British painter William Monk is presenting a new series of paintings at Pace Gallery's solo booth at Frieze London 2025. The works, created during a residency at the Neuendorf House in Mallorca, feature obsessive cactus forms and a sentinel figure evolving from his earlier Ferryman series. Monk's studio visit reveals his meticulous process of controlling every detail, with paintings that recall Seurat and Bonnard in their dense, rhythmic brushwork.
Issy Wood, a rising British artist known for her figurative paintings of luxury objects and body parts, created the cover for Vanity Fair's first art-themed issue in nearly two decades. The cover features a portrait of pop star Charli XCX titled *Charli 2* (2025), painted in oil on velvet with gauzy stars and white forms. Wood cited their shared Britishness and the singer's career longevity as inspiration, while the article draws parallels between Wood's subject matter and the 'Brat universe.'
Sotheby's will offer Jean-Michel Basquiat's 1981 painting *Crowns (Peso Neto)* as the headline lot of its contemporary evening sale in New York this fall, carrying a high estimate of $45 million. The work, which has never been auctioned before, debuted at Basquiat's landmark 1982 solo show at Annina Nosei Gallery and later appeared at Documenta 7. It will be exhibited in London during Frieze Week, then in Paris coinciding with Art Basel Paris, before arriving at Sotheby's new Breuer Building headquarters in New York ahead of the November 8 sale.
Ken Jacobs, a pioneering experimental filmmaker who blurred the boundaries between cinema and visual art, died at 92 in New York from kidney failure, according to his son, filmmaker Azazel Jacobs. A key figure in the postwar New York underground alongside Jack Smith and Jonas Mekas, Jacobs challenged conventional filmmaking through works like "Blonde Cobra" (1963) and "Tom, Tom, the Piper's Son" (1969), using techniques such as live radio accompaniment, slow motion, and looping to deconstruct the medium. He studied painting under Abstract Expressionist Hans Hofmann and described his own work as "Abstract Expressionist cinema," often drawing direct comparisons between film and painting.
The Louvre in Paris is staging a major retrospective of Jacques-Louis David, featuring 100 works by the French Neoclassical painter, to mark the bicentenary of his death in 1825. The exhibition opens October 15 and runs through January, drawing on the Louvre's own collection and prestigious loans from institutions including the Royal Museums of Fine Arts of Belgium, the Metropolitan Museum of Art, and the Cleveland Museum of Art. Curator Sébastien Allard emphasizes that the show is not a conventional blockbuster but aims to explore under-examined aspects of David's practice, particularly his political engagement across the Ancien Régime, the French Revolution, and the Napoleonic Empire.
A Wade Guyton artwork (2007) that was forfeited by Inigo Philbrick's business partner Robert Newland failed to sell at Sotheby's New York in late March 2025, carrying an estimate of $200,000 to $300,000. The same piece had previously sold for $208,000 at a U.S. Marshals Service auction in Texas in August 2023, a steep decline from its $490,000 sale at Sotheby's in 2015. Another Guyton from the same forfeiture—a 2018 piece owned by Philbrick himself—sold for $215,100 at the Texas auction, representing a 65% drop from its 2018 Christie's Paris sale of €535,500 (about $625,000). The article also notes a curious discrepancy: the Texas auction catalog listed a Phillips auction house label on the 2007 Guyton, but Phillips does not appear in the work's provenance, and Philbrick was known to do business with Phillips.
Hauser & Wirth's UK subsidiary reported an 87% decline in pretax profit for 2024, falling to $1.6 million from $12.5 million the previous year, as revenue dropped by more than half to $91.4 million. The gallery attributed the downturn to a sharp fall in secondary-market sales, which can fluctuate significantly based on a few high-value transactions. The UK entity represents only a small portion of the gallery's global business, which the founders said remained aligned with the prior year's successful performance. Separately, the gallery's hospitality arm, Artfarm Group, posted a wider pretax loss of $24 million despite a 16% rise in turnover.
A René Magritte painting, *La Magie Noire* (1934), will be auctioned at Sotheby’s Paris on October 24 with a high estimate of €7 million ($8.1 million). The work has remained in the same private collection for nearly a century, having been acquired directly from the artist by the family of World War II resistance heroine Suzanne Spaak, who was executed by the Gestapo in 1944 for helping Jewish children escape Nazi persecution. The painting depicts Magritte’s wife, Georgette Berger, and is the first of ten portraits in which the female body merges with sky, stone, and spirit.
Michael Rakowitz's survey exhibition "Allspice" at the Acropolis Museum in Athens explores themes of cultural displacement, looting, and historical narrative through works like his series "The invisible enemy should not exist" (2007–), which reconstructs looted artifacts from Baghdad's National Museum of Iraq using Arabic food wrappers and newspapers. The show also features his 2004 video "Return," documenting his effort to import Iraqi dates labeled as "product of Iraq" to the US after decades of sanctions, and includes interventions with the museum's own collection, such as a Cypriot head he linked to Assyrian art.
Saudi Arabia announced over 5 billion Saudi riyals ($1.3 billion) in new cultural funds and agreements at the first Cultural Investment Conference in Riyadh, held under Crown Prince Mohammed bin Salman. Key initiatives include a partnership with Deutsche Bank for training and cultural exchanges, and the immediate establishment of the Riyadh University of Arts, set to open in 2026 with courses in film, performing arts, and theater. The Ministry of Culture also signed a memorandum of understanding with the Royal Commission for AlUla to boost cultural infrastructure in the AlUla oasis.
The Nasher Sculpture Center in Dallas has awarded its 2027 Nasher Prize to Petrit Halilaj, a Kosovo-born sculptor known for works addressing his country's history and sociopolitical realities. At 40, Halilaj is the youngest recipient of the prize since its 2015 inception. The award, now given biannually, includes $100,000 and a future exhibition at the Nasher. In an unusual gesture, Halilaj will donate the entire prize purse to the Hajde! Foundation, a Kosovo-based nonprofit he co-founded in 2014 to support Kosovar artists.
Four works by Francis Bacon and Auguste Rodin will headline Sotheby’s Frieze Week contemporary evening auction in London on October 16. The lots include Bacon’s paintings *Portrait of a Dwarf* (estimated up to £9 million) and *Study for Self-Portrait* (up to £6 million), alongside Rodin’s final bronze iterations of *Pierre de Wissant* and *Jean de Fiennes* (each estimated at £600,000–£900,000). The works come from an important private collection, with the Bacons acquired directly from the artist and held for over 40 years, and the Rodins purchased from the Musée Rodin. Sotheby’s shared previously unpublished audio featuring art historian Eddy Batache, a close friend of Bacon, who noted that *Portrait of a Dwarf* is the only painting Bacon ever kept for himself.
Artist Mika Rottenberg, whose work is included in an upcoming show at the Smithsonian-run Hirshhorn Museum and Sculpture Garden, called the Trump administration's interference with the Smithsonian "fucked up" in a Vanity Fair article. She praised Amy Sherald for canceling a Smithsonian show, calling it "amazing." British artist Richard Long also expressed concern about the administration "strangling everything" at the institution. The article notes that many other artists with works slated for Smithsonian presentations—including Nick Cave, Paul Chan, Olafur Eliasson, Spencer Finch, and Rashid Johnson—declined to speak to Vanity Fair, reflecting a cautious environment. Dread Scott, however, has been vocal, calling for the regime to be driven from power and urging art institutions to support dissenting artists.
The British Museum in London has announced a new fundraising event called the British Museum Ball, scheduled for October 18, with a pink theme inspired by the colors and light of India, tied to its exhibition 'Ancient India: Living Traditions.' The gala will be co-chaired by Isha Ambani, a patron of the Nita Mukesh Ambani Cultural Centre in Mumbai, and will feature a silent auction, music by Anoushka Shankar and Jules Buckley, and a guest list including Zadie Smith, Naomi Campbell, Idris Elba, Miuccia Prada, and others. Proceeds will support the museum's international partnerships and its goal of making its collection more accessible worldwide.
Tehching Hsieh, a Taiwanese-born performance artist who fled to the U.S. in 1974 as an undocumented immigrant, is the subject of a major retrospective at Dia Beacon opening October 4. The exhibition features his five iconic yearlong 'lifeworks' from 1978 to 1986, including living in a cage, punching a time clock every hour for a year, and abstaining from art entirely, plus his final work, 'Tehching Hsieh 1986–1999 (Thirteen Year Plan).' The article includes an interview with Hsieh discussing the retrospective and his philosophy of time and repetition.
The Musée Picasso-Paris has announced a €50 million ($59 million) transformation plan, including a new wing for temporary exhibitions and a redesigned garden that will connect with the nearby Square Léonor-Fini. The project, scheduled for construction from 2028 to 2030, will double the museum's temporary exhibition space to 8,600 square feet and create a 25,000-square-foot sculpture park featuring around 10 Picasso sculptures, free to the public without a museum ticket. The museum plans to remain open during construction, which will be funded through patronage raised by a foundation hosted by the Académie des Beaux-Arts, with a significant donation from the Picasso family.
A New York judge has ruled against billionaire investor and art collector Ronald O. Perelman in his attempt to collect $400 million from insurers for five paintings allegedly damaged in a 2018 fire at his East Hampton estate. Justice Joel M. Cohen of State Supreme Court in Manhattan found no visible damage to the works—two by Andy Warhol, two by Ed Ruscha, and one by Cy Twombly—and nothing traceable to the fire that would reduce their value. Perelman claimed the fire robbed the paintings of their 'spark' and 'oomph,' but insurers including Lloyd's of London, Chubb, and AIG countered that the works were unscathed and accused Perelman of filing claims under severe financial pressure after a collapse in Revlon stock.
Lawrence Abu Hamdan's exhibition "Zifzafa" has opened at the Munch Museum in Oslo, featuring a politically charged exploration of sound as both a celebration of life and a tool of displacement. The show centers on a forensic audio investigation into the impact of 31 wind turbines planned for the Israeli-occupied Syrian Golan Heights, or Jawlan. Key works include the video projection *Wind Ensemble* (2024) featuring saxophonist Amr Mdah, CGI animations *Tilting at windmills i, ii & iii* (2024), and the 45-minute film *Zifzafa: Livestream Audio Essay* (2025), which uses a video game walkthrough format to simulate the sonic pollution that will affect local homes—some as close as 115 feet from the turbines. The game incorporates field recordings by local composer Busher Kanj Abu Saleh and turbine noise from Germany, highlighting the sounds of daily life and resistance.
Abu Dhabi will host the most expensive art exhibition ever staged by Sotheby's in the Middle East on October 1 and 2, valued at approximately $150 million. The exhibition features six masterpieces by Vincent van Gogh, Paul Gauguin, Frida Kahlo, René Magritte, Camille Pissarro, and Edvard Munch, sourced from major private collections including those of Leonard A. Lauder, Cindy and Jay Pritzker, and Matthew and Kay Bucksbaum. It takes place at the Bassam Freiha Art Foundation on Saadiyat Island Cultural District and marks Sotheby's first public fine art show in the UAE, ahead of its Abu Dhabi Collectors' Week in November.
The Blaffer Art Museum at the University of Houston has fired associate curator Erika Mei Chua Holum, leading artists Ja’Tovia Gary and Kenneth Tam to cancel or postpone their exhibitions. The turmoil follows the appointment of Laura Augusta as director and chief curator in 2024. According to a report in Glasstire, Holum was terminated in July over budget disputes she disputes, and Gary pulled her show after budget negotiations broke down. Tam’s exhibition was described as canceled by the artist but denied by the museum, while a show by Thania Petersen also faces uncertainty. The museum previously canceled a Guadalupe Maravilla presentation in February, citing construction concerns.
Three paintings by John Singer Sargent from the collection of Carol and Terry Wall will be auctioned at Christie’s this fall, with a combined estimate of $12 million to $17 million. The works—Capri (1878), Corner of the Church of San Stae, Venice (1913), and Gondolier’s Siesta (1902-03)—depict Italian scenes and will be part of the 20th century evening sales in New York in November. The collection also includes works by Mary Cassatt, Childe Hassam, Frederick Frieseke, and William Merritt Chase, and will be previewed in Paris, London, and Taipei.
Heirs of German Jewish banker and art collector Paul von Mendelssohn-Bartholdy have urged the US Seventh Circuit Court of Appeals in Chicago to revive their lawsuit seeking the return of Vincent van Gogh's *Sunflowers* (1888), which they claim was sold under Nazi duress. The lawsuit, filed in 2022 against Japanese insurer Sompo Holdings, argues that the painting was purchased at a 1987 Christie's auction by Sompo's predecessor, Yasuda, despite provenance indicating Mendelssohn-Bartholdy was a Nazi victim. A lower court dismissed the case in 2024 for lack of jurisdiction, but the heirs contend that the painting's exhibition in Chicago in 2001 establishes sufficient legal ties to Illinois.
Sotheby's achieved a white-glove sale of Pauline Karpidas's collection on Wednesday night, far exceeding its $53 million high estimate to reach $100 million. All 55 lots sold, with 70% surpassing their high estimates, marking the highest total for a designated auction held in London. Two additional sales from the collection are ongoing: a day auction of 193 lots and an online sale of 97 lots, with a combined presale estimate of $80 million. The auction featured 23 Surrealist works, including pieces by René Magritte, and replicated Karpidas's London home in the salesroom.
Fashion brand Albino & Preto has collaborated with the Jean-Michel Basquiat estate on a new collection of jiujitsu sets and lifestyle apparel featuring the artist's paintings. The limited-edition collection, released on September 10 ahead of New York Fashion Week, incorporates martial arts motifs that Basquiat often used in his work, including a reference to the jiujitsu foot lock known as "Achilles." The Basquiat estate has a history of fashion collaborations, including a previous line with H&M tied to the 2022 exhibition "King Pleasure."
Sotheby's will open its first auction season in the Breuer building this fall with the Pritzker collection, a private cache of paintings never before seen outside a Chicago living room. The collection, built by Cindy and Jay Pritzker, carries an overall estimate north of $120 million, with the lead lot being Vincent van Gogh's 1887 still life *Romans Parisiens (Les Livres jaunes)*, estimated at close to $40 million. Other highlights include works by Paul Gauguin, Henri Matisse, Max Beckmann, Ernst Ludwig Kirchner, Joan Miró, Camille Pissarro, and a 15th-century sea chart by Petrus Roselli.
Sotheby's has secured a major consignment of approximately $400 million in art from the collection of the late Leonard Lauder, who died in July at age 92. The highlight is Gustav Klimt's "Portrait of Elisabeth Lederer" (1914–16), expected to fetch over $150 million, potentially shattering Klimt's auction record. The sale also includes two other Klimt landscapes, six bronzes by Henri Matisse, a $20 million Edvard Munch painting, and an Agnes Martin work, totaling 55 artworks. The auction will inaugurate Sotheby's new space in the former Whitney Museum building, designed by Marcel Breuer.
The Port Authority of New York and New Jersey, along with JFK Millennium Partners, is investing $4.2 billion to bring art from four major New York cultural institutions—the American Museum of Natural History, Lincoln Center for the Performing Arts, the Metropolitan Museum of Art, and the Museum of Modern Art—into the new Terminal 6 at John F. Kennedy International Airport. The terminal will feature loaned works from these institutions in the international arrivals corridor, plus 19 permanent site-specific installations curated by Public Art Fund and rotating local artwork curated by Jamaica Center for Arts and Learning. Highlights include a 140-foot mural from Lincoln Center, an installation by Yoko Ono inspired by her 2019 work *Peace is Power* for MoMA, and installations from the other two museums. The terminal is designed by architect Stanis Smith and will include 10 gates, with the first six opening this year and completion by 2028.
The estate of Elaine Wynn, the late casino magnate and top art collector who died in April 2024, has announced plans for her renowned collection. Francis Bacon's triptych *Three Studies of Lucian Freud* (1969)—which Wynn purchased for a record $142.2 million at Christie's in 2013—will be donated to the Los Angeles County Museum of Art (LACMA), where she served as board cochair. The painting, the first Bacon to enter LACMA's collection, will debut in the museum's new David Geffen Galleries when they open next year. Separately, Christie's will auction 20 works from Wynn's collection across three sales in New York this November, with estimates totaling at least $75 million. Highlights include Richard Diebenkorn's *Ocean Park #40* (1971), Lucian Freud's *The Painter Surprised by a Naked Admirer* (2004–05), Joan Mitchell's *Sunflower V* (1969), and J.M.W. Turner's *Ehrenbreitstein* (1835).
Independent 20th Century art fair has announced that its 2026 edition will be hosted by Sotheby’s at the auction house’s new flagship headquarters in Manhattan’s historic Breuer building. The move, first reported by the New York Times, marks a significant expansion for the fair and an unprecedented collaboration between an art fair and an auction house in the modern art market. Founded in 2022, Independent 20th Century focuses on overlooked and celebrated artists of the last century, with curatorial programming that reframes movements from women in Surrealism to Arab Modernism. The Breuer—a landmark of Modernist architecture designed by Marcel Breuer and recently renovated by Herzog & de Meuron with PBDW Architects—will allow the fair to grow to more than 50 galleries, up from 31 at its most recent edition.
Clearing, a New York-based gallery known for launching the careers of artists like Korakrit Arunanondchai, Harold Ancart, and Marguerite Humeau, has permanently closed its spaces in New York and Los Angeles after 14 years. Founder Olivier Babin cited an unsustainable path forward, stating the gallery could no longer operate at its standards. The closure follows a wave of New York gallery shutdowns, including Blum, Venus Over Manhattan, and Kasmin, which is transitioning into a new entity called Olney Gleason. Clearing’s final exhibitions were solo shows by Coco Young in New York and Henry Curchod in Los Angeles.