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Artist Felipe Pantone's home is a 'permanent exhibition' - with its own indoor nightclub

Spanish-Argentinian contemporary artist Felipe Pantone, who never reveals his face to the public, opens the doors to his striking home 'Casa Axis' in Valencia, Spain. Originally built between 1972 and 1975 by architect Pascual Genovés and designer Antonio Segura, the property was known as the 'Revolving House' before Pantone renamed it. After a two-year renovation, the 7,000 sq m estate now includes an indoor swimming pool designed by the artist, a private tennis court, a dance club, and rooms filled with natural light. Pantone and his partner Victoria Fernández host artists from around the world at the home, which also served as a backdrop for Netflix's Black Mirror.

Bow Arts launches open call for 2027 East London Art Prize

Bow Arts has announced an open call for the 2027 edition of the East London Art Prize, now entering its third cycle. The prize will support 12 shortlisted artists with exhibitions, mentoring, and career development, awarding one artist £15,000 and a solo exhibition at Nunnery Gallery, and another a year-long studio residency. The judging panel includes Brendan Cormier, Alex Needham, Marine Tanguy, and artist Michelle Williams Gamaker, with submissions open from 14 May to 16 August 2026.

Cedars Union in Dallas Opens Call for 6th Artist Cohort

The Cedars Union, a nonprofit arts incubator in Dallas, has opened applications for its sixth cohort of artists. The 18-month program offers affordable studio spaces (64–200 sq ft at $1.60/sq ft), 24/7 access to communal workspaces with woodworking, printing, and textile equipment, plus critiques, workshops, lectures, and exhibitions. The jury includes Emily Budd, Thomas Feulmer, Christina Hahn, Ade Omotosho, and Ahava Silkey-Jones. Applications close June 12, 2026, with the cohort running September 1, 2026 to February 29, 2028.

Koray Duman is Architecting Engagement from the Venice Biennale to Carnegie International

Architect Koray Duman and his studio Büro Koray Duman (B-KD) have unveiled five major international projects, including designs for the UAE National Pavilion and Denniston Hill's special project at the 61st Venice Biennale, the 59th Carnegie International in Pittsburgh, the National Academy's "Future Schools" exhibition in New York, and a multi-generational upstate residential project. Duman's work emphasizes inclusivity, cultural exchange, and architecture as a social tool, with installations like "Chimera" for Denniston Hill and a sound-and-memory-focused pavilion for the UAE.

Exhibitions set to open in Paris in May 2026: what's new to discover this month

A roundup of new art and cultural exhibitions opening in Paris and the Île-de-France region in May 2026 is announced. Highlights include the annual Rambolitrain toy train fair at Rambolitrain museum on May 1, free evening hours at the Bourse de Commerce on May 2, free entry to castles and museums in Yvelines and Seine-et-Marne on May 3, the Tour Auto classic car display under the Grand Palais glass roof on May 3-4, the Circle of Parisian Artists' 24th annual exhibition at Parc Floral from May 4-31, a new garden art exhibition "Jardin des Lumières" at the Grand Trianon in Versailles from May 5 to September 27, and a major Hilma af Klint exhibition at the Grand Palais.

'Soulages-Hartung : Affinités électives' at Perrotin, Paris Marais, France on 25 Apr–30 May 2026

Perrotin in Paris Marais is presenting 'Soulages-Hartung: Affinités électives,' an exhibition exploring the friendship and artistic dialogue between Pierre Soulages (1919–2022) and Hans Hartung (1904–1989). The show features a never-before-screened filmed interview from the Fondation Hartung-Bergman, along with archival documents and rarely seen studio tools. It highlights their shared concerns as postwar abstract painters, their mutual support and gift exchanges—such as Soulages's walnut stain piece given to Hartung in 1948—and their contrasting approaches, with Hartung's explosive gestures versus Soulages's measured structures. The exhibition also reveals their lesser-known use of blue in the 1980s.

South Africa’s Southern Guild Opens First NYC Art & Design Gallery

Southern Guild, a gallery founded in 2008 by Trevyn and Julian McGowan in Cape Town, South Africa, is opening its first New York City location at 75 Leonard Street in Tribeca on April 24. The gallery, which works with collectible design and contemporary art, will inaugurate the space with two solo exhibitions featuring South African artists Mmangaliso Nzuza and Usha Seejarim. The move follows the transition of its former Los Angeles space and reflects the gallery's expansion from its roots in Cape Town's Silo District, where it operates within a production ecosystem of ceramic studios, bronze foundries, and fabrication workshops.

This Figurative Painter Captures the Intricacies of Detroit Through a Local Tattoo Artist

Chinese figurative painter Liu Xiaodong has opened a solo exhibition titled "Host" at Lisson Gallery in Los Angeles, focusing exclusively on a single subject: John Mcintyre, a Detroit-based tattoo artist and member of a medieval reenactment club called Knyaz USA. The show features large-scale oil paintings that follow Mcintyre through his daily life—participating in armored historical battles in snowy forests, working in his tattoo studio, and relaxing at home—offering an intimate portrait of Detroit's subcultural communities.

‘Studio Iron’ to Launch at Saatchi Yates, Blurring the Boundaries Between Art and Design

Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.

A Guide To May 2026 Photography Festivals & Exhibitions

A diverse array of international photography festivals and exhibitions are scheduled for May 2026. Key events include Bieler Fototage in Switzerland, focusing on vulnerability as a social condition; Photo London, which is relocating to the Olympia and introducing new curated sections; Hard Copy New York at the ICP, exploring photocopied imagery; Fotofestival Lenzburg, an open-air exhibition in Switzerland; and several other events across Europe and the US.

Exhibition | Sopheap Pich, 'Works' at Axel Vervoordt Gallery, Antwerp, Belgium

Axel Vervoordt Gallery in Antwerp is presenting the first Belgian solo exhibition of Cambodian artist Sopheap Pich. The show features a new body of work, including large-scale sculptures made from bamboo, rattan, hand-forged copper, and recycled aluminum, as well as wall-based pieces. Visitors can physically enter some of the large sculptural forms.

Going Out: Top 20+ arts & nightlife events, April 16-24

The Haight Street Art Center is hosting 'I-Beam: Disco, Dancing and Modern Rock in the Haight,' an exhibition exploring the visual culture of San Francisco's historic nightlife and music scene. Other visual art highlights in the Bay Area include 'Hot Draw!', an erotic figure drawing session at the Mark I Chester Studio, and various community exhibits hosted at the SF LGBT Center.

This Exhibition Proves That Blackness Is as Vast and Limitless as the Universe Itself

The Museum of the African Diaspora (MoAD) in San Francisco has launched "Unbound: Art, Blackness, and the Universe," a major exhibition marking the institution's 20th anniversary. Spanning all three floors, the show features an international group of African diasporic artists whose work intersects with astrophysics, spirituality, and mythology. Organized into three thematic sections—Geo-Cartographic, Religio-Mythic, and Techno-Cyborgian—the exhibition showcases diverse media ranging from Mikael Owunna’s ultraviolet photography and Harmonia Rosales’s Yoruba-inspired paintings to David Alabo’s virtual reality installations.

At the Galleries for March 26, 2026

The Hamptons art scene is hosting a diverse array of exhibitions this March, ranging from intimate solo shows to expansive group surveys. Key highlights include Cait Porter’s still-life explorations of grief at Halsey McKay Gallery, Bruce Mermelstein’s photography retrospective at Southampton Town Hall, and a music-centric exhibition at ARDT Gallery featuring works by Kim Simmonds and David Edward Byrd. Other notable shows include "The Light of Awakening" at LTV Studios and a contemporary narrative group show at Slattery Gallery that pairs emerging artists with blue-chip masters like Picasso and de Kooning.

F.E McWilliam Gallery & Studio showcases cross-border art collaboration with new exhibition

The F.E. McWilliam Gallery in Banbridge, Northern Ireland, has opened a new exhibition titled 'Constellations: Selected Work from Crawford Art Gallery, Cork.' The show features 14 artists from across the island of Ireland, including established figures like Isabel Nolan (Ireland's representative at the 2024 Venice Biennale), Nick Miller, Amanda Coogan, and Corban Walker, alongside rising stars such as Laura Fitzgerald and Dragana Jurišić. The works, linked by themes of nature, domesticity, and gender, range from film to drawing and highlight the contemporary holdings of the Crawford Art Gallery's collection.

Ai Weiwei's first solo show in India features a Pichwai in his iconic toy-brick style

Globally renowned conceptual artist Ai Weiwei has opened his first solo exhibition in India at the Nature Morte gallery in New Delhi. The show, presented in collaboration with Galleria Continua, features his iconic toy-brick canvases, including new commissions inspired by Indian modernist painters like Raza and Gaitonde, and a unique LEGO-brick interpretation of a traditional Pichwai painting. Other works address themes of migration, history, and censorship through mediums like Neolithic stone axes, porcelain urns, and repurposed furniture.

Willem de Kooning | Kneeling Woman (1966)

Willem de Kooning's 1966 work "Kneeling Woman" has ended its bidding process, with the listing appearing on a platform that aggregates auction results and available works. The piece, an oil on paper on board measuring 23.5 by 11.5 inches, is signed and has a known provenance including Harold Diamond, a private collection in Baltimore, Solomon & Co. Fine Art, Robert Peyser, and a Sotheby's sale in 2019. It was previously exhibited at the Nassau County Museum of Art in 1981 as part of "The Abstract Expressionists and Their Precursors" show.

wes anderson rebuilds joseph cornell's legendary studio inside gagosian paris

Wes Anderson has recreated Joseph Cornell's legendary studio inside Gagosian Paris for an exhibition titled 'The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson.' The show, curated by Jasper Sharp and running from December 16, 2025, to March 14, 2026, reconstructs the artist's basement workspace in Queens, New York, complete with over three hundred objects from Cornell's own collection, alongside iconic box constructions such as 'Pharmacy' (1943) and 'A Dressing Room for Gille' (1939). Exhibition design is by Cécile Degos.

Under the Bridge, Beyond the Gloss: DUMBO’s Art Scene Defies Its Gentrified Image

The article reports on the First Thursday Gallery Walk in DUMBO, Brooklyn, a monthly event where galleries, artist studios, and creative spaces stay open late for exhibitions, artist talks, and performances. The author attended the latest iteration, starting with a rooftop cocktail party at the Jay 20 building, which houses nearly 200 artists and programs like the Sharpe-Walentas Studio Program. The walk highlighted over 20 galleries and 170 artist studios, including Smack Mellon and A.I.R. Gallery, as well as public art initiatives like the Dumbo Projection Project.

Inside Clarissa, the Hottest Art Show of Frieze Week

Clarissa, a new curatorial platform from Émergent Magazine, launched its first group exhibition during Frieze Week in London. Staged across three levels of a former club and sex shop in King’s Cross, the show features a mix of established and emerging artists—including Michael Dean, Hilary Lloyd, Tobias Spichtig, Joel Wycherley, Remi Ajani, and Tiago Francez—alongside works by Patricia L Boyd, Oscar Enberg, Hamish Pearch, and others. Curated by Reuben Beren James and Albert Riera Galceran in collaboration with the nomadic collective Soft Commodity, the exhibition aims to ignore art-world hierarchies and focus on intuitive dialogues between artists across generations and geographies.

Thinking bigger: gallery stalwarts Sadie Coles, Maureen Paley and Stuart Shave on why they're expanding to new London spaces

Three of London's major gallerists—Maureen Paley, Sadie Coles, and Stuart Shave—are opening substantial new spaces in the capital, defying pessimism about the London art market. Paley has moved into part of Wolfgang Tillmans's former studio at 4 Herald Street, Coles will occupy a townhouse at 17 Savile Row from 14 October, and Shave's Modern Art will open a double shopfront at 8 Bennet Street, St James's, from 14 November. In an interview with The Art Newspaper, they discuss their motivations: Paley cites serendipity and historical significance, Coles sought a different kind of space for her artists, and Shave needed consolidation under one roof after years of fragmentation.

Family Business: An Exhibition by the 2024-2025 WaterFire Accelerate Cohort

Five emerging artists—Elizabeth Alice-Isam Jweinat (Lizzy Sour), Dorian Epps, Caterina Maina, Sissy Rosso, and Ariel Tavares—present 'Family Business,' a group exhibition at the WaterFire Arts Center in Providence, Rhode Island, running through October 19, 2025. The show transforms the gallery into a reimagined household, with each artist creating an immersive room exploring themes of memory, lineage, domesticity, and inherited experience through installation, photography, collage, sculpture, and multimedia. The exhibition is the culmination of the 2024-2025 WaterFire Accelerate program, a year-long professional development initiative for artists under 30.

Three artists, three questions: Contemporary art

Three Israeli artists—Ronit Porat, an evacuated photographer working with archival materials; an emerging artist using shrapnel from rocket shells as art material while serving as an IDF reservist; and a young artist opening a new exhibition after a break—are profiled in this column by Basia Monkaj. Each answers three questions about inspiration, the definition of art, and what makes their work unique, set against the backdrop of the ongoing war in Israel and the centenary of Surrealism.

Highlights from New York’s Upstate Art Weekend 2025

Upstate Art Weekend (UAW) returns for its sixth edition, running until July 21, 2025, with over 155 participants across galleries, studios, museums, and art centers in New York's Hudson Valley and Catskill Mountains. Founded in 2020 by Helen Toomer as a pandemic-era initiative, the event now supported by Space Design + Production and Bloomberg Connects offers highlights such as 'Eclectic Cream' at Army of Frogs Studio, 'Muskeg and Collateral Magic' at Mother-in-Law's Gallery, 'The Rose' at the Center for Photography at Woodstock, tours at Hessel Museum of Art, and 'Peculiar Manufactures' at Jesse Bransford House.

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.

Inside the Former ‘Underworld’ Where Ai Weiwei Makes Art (Published 2025)

The New York Times profiles Ai Weiwei’s current studio, located in a former underground nightclub or 'underworld' space. The article offers a rare look at the artist’s working environment, his creative process, and the large-scale installations and political works he continues to produce there in 2025.

Recent NYC Exhibition Highlights: Beverly Fishman, NANNYCAM, Dena Novak, and more

The article reviews two recent New York City art exhibitions. The first, "Creators, Educators Art Show" at BASIS Independent on the Upper West Side (June 6-8, 2025), curated by Carmen Lucia Recio, featured works by 17 New York City art teachers and educators, including Noelle Salaun, Nicholas Leeper, Avani Patel, Lynne Marie Rosenberg, Chris Floyd, and Emily Linares. The second, "Samantha Thomas: Love in a Mist" at Anat Egbi Gallery in Tribeca (April 18-June 14, 2025), marks the artist's first New York solo show in over a decade, showcasing her abstract works blending Abstract Expressionism, Color Field, and Pattern & Decoration.

Engineering a bold new chapter for the historic Buffalo AKG Art Museum

The article details the transformation of the Buffalo AKG Art Museum through its AK360 expansion project, led by engineering firm Buro Happold in partnership with OMA and Cooper Robertson. The centerpiece is the new Jeffrey E. Gundlach Building, a 29,000-square-foot structure adding three levels of gallery space, along with flexible event spaces, educational classrooms, and public areas like the Town Square and sculpture gardens. Buro Happold provided MEPFP engineering, IT/AV systems, security, and sustainability consulting to integrate modern infrastructure while preserving the historic campus.

New Manhattan gallery slips into historic property

Slip House, a new Manhattan gallery co-founded by Ingrid Lundgren and Marissa Dembkoski, has opened in a historic carriage house on East 5th Street. Its inaugural group exhibition, "As if a line" (9 May–14 June), features a cross-generational lineup of painters including Jack Whitten, Claude Viallat, and emerging talents like Lizzy Gabay and Alix Vernet. The show was organized with former Sprüth Magers director Jessica Draper, and the space also includes lamps by ceramicist Gordon Moore on consignment. The building, built in the 1880s, once belonged to fashion designer and artist Charles Kritsky, who allegedly had Jean-Michel Basquiat contribute to its penny mosaic facade.

Taiwan's newest art institution taps into a flourishing local scene

A new art museum, the New Taipei City Art Museum (NTCAM), will open on 25 April in New Taipei City, Taiwan. Designed by Kris Yao of Artech, the 32,641 sq. m building features eight floors, five exhibition halls, and a 500-seat auditorium, part of a larger complex with a park and creative cluster. Director Lai Hsiang-ling, who previously led Shanghai's Rockbund Art Museum, aims to help the city emerge from Taipei's cultural shadow by leveraging its grassroots creative energy and industrial capabilities. Four inaugural exhibitions will showcase local artists including the Xindian Boys, Yuan Goang-ming, and Wu Mali, alongside an international advisory committee featuring Aric Chen, Patrick Flores, and Clara Kim.