory and Lava Cantina, indicating strong demand for local arts and mixed-use development.