A New Luis Paret for the Prado

Un nouveau Luis Paret pour le Prado

The Museo del Prado in Madrid has expanded its 18th-century Spanish collection with the acquisition of a painting by Luis Paret y Alcázar titled 'María and Ludovica, the Painter’s Daughters'. The oil-on-copper work, dated 1783, depicts the artist's young daughters in a style reminiscent of nymphs. This acquisition was made possible through the significant bequest of Juan José Luna, which also recently funded the purchase of works by François Boucher.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

Where Thoughts Provoke and Truths Take Form.

Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.

NEW ZEALAND PHOTOGRAPHER FIONA PARDINGTON REPRESENTS AOTEAROA AT THE VENICE BIENNALE

New Zealand photographer Fiona Pardington (born 1961, Auckland) is representing Aotearoa at the 61st Venice Biennale with her exhibition *Taharaki Skyside*, on view from May 9 to November 22, 2026, at the Aotearoa New Zealand Pavilion. The show features large-scale portraits of taxidermied birds from museum collections across New Zealand and Australia, focusing on endemic species including the extinct huia and whēkau. Curated by Felicity Milburn and Chloe Cull, the exhibition is presented by the Arts Council of New Zealand Toi Aotearoa (Creative New Zealand) and Christchurch Art Gallery Te Puna o Waiwhetū.

Sophie Rivera's first survey focuses on experimentation

El Museo del Barrio in New York has opened "Sophie Rivera: Double Exposures," the first career survey of the Puerto Rican American photographer (1938-2021). The exhibition reassesses Rivera's practice, highlighting her experimental work beyond her well-known 1978 series "Nuyorican Portraits," which depicted Puerto Rican sitters in Manhattan's Morningside Heights. Curated by Susanna V. Temkin, the show features works across portraiture, photojournalism, and experimental image-making, including the color photograph "Alternators" (1975, printed 1986), which Rivera donated to the museum in the late 1980s.

Tale of a Riderless Horse

The National Gallery in London is hosting an exhibition titled "Stubbs: Portrait of a Horse," focusing on the 18th-century artist George Stubbs and his masterful equine paintings. The show features studies, drawings, and key works like "Whistlejacket" (c. 1762) and "Scrub" (c. 1762), highlighting Stubbs's unique anatomical knowledge gained from dissecting horses.

Hans Holbein Painted the Human

A new book, 'Holbein: Renaissance Master' by Elizabeth Goldring, published by Yale University Press and the Paul Mellon Centre, offers a comprehensive scholarly examination of the 16th-century German painter Hans Holbein the Younger. The review focuses on Holbein's masterful portraiture, particularly his depictions of opposing Tudor-era figures like Sir Thomas More and Thomas Cromwell, which are highlighted as embodying the era's complex political and religious tensions through their visual presentation at the Frick Collection in New York.

Smithsonian’s American Art Museum Appoints New Director Amid Turbulent Moment

The Smithsonian American Art Museum (SAAM) has appointed Lynda Roscoe Hartigan as its new director, concluding a 17-month search. Hartigan, who is leaving her position as executive director and CEO of the Peabody Essex Museum, will begin her role in September, succeeding acting director Jane Carpenter-Rock. She previously worked at SAAM as a curator in the 1970s and has held senior leadership roles at the Peabody Essex Museum and the Royal Ontario Museum.

Mystery 17th-Century Portrait Sparks Search for Identity of Black Sitter

Researchers at the National Portrait Gallery in London have launched a landmark investigation into a rare 17th-century double portrait featuring a Black boy and a white boy standing side-by-side. The painting, which has hung at the historic Penshurst Place in Kent for centuries, is undergoing extensive restoration and technical analysis to identify the sitters. Experts are particularly struck by the composition, which depicts the Black figure at the same scale and status as the white figure, a significant departure from the era's typical portrayal of Black individuals as marginal attendants.

At 250, America Must Reframe Its Founding Icons

The Princeton University Art Museum has reopened after a five-year construction hiatus, returning Charles Willson Peale's iconic 1783 painting, *George Washington at the Battle of Princeton*, to public view. The painting, which had been on continuous display for 236 years prior to the closure, is being presented with a new interpretive framework that highlights the complex history of its ornate frame—originally made for a portrait of King George II, with its crown physically removed—and the painting's timing for the nation's 250th anniversary.

brooklyn museum pasternak leadership fired making their mark forum 1234777327

Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.

Anne Boleyn Exhibition at Hever Castle

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Hever Castle has launched "Capturing a Queen: The Image of Anne Boleyn," a landmark exhibition exploring the visual legacy of King Henry VIII’s second wife at her childhood home. The show brings together an unprecedented collection of portraits, woodcuts, and costumes to challenge the long-held myth that all contemporary likenesses of Anne were destroyed after her execution. Key highlights include infrared analysis of the 1583 "Rose" Portrait and research suggesting that some famous posthumous depictions actually blended her features with those of her daughter, Elizabeth I, to solidify Tudor legitimacy.

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The British Museum has opened a major exhibition titled "Samurai" that challenges popular perceptions of the warrior class. It reveals that after 1615, half of all samurai were women, though they did not engage in combat, and explores the evolution of samurai from medieval fighters to Edo-period bureaucrats and cultural figures. The show features over 280 objects, from armor and weapons to everyday items like a woman's dressing set, and examines the contrast between historical reality and modern pop culture portrayals.

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The White House is pushing for a dedicated display of fan-created portraits of President Donald Trump at the Smithsonian's National Portrait Gallery. Administration officials, following a December tour, suggested installing a selection of artwork sent to the president by supporters, a move that would break with the museum's tradition of reserving multiple depictions for former presidents.

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In mid-December, Abby Jones, acting chief of protocol at the State Department, suggested during a tour of the Smithsonian’s National Portrait Gallery that the museum create a dedicated gallery featuring multiple images of President Donald Trump, in addition to his official portrait. The White House later noted it regularly receives artworks depicting Trump from supporters and proposed displaying some at the museum, though no formal request has been made. The discussion follows the gallery’s recent replacement of Trump’s official photograph with a more flattering image and the removal of wall text referencing his two impeachments, which the museum described as part of a broader exhibition update.

lisa funderburke newark museum of art director 1234771310

The Newark Museum of Art in New Jersey has appointed Lisa Funderburke as its new director and CEO, effective February 1. She succeeds Linda C. Harrison, who left the position seven months ago. Funderburke joins from the Artist Communities Alliance, a much smaller nonprofit focused on supporting artists and residencies.

at londons soho revue artists reframe sensuality in a new group show 2739499

Soho Revue in London presents "Behind the Curtains," a group exhibition running from January 14 to February 29, 2026, featuring eight female artists—Lorena Lohr, Lucrezia Abatzoglu, Nettle Grellier, Drea Cofield, Kim Booker, Joline Kwakkenbos, Harriet Gillet, and Abigail McGinley—who reframe feminine sensuality outside the male gaze. The gallery is draped in deep red velvet, creating an intimate, private chamber that echoes Renaissance curtain conventions and the scale of 16th-century portrait miniatures, with each artist working in small formats to slow visual consumption and challenge who controls the frame.

uk announces 1 5 b arts funding package to expand access beyond london 1234770471

UK Culture Secretary Lisa Nandy announced a £1.5 billion arts funding package on Wednesday, urging London-based national institutions like the British Museum and the National Portrait Gallery to extend their reach across the country. The package includes £600 million for national institutions, £425 million for a Creative Foundations Fund supporting capital projects at arts venues nationwide, £160 million for local and regional museums, £230 million for the heritage sector, £27.5 million for public libraries, and an additional £80 million for national portfolio organizations. Nandy praised the Royal Shakespeare Company’s outreach as a model and framed the investment as the largest reset in the arts for a generation, comparable to post-World War Two cultural rebuilding.

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The Smithsonian Institution faces a deadline to submit internal communications and exhibition materials to the White House as part of President Donald Trump's review aimed at eliminating so-called 'woke' ideology. Smithsonian Secretary Lonnie G. Bunch III has begun turning over documents from several galleries on a rolling basis, and the National Portrait Gallery has already complied by replacing Trump's portrait with a new photograph and removing mentions of his two impeachment trials from the wall text. The review, launched in August 2025, targets eight museums including the National Museum of African American History and Culture and the Hirshhorn Museum, following an April executive order titled 'Restoring Truth and Sanity to American History.'

smithsonian drops wall text mentioning trumps double impeachment 1234769438

The Smithsonian’s National Portrait Gallery has removed wall text referencing President Trump’s two impeachments from its “America’s Presidents” exhibition after installing a new black-and-white portrait of him by White House photographer Daniel Torok. The original label noted Trump’s impeachments for abuse of power and inciting insurrection, but the revised text now identifies him only as the 45th and 47th president and his birth year. The change follows years of contention from the Trump administration, which compiled a list of complaints accusing former director Kim Sajet of political bias; Sajet resigned, and Elliot Gruber now serves as acting director.

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A previously unaccounted-for self-portrait by 18th-century French artist Adélaïde Labille-Guiard sold at Tajan auction house in Paris for €843,800 ($988,785), far exceeding its estimate of €300,000–€500,000. After the hammer fell, a representative of the Palace of Versailles invoked France's droit de préemption law to claim the 1782 pastel work for the national collection, preventing its private sale.

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President Donald Trump issued an executive order titled “Restoring Truth and Sanity to American History,” targeting the Smithsonian Institution. The order tasks Vice President J.D. Vance with removing “improper ideology” from Smithsonian museums, supported by Secretary of the Interior Doug Burgum and advisor Lindsey Halligan. Critics, including historian Raymond Arsenault, have described the move as totalitarian. The Smithsonian, a public-private partnership founded in 1846 with 21 museums and the National Zoo, faces potential loss of federal funding if it does not comply, echoing pressure applied to other institutions like Columbia University.

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Sharon Stone has created a new series of figurative paintings titled "Rogues Gallery," which she describes as channeling the spirits of historical figures from different eras and locations, including an enslaved individual who drowned in the East China Sea and Iranian freedom fighter Mahsa Amini. The works, made in 2025, mark a shift from her earlier abstracted landscapes and floral motifs, and were produced in her Los Angeles home studio. Stone, who began painting seriously around 2020 and has previously exhibited at C. Parker Gallery, Allouche Gallery, and Galerie Deschler Berlin, approaches the portraits as a medium for healing and confronting difficult histories, including her own family's potential involvement in enslavement.

artists former staffers accuse london gallery nonpayment 1234763977

Artist Brittany Fanning has publicly accused London-based Pictorum Art Group of failing to pay her for works sold in a group show three years ago. She and other artists, including Finn Johnson who obtained a court judgment, claim they are owed money. Former staffers also report unpaid wages. The gallery, which operated on Portman Square, was dissolved in July, and attempts to reach its directors, brothers Jackson Navin and Matthew Navin, were unsuccessful. Fanning, who has shown at galleries like Mindy Solomon and Steve Turner, says she is owed around $9,140 total, including for the painting *Shark Lover*.

chanel power station of art contemporary art public library 1234763509

Chanel has opened Espace Gabrielle Chanel, mainland China's first public library dedicated to contemporary art, at Shanghai's Power Station of Art (PSA). The 18,000-square-foot library, designed by Japanese architect Kazunari Sakamoto, holds over 50,000 books and audiobooks and includes an upgraded exhibition hall, a terrace overlooking the Huangpu River, and a 300-seat public theater. It will host the Archive of Chinese Contemporary Art. The library is part of Chanel's Next Cultural Producer program, launched at PSA in 2021 under the Chanel Culture Fund, which supports emerging practices in Chinese craft, architecture, and theater.

msk ghent declines to return nazi looted painting 1234763332

The Museum of Fine Arts (MSK) in Ghent has refused to return Gaspar de Craye's Nazi-looted *Portrait of Bishop Triest* to the heirs of its original owner, Samuel Hartveld. An independent commission found the painting was sold under duress after the German occupation of Belgium in 1940, but concluded that Hartveld and his family were later financially compensated by the city, leading MSK to retain the work. Jewish groups EJA and JID are contesting the decision, arguing that international principles mandate restitution regardless of compensation.

louvre robbery history behind stolen crown jewels 1234758803

Eight pieces of the French Crown Jewels were stolen from the Louvre Museum on October 19, including a pearl-and-diamond tiara and a bow-shaped brooch that once belonged to Empress Eugénie, as well as a sapphire parure and diadem owned by Queen Maria Amalia. The theft has drawn attention to the jewels' complex history: most of the Crown Jewels were auctioned off in 1887 by the French government to eliminate monarchical symbols, and the stolen pieces were among the few remaining in the Louvre's collection, some repurchased at great expense in the 1990s and 2000s with help from the Société des Amis du Louvre.

museums association code of ethics fossil fuel sponsorships 1234750996

The Museums Association (MA) in the United Kingdom has proposed a new code of ethics that, for the first time, explicitly mentions fossil fuel companies. The guidelines recommend that museums transition away from sponsorship by organizations involved in environmental harm, human rights abuses, or other activities misaligned with museum values, and instead seek ethical funding that serves community interests. MA members will vote on ratifying the changes from September 15 until the annual conference on October 7, with the last code updated in 2015.

smithsonian institution internal review trump administration 1234750769

Smithsonian Institution Secretary Lonnie G. Bunch III announced an internal review of the museum network's programming in response to an executive order from the Trump administration calling for a review of its content. In a letter to staff, Bunch stated the institution would conduct its own review to ensure programming is nonpartisan and factual, while asserting the Smithsonian's independence from the White House. This follows a March executive order claiming the Smithsonian had adopted a divisive, race-centered ideology, and earlier pressure to end DEI initiatives, which the Smithsonian had already closed in January. Bunch had lunch with President Trump after the White House released a list of artworks it denounced, and the administration previously claimed to have fired National Portrait Gallery director Kim Sajet over DEI support, though she later resigned.

kim sajet milwaukee art museum director 1234750605

Kim Sajet has been appointed as the new director of the Milwaukee Art Museum (MAM), starting September 22. The announcement comes shortly after Sajet was ousted as director of the Smithsonian National Portrait Gallery for supporting diversity, equity, and inclusion initiatives. During her 12-year tenure there, she doubled attendance, raised over $85 million, and oversaw major capital improvements. Sajet previously held leadership roles at the Historical Society of Pennsylvania, the Pennsylvania Academy of the Fine Arts, and the Philadelphia Museum of Art.