The Los Angeles County Museum of Art (LACMA) has booked American singer and rapper Doja Cat as the musical guest for its annual Art+Film Gala on November 1. The event will also honor visual artist Mary Corse, a key figure in the Light and Space movement, and filmmaker Ryan Coogler, known for 'Black Panther' and 'Sinner'. The gala is co-chaired by LACMA trustee Eva Chow and actor Leonardo DiCaprio.
A jury trial is underway in Kingston, New York, to determine who will control the estate of Billy Name, the artist and photographer who lived with Andy Warhol in the 1960s and documented the Factory scene. Name died in 2016, and two competing wills have emerged: one from 2011 naming his niece Suzette Linich as executor, and another from 2015 naming his agent Dagon James. Linich argues Name lacked mental capacity when signing the later will, while James insists Name was lucid and fit.
A Moscow court sentenced five members of the Russian activist art collective Pussy Riot in absentia to between eight and 13 years in prison. The charges stem from a 2022 music video titled *Mama, Don’t Watch TV*, which denounced the war in Ukraine, and a 2024 protest performance in Munich. The targeted artists are Maria Alyokhina, Diana Burkot, Taso Pletner, Olga Borisova, and Alina Petrova. They were found guilty of “discrediting the Russian Armed Forces” and “spreading false information” about the military.
Simone Leigh has announced a fall 2027 exhibition at the Royal Academy in London, featuring a series of new monumental sculptures. In an interview with the Guardian, she criticized the United States under the Trump administration, describing it as "full-on fascism" and reflecting on the kind of art produced under such conditions. She also condemned Columbia University's compliance with anti-woke policies, comparing it to the McCarthy era, and noted that artists of color have faced delayed or canceled commissions due to anti-DEI measures. The exhibition is curated by Tarini Malik, who organized the British Pavilion at the 2024 Venice Biennale.
The Aichi Triennale in Japan has become embroiled in controversy over the Aichi-Israel Matching Program, a business initiative linking local companies with Israeli startups. Protesters, including several participating artists, have signed an open letter demanding the program's cancellation, accusing it of normalizing alleged human rights abuses. The triennial's curator, Hoor Al-Qasimi, has publicly criticized Israel's military actions in Gaza, and one organizing committee member, Hideyuki Tomita, has resigned amid the backlash.
Nayland Blake, a conceptual artist known for blending cerebral ideas with visceral, queer sensibilities, is the subject of a major solo exhibition at Mathew Marks Gallery in New York, running through October 2025. Concurrently, a new book titled *My Studio Is a Dungeon Is the Studio: Writings and Interviews 1983–2024* is set for release next month, compiling decades of the artist's writings and interviews. The article explores Blake's unique approach to art, which combines psychoanalytic theory, queer aesthetics, and a critical stance toward institutional power, as seen in their analysis of figures like Judge Daniel Paul Schreber and artist Jack Smith.
The School of Visual Arts (SVA) in New York has transferred ownership from the Rhodes family, which owned it for nearly 80 years, to the SVA Alumni Society, a nonprofit that has funded student scholarships since 1972. The transfer took effect on September 1, with longtime president David Rhodes stating that day-to-day operations would not change. The move comes amid financial difficulties, a recent faculty unionization effort by SVA Faculty United (affiliated with United Auto Workers), and reported layoffs of around 30 workers.
Phillips auction house announced a new fee structure for fall 2025 called "priority bidding," which offers lower buyer's premium rates to bidders who place written bids at least 48 hours before a live sale. The move aims to encourage early engagement and generate more spirited bidding, while also providing certainty for sellers. The house is simultaneously raising its standard buyer's premium to as high as 29 percent on works up to $1 million, making it the highest among major auction houses. CEO Martin Wilson, who took over in January, hopes the program will mitigate risk and shore up sales of mid-priced works.
Billionaire collector Ronald Perelman's $410 million insurance trial has finally begun after seven years of litigation, over 1,500 court filings, and a 2018 fire at his East Hampton estate. The dispute centers on five paintings by Cy Twombly, Ed Ruscha, and Andy Warhol that survived the fire but were exposed to smoke and sprinklers. Perelman claims the works lost their market appeal—their "oomph"—while insurers at Lloyd's of London dispute any detectable damage and allege Perelman quietly tried to sell some of the pieces. The trial has also revealed that Perelman sold over 70 works from his collection after a margin call from Deutsche Bank, with some contested paintings used as collateral.
Simon de Pury pays homage to Hans Neuendorf, the visionary founder of Artnet, following the announcement of Artnet's sale at the end of May. De Pury recounts Neuendorf's background as a successful art dealer who championed underappreciated artists like Francis Picabia, and describes how Neuendorf revolutionized the art world by creating the world's most comprehensive auction results database in 1989 (initially called Centrox). The article contrasts the pre-digital era of manually filing auction results with the instant access Artnet now provides, and notes that Neuendorf later expanded the platform with Artnet News and Artnet online auctions.
Racquel Chevremont, a curator and collector who recently appeared on the Real Housewives of New York, was brought in by the producers of the Sex and the City reboot And Just Like That… to build the art collection for the character Lisa Todd Wexley. Chevremont selected works by Black artists including Carrie Mae Weems, Deborah Roberts, Barkley Hendricks, Gordon Parks, Mickalene Thomas, Derrick Adams, and Alma Thomas to adorn the Wexley family home, carefully choosing each piece to reflect the character's identity as a successful Black documentarian and mother. In an interview with ARTnews, Chevremont explains how she researched the character's background to curate a collection that feels authentic, and describes the process of licensing images for reproduction on set rather than borrowing original works.
Homeowner Etienne Constable of Seaside, California, was ordered by the town to build a fence to hide the boat in his driveway. Instead of simply concealing it, he hired his neighbor, artist Hanif Panni, to paint a photorealistic mural of the boat on the fence. The story went viral, with Constable paying more for the artwork than the original fine would have been, and local officials praising the creative compliance.
Bob Dylan, at 84, is releasing a new book titled *Point Blank (Quick Studies)* in November 2025, published by Simon & Schuster. The volume collects about 100 drawings he created between 2021 and 2022, featuring portraits, still lifes, and landscapes in black-and-white. The works were originally the foundation for his current exhibition of the same name at Halcyon Gallery in London, on view through July 6. The book includes prose contributions from writers Lucy Sante and Eddie Gorodetsky.
The Bienal de São Paulo has announced the 120 artists for its 2025 edition, titled “Not All Travellers Walk Roads – Of Humanity as Practice,” opening September 6 at the Ciccillo Matarazzo Pavilion. Curated by Bonaventure Soh Bejeng Ndikung, the selection was inspired by bird migration patterns and rivers, aiming to avoid nation-state classifications. Notable participants include Isa Genzken, Firelei Báez, Wolfgang Tillmans, Forensic Architecture, and 19 Brazil-based artists, alongside 20 deceased figures such as Bertina Lopes and Ernest Cole.
Mark Bauerlein, a conservative professor and contributing editor to First Things, published an op-ed in the New York Times arguing against cuts to government arts funding while simultaneously attacking progressive scholars and NEH grants he deems wasteful. He suggests that instead of slashing the National Endowment for the Humanities, the Trump administration should repurpose it to promote conservative cultural values, citing examples like funding for a curriculum on race and comics or a database of a historic gay travel guide as wasteful.
Amalia Ulman's new film *Magic Farm* follows an American documentary crew that arrives in a rural Argentine town with a mandate to cover "crazy subcultures," only to find none. Led by a harried producer (Alex Wolff) and an anchor (Chloë Sevigny), the crew fabricates a zany trend while completely missing an environmental crisis affecting the village—no drinking water and widespread illness. Ulman describes the film as a critique of media bureaucracy, where content demands override actual news. The film continues her exploration of image-making and fiction, themes she previously investigated in her 2014 Instagram performance *Excellences & Perfections* and her 2021 debut feature *El Planeta*.
Artnet News' gossip column Wet Paint reports on a Valentine's Day dining experience aboard a simulated Princess Cruises ship at Pier 59 in Chelsea Piers, New York. The event, titled "Love by Britto: First Artistically Inspired Dining Experience Celebrating 'Love'," was designed by Miami-based artist Romero Britto, featuring his signature kaleidoscopic pop art on plates, wine labels, paperweights, and even toilet paper roll stickers. Chef Rudi Sodamin prepared the meal, which included a cocktail with edible glitter and heart-shaped desserts. Britto himself attended a run-through the previous night, and the $214 tickets for the final evening were sold out.
Banksy has unveiled a new street artwork in Marseille, France, located on Rue Félix Fregier. The piece features a painted lighthouse and the stenciled text “I want to be what you saw in me,” set beside a sidewalk bollard whose shadow the lighthouse mimics. The artist posted the work on Instagram, where it quickly garnered over 800,000 likes. The mural marks a notably introspective and emotionally vulnerable departure from Banksy’s typically satirical or politically charged style.
Christie's 21st-century evening sale in New York on Wednesday night totaled $96.5 million, surpassing last year's $80.3 million, though the auction was characterized by caution, few fireworks, and a reduced number of lots. The headline event was Marlene Dumas's painting *Miss January* (1997) selling for $13.6 million with premium, setting a new auction record for a living female artist. The work, estimated at $12–18 million, was guaranteed and sold to a client bidding through Christie's deputy chairman Sara Friedlander; Miami collectors Don and Mera Rubell were the consignors. Other notable results included new records for Simone Leigh, Emma McIntyre, and Louis Fratino, while the top lot was Jean-Michel Basquiat's *Baby Boom* (1982) at $23.4 million. Four of 43 lots were withdrawn, and several works failed to sell, including an Ellsworth Kelly canvas with a $2 million low estimate.
Frieze, the international art fair group, has been sold to Ari Emanuel, the Hollywood power broker who previously owned it through Endeavor. Emanuel acquired Frieze via a new, unnamed company from his former entertainment conglomerate, which was recently taken private by Silver Lake. The deal, valued at approximately $200 million according to sources, includes all seven fairs, Frieze magazine, and the No. 9 Cork Street exhibition space. Simon Fox will remain CEO. The sale comes just days before Frieze New York’s 2025 edition and follows months of speculation about the fair's future ownership.
Lubaina Himid's installation at the British pavilion of the Venice Biennale presents monumental paintings and a wall of painted oars depicting tailors, cooks, architects, gardeners, and sailors—figures who shape Britain. The work is accompanied by an audio piece of bucolic country sounds, but the black figures in the paintings exchange sideways glances of discomfort, questioning whether they truly belong. The exhibition is anchored by 26 philosophical questions on the wall, such as "Can flies settle here?" and "Can poison taste delicious?"
A new statue bearing Banksy's signature has appeared in Waterloo Place, central London, depicting a man marching forward with a large flag obscuring his face. The elusive artist has not yet confirmed the work, though he typically posts confirmation on his website after public discovery. The statue stands near monuments to Edward VII and Florence Nightingale, and follows Banksy's previous sculptural works like *The Drinker* (2004) and recent murals addressing homelessness and protest.
The 2026 Turner Prize nominees have been announced, featuring artists Marguerite Humeau, Tanoa Sasraku, Kira Freije, and Simeon Barclay. The shortlist is notably lacking in painting, video art, and overtly political work, instead offering sci-fi utopianism, jazz performance poetry, ephemeral sculpture, and anti-corporate satire. Critics describe the selection as timid and safe compared to previous years, missing the anger, radicalism, and transformative joy of past editions.
Anozero, a biennial art festival held in Coimbra's Monastery of Santa Clara-a-Nova, has opened a ghostly edition that uses installations—including Taryn Simon's sound piece of laments in multiple languages—to protest plans by the Portuguese government to redevelop the 17th-century convent into a hotel under its Revive programme. Festival co-founder Carlos Antunes threatens to cancel the biennial if the development proceeds, framing the event as a warning to the developer about the spirits that haunt the building.
Photographer Marina Sersale has released a new monograph titled 'Liminal Space,' published by Gost, which compiles over a decade of monochrome photography. The collection features dramatic black-and-white images captured between 2013 and 2021 across diverse locations including Italy, Japan, Iran, and the United States. Sersale, a former documentary filmmaker, focuses on the interplay of light and shadow to document fleeting, everyday moments—from sunbathers in Positano to commuters in Naples.
Photographer Paul Tulett has captured the stark, concrete landscapes of South Korea in his new book, *Brutalist Korea*, published by Prestel. The photo series highlights a range of architectural landmarks, from Tadao Ando’s minimalist Jeju Glass House and Zaha Hadid’s futuristic Dongdaemun Design Plaza to the playful geometry of the Paju Kindergarten. Tulett’s work documents how the raw, monumental aesthetic of Brutalism has evolved from the country’s postwar industrialization into a sophisticated tool for modern urban experimentation.
A rediscovered portrait by Sofonisba Anguissola, a pioneering female artist of the Italian Renaissance, has gone on public display for the first time in over a century at the Winter Show in New York. The painting, *Portrait of a Canon Regular* (1552), is Anguissola's earliest signed and dated work and was long considered lost until it was found in a private collection in North Carolina after being referenced in a 2019 monograph. It is being presented by Robert Simon Fine Art.
The article reviews four new art books released in November. It covers 'Modern Japanese Printmakers: New Waves and Eruptions' by Malene Wagner (Prestel), a survey of 44 Japanese printmakers from the early 20th century to today; the debut monograph on Nina Chanel Abney (Monacelli) with contributions from Thelma Golden and Jazmine Hughes; 'Massimo Listri: Italian Palaces' (Taschen), a photographic tour of grand Italian palaces; and 'Strange Discoveries: The Art of Denton Welch' (John Swarbrooke Fine Art), a catalogue accompanying the first solo exhibition of Welch's work in over 40 years.
The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries, designed by Swiss architect Peter Zumthor in collaboration with SOM, for a summer preview before the building's official opening in April 2026. The 110,000-square-foot exhibition space, elevated on seven pavilions and made of concrete and glass, was opened to the public for three days with performances by 120 musicians. The preview also includes outdoor sculptures, commissioned artworks by Mariana Castillo Deball and Sarah Rosalena, and new dining and retail spaces.
The LOOK25 Gala in Calgary, held on May 31 and presented by MAWER, raised over $1.2 million for Contemporary Calgary. Themed “Noir Nouveau” after textile artist Simone Elizabeth Saunders, the event featured a VIP dinner by Holt Renfrew, performances by Justine Tyrell and Timothonius, and a live auction led by Heather Edwards that included works by Saunders, June Clark, Evan Penny, and a circa-1960 Jean-Paul Riopelle. An after party sponsored by Masters Gallery drew 600 guests. Separately, the Butterfly Ball in Toronto, now in its 26th year, raised $1.27 million for Boost Child & Youth Advocacy Centre, with co-chairs Claire MacNamara and Trish Del Sorbo, and an auction handled by Christie’s consultant Brett Sherlock.