Barack and Michelle Obama commissioned 30 artists to create site-specific works for the Obama Presidential Center on Chicago's South Side, which begins visitor previews next week. The commissioned artworks span multiple media and will be integrated throughout the campus, reflecting the Obamas' commitment to public art and community engagement.
The jury of the Venice Biennale, the world's most prominent art exhibition, has resigned collectively amid a dispute over a proposed ban on awarding artists from countries whose leaders are accused of crimes against humanity. The jury had declared it would not consider such artists for prizes, leading to internal tensions and ultimately their resignation.
The article reports on the 2025 Met Gala, where celebrity guests showcased elaborate, art-inspired fashion on the red carpet. The event, held at the Metropolitan Museum of Art in New York, featured designs that transformed the human body into living canvases, with many looks referencing the evening's exhibition theme.
L’arrivo dell’hotel Orient Express a Venezia riapre lo storico Palazzo Donà Giovannelli (riempiendolo di arte contemporanea)
Palazzo Donà Giovannelli, a 15th-century Venetian palace, has reopened as the flagship Orient Express hotel after an eight-year restoration led by architect and interior designer Aline Asmar d’Amman. Located in the Cannaregio district, the 5-star luxury hotel features 47 rooms, suites, and residences, blending historical frescoes and neogothic details with contemporary sculptures, Murano glass chandeliers, and custom furnishings. The property, owned by Arsenale Group since 2019, includes a transformed courtyard lobby, a secret garden, and a rotating selection of contemporary artworks displayed in a passage called Calle Meraviglia.
Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.
The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.
Martha Ortiz has stepped down as director of Bogotá’s Museo de Arte Moderno (MAMBO) amid allegations of harassing staff and fostering a toxic work environment. The museum announced her retirement and will begin a search for a successor, with board president Ángela Royo and financial manager Francy Hernández assuming interim leadership. Ortiz, who had no prior museum management experience, took the role in March 2024. Her departure follows the ousting of artistic director Eugenio Viola less than three months earlier, after he raised concerns about deteriorating working conditions.
Amsterdam is tackling overtourism by embedding art, culture, and history directly into its public spaces, streets, and transit systems, transforming the city into an open-air museum. Led by amsterdam&partners, the initiative uses digital screens, art installations, and interactive urban furniture to guide visitors toward hidden cultural gems, encouraging spontaneous engagement with local heritage. Major institutions like the Rijksmuseum, Stedelijk Museum, and Eye Filmmuseum, along with smaller venues such as Foam Museum and STRAAT Museum, are part of a network designed to distribute cultural attention more evenly across the city.
L’icona pop Anni ‘90 Jewel è protagonista a Venezia con una mostra che riscrive le geografie del femminile
Singer-songwriter Jewel, a 1990s pop icon with four Grammy nominations, is presenting her largest exhibition to date in Venice. Titled "Matriclysm: An Archaeology of Connections Lost," the immersive show runs from May 6 to November 22, 2026, at the Salone Verde, coinciding with the 2026 Venice Biennale. Curated by Joe Thompson, the exhibition blends painting, textiles, sculpture, sound, and installation to explore themes of femininity, motherhood, care, and intergenerational knowledge, drawing on forgotten rituals and marginalized mythologies.
Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.
La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film
Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.
Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso
Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.
“Il nostro regime non rappresenta la nostra cultura”. Intervista sul progetto bielorusso durante la Biennale di Venezia
The article is an interview with Daniella Kaliada, curator of the Belarusian project "Official. Unofficial." presented at the Venice Biennale in the church of San Giovanni Evangelista. Organized by the Belarus Free Theatre, an independent underground group, the exhibition features site-specific paintings by Sergey Grinevich, a sound installation by Olga Podgayskaya, and large-scale sculptures by Vladimir Tsesler. The project includes a sphere of banned books crushed by a bulldozer, testimonies of recently released political prisoners, and sculptures made from prison bars, all addressing censorship and political trauma without direct representation of suffering.
Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay
Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.
La Roma del Cinquecento vista con gli occhi di uno straniero. La mostra
Fabio De Chirico has been appointed as the new director of the Istituto Centrale per la Grafica in Rome, with a mission to boost research, strengthen international dialogue, and enhance the institution's collections. His tenure opens with the exhibition "Maarten van Heemskerck e il fascino di Roma: percorsi visivi della Città Eterna," curated by Tatjana Bartsch, Rita Bernini, and Giorgio Marini, running until June 7, 2026. The show features drawings by the 16th-century Dutch artist Maarten van Heemskerck, on loan from the Kupferstichkabinett of the Staatliche Museen zu Berlin, alongside over sixty works from the institute's own holdings—including prints, engravings, and archival photographs—plus loans from the Bibliotheca Hertziana, the Musei Capitolini, and the Istituto Archeologico Germanico di Roma.
A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.
Sta per uscire la nuova newsletter TAILOR tra crisi del lusso, nuove generazioni creative e salute mentale (abbonatevi!)
Artribune has launched a new edition of its newsletter TAILOR, which examines the transformation of the global fashion system amid a luxury crisis, the rise of new creative generations, and the growing structural importance of mental health in the industry. The newsletter features a focus on five emerging designers shifting fashion from product to narrative, an exclusive interview with influential stylist Tom Eerebout, and the debut in Italy of the project "One Person. One Voice" as part of the Mental Health in Fashion campaign, created by Florian Müller with artist Claudia Malecka.
La Biennale di Venezia più pazza di sempre: a una settimana dall’apertura si dimette la giuria (I Leoni li deciderà il pubblico!)
The entire international jury of the 61st Venice Biennale has resigned en masse just one week before the opening. The jury, chaired by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had publicly announced they would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court—effectively excluding Russia and Israel from the Golden Lion competition. This decision came amid ongoing tensions between Italian Culture Minister Alessandro Giuli and Biennale President Pietrangelo Buttafuoco over Russia's participation, as well as controversy surrounding Israel's presence. After a meeting with Buttafuoco, the jury resigned, leaving the Biennale without a key body to award its top prizes.
Chile will participate in the 61st Venice Art Biennale with the exhibition "Inter-Reality" by artist Norton Maza, curated by Marisa Cachiolo and Dermis León, and managed by Claudia Pertuzé. The monumental installation, on view from May 9 to November 22, 2026 at the Sala dell'Isolotto in the Arsenale complex, contrasts an exterior referencing geopolitics, landscape, and ecology with an interior of precarious dioramas blending classical European painting and contemporary issues like fake news, migration, and environmental devastation. The work includes a soundscape of helicopters, airplanes, ancestral chants, and nature sounds recorded in Chile.
El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.
The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.
The Argentine Pavilion at the 61st Venice Biennale will feature a site-specific installation titled "Monitor Yin Yang" by artist Matías Duville. Curated by Josefina Barcia, the work uses salt and charcoal to create an unstable, walkable landscape that explores the coexistence of opposing forces such as light and shadow, waste and energy. The installation includes a sound composition developed with Centolla Society and Alvise Vidolin, integrating real-time environmental data from Venice. Duville's project was selected from 69 proposals in an open competition organized by Argentina's Ministry of Foreign Affairs, National Secretariat of Culture, and the Argentine Investment and Trade Agency.
The article describes an artist's exhibition that celebrates the colors of springtime. The show is presented as a seasonal event, likely featuring vibrant, spring-themed artworks. The specific artist, venue, and location are not identifiable from the provided text due to a security verification wall that blocks access to the full article content.
The School of the Museum of Fine Arts at Tufts University (SMFA at Tufts) presents "Passages," the 2026 MFA Thesis Exhibition, on view from May 5 to 17 at Tufts University Art Galleries in Medford, Massachusetts. The show features thesis work by nineteen MFA candidates, exploring themes of journey, transition, and exploration across media including painting, sculpture, assemblage, and artists' books. Works incorporate found visa documents, portraiture, clay cities, and symbolic animals such as goldfish, black birds, and a dog-headed cynocephalus.
Pennswood Art Gallery in Newtown announces the May 10 opening of its new exhibit, “Contemplative Observation,” featuring the work of artist Albina P. Herron. Herron paints plants and animals native to the Pocono Mountains, using gouache on cotton paper to emphasize texture and presence. The exhibit includes works such as “Bleeding Heart” (Dicentra eximia) and runs until July 1, with an artist talk and reception on opening day.
The National Commission for Culture and the Arts (NCCA) invites the public to 'MANA', a contemporary art exhibition organized by the Silaw Artist Collective at the NCCA Gallery in Manila from May 7 to 30, 2026. Curated by Eghai Roxas, the show features works by 15 artists including Melvin Culaba, Henri Cainglet, and Derick Macutay, exploring the tension between commodification and environmental conservation, with a focus on the Masungi Georeserve landscape.
More than 100 works of art by Seabreeze High School students are on display at the Ormond Memorial Art Museum (OMAM) in Ormond Beach, Florida, for the annual 'Tradewinds' juried exhibit, running through May 24. The show features 2D and 3D art, including ceramics, jewelry, and mosaics, and is judged by OMAM's Guest Curator Ruth Grim, who holds a Master of Arts from the New York University Institute of Fine Arts.
The Center for Counseling & Consultation in Great Bend, Kansas, has announced a community art gallery titled "Because Every Story Deserves to Be Seen" as part of HopeFest 2026. The gallery invites local artists, community members, and classrooms of all ages to submit artwork exploring themes of mental health, healing, resilience, and hope. Submissions in various mediums including painting, photography, mixed media, sculpture, poetry, and fiber art will be accepted through August 1, 2026, with selected works displayed at the event on September 19 and some pieces potentially shown for an extended period afterward.
This article highlights a variety of art exhibitions and events taking place in Alexandria, Virginia, during May 2026. Featured shows include the "Floret 2026" floral exhibit and the May 2026 Open Exhibit juried by Jowita Wyszomirska at the Art League Gallery of the Torpedo Factory Art Center, as well as the Alexandria City High School Titan Student Art Exhibition at Del Ray Artisans Gallery. Other offerings include a mask exhibit at Mount Vernon Unitarian Church, multiple ART + WINE + CHEESE soirées at Nepenthe featuring artists like Leah Sturgis, Sunny Goode, and Evelyn Dunphy, and special print exhibits at Printmakers, Inc. honoring Avis Fleming.
Four emerging Indigenous artists from Nagula Jarndu, a women's art centre in Broome, have been selected to present their work at Revealed, an annual Perth showcase of new and emerging Western Australian Aboriginal artists. The artists—including Ebony Pierik—created large-scale silk pieces using hand-carved linocut blocks, now displayed in the main gallery of the Perth Institute of Contemporary Art (PICA). The exhibition, curated by Whadjuk, Balladong and Wilman Noongar artist Zali Morgan, also features a large-scale art market where thousands of works are sold directly to buyers, with 100% of proceeds going to the artists.