filter_list Showing 1643 results for "Liam" close Clear
search
dashboard All 1643 museum exhibitions 725trending_up market 193article news 175article local 173article culture 134article policy 71person people 65rate_review review 40candle obituary 34gavel restitution 27article event 4article school 1article gallery 1
date_range Range Today This Week This Month All
Subscribe

Explore the Studio Museum in Harlem’s Legacy of Artistic Innovation and Impact Through These Archival Gems

The Studio Museum in Harlem reopened its newly renovated space in Harlem on November 15, 2025, marking a new chapter for the 57-year-old institution. The article highlights archival gems from the museum's history, including the 1969 exhibition "Harlem Artists 69," which featured over 100 works by 53 local Black artists, and the long-running Artist-in-Residence program launched in 1969. These moments underscore the museum's role in championing Black artistic innovation and community engagement, supported by partnerships with Columbia University and local nonprofits.

William Nicholson, often overlooked in favour of his more famous son, is coming out of the shadows

Pallant House Gallery in Chichester, West Sussex, is staging the first full survey of British painter William Nicholson (1872-1949) in 25 years, running from 22 November 2025 to 10 May 2026. The exhibition aims to present Nicholson's diverse output—including posters made with the Beggarstaff Brothers, woodcuts, book illustrations, theatre costumes, portraits, still lifes, and landscapes—as an integrated whole, rather than isolating individual media as past shows have done.

New Exhibition Reflects on “MAD” Magazine at the CAM

The Cincinnati Art Museum (CAM) will host "What, Me Worry? The Art and Humor of MAD Magazine," a traveling exhibition from the Norman Rockwell Museum in Stockbridge, Massachusetts, opening November 21. The show traces MAD's evolution from a satirical comic book launched in 1952 to a magazine format adopted in 1955 after clashes with the Comics Code Authority, featuring original covers, illustrations, interactive galleries, and thematic sections on mascot Alfred E. Newman, fold-ins, Spy vs. Spy, and spoofs of famous artworks.

Exhibition of large scale contemporary art at Smithsonian’s Hirshhorn Museum

The Smithsonian's Hirshhorn Museum will present "Big Things for Big Rooms," an exhibition tracing the development of immersive, large-scale artworks from the late 1960s to the present. Organized by head curator Evelyn C. Hankins and curatorial assistant CJ Greenhill Caldera, the show features 10 works—five on view for the first time—drawn largely from the museum's collection, including pieces by Robert Irwin, Richard Long, Sam Gilliam, Dan Flavin, Lygia Pape, Mika Rottenberg, Olafur Eliasson, Spencer Finch, Rashid Johnson, and Paul Chan. The exhibition runs from November 21, 2025, through July 4, 2027, and is divided into two parts: the first explores pioneering "Environments" from the 1960s, while the second highlights contemporary artists expanding on those ideas.

Transform Your Art Practice at UC Davis: The Maria Manetti Shrem Art Studio MFA Program

UC Davis has announced the Maria Manetti Shrem Art Studio MFA Program, a two-year graduate program supported by a $14 million endowment from Maria Manetti Shrem. The program offers generous funding, spacious private studios, and culminates in a thesis exhibition at the Jan Shrem and Maria Manetti Shrem Museum of Art. It features renowned faculty, visiting artists such as Njideka Akunyili Crosby and Wangechi Mutu, and partnerships with institutions like the Headlands Center for the Arts and Skowhegan School of Painting and Sculpture. Applications are open until January 5, 2026, with a virtual MFA Open House on December 8, 2025.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

A Story of South Asian Art: Mrinalini Mukherjee and Her Circle

The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

‘We are in a very special situation as collectors’: Petr Pudil on opening the Kunsthalle Praha in Prague, and the art he collects

Petr Pudil, a Czech businessman and co-founder of BPD partners, discusses his journey as an art collector and the opening of Kunsthalle Praha in Prague with his wife Pavlína. The museum, housed in a former 1930s electricity substation, opened in 2022 and features temporary thematic exhibitions from their collection of over 2,000 works, including pieces by Max Ernst, Alicja Kwade, and William Kentridge. Pudil reflects on his acquisition strategy, regrets, and favorite London spots during Frieze week.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project

On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.

Cara and Diego Romero: Tales of Futures Past Comes to Albuquerque Museum

The Albuquerque Museum will present "Cara and Diego Romero: Tales of Futures Past" from November 1, 2025, through February 8, 2026. This is the first national traveling exhibition to bring together the work of acclaimed contemporary artists Cara Romero (Chemehuevi) and Diego Romero (Cochiti), featuring 40 works including Diego’s pottery and lithographs and Cara’s photographs from her Indigenous Futurism series. The exhibition, organized by the Figge Art Museum in Davenport, Iowa, includes the debut of Cara Romero’s large-scale photographs "Four Horsewomen I and II" and a documentary by Kaela Waldstein. Public events include an opening panel moderated by artist and scholar Deborah Jojola.

New London venue to focus on global majority arts—and host ‘necessary conversations’

A new cultural centre called Ibraaz is opening on 15 October in a historic Grade II-listed mansion at 93 Mortimer Street in London’s Fitzrovia. The inaugural exhibition is Ibrahim Mahama’s installation *Parliament of Ghosts*, which fills the ballroom with colonial furniture and plinths evoking Ghana’s past. The multi-disciplinary art space is entirely funded by the Kamel Lazaar Foundation and led by Lina Lazaar, who previously founded Jeddah Art Week and worked at Sotheby’s. Ibraaz will host talks, performances, film screenings, and exhibitions, and includes a bookshop, café, screening room, and a library-in-residence by the Otolith Group.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

How Two New Art Exhibitions Are Spotlighting Black Queer History

Two new art exhibitions are spotlighting Black queer history amid escalating government censorship and threats to federal arts funding. "In the Life: Black Queerness—Looking Back, Moving Forward" at the Carr Center in Detroit traces 80 years of Black queer culture, opening with LeRoy Foster's 1945 self-portrait and featuring works by Zanele Muholi, April Bey, and Pamela Sneed. Co-curated by Patrick Burton and Wayne Northcross, the show is produced by Mighty Real/Queer Detroit and will be part of the Detroit Queer Biennial in June 2026. A second exhibition, "The Gay Harlem Renaissance," runs from October 10 through March at the New York Historical Museum in Manhattan, curated by Allison Robinson, highlighting queer contributions to the Harlem Renaissance through artifacts like rent party tickets and works by Malvin Gray Johnson.

Artist Lindsay Adams explores Black experience and artistry in her latest exhibition

The Frary Gallery at the Johns Hopkins University Bloomberg Center in Washington, D.C., will host its first solo exhibition, titled "Ceremony," by award-winning painter Lindsay Adams, opening October 29. The show features paintings and drawings that explore Black histories, movement, and world-building, including a large diptych titled "Kind of Blue (1959)" inspired by Miles Davis' iconic album. Archival materials by Billie Holiday, Josephine Baker, and other Black artists from the Johns Hopkins Sheridan Libraries will also be on view to provide historical context.

A secular church for the art of Alexander Calder opens in Philly on Sunday

A new $100 million art center dedicated to Alexander Calder, called Calder Gardens, opens on the Benjamin Franklin Parkway in Philadelphia on Sunday, September 21. Designed by architect Jacques Herzog of Herzog & de Meuron with landscape by Piet Oudolf, the building features underground galleries, sunken gardens, and no wall text, encouraging visitors to have a personal, sacred experience with Calder's sculptures, paintings, and works on paper. The Calder Foundation built the space, and the Barnes Foundation administers it in partnership.

Alexander Calder finally gets hometown space in Philadelphia

Calder Gardens, a $70 million space dedicated to Alexander Calder, will open on September 21 in Philadelphia, the artist's hometown. Designed by Herzog & de Meuron, the complex features subterranean galleries and open-air pavilions surrounded by gardens, with no wall labels and rotating works from the Calder Foundation, MoMA, and the Whitney Museum. The project, led by Calder's grandson Alexander S. C. Rower and philanthropist Joseph Neubauer, revives a plan that stalled in the mid-2000s.

Exploring environment, humanity at core of new art exhibition opening in Flint

A new art exhibition titled “This Bitter Earth: Living in Harmony with Nature” opens on September 12 at MW Gallery in downtown Flint, Michigan. The show features artworks from the Mott-Warsh Collection by artists including Ron Adams, Bisa Butler, Nick Cave, Maren Hassinger, Pope.L, and Howardena Pindell, exploring humanity's complex relationship with the natural world and the four classical elements. A featured video installation, “Zion” by South African artist Mohau Modisakeng, addresses themes of displacement and belonging. The exhibition runs through January 24, 2026, with free admission.

Phillips’ Mill’s “96th Juried Art Show” Opens Sept. 20

Phillips’ Mill Community Association will host its 96th Juried Art Show from September 20 to October 26 at the historic grist mill in New Hope, Pennsylvania. The exhibition features a record-breaking 700+ artworks submitted by artists from Bucks County and the River Towns region, with an opening night preview on September 19 for patrons and accepted artists. The event includes 25 awards totaling $14,500, and for the first time, the opening requires tickets. Honored Artist Shawn Campbell and Signature Image artist Jay McPhillips will greet guests, and a jury of art professionals selected the works.

Krannert Art Museum’s opening turned a gallery into gathering

Krannert Art Museum in Champaign-Urbana, Illinois, reopened after an 18-month closure for repairs and upgrades with a celebratory evening event. The crowd included students, retirees, new faculty, and local dignitaries such as Champaign Mayor Deborah Frank Feinen and Urbana Mayor DeShawn Williams. Speeches emphasized the museum's role as a community anchor, and performances by Peruvian Quechua hip-hop artist Liberato Kani and dancer Yana Paqcha energized the space. Attendees explored newly reinstalled collections, including works by Thomas Gainsborough and Nicola Victor Ziroli, as well as exhibitions like "Fragmented Histories: Andean Art Before 1600" and "Ronny Quevedo: a l l s t a r s."

A former director at Lower Manhattan galleries goes it alone Uptown

Christiana Ine-Kimba Boyle, a former director at Lehmann Maupin, Canada, and Pace, has launched Gladwell Projects, a nomadic gallery with a staff of one. The gallery's second show, "The Spirituality of Color," opens October 3 in a Harlem townhouse, featuring works by Sam Gillam, Kylie Manning, and others. Its first show, "The Metroplex," was held in collector Christie Williams's Dallas home during the Dallas Art Fair, resulting in acquisitions by the Dallas Art Museum. Ine-Kimba Boyle aims to present blue-chip rigor at a smaller, community-focused scale, part of a "Domestic Interventions" series in private homes.

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.

Want to be a museum influencer? London’s National Gallery launches open call for content creators

London's National Gallery has launched an open call for its next cohort of content creators as part of its 200 Creators programme. Following the success of the inaugural 2024 initiative—which generated 42 million views and 2.2 million engagements—the museum is now seeking 50 new social media influencers (applications due by 31 August). Selected creators will receive access to exhibition previews, workshops, out-of-hours gallery access, and four paid opportunities of £4,000 each. Applicants are suggested to have at least 50,000 followers on YouTube, 100,000 on Instagram, or 50,000 followers with a million likes on TikTok, though the museum encourages those with followings on other platforms to apply.

Fragments of Home: A Dual Review of New Exhibitions at the Amarillo Museum of Art

The Amarillo Museum of Art is hosting two concurrent exhibitions: "Home, Love, and Loss" (May 31 – September 14, 2025) and "Jeri Salter: Rugged Beauty of the Texas Panhandle" (June 20 – September 28, 2025). The first, organized in partnership with the Amon Carter Museum of Art, features over 60 works by artists including Thomas Hart Benton, Rania Matar, and Francisco Delgado, exploring family dynamics, identity, and belonging. The second showcases Jeri Salter's pastel landscapes of the Texas Panhandle alongside miniature studies by 19th-century artist Frank Reaugh.

Sarasota Art Museum stages an Art Deco extravaganza

The Sarasota Art Museum (SAM) on the Ringling College of Art and Design campus has opened "Art Deco: The Golden Age of Illustration," an exhibition of 100 large posters from the Crouse family collection. Curated by Rangsook Yoon, the show celebrates the 100th anniversary of Art Deco, tracing its origins from the Belle Epoque through the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, and features works by artists such as Alphonse Mucha, Henri de Toulouse-Lautrec, and Théophile-Alexandre Steinlen. The Crouses, who previously lent works to The Guggenheim and the Victoria and Albert Museum, displayed part of their collection at New York's Poster House in 2023-2024.

Fall and Winter 2025 Programming at the National Museum of Women in the Arts

The National Museum of Women in the Arts (NMWA) in Washington, D.C., has announced its fall and winter 2025 programming lineup. Highlights include the monthly after-hours series NMWA Nights, the landmark exhibition "Women Artists from Antwerp to Amsterdam, 1600–1750" opening September 26, and a mixed-media photography show by Baltimore-based artist Tawny Chatmon. The season also features hands-on workshops in paper-cutting with Janelle Washington, Pilates sessions in the museum's Great Hall, Fresh Talk discussions on fashion and the gender pay gap, Free Community Days, and a holiday Makers' Market.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.