Blank Spaces. Sung Tieu by Sarah Johanna Theurer

Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.

Friend of X. A Conversation with Raque Ford by Qingyuan Deng

Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.

What Do Danh Vo’s Curated Collections Add Up To?

The article reviews the exhibition 'Danh Vo: Untitled' at the Pirelli HangarBicocca in Milan, which presents a collection of objects curated and arranged by the artist. The show features a diverse array of items, including a 17th-century Flemish painting, a meteorite, a taxidermied peacock, and personal memorabilia, all displayed without explanatory labels in a large, warehouse-like space.

Marsha Pels Presents a Material Memorandum on Grief

Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, ranging from Cao Fei’s exploration of global agriculture to Anselm Kiefer’s monumental tributes to female alchemists. Marsha Pels stands out with a deeply personal presentation that utilizes industrial materials to navigate the complexities of grief and memory.

Must-See: Mirosław Bałka and the Fragility of Memory

Mirosław Bałka has opened a major solo exhibition at the Pirelli HangarBicocca in Milan, featuring a new, large-scale installation titled 'CROSSOVER/S' (2026). The work, a monumental steel structure filled with salt, continues the Polish artist's decades-long exploration of memory, trauma, and the body, using industrial materials to evoke profound personal and historical narratives.

What Can We Learn from Édouard Glissant’s Art Collection?

An exhibition at the Musée du quai Branly–Jacques Chirac in Paris is showcasing the personal art collection of the late Martinican philosopher and poet Édouard Glissant. The show, titled 'Édouard Glissant: Un monde en relation,' features over 150 works he and his wife, Sylvie Glissant, acquired, including pieces by artists like Wifredo Lam, Roberto Matta, and Hervé Télémaque, offering a tangible map of his intellectual and aesthetic affinities.

Major summer exhibitions bring international artists to seaside gallery

Hastings Contemporary in the UK is hosting three major summer exhibitions until September 13, featuring international contemporary and modern artists. The shows include the first major UK solo exhibition of German-Brazilian artist Janaina Tschäpe, a solo show by Argentinian artist Miguel Rothschild with a new seascape installation, and "Moore / Freud," which brings together 20 works by Lucian Freud and Henry Moore exploring familial and personal connections.

Exclusive | Met Gala 2026 and ‘Costume Art’ brashly transform flesh, bones and guts into too-cool couture

The Metropolitan Museum of Art's Costume Institute will debut its spring 2026 exhibition, “Costume Art,” on May 10, preceded by the Met Gala on May 4. The exhibition explores the dressed body in all forms—nude, pregnant, plus-size, disabled, aging, and internal—and features fashion designer Renata Buzzo’s hand-stitched “Corset Anatomia” from her 2024 collection “The Body.” Buzzo was personally selected by curator Andrew Bolton and donated her pieces. The exhibition will be housed in the new Condé M. Nast Galleries, an 11,500-square-foot space that will make fashion galleries the first thing visitors see upon entering the Great Hall. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, raised a record $31 million in 2025 and will follow the dress code “Fashion is Art.”

Cambodian Artist Sopheap Pich Shares in an Exhibition how He Conceives Sculptures

Cambodian artist Sopheap Pich is presenting an exhibition at Meta House in Phnom Penh that reveals his creative process, showing how he conceives sculptures from initial drawings and woodblock prints to works in bamboo and metal. Born in Battambang, Pich survived the Khmer Rouge regime as a child and later immigrated to the U.S., earning an MFA from the School of the Art Institute of Chicago before returning to Cambodia in 2002. The exhibition includes early rattan pieces and recent metal sculptures, reflecting his intuitive, memory-infused approach to making art with a team of ten assistants in his Phnom Penh studio.

Max Ernst | Untitled (ca. 1949) | Available for Sale

Max Ernst | Untitled (ca. 1949) | Available for Sale

A rare miniature gouache on paper by Surrealist pioneer Max Ernst, titled 'Untitled' (ca. 1949), has been made available for sale through PM Gallery in Paris. The unique work, measuring only 3.1 x 2.85 cm, is presented in a bespoke silver and 18K gold frame adorned with ruby beads, created by the artist and jeweler Marcial Berro. The piece boasts a distinguished provenance, having previously belonged to the influential Parisian gallery owner Édouard Loeb and featured in the 1970 retrospective at the Württemberg Art Association.

Lost abstract artist Edna Taçon rediscovered at Art Gallery of Ontario

The Art Gallery of Ontario (AGO) has launched a dedicated exhibition to rediscover the work of Edna Taçon, a mid-century abstract artist who was once a prominent figure in the New York and Toronto art scenes. Curated by Renée van der Avoird, the show features collages, drawings, and paintings from the 1940s, a period when Taçon exhibited alongside Lawren Harris and was championed by Hilla Rebay at the Museum of Non-Objective Painting (now the Guggenheim). The exhibition was sparked by the discovery of a single work in the AGO’s holdings and a subsequent connection with the artist's grandson, sculptor Carl Taçon.

Retrospective of ‘naive’ Henri Rousseau reveals painter’s ambition

The Musée de l'Orangerie in Paris has launched a landmark retrospective titled "A Painter’s Ambition," dedicated to the self-taught artist Henri Rousseau. Featuring 50 paintings and personal correspondence, the exhibition highlights Rousseau’s relentless struggle to transcend his "naive" label and gain acceptance from the French art establishment. Key highlights include the rare grouping of his masterpieces—The Sleeping Gypsy, The Snake Charmer, and The Hungry Lion Throws Itself on the Antelope—alongside evidence of his calculated efforts to market himself to government officials.

Lily's grandmother defied 50s' social norms to be both an artist and a mother

The article profiles an unnamed Australian artist who, in the 1950s, pursued a career in art while raising a family, challenging the era's restrictive social expectations for women. Her story, shared by her granddaughter Lily, highlights the personal and societal barriers faced by women artists of that generation.

A New Space Built to Replicate an Old-Fashioned Art Salon

The New York Times highlights the emergence of a new physical art space designed to emulate the intimate, conversational atmosphere of traditional 19th-century European salons. Moving away from the sterile 'white cube' aesthetic of modern galleries, this venue prioritizes domestic-scale viewing and intellectual exchange among artists, collectors, and critics.

Churchill Landscape Gets First U.K. Showing in Exhibition Tracing His Artistic Life

The National Trust has unveiled a new exhibition titled "Churchill the Artist" at Chartwell, the former home of Winston Churchill. The show features personal artifacts including his paint-spattered Savile Row overalls and spectacles, alongside the painting "Quiet Waters" (c. 1920s), which is being exhibited in the U.K. for the first time. The work, an impressionistic river scene, was originally a gift from Churchill to the press baron Lord Beaverbrook.

'If a work is meant to be mine, there’s always time': Mashonda Tifrere on the art she collects and why

Mashonda Tifrere, a former singer turned curator and art advisor, discusses her journey from the music industry to becoming a prominent figure in the visual arts. Through her organizations ArtLeadHER and Art Genesis, she has curated over 40 exhibitions focusing on women and underrepresented artists, including a recent Faith Ringgold show at the University of California, San Diego.

‘Rubens with jokes’: UK exhibitions place Beryl Cook in the art historical canon

Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.

Al Park’s picks of 2025 - local and international artists all make the cut

Al Park, a longtime music impresario in Lyttelton and Christchurch, shares his personal cultural highlights of 2025 in an end-of-year feature for The Press. His picks span books, films, music, poetry, and visual art, including the exhibition "Whāia te Taniwha" at Christchurch Art Gallery, which features works like Piri Cowie's bronze sculpture "Te Wheke – Aro Hā Series 2024." Park also looks ahead to 2026, noting his weekly event 'Al P and his P.A.Ls' and the upcoming "The Art of Banksy" exhibition at Christchurch Convention Centre Te Pae.

Emma Talbot – interview: ‘I imagine the experience of life as an epic story – the one we all have’

Emma Talbot presents her largest UK exhibition to date, *How We Learn to Love*, at Compton Verney, featuring over 20 new and recent works including silk paintings, fabric sculptures, animations, and drawings. The exhibition explores the human experience from birth to death, with recurring motifs such as a faceless female protagonist, references to Greek tragedy, and themes of grief and love. Talbot, who splits her time between London and Italy, also has concurrent solo shows at Copenhagen Contemporary and Centraal Museum Utrecht.

art tidawhitney lek young artist

Tidawhitney Lek, a 33-year-old first-generation Cambodian American artist based in Long Beach, CA, is profiled in CULTURED's 2025 Young Artists list. Her densely layered, brightly colored paintings collapse distinctions between interior and exterior, past and present, and foreground and background, reflecting her life and heritage. She gained attention at the Hammer Museum's "Made in L.A." biennial in 2023 and has upcoming shows at Victoria Miro in London and Art Basel Miami Beach with Night Gallery. The profile highlights her painting "Refuge," currently at the Henry Art Gallery, which depicts a bomb exploding outside a home and addresses themes of disconnect, erasure, violence, and generational trauma.

Martin Wong’s Brick Monument to Popeye

Hyperallergic reviews Martin Wong's posthumous exhibition "Popeye" at PPOW gallery, featuring six motorized plywood panels that reimagine the cartoon character Popeye as curving brickwork. The show includes smaller works like "Sacred Shroud of Pepe Turcel" (1989–90) and paintings of vintage cartoon characters Mutt and Jeff, Little Lulu and Tubby, all rendered in Wong's signature brick style. The review highlights Wong's queer, magpie sensibility and his ability to cross boundaries between high and low culture.

‘The Queen of the Ghetto’ Gave New York’s Immigrant Community a Voice. A Century Later, It’s Re-emerging

Anzia Yezierska, a Polish-Jewish immigrant who arrived in New York in 1890, defied traditional gender expectations to become a leading literary voice of the 1920s. Dubbed the 'Queen of the Ghetto,' she documented the raw struggles of immigrant women on the Lower East Side using a unique 'immigrant English' style that captured Yiddish idioms. After escaping a restrictive marriage and pursuing an education at Columbia University, she channeled her personal frustrations into stories of poverty, ambition, and the psychological toll of assimilation.

How Tony Albert’s childhood instinct became a radical art practice

Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.

Discover the Mapplethorpe Snapshot of Peter Berlin Hiding in This São Paulo Gallerist’s Bedroom

Alexandre Gabriel, a partner at São Paulo gallery Fortes D’Aloia & Gabriel, opens his home in the Praça da República neighborhood to reveal his personal art collection, which includes works by friends and a Robert Mapplethorpe photograph of Peter Berlin (1976). Gabriel describes how his collection began with gifts from artist friends he met while interning at a film production company in 1996, including Ivens Machado, Luiz Zerbini, Barrão, and Ernesto Neto, and emphasizes that his collection is strictly personal, guided by love and memory rather than market trends.

Here Are the Seven Booths We’re Beelining to at NADA’s 2026 New York Edition

The 12th edition of NADA New York is now open through May 17 at the Starrett-Lehigh building in Chelsea, featuring 120 galleries and nonprofit spaces from around the world. The fair emphasizes intimacy and scale, with presentations ranging from wrestling-scene paintings by Ursula Dilley to miniature landscapes stitched onto shirt cuffs by Chang Suyung, alongside collaborations rooted in regional craft traditions and psychedelic excess. Cultured magazine highlights seven must-see booths, including solo shows by Douglas Rieger and Loucia Carlier, and a transatlantic dialogue between Saenger Galería and COHJU.

art mfa students risd saic calarts yale

Cultured magazine invited seven MFA students from CalArts, Columbia, RISD, the School of the Art Institute of Chicago, and Yale to share recent works and discuss their artistic concerns. The students—Sascha Huth, Martha Estrella, Wenqing Zhai, Yehwan Song, Ricky Vasan, Virginia Hanusik, and Khidr Joseph—work in painting, photography, and sculpture, addressing themes such as commodity culture, Mexican American identity, China's one-child policy, digital inequality, personal yearning, ecological collapse, and grief.

art amanda precourt cookie factory denver

Amanda Precourt, a 52-year-old philanthropist and real estate developer, has transformed a former fortune cookie factory in Denver's Baker neighborhood into a combined private residence and public art space called Cookie Factory. Over the past nine years, she has amassed a contemporary art collection at a rapid pace, designing her 8,000-square-foot home around specific works—such as Anselm Kiefer's monumental painting *Engel der Geschichte* (2017) and Jeffrey Gibson's beaded punching bag *Know Your Magic, Baby* (2016). The lower 5,700 square feet of the building serves as a free, self-funded public gallery, where Precourt, her partner Andrew Jensdotter, and artistic director Jérôme Sans invite artists to create site-specific works inspired by Colorado. The space opened last May with an exhibition by Sam Falls, and a second show featuring Gary Simmons runs through May 9.

art ivan argote paris studio pigeon

The article profiles Colombian-born, Paris-based artist Iván Argote, focusing on his monumental aluminum-cast pigeon sculpture *Dinosaur* (2024), currently installed on the High Line Plinth in New York. It discusses his broader practice, which includes performance, video, and installation, often addressing themes of power, resistance, and public space. Argote is preparing for his second exhibition at Albarrán Bourdais in Madrid, centered on a civic performance where he fills sidewalk cracks with colored concrete. The piece also includes a studio visit during Paris Art Week, revealing his creative process, team, and personal touches like a stocked champagne fridge.

art liam gillick florence florence bonnefous

Artist Liam Gillick reflects on his 35-year friendship with gallerist Florence Bonnefous, co-founder of Air de Paris, through a list of 35 personal observations. The text recounts memories of early exhibitions in Nice, the gallery's informal ethos, and Bonnefous's commitment to radical politics, truth-telling, and supporting artists who dissolve boundaries. Gillick describes the gallery as a place where exhibition-as-form takes precedence over individual artworks, and where economic sense often yields to artistic sense.

art maggi hambling sarah lucas show interview

British artists Maggi Hambling and Sarah Lucas, who met at the Colony Room Club in London on their shared birthday 25 years ago, are the subjects of a dual exhibition titled "OOO LA LA" opening Nov. 19 across two London galleries: Sadie Coles HQ and Frankie Rossi Art Projects. The show celebrates their personal and professional bond, coinciding with a Rizzoli monograph on Hambling and a major museum survey of Lucas at the Museum of Contemporary Art Kiasma in Helsinki. In an interview, the duo discusses their friendship, mutual portraits, and creative processes, emphasizing spontaneity, experimentation, and the interplay of darkness and vitality in their work.