Exhibitions Coming to Houston Institutions in Summer 2026

Art museums and institutions across the Greater Houston area are opening a series of new exhibitions for summer 2026. Highlights include the Czech Center Museum Houston's solo show of travel photography by Clarice Marik Snokhous; Art League Houston presenting Marisol Valencia's installation "No Longer, Not Yet" and Juvana Soliven's "Subject to Surviving"; Houston Center for Photography featuring Simon Silva's "Madre Patria"; the Contemporary Arts Museum Houston launching the first survey of Mary Ellen Carroll's work; and the Moody Center for the Arts at Rice University hosting Masako Miki's first Texas exhibition.

Gala Porras-Kim: Future spaces replicate earlier spaces

Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.

5 Artists to See at Converge 45

New York curator Lumi Tan has organized the 2026 Converge 45 triennial in Portland, Oregon, titled "Here, To You, Now." Running from August 27 across more than 15 venues, the triennial prioritizes performances and time-based artworks over traditional gallery exhibitions, featuring both local and visiting artists. Tan, whose background includes stints at the Kitchen, Luna Luna, and Frieze New York, selected five standout artists: Lex Brown (presenting an operatic video and installation), Trisha Baga (a 3D video installation about AI and parenting), Rose Salane (archival works involving Princess Diana’s shoes), and Linda K. Johnson (a choreographer mapping Portland’s dance network).

First UK Ken Price solo exhibition in nearly 10 years to open at Lisson.

Lisson Gallery, in collaboration with Matthew Marks Gallery, will present the first solo exhibition of Ken Price's work in the UK in nearly a decade. The show brings together sculptures and drawings, several shown in London for the first time, spanning the late American artist's five-decade career. Best known for expanding the possibilities of ceramics, Price created intimate yet monumental works that blend abstraction and figuration, with richly layered surfaces achieved through painstaking pigment and sanding processes. The exhibition includes iconic pieces such as 'Prone' (1997), 'Itself' (2003), 'Yin' (2009), and 'Amazon' (2003), alongside rarely seen works on paper that reveal his imaginative, dreamlike landscapes.

Hotel Room Transforms into Media Art Exhibition Space

South Korea's only media art fair, Loop Plus, was held from April 23 to 26 at the Grand Josun Busan Hotel in Haeundae, Busan. The fair transformed 26 hotel rooms on the 13th floor into exhibition spaces, featuring media artworks from 19 international galleries including Tang Contemporary Art, Esther Schipper, Chiwen Gallery, and Baek Art. Highlights included a 38-minute video installation by Russian artist group AES+F titled *‘Inverso Mundus’*, presented by Tang Contemporary Art, which humorously subverts societal absurdities. The event also included artist booths for Kang Lee-yeon and Lucia Levolino, and institutional booths for the Justice Foundation and Gwangju Media Art Platform. A related festival, Loop Lab Busan 2026, runs until June 28 across multiple venues in Busan.

'HEAD STRETCH' at Andrew Kreps Gallery, 394 Broadway, New York, United States on 24 Apr–20 Jun 2026

Andrew Kreps Gallery in New York presents 'Head Stretch,' a group exhibition featuring Felipe Barsuglia, Allan Gandhi, Luciana Maas, Flora Rebollo, Gokula Stoffel, and Erika Verzutti. The show is rooted in a shared studio building in São Paulo called 'Predinho,' where friendships and creative exchanges among the artists led to the exhibition. The title reflects diverse interpretations: from craning to see another's work to the stretched proportions of figures in paintings, and the expansion of perspective through community. Works by the six artists, including paintings, sculptures, and drawings, are installed in ways that create new associations, with Verzutti inserting her own pieces to open them to fresh readings.

Robert Moore | Lil’ Lucy Figure (2022)

This article presents Robert Moore's "Lil' Lucy Figure" (2022), a mold-injected vinyl sculpture measuring 8 × 3 3/20 × 3 inches, available through APC Gallery in Miami Beach and Los Angeles. The work is hand-signed by the artist, comes with a certificate of authenticity, and is part of Moore's "Lil Lucy" series. Moore, a self-taught multidisciplinary artist born in 1983 in Des Moines, Iowa, creates paintings, sculptures, and installations that explore mental health, Black identity, and social justice, drawing on personal biography, art-historical references, and American iconography.

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Diné artist Eric-Paul Riege has opened his largest exhibition to date, titled "ojo|-|ólǫ́," at the Henry Art Gallery in Seattle. The show features textile sculptures, looms, beading, video, and performance, and uniquely invites visitors to physically touch the artworks, allowing them to become part of the objects' material history through their interactions.

This sprawling free NYC art show just opened at MoMA PS1

MoMA PS1 has officially launched "Greater New York 2026," a massive building-wide exhibition featuring over 150 works by 53 artists and collectives. This quinquennial survey, which coincides with the institution’s 50th anniversary, showcases a diverse range of mediums including large-scale installations, painting, animation, and performance art. For the first time, the exhibition was organized by the museum’s entire curatorial team, resulting in a broad cross-section of the city's contemporary creative output.

Exhibition | Fran Siegel, 'Arrábida' at Wilding Cran Gallery, Los Angeles, United States

Artist Fran Siegel presents 'Arrábida' at Wilding Cran Gallery, a body of work developed during a Fulbright fellowship in Portugal. The exhibition features multi-panel compositions, cyanotypes, and drawings that investigate the botanical motifs of traditional Portuguese azulejo tiles. By layering organic plant impressions with rigid geometric patterns, Siegel explores how these ceramic surfaces function as a 'visual cartography' that encodes histories of trade, colonial expansion, and cultural identity.

At the Venice Biennale, the Cuba Pavilion presents "Hombres Libres" by Roberto Diago

The Republic of Cuba has announced its participation in the 61st Venice Biennale with a solo exhibition by artist Roberto Diago titled "Hombres Libres" (Free Man). Curated by Nelson Ramirez de Arellano Conde and located at Il Giardino Bianco, the installation features a series of sculptural heads crafted from salvaged materials like oxidized metal, wood, and plastic. These works, characterized by prominent surface scars, are designed to confront viewers and provoke a dialogue about the enduring nature of memory and dignity.

Narsiso Martinez at Catalina Museum for Art & History

The Catalina Museum for Art & History has announced a solo exhibition by artist Narsiso Martinez titled "Witnesses of Labor — Portraits of Essential Workers," running from April 11 through October 11, 2026. The show features approximately 15 works, including large-scale installations and mixed-media portraits painted directly onto discarded produce boxes. Martinez, a former farmworker himself, utilizes these found materials to elevate the visibility of migrant laborers and agricultural workers who sustain the American food system.

Artist Offers Haunting Meditation on the 2025 L.A. Fires for the Whitney Biennial

Artist Kelly Akashi has created a major installation for the 2026 Whitney Biennial titled 'Monument (Altadena)', a 13-foot-tall chimney and walkway made of clear glass bricks. The work is a direct response to the 2025 Los Angeles wildfires, which destroyed her home and studio, leaving only the original brick chimney standing. She collaborated with mason Christian Inga to meticulously reconstruct this remnant in a new, spectral form.

Week in art: Boulder County art exhibits and gallery displays

The Boulder County arts scene is currently hosting a wide array of exhibitions across its galleries and museums, ranging from contemporary lithographs and multimedia installations to community-focused craft displays. Key highlights include the Boulder Museum of Contemporary Art’s eclectic group show "Yes &…" and the Dairy Arts Center’s exploration of Indigenous ecological identity in "Native Niches." Other notable presentations include Albert Chong’s Jamaican portraits at East Window and Jessica Rohrer’s solo exhibition at Nick Ryan Gallery.

Humid Traces

Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.

'We can imagine alternatives to the present': Cannupa Hanska Luger on his exhibition at the Joslyn Art Museum

Cannupa Hanska Luger's exhibition 'Dripping Earth' at the Joslyn Art Museum in Omaha, Nebraska, runs until March 8, 2026. The show explores Indigenous futurity through material and conceptual responses to 19th-century watercolors by Swiss artist Karl Bodmer, who documented Luger's ancestral Mandan, Hidatsa, Arikara, and Lakota communities during an 1832-1834 expedition. Luger's works include speculative lithographs, a giant buffalo-shaped abacus, and hand-woven bison regalia, addressing colonization's violent legacy and the unreliability of colonial archives.

‘I think of immersion as a state of perception’: Lawrence Lek on his exhibition at the Bass Museum of Art in Miami Beach

London-based multimedia artist Lawrence Lek presents his latest work, NOX Pavilion, at the Bass Museum of Art in Miami Beach during Miami Art Week. The installation is part of his ongoing fictional universe NOX ("nonhuman excellence"), which imagines a rehabilitation program for rogue self-driving cars. This year alone, Lek has staged NOX-related works at Tate Modern, the Hammer Museum, and Goldsmiths Centre for Contemporary Art, demonstrating his growing international presence. In an interview, Lek discusses how his practice spans architecture, video, gaming, and music, treating immersion as a critical state of perception rather than mere spectacle.

At London's Barbican, Lucy Raven chronicles the destruction of a California dam

Lucy Raven's video installation "Murderers Bar" (2025) has its European premiere at the Barbican's Curve gallery in London. The work documents the 2023-2024 demolition of four dams on the Klamath River in Oregon and California, focusing on the destruction of the Copco No. 1 dam built in 1918. The film is the final part of Raven's trilogy "The Drumfire," exploring themes of pressure, release, and material transformation. It uses aerial photography, drones, lidar, and sonar animations to capture the river's reclamation of its course after the dam's removal, following decades of activism by Indigenous communities including the Yurok, Karuk, Klamath, Hoopa, and Shasta Indian Nation. The exhibition also includes a new kinetic sculpture, "Hardpan" (2025), that physically manifests ideas of force and pressure.

During Guadalajara Art Week, exhibitions and fairs raise city’s profile

During the fourth annual Guadalajara Art Week, held in late September 2025, Mexico's art world converged on the city for five days of fairs, exhibitions, public programs, and studio tours. Key events included Estación Material, a boutique fair launched by Material Fair director Brett Schultz, where galleries presented single-artist installations; a performance art showcase by Salón Acme's Estudio Acme program; and a new edgy fair called Temporal, held in a dilapidated downtown building. Standout artists included Sebastián Hidalgo (showing with Saenger Galería) and Othiana Roffiel (with Galería Karen Huber). The week also featured exhibitions in distinctive venues such as a 1940s garment factory, a 19th-century cemetery, and Casa Cristo, an early work by architect Luis Barragán.

Autumn Arts: Visual Art

Seattle's galleries and museums are launching a fall season of exhibitions addressing politics, identity, and the environment, alongside works celebrating beauty. Highlights include Karey Kessler's map-inspired show 'the Where' at Shift Gallery, Ethan Murrow and Mary Finlayson exhibitions at Winston Wächter Fine Art, Anila Quayyum Agha's immersive light installation 'Geometry of Light' at the Seattle Asian Art Museum, and a politically charged neon show 'Call It What It Is' at The Factory. The city-wide Art + Culture Week returns for its second edition, featuring free events across 12 neighborhoods.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

Ernest Edmonds – interview: ‘The technology didn’t make it easy at the time, but it was clearly right for the future’

Ernest Edmonds, a pioneering computer artist, discusses his six-decade career and his latest exhibition 'Networked' at Gazelli Art House in London. The interview covers his early works from 1968, including 'Nineteen' and 'Communications Game', and his ongoing exploration of human-machine interaction through interactive installations, videos, and algorithmic systems. His latest piece, 'Quantum Tango', continues his interest in networked interactivity. The article also highlights his collaborations with fellow pioneers like Stroud Cornock and his inclusion in the 2015 exhibition 'Primary Codes' in Rio de Janeiro.

Polar icebergs and North Devon cliffs meet with powerful new art exhibition at The Burton

Royal Academician Emma Stibbon opens a new exhibition, "Melting Ice | Rising Tides," at The Burton at Bideford on May 10. The show features monumental drawings and prints inspired by field trips to Svalbard and the Weddell Sea, alongside a five-metre-wide installation responding to erosion in Bideford Bay. It includes a film with contributions from Andy Bell, Caroline Lucas, and Dr. Dylan Rood, and a limited edition print, "Atlantic Edge" (2025), priced at £390 to support the gallery.

A View From the Easel

New Jersey-based artist Hadieh Afshani is featured in the 334th installment of Hyperallergic's 'A View From the Easel' series, which profiles artists in their workspaces. Afshani describes her studio practice at Mana Contemporary in Jersey City, where she balances her art with caring for her baby, working around his feeding and sleeping rhythms. She emphasizes the importance of natural light, a sink for fluid processes, and the supportive community of fellow artists and mothers.

What to See in “Spectrosynthesis Seoul 2026”

The 'Spectrosynthesis Seoul 2026' exhibition, opening March 20 at the Art Sonje Center, is the fourth installment of the Sunpride Foundation's series showcasing LGBTQ+ art across Asia. It features over 70 artists, including new commissions, and focuses on the experiences of marginalized communities during Korea's modernization and the queer histories of specific Seoul neighborhoods.

No, the courts have not cleared the way for contemporary stained-glass windows at Notre-Dame

Non, la justice n'a pas laissé la voie libre aux vitraux contemporains de Notre-Dame

The article clarifies that legal challenges against installing contemporary stained-glass windows in Notre-Dame Cathedral are still ongoing, contrary to misleading headlines. Two judicial procedures remain active: an appeal by the heritage association Sites & Monuments after losing a first-instance ruling on procedural grounds, and a separate case contesting the legitimacy of the works themselves. Although an emergency injunction was denied because the judge found no urgency, the core legal arguments—that replacing Viollet-le-Duc's windows is not conservation or restoration—remain strong. The author warns that if the windows are installed before the appeals are resolved, they may later have to be removed at great expense.

Where Thoughts Provoke and Truths Take Form.

Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.

The Sky Lives in Us Still, Resistance and Imagination Take Flight.

Vanessa German has unveiled a major new installation at the Speed Art Museum titled '…do you remember when you were the sky?', marking the inaugural project of the Sam Gilliam Visiting Artist Program. The exhibition features German’s signature assemblage sculptures, which utilize diverse materials like cowrie shells, quilts, and skateboards to create hybrid figures representing young girls in states of transformation. The body of work is the result of months of community engagement and research into local histories, specifically focusing on the narratives of the Colored Girls Dormitory in Louisville.

Hong Kong Artists Bring Quiet Reflection to Venice

The 61st Venice Biennale, themed “In Minor Keys” by late curator Koyo Kouoh, emphasizes quiet reflection over spectacle. A collateral exhibition titled “Fermata: Hong Kong in Venice,” curated by the Hong Kong Museum of Art (HKMoA), runs through November 22, 2026, and features two Hong Kong-born artists: Kingsley Ng and Angel Hui. Ng’s installation *Laundry Nocturne* (2026) uses projections and sound to connect the shared laundry-drying traditions of Venice and Hong Kong, while Hui’s *I Would Like to Open a Window for You* (2026) incorporates wrought-iron window frames crafted with local metalsmiths. Both artists explore everyday experiences, memory, and quiet emotions, aligning with the Biennale’s call for a slower, more reflective engagement with art.

Taiwan Presents “Screen Melancholy: Li Yi-Fan” at the Venice Biennale

The Taipei Fine Arts Museum (TFAM) presents the collateral event "Screen Melancholy: Li Yi-Fan" at the 61st Venice Biennale, held at the Palazzo delle Prigioni from May 9 to November 22, 2026. The exhibition features a new video installation and mixed-media work by Taiwanese artist Li Yi-Fan, curated by Raphael Fonseca, curator of visual arts at Culturgest in Lisbon and Porto. The installation integrates large-scale sculptural fragments with video and sound, exploring how screens mediate perception and emotional experience, in dialogue with the Biennale's theme "In Minor Keys."