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James Turrell’s New Skyspace Is Opening in Denmark—and It’s Monumental

James Turrell's largest Skyspace to date, titled "As Seen Below – The Dome," will open at ARoS Aarhus Art Museum in Denmark on June 19, 2026, timed for the summer solstice. The dome-shaped underground chamber, over 50 feet high and 130 feet in diameter, frames the sky and is housed within a grassy mound as part of the museum's subterranean expansion, The Next Level. The project, first announced in 2015, faced financial and technical delays, including a supplier bankruptcy, and required additional funding of 6.7 million kroner this year.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

KAWS to take centre stage at second edition of Manar Abu Dhabi

The second edition of Manar Abu Dhabi, a public art initiative focused on light-based works, will launch on 1 November 2025, featuring 23 installations across four locations including Jubail Island and Al Ain. High-profile street artist KAWS will present a large-scale work showing his signature COMPANION figure reclining while lifting a lit moon. Other participating artists include Emirati sculptor Shaikha Al Mazrou, Dutch duo DRIFT, Maitha Hamdan, Ammar Al Attar, and Hamburg-based Christian Brinkmann, who will debut an interactive audio-visual piece called Floral Resonance.

Show at the Barnes Foundation charts Henri Rousseau's rise from mockery to acclaim

The Barnes Foundation in Philadelphia is opening "Henri Rousseau: A Painter's Secrets" (October 19–February 22), reuniting for the first time in over a century the two largest collections of Rousseau's work—18 paintings from the Barnes Foundation and 11 from the Musée de l'Orangerie in Paris. The exhibition, co-curated by Nancy Ireson and Christopher Green, uses new conservation research to challenge the long-held myth of Rousseau as a naive, unworldly amateur, revealing instead a strategic artist who revised compositions, reused canvases, and actively sought an audience through Paris's open salons.

‘We are in a very special situation as collectors’: Petr Pudil on opening the Kunsthalle Praha in Prague, and the art he collects

Petr Pudil, a Czech businessman and co-founder of BPD partners, discusses his journey as an art collector and the opening of Kunsthalle Praha in Prague with his wife Pavlína. The museum, housed in a former 1930s electricity substation, opened in 2022 and features temporary thematic exhibitions from their collection of over 2,000 works, including pieces by Max Ernst, Alicja Kwade, and William Kentridge. Pudil reflects on his acquisition strategy, regrets, and favorite London spots during Frieze week.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

Oberlin art museum kicks off fall with a fine Monet show and a new director

The Allen Memorial Art Museum at Oberlin College has opened "Picturing Paris: Monet and the Modern City," a focused exhibition reuniting three Claude Monet paintings from spring 1867, including the museum's own "The Garden of the Princess" alongside two loans from European museums. The show features over 30 additional works from the Allen's collection by artists such as Renoir, Degas, and Cézanne, and coincides with the arrival of new director Jon Seydl, who returned to Northeast Ohio in July after leadership roles at the Cleveland Museum of Art, Worcester Art Museum, and Krannert Art Museum.

Monumental exhibition of works by Anselm Kiefer heads to the Saint Louis Art Museum

The Saint Louis Art Museum will host "Becoming the Sea," a monumental exhibition of works by German artist Anselm Kiefer, from October 18, 2025 through January 25, 2026. The show marks Kiefer's first U.S. retrospective in 20 years and features towering works up to 30 feet tall, including site-specific pieces inspired by the Mississippi and Rhine rivers. Curated by museum director Min Jung Kim and assistant curator Melissa Venator in direct collaboration with the 80-year-old artist, the exhibition will fill the museum's Sculpture Hall and contemporary galleries with over 30 loans from other collections, requiring custom installation systems and even the removal of a doorway to accommodate a large painting.

From royal visitors to extortionate eBay sales: new book offers rare behind-the-scenes glimpse of Vermeer blockbuster

The Rijksmuseum's 2023 Vermeer exhibition, widely considered the most successful show of the century, drew 650,000 visitors and assembled 28 of the artist's 37 known paintings. A new book, *Closer to Vermeer: New Research on the Painter and his Art*, reveals behind-the-scenes details: the initial plan for a broader thematic show was abandoned in favor of a focused Vermeer-only presentation; nine paintings could not be borrowed, including *The Concert* (stolen in 1990) and *The Astronomer* (on loan to Louvre Abu Dhabi); the Herzog Anton Ulrich Museum refused to lend *Girl with a Wine Glass*, even rejecting an offer of buses for schoolchildren. The book also discloses that the Dutch king and queen visited multiple times during regular hours, that a quarter of visitors felt context was missing, and that over 3,500 complaints were filed about photography. The most expensive resold ticket on eBay reached $2,724.

Delaware Art Museum Presents Imprinted: Illustrating Race

The Delaware Art Museum (DelArt) will present "Imprinted: Illustrating Race," an exhibition assembled by the Norman Rockwell Museum and co-curated by Robyn Phillips-Pendleton of the University of Delaware. Opening October 18, 2025, the show features over 200 works originally commissioned for newspapers, magazines, books, trade cards, posters, packaging, and advertising, tracing how illustration reflected and shaped perceptions of race in the United States from the 19th century onward. It places Norman Rockwell’s Civil Rights–era images alongside works by artists such as Faith Ringgold, Emory Douglas, Howard Pyle, and Loveis Wise, highlighting both harmful racial stereotypes and the efforts of artists and publishers who used illustration to challenge those narratives.

New Frida Kahlo museum, focused on the artist's youth and family life, opens in Mexico City

A new museum dedicated to Frida Kahlo, Museo Casa Kahlo, opened on 27 September in Mexico City's Coyoacán neighborhood, a five-minute walk from the iconic Casa Azul. Housed in the historic Kahlo family home acquired in 1930 and passed down through generations, the museum draws on the private archive of Isolda Kahlo, Cristina Kahlo's daughter, which includes letters, everyday objects, and personal effects. The intimate space focuses on Kahlo's youth and family life, featuring immersive audiovisual elements, a re-created darkroom of her father Guillermo, and a basement studio where Kahlo once painted. A notable highlight is a recently uncovered mixed-media mural from around 1949, hidden for years under white paint.

Is Vermeer’s ‘The Art of Painting’ in fact a lost work?

Paul Taylor, a curator at London’s Warburg Institute specializing in 17th-century Dutch art, argues that Vermeer’s celebrated painting *The Art of Painting* (1666-68), housed at Vienna’s Kunsthistorisches Museum, may not be the work referenced in a 1676 legal document by the artist’s widow, Catharina. Taylor tracked 25 period descriptions of “de schilderconst” (the art of painting) and found they all depict allegorical personifications of painting, not studio scenes like Vermeer’s composition. He believes the document refers to a now-lost Vermeer that could still resurface.

Ruth Orkin: Women on the Move | Exhibition

The National Museum of Women in the Arts is presenting "Ruth Orkin: Women on the Move," an exhibition of 21 vintage photographs by the mid-20th-century American photographer Ruth Orkin (1921–1985). Drawn from the museum's collection, the show highlights Orkin's depictions of women in diverse settings—from Hollywood celebrities and Broadway stars to Women's Army Auxiliary Corps members, tourists in Europe, and families in an Israeli kibbutz. Orkin, who was barred from joining the cinematographers' union due to her gender, turned her narrative eye to photography, often collaborating with her subjects to invert the conventional male gaze. The exhibition runs from December 12, 2025, to April 19, 2026.

Thaddaeus Ropac is betting on Milan—will it pay off?

Austrian dealer Thaddaeus Ropac opened a new gallery in Milan on September 20, capitalizing on Italy's newly reduced 5% VAT on art imports—the lowest in the EU—and an influx of wealthy expats from London following the UK's abolition of non-dom tax status. The gallery occupies the first floor of the historic Palazzo Belgioioso, with Elena Bonanno di Linguaglossa appointed as director. Ropac's move follows his earlier successful expansions into Seoul and Pantin, which proved prescient.

Dog in Rembrandt’s The Night Watch was copied from widely available book, suggests new research

New research suggests that the barking dog in the lower right corner of Rembrandt's *The Night Watch* (1642) was copied from a title-page illustration by the Dutch artist Adriaen van de Venne. Anne Lenders, curator of 17th-century Dutch paintings at the Rijksmuseum, recognized the resemblance while visiting an exhibition on Van de Venne at the Zeeuws Museum. Macro X-ray fluorescence scans of the painting's underdrawing confirmed the similarity, though Rembrandt modified the dog's posture and added a tongue to make it appear alert and barking at a drum.

Jewish collector's heirs revive Nazi loot claim to Van Gogh Sunflowers painting

Heirs of Jewish banker and collector Paul von Mendelssohn-Bartholdy are appealing a lower court's dismissal of their lawsuit against Japanese insurer Sompo Holdings over Vincent van Gogh's painting *Sunflowers* (1888-89), valued at $250 million. The plaintiffs—Julius H. Schoeps, Britt-Marie Enhoerning, and Florence von Kesselstatt, representing over 30 beneficiaries—claim the work was sold under Nazi pressure in 1934. Sompo bought the painting in 1987 for a record $25 million at Christie's London. The case was heard by a three-judge panel of the US Court of Appeals for the Seventh Circuit on 17 September 2025, under the 2016 Holocaust Expropriated Art Recovery (HEAR) Act.

Plan Your Visit to Pissarro's Impressionism

The Denver Art Museum has announced ticketing and visitor details for its upcoming exhibition "The Honest Eye: Camille Pissarro's Impressionism," running from October 26, 2025, to February 8, 2026. The show features over 100 paintings by the Impressionist master, including works from the Nelson-Atkins Museum of Art, Joslyn Art Museum, Philadelphia Museum of Art, and Ordrupgaard. Tickets are now on sale, with timed entry every ten minutes; adult nonmember tickets start at $27, while members pay $5 and children's tickets are also $5. The museum provides practical guidance on parking, entry points, audio guides in English and Spanish, and recommends quieter visiting times such as Tuesday evenings.

8 Must-See Solo Gallery Shows in September

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for September, featuring artists from New York to San Francisco. Highlights include Yuan Fang's abstract exploration of her cancer journey at Skarstedt, Sam McKinniss's pop-culture-infused paintings at Jeffrey Deitch, María Berrío's mythological collages at Hauser & Wirth, and Maria Nepomuceno's contemporary take on ancient traditions at Sikkema Malloy Jenkins, among others.

Dealers get creative pairing artists at Duet—just don’t call it an art fair

Duet, a pop-up exhibition conceived by curators Zoe Lukov and Kyle DeWoody, debuts in Manhattan’s Financial District with 11 galleries and a group show running until 8 September. Housed in the WSA building, each gallery occupies a glass-walled meeting room and pairs two artists around a thematic connection—such as Pace showing Nina Katchadourian with Matthew Day Jackson, or Galerie Sardine pairing Jenna Kaës with Anthony Banks. A group exhibition features works by Marina Abramović, Lynda Benglis, Maya Lin, Radcliffe Bailey, Karon Davis, Miles Greenberg, Carlos Motta, Sam Moyer, Brendan Fernandes, and Naama Tsabar, with performances by Fernandes and Tsabar.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

A former director at Lower Manhattan galleries goes it alone Uptown

Christiana Ine-Kimba Boyle, a former director at Lehmann Maupin, Canada, and Pace, has launched Gladwell Projects, a nomadic gallery with a staff of one. The gallery's second show, "The Spirituality of Color," opens October 3 in a Harlem townhouse, featuring works by Sam Gillam, Kylie Manning, and others. Its first show, "The Metroplex," was held in collector Christie Williams's Dallas home during the Dallas Art Fair, resulting in acquisitions by the Dallas Art Museum. Ine-Kimba Boyle aims to present blue-chip rigor at a smaller, community-focused scale, part of a "Domestic Interventions" series in private homes.

Caravaggio’s ‘Judith Beheading Holofernes’ coming to Kimbell Art Museum from Rome

The Kimbell Art Museum in Fort Worth announced on August 29, 2025, that it will display Caravaggio’s monumental painting *Judith Beheading Holofernes* (1599–1600) as a Guest of Honor loan from the Gallerie Nazionali di Arte Antica in Rome, where it normally hangs in the Palazzo Barberini. The canvas, approximately six feet wide and five feet tall, will be on view in the Louis I. Kahn Building from September 14, 2025, through January 11, 2026. The painting depicts the biblical moment of Judith decapitating the Assyrian general Holofernes, showcasing Caravaggio’s signature bold realism and dramatic chiaroscuro. The loan follows the museum’s 2022 Focus Exhibition “SLAY,” which featured Artemisia Gentileschi’s and Kehinde Wiley’s interpretations of the same subject.

America’s Largest-Ever Exhibition on Raphael Will Open at the Met Next Year

The Metropolitan Museum of Art in New York will host "Raphael: Sublime Poetry," the largest-ever U.S. exhibition dedicated to the Renaissance master, opening March 29, 2026. Featuring over 200 works, the show includes loans from major institutions such as the Uffizi, Prado, Galleria Borghese, British Museum, Louvre, and National Gallery of Art. Curated by Carmen Bambach, who previously organized the Met's blockbuster 2017 Michelangelo exhibition, the show spans Raphael's three career periods—Urbino, Florence, and Rome—and highlights recent scientific discoveries and his portrayal of women. A centerpiece is the reunion of Raphael's preparatory sketches with his painting *The Alba Madonna*.

Sarasota Art Museum stages an Art Deco extravaganza

The Sarasota Art Museum (SAM) on the Ringling College of Art and Design campus has opened "Art Deco: The Golden Age of Illustration," an exhibition of 100 large posters from the Crouse family collection. Curated by Rangsook Yoon, the show celebrates the 100th anniversary of Art Deco, tracing its origins from the Belle Epoque through the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, and features works by artists such as Alphonse Mucha, Henri de Toulouse-Lautrec, and Théophile-Alexandre Steinlen. The Crouses, who previously lent works to The Guggenheim and the Victoria and Albert Museum, displayed part of their collection at New York's Poster House in 2023-2024.

Meet Elizabeth Catlett in 11 Facts

Elizabeth Catlett (1915–2012) was a sculptor, printmaker, feminist, and social activist whose art was inseparable from her life and politics. Born in Washington, DC, to parents who worked in education, she faced racial discrimination early on—denied a scholarship to the Carnegie Institute of Technology and paid less than white colleagues as a teacher. She became the first Black woman to earn an MFA from the University of Iowa, studying under Grant Wood, and later taught at the George Washington Carver School in Harlem, where she connected with Harlem Renaissance figures. Catlett moved to Mexico, married artist Francisco Mora, and created woodblock and linocut prints for 20 years. She was investigated by the House Un-American Activities Committee, declared an "undesirable alien," and became a Mexican citizen in 1962. Her work centered on Black and Mexican women, and she famously stated, "We have to create an art for liberation and for life."

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

Trump accuses Smithsonian of being too focused on ‘how bad slavery was’

US President Donald Trump posted on Truth Social accusing the Smithsonian Institution of focusing excessively on negative aspects of American history, specifically citing exhibits about slavery and the struggles of marginalized groups. He claimed the organization is "out of control" and instructed his attorneys to review its museums, mirroring recent actions against universities. The White House has initiated a four-month review of eight Smithsonian museums, including the National Museum of African American History and Culture and the National Portrait Gallery, with a directive to replace "divisive or ideologically driven language" with "unifying, historically accurate" descriptions.

London's Dulwich Picture Gallery prepares to reveal £5m redevelopment

Dulwich Picture Gallery in south London will open a newly transformed sculpture garden to the public on 6-7 September, as the centerpiece of its £5m Open Art project. The redevelopment reclaims previously underused green space for a rotating programme of contemporary art on two-year loans, alongside permanent works including a land art piece by Kim Wilkie, an ArtPlay Pavilion designed by HoLD Collective and Carmody Groarke, and a new entrance restoring elements of John Soane's 1811 plans. The project is funded by principal donor The Lovington Foundation, The Julia Rausing Trust, the Manton Foundation, and a public campaign, as the gallery receives no regular government funding.

Climate protestors install Anish Kapoor work on North Sea gas platform

Climate activists from Greenpeace installed a new artwork by Anish Kapoor on a Shell gas platform in the North Sea. Titled "BUTCHERED," the 12m by 8m canvas was attached to the platform and drenched with a blood-red liquid made from seawater, beetroot powder, and non-toxic pond dye to symbolize the environmental destruction caused by fossil fuel companies. The protest coincided with record-breaking heatwaves in Europe. Kapoor described the work as a tribute to activists and a "visual scream" against the climate crisis, while Shell condemned the action as dangerous and illegal trespassing.

Rediscovered David Wojnarowicz mural could disappear from view again

A large mural by David Wojnarowicz (1954-92), rediscovered in a Louisville, Kentucky building in 2022, is at risk of being concealed again behind drywall as the building is redeveloped into high-end residences. The site-specific work was created in 1985 for the group exhibition *The Missing Children Show: Six Artists from the East Village on Main Street*, organized by dealer Potter Coe to benefit the Kentucky Child Victims’ Trust Fund. The building's current developers plan to turn the mural's floor into a waiting room for a boxing gym, covering it with sheetrock, though they have guaranteed no damage. The artist's foundation and gallery, PPOW, have proposed covering it with transparent plexiglass instead, but the mural's removal is unlikely due to its size and brick surface.