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Long lost portrait of Scotland’s great poet Robert Burns goes on show for first time

A long-lost portrait of Robert Burns by Henry Raeburn, painted in 1803, has gone on public display for the first time at the National Gallery of Scotland in Edinburgh, just in time for Burns Night on 25 January. The painting resurfaced in a house clearance in Surrey and was auctioned in Wimbledon in March 2025 with a guide price of £300–£500; collector and Burns enthusiast William Zachs purchased it for £68,000 after a tense bidding war, gambling on the Raeburn attribution. Experts including Patricia Allerston and Duncan Thomson have since confirmed the work is authentic, and it is now exhibited alongside Alexander Nasmyth's 1787 portrait of Burns.

Iranian galleries close amid protests and communications blackout

Iranian galleries have closed or altered their hours as nationwide protests, sparked by economic turmoil and a crashing currency, escalated into violent unrest. The protests began on 28 December among bazaar traders and spread to artists and gallerists, with many shutting their doors or canceling exhibitions, some under public pressure. A government-imposed internet and communications blackout on 8 January has severely limited information, though one gallerist speaking anonymously described the closures as a unified act of solidarity across society, not merely a response to safety concerns. The gallerist noted that the economy is in its worst condition, with basic necessities unaffordable and even bubble-wrap prices fluctuating wildly. Another gallery founder confirmed that all projects are on hold, and staging exhibitions risks public backlash. Instagram account Galleryinfo.ir faced online criticism for promoting exhibitions during the crisis, while Bavan Gallery reversed its initial stance of "resilience is an art form" and announced it would hold no exhibitions.

Miami Advice: Mikhaile Solomon on the immersive Artists in Residence in Everglades programme

Mikhaile Solomon, founder of Prizm art fair, discusses the Artists in Residence in Everglades (Airie) program, which has hosted around 200 artists over 25 years. Founded in 2001 by artist Donna Marxer and park ranger Alan Scott, Airie invites about 14 artists per year to live and work for one month in Everglades National Park, producing work that responds to the subtropical wilderness. The program's exhibitions have traveled to venues like the Cooper Hewitt, Smithsonian Design Museum and the Venice Biennale, with recent projects including Miami-based artist Germane Barnes' sound installations.

New exhibition in the Colorado Capitol’s Rotunda Gallery celebrates women artists

A new exhibition titled "Living Tradition. Past. Present. Future. Colorado Women Artists" has opened in the Colorado State Capitol's Rotunda Gallery, featuring 12 mobile murals honoring past, present, and future women artists from Colorado. Organized by the Women's Caucus for Art Colorado Chapter (WCACO) over four years, the show also includes additional works in the Governor's and Lieutenant Governor's offices. The murals, created collaboratively by a team of female artists, depict black-and-white portraits of each honoree surrounded by imagery from their own work, with finishing touches applied by designated "Face Whisperers."

Storied media arts centre launches emergency fundraising appeal to avoid closure

Vivo Media Arts Centre, a storied media arts centre in Vancouver, has launched an emergency fundraising appeal to avoid closure after five decades of operation. The centre faces a 30% rent increase imposed by the city of Vancouver, which consumes all of its operating revenue from the city, leaving nothing for staff or programming. It has raised nearly C$9,500 of the C$50,000 needed by the end of the year to sustain operations through early 2026.

Superchief, Beloved LA Arts Hub, Fights to Stay Open

Superchief Gallery, a longtime hub for LA’s underground art and photography scene, is fighting to stay open amid mounting financial challenges. Founder Bill Dunleavy is exploring alternative revenue models like crowdfunding to save the space, which has operated since 2014 in downtown LA and later moved to a 10,000-square-foot warehouse in South LA. The gallery has faced setbacks including a fire in 2020 and declining art sales and corporate sponsorships, despite its popularity for anti-elitist, community-focused programming.

Independent 20th Century fair will move to Sotheby’s Breuer Building in 2026

The Independent 20th Century art fair will move to the Breuer Building in New York, soon to become Sotheby’s headquarters, for its 2026 edition running September 24–27. The fair, previously held at Casa Cipriani, will expand to accommodate over 50 galleries. Sotheby’s acquired the landmarked building in 2023 and has made subtle renovations led by Herzog & de Meuron, with the new headquarters opening November 8.

Banking family’s treasures go on show at Bath’s Holburne Museum

Nearly 200 Old Master treasures from the Schroder Collection, amassed by the late banker Bruno Schroder and his family over more than a century, will go on long-term display at the Holburne Museum in Bath, UK, starting 10 September. The collection includes silver, maiolica, and paintings by artists such as Lucas Cranach the Elder and Hans Holbein the Elder, many shown publicly for the first time. The loan was facilitated by Bruno’s daughter Leonie, who requested the works remain in the UK and be placed in a regional museum rather than London.

Are These Lost Malevich Masterpieces—or $190 Million Fakes?

An exhibition at the National Museum of Contemporary Art in Bucharest (MNAC) features three purportedly long-lost paintings by Kazimir Malevich, valued between $160 million and $190 million. The works, loaned by Israeli businessman Yaniv Cohen, were allegedly stored under the mattress of his grandmother-in-law, Eva Levando, for decades. However, Ukrainian-American art historian Konstantin Akinsha has publicly questioned their authenticity, citing incomplete provenance and a lack of consensus from international experts. The museum has faced criticism for including the paintings without additional scholarly analysis in the show "Kazimir Malevich: Outliving History," curated by Mariana Dragu and sponsored by a dental clinic owned by Cohen.

Head of Carter museum in Fort Worth is leaving after 14 years

Andrew J. Walker is stepping down as executive director of the Amon Carter Museum of American Art in Fort Worth after 14 years. His tenure included launching a community artists initiative, overseeing a major renovation, and acquiring works by over ten Indigenous photographers. The museum also faced controversy last fall when it temporarily closed the exhibition "Cowboy" without explanation, later reopening it with a "mature content" label—a decision artist Rafa Esparza called censorship. Scott Wilcox, the museum's chief operating officer, will serve as interim leader while a search for a new director begins.

‘We’ve faced immense new pressures’: Shanghai museum director on the challenges—and benefits—of going free entry

Shanghai’s Rockbund Art Museum (RAM) became one of the only private museums in China to offer free admission in May 2025, marking its 15th anniversary. The move initially required pre-booked timed entry via WeChat, but after city-wide guidance encouraged removing barriers, the museum eliminated the booking system, leading to long wait times and visitor complaints on social media. One visitor reported receiving an inappropriate response from the museum’s official account, prompting apologies from both the museum and its executive director and chief curator, X Zhu-Nowell. A hybrid system of day-ahead reservations and same-day walk-ins was later implemented.

LACMA’s US$720m David Geffen Galleries expansion to open in 2026

The Los Angeles County Museum of Art (LACMA) has announced that its long-awaited David Geffen Galleries expansion will open in April 2026, over two decades after the project was first announced in 2001. Designed by Swiss architect Peter Zumthor, the $720 million serpentine structure spans Wilshire Boulevard and replaces several older buildings, increasing gallery space from 130,000 to 220,000 square feet. The project faced numerous setbacks, including public criticism of the design, concerns over the nearby La Brea Tar Pits, the discovery of sabre-toothed tiger skulls during construction, pandemic delays, the departure of longtime donor The Ahmanson Foundation, and Zumthor's distancing from the project in 2023 due to cost compromises. A series of soft openings are planned for summer 2025 before the full public debut.

Tate chair floats selling Turbine Hall naming rights for ‘a minimum of £50m’

Tate chair of trustees Roland Rudd has suggested that naming rights for the Turbine Hall at Tate Modern could cost a minimum of £50 million. The proposal, reported by The Telegraph, is tied to the institution's new Tate Future Fund, launched last week with a goal of reaching £150 million by 2030. Rudd stated that endowing curators, directors, or naming the iconic space are all potential options for donors, though a Tate spokesperson emphasized the comments were hypothetical and the fundraising campaign is just beginning.

A first look inside LACMA’s Zumthor-designed David Geffen Galleries as museum hosts preview opening

The Los Angeles County Museum of Art (LACMA) has released new photographs of its David Geffen Galleries, designed by architect Peter Zumthor with SOM as collaborating architect. The building, a long horizontal glass and concrete structure curving along Hancock Park and Wilshire Boulevard, opened temporarily for a three-day preview last week and is scheduled to open to the public in April 2026. The 347,500-square-foot wing includes 110,000 square feet of gallery space, along with street-level pavilions housing a theater, store, bar, and education center. To mark the preview, LACMA hosted three "sonic previews" featuring composer Kamasi Washington leading over 100 musicians in a performance of his work Harmony of Difference. Architectural critic Christopher Hawthorne described the wing as "bold and compromised in nearly equal measure," while Zumthor noted that curators initially critical of the spatial layout have begun to appreciate the space and the beauty of the handmade concrete structure.

Photos reveal Peter Zumthor's LACMA museum ahead of opening

Photographer Iwan Baan has released images of the completed David Geffen Galleries, the long-awaited Los Angeles County Museum of Art (LACMA) expansion designed by Swiss architect Peter Zumthor. The undulating, glass-and-concrete building stretches along Wilshire Boulevard, elevated 30 feet above street level, and is set to open fully in April 2026. Major construction finished at the end of 2024, with some lower-level spaces already open. The single-level design eliminates traditional hierarchies, placing all artworks on the same plane, and the building aims for LEED Gold certification with low-carbon concrete and natural ventilation.

Key player in Norval Morrisseau forgery ring pleads guilty

James White, a central figure in a long-running forgery ring producing fake artworks by Indigenous Canadian artist Norval Morrisseau, pleaded guilty in Ontario Superior Court to creating forged documents and trafficking forged artworks. White admitted to trafficking 502 fake works, some sold for tens of thousands of dollars. The plea follows a multi-year investigation called Project Totton, led by Inspector Jason Rybak of the Thunder Bay Police Service, which uncovered three large forgery networks operating in Ontario. Two other alleged accomplices, Paul Bremner and Jeffrey Cowan, still face charges, while earlier guilty pleas from David Voss and Gary Lamont resulted in five-year prison sentences.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

Boston artist John Wilson's work now the subject of Museum of Fine Arts exhibit celebrating humanity

The Museum of Fine Arts, Boston, has opened a new exhibition titled "Witnessing Humanity: The Art of John Wilson," featuring 110 works by the late Boston artist. Born in 1922 to immigrants from British Guyana, Wilson spent over six decades creating paintings, prints, drawings, sculptures, and illustrated books that center on portraits of himself, his family, and his friends. The exhibition, co-curated by Edward Saywell, highlights Wilson's lifelong commitment to reclaiming the dignity and humanity of Black Americans in art, a response to the caricatured and dehumanized representations he saw as a student.

Pompidou to launch outpost near Unesco heritage site of Iguaçu falls in Brazil

The Centre Pompidou has signed a five-year partnership with Brazil to open its first South American outpost near the Iguaçu falls, a UNESCO World Heritage site, in the city of Foz do Iguaçu. Scheduled to launch in November 2027, the 10,000 sq. m. museum will be designed by Paraguayan architect Solano Benitez, with a construction budget of R$200 million ($36 million). The venue will host exhibitions, live performances, festivals, film screenings, lectures, and artist residencies focused on the cultures of Brazil, Argentina, and Paraguay.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.

US participation in 2026 Venice Biennale in limbo amid Trump's arts defunding

The United States' participation in the 2026 Venice Biennale is in jeopardy due to the Trump administration's campaign to defund the arts. According to a Vanity Fair report by Nate Freeman, the US government's preparation is behind schedule, with the typical 18-month planning timeline now reduced to just 12 months before the opening. The National Endowment for the Arts (NEA) faces funding cuts, staff reductions, and a vacant position for coordinating biennale affairs, while the application process has been altered to emphasize "American values" and remove references to diversity, equity, and inclusion.

Water leaks into the Louvre’s Cimabue exhibition, landing close to the master’s greatest early painting

On May 3, a hailstorm caused water to leak into the Musée du Louvre in Paris, nearly damaging Cimabue's "Maestà" (1280-85), the centerpiece of the exhibition "A New Look at Cimabue: At the Origins of Italian Painting." Drops fell close to the painting, which is displayed without glass protection, and also landed on the base of a nearby sculpture by Nicola Pisano's studio. Guards initially struggled to respond, but the exhibition was closed within half an hour, and the Louvre confirmed no works were damaged.

‘It’s much more extreme’: US institutions and artists enter a new culture war

Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.

Turkish artists face pressure amid government crackdown on opposition

A government crackdown on Turkey’s opposition following the arrest of Istanbul mayor Ekrem İmamoğlu has ensnared members of the culture community, including Mahir Polat, head of the municipality’s cultural heritage department, and photographer Murat Germen. Mass protests have erupted across the country, with hundreds of thousands marching against what they see as rising authoritarianism under President Recep Tayyip Erdoğan. Artists and cultural figures face censorship, detention, and prosecution for expressing political views, while independent institutions bear the risk of critical discourse.

Iran Will Not Participate in Venice Biennale, Organizers Say

Iran will not participate in the 61st Venice Biennale, which opens for previews this week, the Biennale Foundation announced on May 4. The decision comes two months after the United States and Israel launched strikes across Iran, and amid renewed tensions along the Strait of Hormuz. The Iranian pavilion was to be commissioned by Aydin Mehdizadeh Tehrani, director general of the visual arts office in the Iranian Ministry of Culture. Iran has had inconsistent attendance at the Biennale since 1958, with a long absence between the 1960s and 2003, but has participated semi-consistently over the last two decades, most recently in 2024.

Meryl Streep Makes Seven-Figure Donation to National Women’s History Museum

Acclaimed actor Meryl Streep has donated a seven-figure sum to the National Women’s History Museum. The funds will support digital storytelling projects and programming, and the museum has created the Meryl Streep Educator Award in her honor, to be presented annually starting this November.

Institutions Across the US to Benefit from Transformative $116 Million Gift to National Gallery

Billionaire collector and National Gallery of Art trustee Mitchell P. Rales has donated $116 million to the museum. The gift, the largest programming endowment in the institution's history, will fund the 'Across the Nation' initiative, which loans works from the National Gallery's permanent collection to small and midsize museums across the United States for two-year periods at no cost to the borrowing institutions.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

Artists and Gulf royalty top ArtReview Power 100 list

ArtReview has released its 2025 Power 100 list, ranking the most influential figures in the art world over the past year. Artists dominate the top ten, with Ghanaian artist Ibrahim Mahama taking the first place for using his art profits to build institutions and community spaces in Tamale. Other top artists include Wael Shawky, Ho Tzu Nyen, Amy Sherald, Kerry James Marshall, Forensic Architecture, and Wolfgang Tillmans. Gulf royalty also feature prominently: Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani of Qatar ranks second, and Sheikha Hoor Al Qasimi of Sharjah ranks third, reflecting the region's growing art-world influence. The list also includes academic Saidiya Hartman as a "thinker" in eighth place.

Sex, beauty and the body: how Helen Chadwick shaped British contemporary art

A new critical biography, "Helen Chadwick: Life Pleasures," has been published, marking the first comprehensive study of the British artist Helen Chadwick (1953-96). Edited by Laura Smith, director of collections and exhibitions at the Hepworth Wakefield, the book includes contributions from historian Marina Warner, curator Katrin Bucher Trantow, and artist Maria Christoforidou. A touring exhibition of Chadwick's work opens at the Hepworth Wakefield on 17 May and runs until 27 October. The article highlights Chadwick's provocative, punky, and perverse body-focused works, such as "Untitled (Eat Art)" (1973), where she cast her face in jelly for viewers to consume, and "Piss Flowers" (1991-92), made from snow she urinated on. It also recounts the infamous 1986 incident at the Institute of Contemporary Arts in London, where her sculpture "Carcass"—a glass tower of rotting vegetables—leaked and collapsed.