Shopping Experience: How Has the Way of Experiencing Luxury Changed?

Shopping experience: com’è cambiato il modo di vivere il lusso?

Luxury retail in Milan is undergoing a significant transformation, evolving from simple commercial spaces into 'cultural brandscapes' that blend art, design, and hospitality. Major fashion houses are redesigning their flagship stores to function as urban salons and living galleries, integrating site-specific art installations, historical architecture, and high-end gastronomy to foster community and tangible experiences in an increasingly digital world.

In Rome, a festival dedicated to contemporary cinema and audiovisual experimentation: The Interview

A Roma c’è un festival dedicato al cinema contemporaneo e alle sperimentazioni audiovisive. L’intervista

The Ru-mòre Cinema and Audiovisual Experimentation Festival is launching in Rome’s San Lorenzo district from April 14 to 18. Evolving from the former Barkov Film Festival, the event features a diverse program of short films, screenwriting competitions, and a dedicated section for virtual reality. The festival utilizes multiple local venues, including Cinema Tibur and the Mercato di San Lorenzo, to host international works and industry panels.

WUF13: Director of National Art Museum explains how art shapes cities and urban change [INTERVIEW]

At the 13th session of the World Urban Forum (WUF13) in Baku, Shirin Malikova, director of the Azerbaijan National Art Museum, gave an interview discussing how art reflects and shapes urban development. She cited historical examples such as Bernardo Bellotto's 18th-century vedute paintings, which were used to reconstruct Warsaw's historic center after WWII, and the Eiffel Tower, originally a temporary installation that became a permanent symbol of Paris. The museum also presented an exhibition at the forum focusing on Baku's transformation across different eras, highlighting how art captures the multilayered history and cultural identity of cities.

Kiss Me, Beneath the Milky Twilight

The article reviews the exhibition "Ahhh! Beije-me" (Ahhh! Kiss me) at Martins & Montero gallery in São Paulo, featuring the late Brazilian artist Hudinilson Jr. (1957-2013). The show presents works from the 1970s and 1980s, including photocopies, stencils, paintings, and personal objects from the artist's apartment, which was closed by his family for twelve years after his death. Highlights include a billboard artwork "Zona de tensão," newly discovered gouache and pastel works on photocopies of Michelangelo's "David," and stencil matrices made from laundry detergent boxes used in street graffiti. The exhibition also incorporates furniture, decorative objects, and photographs by Mauro Restiffe documenting the apartment before its dismantling.

Indrapramit Roy and Mark Cazalet art exhibition in New Delhi

An exhibition titled "Stray Birds: a journey together" in New Delhi brings together artists Indrapramit Roy and Mark Cazalet, curated by Jyotirmoy Bhattacharya. The show presents a dialogue between two distinct artistic voices, exploring narratives, techniques, and sensibilities shaped by their shared experiences studying under Professor Gulam Mohammed Sheikh at M.S. University in Baroda, including formative trips to the Ajanta and Ellora caves.

Exhibition | Merlin James, 'See Through' at P420, Bologna, Italy

The gallery P420 in Bologna has opened "See Through," the second solo exhibition by Welsh artist Merlin James. The show features a non-linear curation that blends works from different decades, ranging from landscapes and interiors to erotic scenes and near-abstract compositions. James’s approach treats the exhibition as a "jam session," where visual and thematic repetitions provide a structure for diverse painterly explorations.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

Leading Art Gallery Opening in Landmarked Aspen Block Building

M.S. Rau, the 113-year-old New Orleans-based gallery specializing in fine art, antiques, and jewelry, has signed a long-term lease to open a permanent second location in Aspen’s historic Aspen Block Building at 307 S. Galena Street. The new two-level, 2,200-square-foot space is set to debut in January 2026, featuring works by Renoir, Picasso, and Magritte, alongside pieces from luxury houses such as Tiffany & Co., Van Cleef & Arpels, Fabergé, and Cartier. The expansion follows a successful seasonal pop-up in Aspen last year and marks the gallery’s first year-round secondary location since its founding in 1912.

How Does the Economy Impact the Art Market?

Olivia Gavoyannis's article examines how broader economic factors—such as interest rates, trade policies, inflation, and currency fluctuations—affect the art market. It notes that recent economic volatility, including COVID-19 recessions and tariffs, has led to high-profile auction flops and slower demand for top-tier works, but argues that such coverage only tells part of the story. The piece explores the unique economics of art, where artworks are non-fungible and pricing is driven by perception, scarcity, and insider networks rather than utility, and highlights the lack of transparent pricing data.

Summer Guide 2025: Gallery Openings

The Summer Guide 2025 highlights a diverse array of gallery openings in Santa Fe, New Mexico, focusing on both established and emerging art spaces. Notable exhibitions include Gerald Peters Contemporary's "Material Girl: Pop Culture and the Female Gaze" (June 13), featuring six female artists examining gender and commodification through Pop Art; Daniel Cooney Fine Art's "George Dureau, Photographs" (May 31), showcasing intimate portraits of New Orleans' counterculture; and Station 5 Micro-Gallery's two shows—"ACCUMULATION" (June 7) by Michael Sumner and Melody Sumner Carnahan, and "THE NARROW LINE TO THE INTERIOR" (August 2) inspired by poet Bashō. Other highlights include ELECTR∆ Gallery's queer mysticism group show "The Third Way" (July 11), new works by Tim Jag (June 12), and Pie Projects' "MOMENTUM" (June 14) featuring Florence Miller Pierce's rediscovered resin reliefs.

Guillermo Del Toro Scored a Different Prize at the Oscars: A Rare Frankenstein Painting

Guillermo del Toro received a rare painting of Frankenstein's Monster by the late British artist Josh Kirby as a gift from collaborators during Oscars festivities, despite his film not winning Best Picture. The painting, which depicts Boris Karloff's iconic portrayal, was previously owned by famed horror collector Forrest J. Ackerman and was sourced through a gallery specializing in pop culture art.

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

ON THE IM-POSSIBILITY OF COMMUNICATING. “DICHO A MANO”, BY FELIPE PINEDA

SOBRE LA IM-POSIBILIDAD DE COMUNICARSE. “DICHO A MANO”, DE FELIPE PINEDA

The exhibition "Dicho a mano" by Chilean artist Felipe Pineda, curated by Ayelén Ruiz at the Museo de Arte Contemporáneo de Santiago, explores the difficulty of communication when words fail, turning to the body and hands as alternative languages. Pineda draws on his migratory experience in London and references mutilated classical sculptures from the British Museum, while a recent theft of one piece adds an unexpected dimension. The show reflects on barriers in art and human connection, proposing that even failed communication carries a desire to be understood.

Seattle galleries launch Seattle Art Fair alternative

Two prominent Seattle galleries, Traver Gallery and Greg Kucera Gallery, are launching a new art fair called Assembly to coincide with the 10th edition of the Seattle Art Fair in July. Assembly will take place at West Canal Yards from July 23-26, featuring 10 to 15 invited galleries from the Pacific Northwest and Dallas, with a more intimate, curated approach and significantly lower participation costs ($3,000–$6,500 per gallery versus $25,000+ at SAF). The fair is invitational, uses vacant spaces around a central atrium instead of traditional booths, and plans to redistribute ticket and booth revenue to participating galleries.

traces

RYAN LEE Gallery in New York is presenting "traces," an exhibition featuring embroidery, installation, sculpture, video, and works on paper by artist Tiffany Chung. The show runs from May 14 to June 20, 2026, at the gallery's location on West 26th Street.

Collaborative Brazilian Exhibitions

The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.

This beloved pop culture art gallery in L.A. is closing after 20 years — is AI to blame?

Gallery 1988, a pioneering Los Angeles institution that branded itself as the world's first pop culture-focused art gallery, will cease operations at the end of April after 20 years. Founded in 2004, the gallery became a cult favorite for its tribute exhibitions dedicated to films, video games, and television, often drawing massive crowds for shows like "Crazy 4 Cult." Owner Katie Sutton cited a historically weak art market and the loss of a physical storefront as primary factors in the decision to close.

Influential New York gallery Venus Over Manhattan will close after 13 years

Prominent collector and dealer Adam Lindemann is closing Venus Over Manhattan, the New York gallery he founded in 2012, after 13 years. The gallery's final exhibition, Susumu Kamijo's 'Fish & Flowers,' opened in June and will close on July 17. Lindemann announced the closure in an open letter published on Artnet, citing a desire to return to building his personal art collection and describing the difficulties of navigating the art world as both a dealer and collector.

Venice Biennale Opens Amid Strikes, Protests and Institutional Rupture.

The 61st Venice Biennale opened in May 2026 amid strikes, protests, and political unrest, rather than celebration. Coordinated by Italian labor groups and transnational coalitions, demonstrators targeted the Biennale's decision to allow participation by Israel and Russia during the ongoing wars in Gaza and Ukraine. The Art Not Genocide Alliance (ANGA) led protests against Israel's participation, while Pussy Riot and FEMEN activists staged a protest outside the Russian pavilion. The Israeli pavilion's relocation from the Giardini to the Arsenale added symbolic weight, with critics viewing it as institutional endorsement. The late curator Koyo Kouoh's vision for the exhibition, titled "In Minor Keys," emphasized tenderness and complexity, contrasting with the volatile atmosphere.

Billionaire Collector Ken Griffin Buys Second Rare Constitution Printing

Billionaire collector Ken Griffin has quietly acquired a second rare first printing of the US Constitution, known as the Van Sinderen copy, through a private deal after it was pulled from a planned Sotheby’s auction in 2022. Griffin, who previously paid $43.2 million at Sotheby’s in 2021 for another copy, now holds the only two copies of the 1787 document still in private hands. The newly acquired document will go on public display starting May 27 at the South Street Seaport Museum in New York, headlining an exhibition titled “The Promise of Liberty” that includes other foundational texts.

Finland Pulls Back Venice Biennale Presence Over Return of Russian Pavilion

Finland’s political leadership has announced it will boycott the Venice Biennale if the Russian Pavilion proceeds with its planned exhibition. While Finnish public officials will still attend to support their own national artists, the Ministry of Education and Culture stated that Russia should be excluded as long as the war in Ukraine continues. This move follows an open letter from 22 European nations and a warning from the European Commission regarding potential sanctions violations.

Arts Groups Speak Out Against US Trade Representative’s Potential New Tariffs

The U.S. Trade Representative, Jamieson Greer, has launched a Section 301 investigation into 60 countries to determine if forced labor practices create unfair trade advantages. This move follows President Trump’s continued push for sweeping tariffs after previous attempts were struck down by the Supreme Court. Major art organizations, including the Association of Art Museum Directors (AAMD) and Heritage Auctions, are formally petitioning for works of art and antiquities to be exempt from any resulting duties.

nonprofits sue trump administration national parks

Six national nonprofit organizations have filed a lawsuit against the Trump administration, alleging the illegal censorship and removal of educational signage across U.S. national parks. The legal challenge, filed in the U.S. District Court of Massachusetts, targets the Department of the Interior and the National Park Service for stripping displays related to climate change, slavery, and the history of marginalized groups. The plaintiffs argue these actions violate federal mandates requiring parks to reflect diverse cultural backgrounds and current scientific research.

cuban cultural leaders international aid open letter

More than 100 Cuban artists, curators, and cultural workers, including the nation's Culture Minister and prominent intellectuals, have issued an open letter titled "Cuba is Not a Threat" appealing for international intervention. They argue the US economic embargo, particularly restrictions on oil and fuel shipments, has crippled the island's infrastructure and exacerbated a severe humanitarian crisis, making stabilization efforts impossible.

judge orders return slavery display george washington

A federal judge ordered the National Park Service to return historical displays at the President's House Site in Philadelphia that acknowledge George Washington's ownership of enslaved people. The signs had been removed last month by the NPS, which claimed the action was for "accuracy, honesty and alignment with shared national values." The City of Philadelphia sued, and Pennsylvania's governor filed a supporting brief.

san diego comic con bans ai art

San Diego Comic-Con (SDCC) has banned AI-generated art from its 2026 Comic-Con Art Show, reversing a previous policy that allowed AI art if marked not-for-sale and clearly identified. The change came after artists including Karla Ortiz, a plaintiff in a lawsuit against AI companies, condemned the old policy on social media as a disgrace to human artists. The new guidelines state that material created by AI, either partially or wholly, is not allowed, with the Art Show coordinator serving as the sole judge of acceptability.

how sothebys institute of art is training the next generation of leaders in luxury

Sotheby's Institute of Art, the academic arm of the Sotheby's auction house, is expanding its focus on luxury business education with three M.A. programs in Luxury Business. These programs, offered in New York and London as well as online, train students in sectors such as fashion, jewelry, watches, and wines and spirits, leveraging the institute's connections to the art market and luxury brands like Chanel, Cartier, LVMH, and Tiffany & Co. Program director Natasha Degen and Dr. Federica Carlotto emphasize the blurring boundaries between art and luxury, and the need for cross-disciplinary expertise.

house of griffins ancient rome restoration

The House of Griffins, an ancient Roman residence on Rome's Palatine Hill dating back to the 2nd and 1st centuries B.C.E., is opening to the public on March 3 after a major restoration. Discovered by archaeologist Giacomo Boni in the 19th century, the domus features vivid frescoes, mosaic floors, and a stucco lunette with griffins. The Colosseum Archaeological Park led the restoration in 2024, reinforcing structural integrity and conserving wall paintings. Visitors cannot access the underground chambers directly; instead, they will experience a real-time, remote tour via a livestream narrated by a guide with a video camera.

united state returned 7 ancient artifacts egypt mummified fish falcon head

The United States repatriated seven ancient artifacts to Egypt, including two mummified fish, a falcon head from the Ptolemaic period, a bronze amulet of Set, a basald scarab, a carved face, a painted wooden funerary figurine, and a stone head from a statue. The objects had been smuggled out of Egypt in separate cases between 2017 and 2018, and were returned through collaboration between U.S. and Egyptian government agencies. Two items were voluntarily handed over by an unnamed American citizen to the Egyptian embassy in Washington, D.C. The artifacts were formally transferred to Ambassador Wael el-Naggar at a ceremony reaffirming Egypt's commitment to recovering smuggled cultural property.

mark fingerhut halcyon exe the ride

Mark Fingerhut's software-based artwork "Halcyon.exe: The Ride" (2024) is gaining cult status as it tours indie venues like Public Works Administration gallery in Manhattan and Sulk Chicago, before appearing as a star attraction at "Rhizome World" at Water Street Projects in New York's Financial District. The piece takes over a computer desktop, flooding it with images, videos, and text in a choreographed, immersive experience that includes vibrating seats, wind, rain, and synced spotlights, evoking the sensation of art-as-malware.