In Paris, this exhibition invites you to engage in a dialogue with paintings.

Artist Aurore Guez is transforming the Wilde Galerie in Paris into an immersive, imaginary café for a two-day exhibition titled "LE CAFÉ" on April 25 and 26, 2026. The installation features interactive paintings and talking portraits of figures such as Kalash and Lujipeka, where visitors can trigger recorded dialogue to converse with the artworks. The 80-square-meter space will utilize warped scenography and actors playing waiters to blur the lines between traditional painting, performance art, and stage design.

L’antica certosa vicino Siena dove il disegno è diventato una performance condivisa. Il report

The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).

Here are the photos of the Austrian Pavilion at the Venice Biennale (the one full of nude performers that it is forbidden to photograph)

Ecco le foto del Padiglione Austria alla Biennale di Venezia (quello pieno di performer nude che è vietato fotografare)

The Austrian Pavilion at the 2026 Venice Biennale, titled "Seaworld Venice" and curated by Nora-Swantje Almes, features provocative performances by artist and choreographer Florentina Holzinger. The installation includes four distinct nude female performances: a performer acting as a bell clapper on the hour, a female Deposition of Christ scene with three women on a rotating vertical structure, a nude woman riding a jet ski in circles, and a reenactment of Giorgione's Sleeping Venus in a urine-filled tank. The pavilion has become the most talked-about and Instagrammed at the Biennale, drawing long queues despite a ban on photography.

Alphabet of bread and love for animals. Uri Aran's exhibition at the Museo Madre in Naples

Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli

Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.

The Austrian Pavilion at the Biennale brings performances and installations around the Venice Lagoon

Il Padiglione Austria in Biennale porta performance e installazioni in giro per la Laguna di Venezia

Austrian artist and choreographer Florentina Holzinger (Vienna, 1986) will represent Austria at the 61st International Art Exhibition of the Venice Biennale with a project titled "SeaWorld Venice." Curated by Nora-Swantje Almes, the interdisciplinary initiative combines a permanent installation at the Austrian Pavilion with a series of site-specific performances and actions spread across Venice and its lagoon. The project explores the body, water, and the tensions between nature and technology, drawing on mythological and classical imagery populated by aquatic creatures. It includes "Études," performative formats developed by Holzinger since 2020, which activate urban spaces through participatory and immersive experiences, engaging both spectators and citizens.

Nasce a Londra il Quentin Blake Centre: spazio creativo dedicato al disegno e all’illustrazione

The Quentin Blake Centre for Illustration will open in May 2026 in London's Clerkenwell district, housed in the historic New River Head waterworks complex after a £12.5 million restoration led by Tim Ronalds Architects. The centre will preserve Sir Quentin Blake's archive of over 40,000 works and feature a library, public gardens, creative labs, and three inaugural exhibitions: "Quentin Blake: Performance," "Queer as Comics" celebrating LGBTQIA+ comics, and "MURUGIAH: Ever Feel Like…" by British-Sri Lankan illustrator Murugiah.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

In Venice, an unprecedented space in the Arsenale opens to the public for the first time. It will host performances.

A Venezia apre al pubblico per la prima volta uno spazio inedito dell’Arsenale. Ospiterà performance

For the first time, the Galeazze—historically used for constructing the Serenissima fleet—will open to the public during the 2026 Venice Art Biennale on May 5 and 6. Artist and choreographer Faustin Linyekula has conceived a site-specific performance titled The Galeazze Project, activating the monumental, water-adjacent spaces of the Arsenale Nord. Collaborating with musician Heru Shabaka-Ra, Linyekula integrates the architecture into the performance, involving local performers and musicians. The project, conceived by Cosimo Ferrigolo and Dirk Bell and curated by Edoardo Lazzari, features scaffolding, platforms, and an irregular lighting system, inviting the audience to move freely and redefine the relationship between bodies and space.

Cosmic Province. Between bar and studio, or the punk life of Jacopo Benassi

Provincia Cosmica. Tra bar e studio, ovvero la vita punk di Jacopo Benassi

Italian artist Jacopo Benassi, born in 1970 and shaped by the punk scene, discusses his return to his hometown of La Spezia after years in Milan, where he worked as a photographer for Rolling Stone. He describes his life revolving around his studio and local bars, and reflects on founding the underground club B-Tomic in 2011, which became a hub for his artistic and photographic work blending music and performance. He also mentions an upcoming book of drawings and texts by Renzo Daveti (alias Benzo), a formative figure from the Italian punk scene.

Bologna's Most Vibrant Artist Collective Turns 10 and Launches Crowdfunding

Il collettivo di artisti più vivace di Bologna compie 10 anni e lancia un crowdfunding

The Bologna-based artist-run space Gelateria Sogni di Ghiaccio is celebrating its 10th anniversary by transitioning into a broader collective and launching a crowdfunding campaign. Founded in 2016 by artists Filippo Marzocchi, Mattia Pajè, and Marco Casella, the space has hosted nearly 150 artists and over 50 solo exhibitions, filling a critical gap between art education and professional practice in Italy.

Sound Archives Open in Ravenna: The Best of National and International Performing Arts Now Available

A Ravenna aprono gli Archivi Sonori: a disposizione il meglio delle arti performative nazionali e internazionali

The city of Ravenna has officially inaugurated the Archivi Sonori (Sound Archives) at Palazzo Malagola, a new international center dedicated to vocal and sonic research. Founded by actress Ermanna Montanari and scholar Enrico Pitozzi, the archives offer public access to a vast collection of audio and video materials documenting the experimental work of 33 influential Italian and international performers, including Demetrio Stratos, Joan La Barbara, and Alvin Curran. The facility features specialized listening and viewing rooms, including an immersive sonic chamber and a cinema hall, all navigated via touchscreens featuring anatomical heart motifs designed by artist Stefano Ricci.

Tania El Khoury’s Soothing “Revenge Art”

Lebanese artist and Bard College professor Tania El Khoury discusses her multidisciplinary practice and her recent experience living through the escalation of conflict in Beirut. The interview highlights her interactive performance piece, "The Search for Power," which uses her own 2018 wedding blackout as a jumping-off point to investigate the colonial roots of Lebanon's systemic infrastructure failures. Originally set for a Beirut run in March, the production was postponed due to the outbreak of war.

Rawya El Chab Tends to the Wounds of Lebanon's Civil War

Lebanese performance artist Rawya El Chab has debuted the second installment of her trilogy, "Crossing the Water," at The Brick in Brooklyn. The performance explores the collective trauma of the 1982 Israeli invasion of Lebanon and her family's subsequent flight to the Ivory Coast, blending personal memory with political satire and mythology. By embodying various roles—from suspicious neighbors to puppet-like politicians—El Chab navigates the complexities of life under military occupation and the persistent feeling of surveillance.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

New experimental art organisation opens in New York

Curator Summer Guthery, who left economics to found four non-profit experimental art spaces across the US, is launching a fifth venture called Times with fellow curator Francesca Sonara. Located in Manhattan’s Chinatown at 151 Lafayette Street, the 3,000-square-foot space will host up to three exhibitions simultaneously across two galleries and a screening room. The inaugural event on 12 February features Latvian performance artist Jana Jacuka, followed by a solo exhibition by Danish artist Nina Beier (21 February-9 May). Times rejects a permanent institutional model, planning a three-year obsolescence to remain nimble and responsive to artists’ needs.

In Kelantan, 'After Monsoon: Tera-Kota' project connects art with local community

The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.

Beyond the Gallery Walls: Solo Studios 2025 Transforms the Riebeek Valley into a Living Canvas, South Africa

Solo Studios 2025 returns to the Riebeek Valley in South Africa from 24–26 October, transforming the twin towns of Riebeek Kasteel and Riebeek West into a living canvas. Over sixty artists will participate in open studios, curated exhibitions, performances, and culinary events, with highlights including the LANDscape[s] exhibition at Die Kunshuis featuring works from the Modern Art Projects South Africa collection, a group show at EcoPlace made from recycled materials, and talks on art collecting led by Strauss & Co.'s Elmarie van Straten. The weekend also features music, a marketplace of ceramicists, and exhibitions such as 'Red Hot, Pink Spot' at the Church Hall.

Furniture gets a performative boost at Collectible design fair

Collectible design fair returned for its second edition in New York, taking over the entire 39th floor of the WSA building in Manhattan’s Financial District. The fair featured 123 exhibitors, many local, presenting limited-edition and unique design objects. Highlights included Tuleste Factory's lighting-heavy stand 'Afterglow' with ceramic lamps by Ethan Streicher, a collaborative living-room set by Streicher and Ian Love called the Kindred Collection, and a special-projects section with a performance dinner and a piercing station. Co-founder Liv Vaisberg emphasized the fair's curated, designer-centered approach and experimental spirit.

Can we practice for crises in art?

"Können wir in der Kunst für die Krisen üben?"

Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.

Die Welt als Sound – mit Peter Licht

Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.

Around the World

Einmal um die Welt

The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.

The Last Living Surrealist

Der letzte lebende Surrealist

Alejandro Jodorowsky, the 97-year-old Chilean-French artist and filmmaker, is profiled in his Paris apartment as the last living Surrealist. The article reflects on his century-spanning career, from his early pantomime work with Marcel Marceau in the 1950s to his cult films like "El Topo" and "The Holy Mountain," as well as his famously unrealized adaptation of Frank Herbert's "Dune." Jodorowsky shares his philosophy that true art has a beginning but no end, offering a retrospective on a life lived at the intersection of performance, cinema, and visionary creativity.

Explore the projects of the 2024 and 2025 graduating classes of Ésad

Explorez les projets des promotions 2024 et 2025 de l’Ésad

The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.

“100% L’Expo”: 5 Young Talents Shaping Today’s Art at La Villette

« 100 % L’Expo » : 5 jeunes talents qui font l’art d’aujourd’hui à La Villette

The Grande Halle de La Villette in Paris is hosting "100% L’Expo," a major showcase featuring emerging talents from art schools across France. Curated by Inès Geoffroy, this year’s edition highlights a diverse range of multidisciplinary installations focusing on themes of living ecosystems, diasporic memories, and new spiritualities. Notable participants include Zoé Saudrais, whose work blends activism with ceramics and textiles, and Joséphine Berthou, who presents a tense, two-screen video installation exploring social aggression.

Marie Karlberg at ISSUES

Swedish artist Marie Karlberg presents a solo exhibition titled "Som Ett Hänglås" at ISSUES gallery in Stockholm. Running from March 19 through April 11, 2026, the show features a new body of work documented through an extensive series of installation views and individual piece photography.

Daniel Hopp “Fictional Healing” at Kunsthaus Hamburg

Daniel Hopp's exhibition "Fictional Healing" at Kunsthaus Hamburg explores how transit spaces like train stations and public squares reveal social divisions, focusing on sites such as Berlin's Leopoldplatz and Hamburg's Drob Inn, a drug consumption counseling center. The show examines the collision of addiction, homelessness, and survival strategies in these urban environments.

Ivan Cheng “Casemates” at Mudam, Luxembourg

Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean will present "A Journey," a performance program running throughout 2026. The series features artist Ivan Cheng with his work "Casemates," which explores cultural memory, technological progress, and embodied interpretation through the concept of a journey as both method and metaphor.

A Document in Motion: ArtWorld Passports head to the Venice Biennale.

Zimbabwean artist Richard Mudariki has created 'ArtWorld Passport,' a participatory artwork debuting at the Venice Biennale 2026. The piece functions as a social sculpture and performance, where passport holders collect stamps, signatures, and drawings from artists, exhibitions, and pavilions across the Biennale, transforming the bureaucratic tool of travel into a speculative exploration of access and authorship.

Echoes of Memory and Quiet Revolutions

The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.

Johannes Phokela: Exploring Virtue, Contradiction, and Power at the Venice Biennale 2026.

South African artist Johannes Phokela is set to showcase a significant body of work at the 2026 Venice Biennale, building on his recent series 'The Seven Virtues' and 'Original Sin'. Curated under a vision initiated by the late Koyo Kouoh and supported by Eclectica Contemporary, Phokela’s paintings subvert the aesthetics of European Old Master traditions. His works, including 'Fides' and 'Temperantia', utilize Baroque visual languages to critique constructed morality, institutional power, and the performance of virtue.