The Grolier Club, a private members-only society for bibliophiles on New York's Upper East Side, has opened a free public exhibition titled "Paper Jane: 250 Years of Austen," tracing Jane Austen's legacy through rare books, letters, and archival material. Organized over three years by three club members—Mary Crawford, Janine Barchas, and Sandra Clark—the show draws entirely from their personal collections, charting Austen's rise from relative anonymity to literary canonization.
Tenured University of South Dakota art professor Michael Hook, who faced termination for social media comments about the killing of conservative activist Charlie Kirk, has been reinstated after dropping his lawsuit. Hook posted remarks on September 10 calling Kirk a "hate-spreading Nazi" after the activist was shot dead, then apologized and deleted the post. South Dakota political leaders including Governor Larry Rhoden called for his firing, and USD placed Hook on administrative leave on September 12. Hook sued the university and the South Dakota Board of Regents on September 23, arguing his comments were protected by the First Amendment. Students organized a petition with nearly 22,000 signatures supporting his reinstatement. On October 3, USD president Sheila Gestring withdrew the termination notice, citing Hook's apology and employment record. Hook then dismissed the lawsuit as moot.
A new free exhibition titled "Everyone's Searching for Their Cat" ("Chacun cherche son chat") has opened at Fluctuart, a floating urban art center in Paris, running from May 7 to August 23, 2026. The show features works by about ten street artists—including Madame, Kraken, Ardif, and Wenna—who explore the multifaceted nature of cats through installations, paintings, and interactive pieces. Highlights include Ardif's anamorphic cat installation, Kesadi's narrative works, and Veks Van Hillik's Schrödinger's cat-inspired piece.
The Muskegon Museum of Art has announced a new exhibition titled 'HerStory of Animation: Mary Blair & Beyond,' premiering June 6 through September 27. The show redefines animation history by highlighting the contributions of women animators and artists, from early pioneers like Helena Smith Dayton and Lotte Reiniger to contemporary figures. Curated by Mindy Johnson, the exhibition features production artwork, studio artifacts, rare imagery, films, and newly uncovered research spanning over a century of innovation.
Laura Green and Pierre Bounaud have co-curated a new exhibition titled "The Natural World" at The Studio Door in Hillcrest, San Diego, running from May 8 through June 12. The show features paintings by Green and ceramic and glass works selected by Bounaud, all exploring humanity's complex relationship with nature. Green's impressionistic paintings focus on animals and plants from the San Diego landscape, while Bounaud emphasizes clay and glass as materials drawn from the earth. The exhibition includes works by artists such as Oscar Romo and Kathleen Kane Murrell, who address environmental themes and conservation.
The Lynden Sculpture Garden in Milwaukee announces its May 2026 events, including exhibitions, workshops, and outdoor installations. Featured exhibitions include Faythe Levine's "Time is Running Out," which explores the legacy of Charlotte Partridge and Miriam Frink, co-founders of the Layton School of Art, and "Slow Growing in the Time of Trees" by the mycology-focused collective mycollective. A bonsai exhibit opens on World Bonsai Day in collaboration with the Milwaukee Bonsai Society and Milwaukee Bonsai Foundation, alongside free community events like Knit @ Lynden with Sara Caron.
On April 20, 2026, the Italy-Mozambique project "A Bridge Made in Art" launched in Maputo, Mozambique, running until June 2027. Sponsored by Italy's Ministry of Culture and the National Museums of Perugia, the initiative includes workshops, exhibitions, and training in contemporary art, involving Mozambican institutions such as Universidade Eduardo Mondlane, Fundação Leite Couto, and Núcleo de Arte. The program is part of the Mattei Plan for Africa, aiming to redefine Italy-Africa relations through cultural cooperation.
Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.
The Sertoma Arts Center in Raleigh, North Carolina, is hosting a series of exhibitions throughout 2025 and 2026, featuring a wide array of local and regional artists. The current exhibition is the 47th annual Sertoma Parks Artists Association (SPAA) show, featuring over 30 artists, running from February to April 2026. Upcoming shows include a May-June 2026 exhibition highlighting artists like Adam Cooley and Natacha Sochat, and the center regularly presents themed exhibits such as its annual Student, Instructor, and Patron exhibition.
The InverArty collective, a group of ten local amateur artists from Inverclyde, has launched its debut exhibition at the Wyllieum art gallery in Greenock. Formed four years ago as a self-supporting community following the COVID-19 lockdowns, the group showcased a diverse range of works including landscapes, self-portraits, and mixed-media illustrations. The exhibition represents the culmination of years of weekly self-led classes and collaborative workshops.
Eleven graduating studio art and visual culture students at Bates College are preparing to debut their year-long thesis projects in the professional exhibition "At the Table." Opening April 17 at the Bates Museum of Art, the show features a diverse range of media including charcoal drawing, photography, and sculpture. The students have spent two semesters transitioning from theoretical research and material exploration to the physical production and professional framing of their works under the guidance of faculty and museum staff.
The WCU Fine Art Museum recently hosted its 58th Annual Juried Undergraduate Exhibition, featuring works by 25 student artists across various media including video, sculpture, and photography. Juried by artist Tracy Templeton, the showcase highlighted technical skill and personal expression, with top honors going to James Wood Boone for his time-based media piece "The Caretaker" and Valeria Enid Ramos for her portraiture.
Artist Laura Fedynyszyn has partnered with the Invasive Species Centre to present "Memorial for Trees Not Yet Fallen III" at Toronto’s Evergreen Brick Works. The exhibition features wreaths made from dried riverbank grapevines adorned with prints of the spotted lanternfly, an invasive insect currently threatening Ontario’s borders. Drawing inspiration from Victorian-era mourning jewelry, the installation serves as a tangible memento for an ecosystem at risk.
Kansas City’s spring art season features a diverse lineup of exhibitions across several key local venues, highlighting regional talent and identity-driven narratives. Notable shows include a group exhibition by the Kansas City Art Institute’s AAPI Association at Leedy-Voulkos Art Center and a collaborative project between Kansas City and Chicago galleries titled "Queer Ecologies II" at the Charlotte Street Foundation, which explores the intersection of queer identity and environmental science.
The Tahoe Art League Gallery is hosting an opening reception for its Spring Art Show this Friday, February 27, in South Lake Tahoe. The event features works from 21 local artists and includes a live violin performance by participating artist Mel Smothers. The exhibition is free to the public and will remain on display through May 24.
Spanish artist Robert Cervera presents 'Hiddenware,' an exhibition at SPACE Ilford on January 31 that blends gaming, sound, and visual art. Three local gamers will perform live video game sessions accompanied by musicians playing a custom instrument made from PC liquid cooling tubes, creating real-time soundtracks based on the gameplay. The event runs from 4pm to 7pm, with a live stream on Twitch, and the exhibition remains open until April.
Barton Art Galleries in Wilson, North Carolina, will open "Parallel Origins: From Distant Roots to Shared Worlds" on February 5, 2026, featuring works by Robert Smith and José Bayro C. The exhibition runs through March 13 and pairs two artists who share a studio in Puebla, Mexico, but present distinct bodies of work exploring memory, material, and personal history. It marks Barton College's first dual-artist residency, during which Smith and Bayro will collaborate with students in the "Studio Concepts" course, lead community workshops, and engage in open studio sessions and interdisciplinary conversations.
The Georgetown Art Center (GAC) has issued an open call for its 2027 exhibition season, inviting U.S.-based artists working in any medium to propose monthlong solo exhibitions featuring work created within the past three years. Submissions will be reviewed by a panel of three artists—Caroline Walker, Mark Greenwalt, and Molly Mansfield—each of whom had solo shows at GAC in 2025. Selected artists receive a $500 honorarium, promotional support, and opportunities for an opening reception, artist talk, and masterclass. The deadline for submissions is February 28, 2026, with a $45 fee.
A posthumous retrospective of Pakistani modernist painter Mashkoor Raza (1948-2025) was held at Mainframe Gallery in Karachi, showcasing his prolific output from the 1970s and 1980s. The exhibition featured abstract and semi-abstract works, equestrian paintings, and a recreation of his studio, drawing from his family's collection. Raza, a graduate of the Karachi School of Art and later a teacher there, was known for decorative abstractions in oils dominated by whites, reds, and blues, as well as cubist-style horse and figure compositions. The show also included a display of press clippings and art books, highlighting his influence and the critical reception of his era.
David Drake, also known as Dave the Potter, was an enslaved African American ceramicist and poet in 19th-century South Carolina who inscribed his stoneware jars with defiant poetry at a time when teaching enslaved people to read or write was a crime. The article argues that despite his recognized genius, Drake was not fully an artist during his lifetime because he was denied the fundamental right to own, control, and benefit from his creations—a right the Berne Convention calls 'inalienable.' Only recently, after the Museum of Fine Arts Boston returned two of his jars to his heirs, has Drake begun to receive the full recognition and economic justice that define true artistic status.
The Heseltine Open Exhibition 2025 is currently on view at the Heseltine Gallery in Middleton Cheney, UK, through December 14. Featuring over 60 adult artists and a record 17 youth entries, the show includes paintings, drawings, prints, pottery, glasswork, textiles, photography, and mixed media. Awards were presented by John Childs, Chief Art Examiner for OCR and gallery founder, and Tom Christy, Head of Art and Design at Chenderit School. Commended artists include ceramicists Julia Taylor and Sue Clayton, glass artist Jill Tilsbury, wire sculptor Linda Johns, and several painters and photographers. Two young artists, Lottie Clarke and Annika Dowden, received the Brian Goodey memorial prize.
Lisja Tërshana, co-founder of Khrais–Tërshana, an art dealership and production studio based in London with operations between Tirana and Krakow, discusses her unconventional path from law to the art world. After studying law in London and passing the Solicitor Qualifying Exam, she enrolled in Central Saint Martins' MA Innovation Management, where she met co-founder Sofian Khrais. The dealership operates across three distinct art markets: Poland's confident and institutionally anchored scene, Albania's emerging infrastructure with few international commercial galleries, and London's established yet innovative market. Tërshana emphasizes the importance of curation in her work, blending market instincts with curatorial vision, and draws on her legal background to ensure fairness and trust between artists and collectors.
The Waterworks Visual Art Center in Salisbury, North Carolina, has opened a new exhibition titled "The Spark That Drives Us," which explores the intersection of visual art and automotive design. Featuring works by five internationally-acclaimed automobile artists—Heidi Mraz, Stefan Johansson, Michael Furman, Dan McCrery, and Richard Pietruska—the show includes watercolor paintings, mixed-media pieces, and sculptures, alongside two rare cars: a 1957 Dawson Ferret from Ray Evernham's collection and a 1954 Martin Stationette from the Lane Motor Museum. The exhibition runs through February 28, 2026.
A new art gallery called Cute Tomatoes Gallery has opened in Savannah's 41st Street district, next to Natasha Gaskill's restaurant Sixby and near other local hotspots. The gallery focuses on showcasing authenticity for Savannah-based artists, providing a fresh platform for local creative voices in the city's growing arts scene.
UNC Asheville will host the Post-Helene Symposium from September 24-26, 2025, to commemorate the anniversary of Tropical Storm Helene, which caused historic flooding in Western North Carolina in September 2024. The free, three-day event includes panels, concerts, art exhibitions, and a storytelling collaboration with NC Local titled "The Heart of the Mountains," featuring 12 news organizations including the Asheville Citizen Times. Highlights include the art exhibition "Looking Back to Move Forward" in the S. Tucker Cooke Gallery and a music faculty showcase concert "Hard Times, No More."
An Talla Solais (ATS) gallery in Ullapool is bringing back its Art Week from September 5 to 14, 2025, featuring over 150 artists across venues in Wester Ross. The program includes the Artist’s Studio Trail, the Members Show, pop-up exhibitions, workshops, artist talks, a film premiere of 'Scoraig Violin', and a community ceramics project. Highlights include a tribute to late Glasgow Girl Florence Jamieson through her daughter Becky Thomson’s open studio, and new work by artist-in-residence Nina Edge at Ullapool Museum.
On July 9, 2025, the Low Road and Windmill Music Federation held its first-ever art exhibition on school grounds, showcasing artwork from every pupil in Reception through Year 6. The event, led by art lead Morag Watson, featured splatter paintings, photography, and other works, with local photographer Elaine Goddard announcing winners of a photography competition and local artist Paul Fretwell contributing a painting. The exhibition was open to students, parents, governors, and the community, and was hailed as a resounding success.
Descanso Gardens in Los Angeles opens a new exhibition titled “Roots of Cool: A Celebration of Trees and Shade in a Warming World,” co-curated by climate researcher Edith de Guzman and artist Jolly de Guzman. The all-women show features outdoor installations and gallery works that address shade equity—the unequal access to cooling shade across urban neighborhoods. Highlights include Leslie K. Gray’s three-part “Bus Stop” series depicting the climate challenges of female bus riders, Chantée Benefield’s “Cool Canopy” of suspended umbrellas (a recreation after her original was lost in the Eaton fire), and works by Kim Abeles and Diana Kohne inside the Sturt Haaga Gallery and Boddy House.
A new contemporary art space called Progetto opened in Lecce, Italy, on June 28, 2019, with a solo exhibition titled "fortaleza" by artist ektor garcia. Founded by artist Jamie Sneider, who splits time between the United States and Puglia, the space is located in a 16th-century building in the ancient Jewish quarter of the baroque city. Progetto will host international artists for short residencies and exhibitions, fostering dialogue with the region's history and landscape.