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After The Complex: The Dublin Art Scene

The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.

The Artists' Foundation Celebrates its 50th Anniversary

La Fondation des artistes célèbre ses 50 ans

The Fondation des artistes, a major independent French organization supporting visual artists, is celebrating its 50th anniversary. Founded in 1976, it operates from the Hôtel Salomon de Rothschild and the Nogent-sur-Marne estate, providing production grants, residencies, and support for elderly artists at the Maison nationale des artistes. Its anniversary program includes exhibitions, performances, and public events, with a key date on June 27 in Nogent-sur-Marne.

Grants from the Kordelin Foundation’s Rauma Fund for 2026 Awarded – Emphasis on Local Roots and New Experiments

Grants from the Kordelin Foundation’s Rauma Fund for 2026 Awarded – Emphasis on Local Roots and New Experiments

The Alfred Kordelin Foundation’s Rauma Fund has awarded €30,000 in cultural grants for 2026, distributed equally among three recipients. The funding supports puppet theatre artist Aati Hanikka for an experimental underwater performance, Rauman Konserttiyhdistys ry for an immersive musical storytelling project in Old Rauma, and Tarvonsaari Art House for a series of pilot exhibitions.

gabrielle goliath legal action south africa venice pavilion 1234770389

Artist Gabrielle Goliath and curator Ingrid Masondo are filing a court case against South African culture minister Gayton McKenzie after he canceled their planned pavilion for the Venice Biennale. McKenzie objected to a performance from Goliath's "Elegy" series that would address Israel’s war in Gaza, calling it "polarizing," a move Goliath described as censorship. McKenzie later attributed the cancellation to alleged interference by an unnamed foreign nation, with reports suggesting Qatar was involved, though the Qatar Museums ultimately did not purchase the work. The application, to be filed in the South African high court in Pretoria, seeks to have McKenzie's actions declared unconstitutional.