In an exhibition in Naples it is possible to get lost without urgency in an unstable balance. The review

In una mostra a Napoli è possibile perdersi senza urgenza in un equilibrio instabile. La recensione

The exhibition "A Gentle Collapse," curated by Marta Ferrara at Andrea Nuovo Home Gallery in Naples, explores the contemporary psychic state through a spatial and perceptual construction. Featuring works in photography, painting, engraving, and installation, the show creates a sense of instability, with meaning emerging gradually through shifts between familiar and altered forms. Artists include Dorottya Vékony, Matteo Silverii, Flora Villaumié, and Zoë Pelikan, whose works engage with themes of genetic engineering, serial accumulation, and subtle disorientation across two gallery levels.

Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.

The new TAILOR newsletter is coming out: luxury crisis, new creative generations, and mental health (subscribe!)

Sta per uscire la nuova newsletter TAILOR tra crisi del lusso, nuove generazioni creative e salute mentale (abbonatevi!)

Artribune has launched a new edition of its newsletter TAILOR, which examines the transformation of the global fashion system amid a luxury crisis, the rise of new creative generations, and the growing structural importance of mental health in the industry. The newsletter features a focus on five emerging designers shifting fashion from product to narrative, an exclusive interview with influential stylist Tom Eerebout, and the debut in Italy of the project "One Person. One Voice" as part of the Mental Health in Fashion campaign, created by Florian Müller with artist Claudia Malecka.

Art can officially be a form of therapy. Interview with Undersecretary of Culture Lucia Borgonzoni, godmother of the project

L’arte può essere ufficialmente una forma di cura. Intervista al Sottosegretario alla Cultura Lucia Borgonzoni madrina del progetto

The Italian Ministry of Culture and Ministry of Health have signed a formal protocol recognizing art as a form of therapy and care. The agreement, championed by Undersecretary of State for Culture Lucia Borgonzoni, mandates that museums, libraries, archives, and cultural institutions play a central role in developing therapeutic pathways using art to improve individual and community well-being. Borgonzoni, who has advocated for this initiative for nearly a decade, traces its origin to a 2018 study at the Sanctuary of Vicoforte that measured cortisol levels in visitors before and after viewing frescoes, showing significant stress reduction.

For the 2026 Venice Biennale, the RojoNegro duo brings a collective ritual to the Mexico Pavilion

Per la Biennale Arte 2026 il duo RojoNegro porta nel Padiglione del Messico un rituale collettivo

The article announces that the RojoNegro collective, formed by María Sosa and Noé Martínez, will represent Mexico at the 61st Venice Biennale in 2026 with a project titled "Actos invisibles para sostener el universo." Curated by Jessica Berlanga Taylor, the installation combines organic materials, sound, video, and performance to create a ritualistic space that invokes invisible presences, memories, and energies. The work draws on decolonial perspectives, centering Indigenous and Afro-descendant cosmogonies as living knowledge systems, and aims to activate a dialogue between situated ritual practices and the global context of the Biennale.

Il duo di artisti internazionali Gawęda/Kulbokaitė sono a Roma per la prima volta con una mostra su identità e percezione

The international artist duo Dorota Gawęda and Eglė Kulbokaitė present their debut exhibition in Rome, titled "Spit and Image," at the Basement gallery. The show, on view until July 10, 2026, features sculptures, installations, and videos that explore identity construction in the digital age, using mirrors, fragmented bodies, and olfactory elements. Works like "Yield (twinning)" (2025) and "Spit and Image 1 and 2" (2025) evoke surveillance, metamorphosis, and duplication, while the Slavic vampire figure of the upiór serves as a metaphor for fluid, non-binary identities.

Writer-artist Nia Zera's work draws parallels between Africa countries and Dravidian communities

Writer-artist Nia Zera recently opened her exhibition "Cobalt Blue" in Chennai, featuring 31 paintings on shaped wooden panels that draw parallels between Dravidian communities in south India and African cultures. The works explore shared histories of resource wealth and colonial exploitation, inspired by Karen Blixen's 'Out of Africa' and Zera's own upbringing near the Muthuvan Kudi community in Munnar, Kerala. The exhibition took one year and one month to complete, using a predominantly blue palette referencing cobalt and blue-green algae from Africa.

No Regrets: Artists Decide To Sell Buffalo’s Legendary Hitching Post Gallery

Father-and-son artists William and Hugh Jennings have closed the Hitching Post Gallery in Buffalo, Wyoming, after 30 years of operation. The gallery, which opened in November 1993 on Main Street, was a longstanding fixture in the community, showcasing works from many area artists alongside gifts, books, and tobacco products. William stepped away about seven years ago, and Hugh recently decided to retire, locking the doors for the last time at the beginning of May. Hugh expressed no regrets, saying he wanted to focus more on his own art.

Medium Art Center Celebrates Five Year Anniversary

Medium Art Center in Ukiah, California, celebrates its five-year anniversary. Founded during the pandemic by a small team of local artists and community members including Chris Pugh and Lillian Rubie, the center began as an online exhibition series called "Dear America" before securing a vacant storefront at the Pear Tree Center in 2021. Run entirely by volunteers for its first three years, the center has hosted in-person exhibits, traditional Chinese brush painting workshops with artist William Shi, and outreach programs to support local artists. Recently, it received a grant from the RISE program administered through Redwood Coast Regional Center to support people with disabilities or neurodivergence.

KU students, teachers to show off form-defying ceramics at Off-Site Art Gallery exhibition

University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.

Explore art’s future at Hong Kong’s Affordable Art Fair this May

Hong Kong's Affordable Art Fair (AAF) returns in May with the theme “See Art. Love Art. Own Art.”, featuring 106 local and international exhibitors—up from 98 last year—and artworks priced from HK$1,000 (US$128). The fair, held at the Hong Kong Convention and Exhibition Centre, aims to make art accessible to new and seasoned collectors alike, with a focus on transactions under US$50,000. Founder Will Ramsay highlights growing confidence in this market tier, citing a report by Affordable Art Fair × ArtTactic that shows 69% of galleries expect sales growth and that art fairs generate 44% of gallery revenues.

AMP art walk: making art more accessible

Western Washington University's Arts & Music Productions (AMP) launched a monthly art walk on the first Friday of October, continuing the tradition each month after the closure of the Viking Union Gallery. The event, conceived by AMP supervisor Casey Hayden, aims to introduce students to Bellingham's art scene in a guided, social setting. Skylar Cooney, AMP's visual arts coordinator, leads tours to smaller venues like Bay Street Studios, and the walks have drawn a diverse academic crowd. Participating galleries, such as Voxel Gallery, report increased foot traffic and community engagement, while local artists and professors like Garth Amundson emphasize the importance of free, accessible events for fostering inclusion.

Gallery: Young Estonian artists' art auction exhibition opens

An exhibition of young Estonian artists has opened at the Art & Tonic gallery in Tallinn, showcasing 92 works selected from 269 submissions for the "Osta noort kunsti" ("Buy Young Art") spring auction. The auction, organized by gallery owner Reigo Kuivjõgi, features starting prices set by the artists themselves, ranging from €1 to €2,000, with past final prices reaching over €20,000. The exhibition runs free of charge from May 1 to May 14, with the live auction on May 15.

Wohin im Westen?

The article guides readers through the Gallery Weekend Berlin in the western part of the city, specifically along Fasanenstraße and Savignyplatz. It highlights classic modern works, major contemporary names, and paintings that oscillate between pathos, poetry, and doubt. The route includes a stop at the gallery of Wolfgang Werner, which is celebrating its 35th anniversary in Berlin, and references the area's long tradition of art dealing, with institutions like the Literaturhaus and auction house Grisebach.

Art House Gallery Will Present PLAYING FAVORITES, a Solo Exhibition by Bryant Small

Art House Gallery in Jersey City will present "Playing Favorites," a solo exhibition by artist Bryant Small, curated by Andrea McKenna, from May 2 to May 31, 2026. The show features a selection of Small's most cherished works, many never publicly exhibited before, highlighting his use of alcohol ink on Yupo paper to create luminous, fluid abstract compositions. An opening reception is set for May 2, and an artist talk on April 17.

月を射る @ KAG

KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.

Edo-Tokyo Museum Reopens with “Great Edo” Exhibition Showcasing Its Collection Highlights

The Edo-Tokyo Museum in Tokyo's Ryōgoku district has reopened on March 31, 2026, after four years of renovation. Its first exhibition, "In Praise of Great Edo" (April 25–May 24), showcases 160 items from the museum's collection of 350,000, including swords, armor, kimonos, ukiyo-e masterpieces by Sharaku, Utamaro, and Hokusai, and artifacts from Edo-period culture such as kabuki, sumō, and firefighting uniforms. The renovated museum features new animation, projection mapping, full-scale reconstructions like Ginza's Hattori watch store, and a multilingual smartphone guide system.

Tugboat Printshop Marks 20 Years of Making Meticulously Crafted Woodblock Prints

Tugboat Printshop, founded by Valerie Lueth, is celebrating its 20th anniversary. The studio specializes in meticulously hand-carved woodblock prints, often using up to five distinct blocks layered with colorful ink to create detailed images of flora and fauna. Editions are typically limited to around 100 prints. To mark the milestone, the shop is offering a limited-time discount on original woodcut prints, and Lueth continues to share behind-the-scenes images on Flickr and Instagram.

Double vandalism on the Place de la Concorde

Double vandalisme place de la Concorde

During the PSG Champions League semi-final victory celebrations last Wednesday, vandals destroyed an exhibition by Yann Arthus-Bertrand on the theme of 'Living Together' on the Place de la Concorde in Paris. The article describes this as a double vandalism: the physical destruction by rioters compounded what the author considers the original vandalism—the exhibition itself, which was supported by the French government, the Paris city hall, and several other entities.

‘In Mali, When Animals Dance’ – Inside the Pulse of Sogo Bò

Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.

Four Latin American Voices Around the Montevideo Curatorial Intensive

CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO

Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).

In the Studio with Jevon Brown

Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.

The Exhibition Before The Exhibition: Art In The Making

Puke Ariki museum in New Plymouth, New Zealand, is hosting TUKU: Open Studio | Emerging Māori Artists, a collaborative project where senior artist Wharehoka Smith mentors early-career artists Jodie Tipa and Dwayne Duthie in creating eight manaia (spiritual guardian figures) in a public studio setting. Running from today through 12 July, the open studio prepares the museum's Temporary Gallery for the upcoming Kiingi Tuheitia Portraiture Award exhibition, which opens on 25 July and features 40 tūpuna portraits. Visitors can watch the artists at work, engage with their creative process, and participate in free public events including workshops and talks.

Indah Gallery Art Exhibition: Mark Russell Jones “Hearing the Quiet”

Mark Russell Jones, a Central Coast native, presents his large-scale ethereal paintings in an exhibition titled "Hearing the Quiet" at Indah Gallery, located within the Roblar Winery vineyard in a converted hay barn in Santa Ynez Valley. The artist describes his work as exploring the space between abstraction and representation through layering and reduction, evoking memory and atmosphere rather than fixed depictions.

How Immersive Digital Exhibitions Reshape Art Viewing

The article examines how immersive digital exhibitions have transformed art viewing by the late 2020s, focusing on the Smithsonian Hirshhorn Museum's late-2025 survey "Big Things for Big Rooms" and the touring show "Picasso: Art in Motion" at the Museum of Art and Light. It notes that immersive exhibitions now encompass 360-degree projection mapping, AR overlays, and generative AI installations, and that they consistently outperform traditional exhibitions in attendance, especially among visitors under 35.

Vahe Yeremyan | Layers of Time (2026) | For Sale

The article lists a work titled "Layers of Time (2026)" by artist Vahe Yeremyan as available for sale on the online art marketplace Artsy. No further details about the artwork, price, or context are provided in the brief listing.

Asian Spring 2026: dates and program of the Parisian art festival for lovers of Asia

The 9th edition of Printemps Asiatique (Asian Spring) will take place from June 3 to 12, 2026, across Parisian galleries, museums, and auction houses. Modeled on New York’s Asia Week and London’s Asian Art, the festival features a shared calendar of exhibitions, tours, talks, and auctions, with nearly thirty galleries, ten museums and art venues, and thirteen auction houses participating. This year, Korea is the spotlight country, with dedicated exhibitions and artistic itineraries. Key venues include the Musée National des Arts Asiatiques - Guimet, Musée Cernuschi, Musée des Arts Décoratifs de Paris, and Musée du Louvre, alongside auction houses such as Christie's, Sotheby's, Bonhams, and others.

Carnegie Museums $500 million campaign will fund projects at all 4 museums

The Carnegie Museums of Pittsburgh have launched a $500 million comprehensive campaign, the largest in their history, to fund capital projects across all four of their institutions: the Carnegie Museum of Art, Carnegie Museum of Natural History, Carnegie Science Center, and The Andy Warhol Museum. The campaign, which has already raised $325 million, will support renovations, new exhibitions, and expanded educational programming, including a major overhaul of the Carnegie Museum of Natural History's dinosaur hall and a new wing for the Carnegie Museum of Art.

$100M Brandywine Conservancy expansion aims to ‘completely reimagine’ visitor experience

The Brandywine Conservancy in Chadds Ford, Delaware County, has announced a $100 million expansion plan aimed at transforming the visitor experience. The project will increase exhibition capacity by 80% and open 10 miles of new trails on the campus, significantly expanding the institution's footprint and public offerings.

Province invests $35M to help expand Art Gallery of Ontario

The Ontario provincial government has announced a $35 million investment over two years to support the Art Gallery of Ontario's (AGO) expansion project, the Dani Reiss Modern and Contemporary Gallery. The funding will create at least 13 new galleries across five floors, adding 40,000 square feet of space and increasing display area by 30%. Construction is expected to be complete by fall 2027, enabling the AGO to welcome up to 120,000 additional visitors annually. This provincial contribution supplements a $35 million lead gift from Dani Reiss, $25 million from the Government of Canada, and other private donations.