Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
South African artist Gabrielle Goliath’s installation "Elegy" was initially censored by South Africa’s Culture Minister Gayton McKenzie, who blocked it from the country’s pavilion at the Venice Biennale over its focus on Palestinian grief. After public outcry and support from several organizations, the work was instead installed in a Venice church, where critic Aruna D’Souza describes it as "hauntingly beautiful and achingly tender." The article also covers related news: a smear campaign against British-Nigerian photographer Misan Harriman for his Palestinian solidarity, and a list of summer art books.
Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.
Hyperallergic's Lakshmi Rivera Amin presents a curated list of 12 art books for summer reading, including a novel lampooning the art world, Megan O'Grady's meditation on art and living, Kory Stamper's exploration of color lexicography, Nan Goldin's reissued photo essay, and Jennifer Higgie's prose poetry novel. The roundup also features Vincenzo Latronico's 'Perfection,' Nina Burleigh's satirical 'Turn Around, Don’t Drown,' and a graphic novel by Naoki Matayoshi and Shinsuke Yoshitake, among others.
The Clyfford Still Museum in Denver, Colorado, has opened a new exhibition titled "Still in Sound," which pairs abstract paintings by Clyfford Still with original sonic interpretations by contemporary sound artists. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features works by artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher. Each artist selected a Still painting and composed a sound piece in response, with the compositions playing in shuffled order to create a non-linear, immersive experience. A digital guide offers full recordings, and Denver artist Phillip David Stearns designed an interactive component based on Still's pastel drawings. The exhibition runs through February 2027.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as its new curator of photographs, bringing her expertise in African and Black diasporic histories from MoMA. This announcement leads a series of industry shifts, including Melissa Chiu’s move from the Hirshhorn to direct the Guggenheim, and the relocation of the influential gallery 47 Canal to Chelsea. Additionally, the New York Foundation for the Arts distributed nearly $500,000 in grants to 129 artists and organizations in Queens.
Beverly Buchanan’s Architecture of Care
A major retrospective and a focused exhibition of artist Beverly Buchanan's work are now on view in Athens, Georgia, where she lived for many years. "Shacks, Stories, and Spirit: Beverly Buchanan’s Art of Home" at the Georgia Museum of Art features her canonical "Medicine Woman" sculpture, while "Beverly’s Athens" at the University of Georgia’s Athenaeum presents a rich archive of her ephemera, sketches, and community-focused works, marking the city's first institutional solo exhibitions of her art posthumously.
À Giverny, Monet ne profite pas à tout le monde
The article examines the economic paradox of Giverny, the French village where Claude Monet lived and painted. While Monet's gardens attract nearly one million visitors annually—with ticket sales estimated at €9-10 million—the village itself, with a population of just 430 and an annual budget of €600,000, sees almost none of that revenue. Visitors flood in for half-day trips, queue for hours to see the gardens, and leave by evening, spending little in local shops. The gardens, run by the Académie des beaux-arts, are tax-exempt and operate as a closed economic loop, with their boutique and restaurant generating income that stays within the institution.
12 expos de mode et de bijoux passionnantes qui vous feront voyager cet été
Beaux Arts Magazine presents a curated selection of twelve fashion and jewelry exhibitions across France, Paris, and Vienna, running through summer 2026. Highlights include a retrospective of Mossi Traoré at the Mucem in Marseille, a showcase of Thai haute couture at the Musée des Arts Décoratifs in Paris, and "Africa Fashion" at the Musée du quai Branly, celebrating African design from the independence era. Other featured exhibitions cover Christian Dior, Gianni Versace, Daniel Brush, Provençal costumes, and anniversaries of glittering fashion houses.
Avec plus de 3 000 institutions participantes, la Nuit européenne des musées revient ce samedi 23 mai
The 22nd edition of the European Night of Museums returns on Saturday, May 23, with over 3,000 institutions across France and Europe opening their doors free of charge from late afternoon. Many museums are offering special activities such as concerts, performances, games, guided tours, and walks. The youth program "La classe, l'œuvre!" will again involve primary, middle, and high school students acting as mediators for artworks they studied throughout the year. Highlights include exhibitions at the Centre Pompidou-Metz dedicated to François Morellet and Louise Nevelson, a concert at Jean Tinguely and Niki de Saint Phalle's Cyclop in Milly-la-Forêt, a dance performance by Korean artist Eun-Me Ahn at the Musée d'Art Moderne de Paris, and exhibitions at museums in Tours, Vernon, Rouen, and Sète, as well as a Brazilian ball at the Château des ducs de Bretagne in Nantes.
Beaux Arts Magazine presents a detailed dossier analyzing ten iconic masterpieces of Impressionism, including works by Edgar Degas, Édouard Manet, Berthe Morisot, Auguste Renoir, Gustave Caillebotte, Claude Monet, and Mary Cassatt. The article explores the technical innovations, modern subjects, and revolutionary spirit of the movement, which began in 1874 and was initially rejected by critics. Each featured painting—such as *Le Déjeuner sur l’herbe*, *Impression, soleil levant*, and *Le Bal du moulin de la Galette*—is examined by art historians and journalists to reveal its composition, historical context, and lasting impact.
Fondazione Dries Van Noten has opened at Palazzo Pisani Moretta in Venice with its inaugural exhibition, "The Only True Protest Is Beauty," running from April 25 to October 4, 2026. Curated by Dries Van Noten himself, the show features over 200 works across twenty rooms, blending fashion, art, design, ceramics, glass, and photography. Highlights include archival pieces by Christian Lacroix and Rei Kawakubo for Comme des Garçons, alongside works by emerging and established artists such as Ayham Hassan, Peter Buggenhout, Ritsue Mishima, and Misha Kahn. The exhibition avoids a fixed curatorial logic, instead using instinctive juxtapositions to explore beauty as tension and disruption.
A new exhibition titled "A Necessary Fiction: Maps, Art, and Models of Our World" has opened in Venice, presented by the Saudi Ministry of Culture in tandem with the 61st International Art Exhibition of La Biennale di Venezia. Held at the Abbazia di San Gregorio from 6 May to 22 November 2026, the show is curated by Sara Almutlaq and Aurora Fonda, with associate curators Zaira Carrer and Amina Diab. It features historical maps and contemporary artworks by artists including Wael Shawky, Nasser Al Salem, Matilde Sambo, Monira Al Qadiri, Shilpa Gupta, Reena Saini Kallat, Manal AlDowayan, Nolan Oswald Dennis, Ibrahim Mahama, Trevor Paglen, Eva & Franco Mattes, Giorgio Andreotta Calò, and Yoko Ono, exploring cartography as an imaginative and ideological act rather than a neutral science.
Jackie Amézquita, a Los Angeles-based artist originally from Guatemala, has developed a unique brick-making process using soil and masa de maíz (corn dough) mixed with organic materials like blue pea flower, cocoa, cochineal, and charcoal to create vibrant, colorful bricks. Her work, including the 2023 installation *El suelo que nos alimenta* commissioned by the Hammer Museum for the Made in L.A. biennial, uses soil from each of LA's neighborhoods to explore themes of migration, memory, and colonial legacies. Amézquita's practice is deeply personal, drawing on her family's migration history—her mother moved from Guatemala in 1987, and her grandmother fled Mexico during the Cristero War—and her own eight-day walk from Tijuana to LA, during which she collected soil samples as an archive of memory.
Untitled Art has announced the 84 exhibitors for its inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, with a preview day on September 18. The fair, which has run in Miami Beach for 12 years, expands to Houston citing the city's $1.3 billion arts-related spending in 2022, making it the largest art market in Texas. The exhibitor list includes 17 Texas-based galleries (about 20% of participants), leading US galleries from San Francisco, Los Angeles, Detroit, and New York, and international dealers from Canada, Spain, the UK, Peru, the Bahamas, and Latvia. A Nest section offers reduced booth prices for 20 galleries, and the fair will collaborate with Houston institutions including the Museum of Fine Arts Houston, the Contemporary Arts Museum Houston, and the Menil Collection for special projects.
The Brooklyn Museum hosted its annual Brooklyn Artists Ball on Tuesday evening, serving as the opening celebration for the "Iris van Herpen: Sculpting the Senses" exhibition. The event drew a crowd of artists, patrons, designers, and downtown figures, including event hosts Fabiola Beracasa Beckman, Sylvana Durrett, Jordan Roth, Lizzie Tisch, and Amanda Waldron; co-chairs Regina Aldisert, Megan Brodsky, Victoria Rogers, and Carla Shen; CULTURED Editor-in-Chief Sarah Harrelson; designers Iris van Herpen and Wes Gordon; musicians Peggy Gou and Swizz Beatz; artists Mickalene Thomas, Keisha Scarville, Paul Arnhold, and Miles Greenberg; writer Derek Blasberg; and gallerist Saam Niami. Highlights included a special performance by dancers from the New York City Ballet in winged costumes, an afterparty with DJs Swizz Beatz and Runna, and a site-specific photo booth by artist Keisha Scarville.
Fred Tomaselli presents his new exhibition “Blooms Disrupted,” opening May 15 at James Cohan’s 48 Walker Street location in New York. The show features his signature densely layered resin paintings embedded with organic matter like leaves and pharmaceutical pills, alongside a new series of collages constructed from New York Times front pages. The anchor piece, *Month of August (evening)*, combines a geometric spiral of headlines with a photographic Mexican sunflower, while other works reference art-historical gardens such as Frederic Edwin Church’s estate. Tomaselli, a Brooklyn-based artist born in 1956, uses the garden as both subject and metaphor throughout the exhibition.
Dale Chihuly returns to Venice with "Chihuly: Venice 2026," a public exhibition marking the 30th anniversary of his landmark 1996 project "Chihuly Over Venice." The new show features three large-scale glass sculptures installed along the Grand Canal, viewable from the Accademia Bridge, at Palazzo Franchetti, Palazzo Querini alla Carità, and Palazzo Balbi-Valier Sammartini. The article also recounts Chihuly's 1968 Fulbright-funded study at Venini, where he learned Murano glassblowing and embraced glass as his primary medium, and reveals that his son Jackson Chihuly was conceived in Venice after a party hosted by the late Paul Allen.
Danielle Mckinney, a rising painter known for intimate depictions of Black women in moments of repose, shares insights into her creative process in a studio visit interview. She has two concurrent exhibitions: one at the Norton Museum of Art in West Palm Beach (through Oct. 4) and one at Marianne Boesky Gallery in New York (through June 13), where she debuts a series of watercolors and continues dissolving boundaries between figures and their domestic surroundings.
Cecilia Vicuña, the 77-year-old Chilean artist known for her ecologically and politically engaged practice, is profiled in her Tribeca home. The article describes her daily rituals of corpse pose and walks, her decades-long exile since the Pinochet coup, and her recent international acclaim including the Golden Lion at the 2022 Venice Biennale and the inaugural Icon Artist Gold Medal at Art Basel Miami Beach. A major solo show is on view at the Irish Museum of Modern Art, and MOCA Los Angeles will unveil a new commission, “Quipu of Encounters: The Dream of Water,” following her selection as the first recipient of the Eric and Wendy Schmidt Environment and Art Prize. The interview covers her studio practice, her focus on ecological collapse, and her work with Indigenous knotting traditions, poetry, and performance.
The article presents a speed round of one-sentence reviews for current art exhibitions in New York's Chelsea and West Village neighborhoods, curated by the Critics' Table. Featured shows include Édouard Vuillard's "Early Interiors" at Skarstedt, Ralph Lemon's "From Out of Space" at Paula Cooper, "Art (by) Dealers" at White Columns, Nicola Tyson's "NEED" at Petzel, Anne Truitt's "Waterleaf" at Matthew Marks, Paul Chan's "Automa Mon Amour" at Greene Naftali, and a Robert Mapplethorpe exhibition at Gladstone, all running through April 2025.
Cultured magazine has published a gallery show guide for Expo Chicago, highlighting seven must-see exhibitions across the city during the fair. The guide features Oren Pinhassi's towering sculptures at The Arts Club of Chicago, Gaylen Gerber's object-identity works at Hans Goodrich's new space, Liliana Porter's found-object pieces at Secrist Beach, Nate Millstein's industrial ceramic sculptures at Weatherproof, and Leah Ke Yi Zheng's 64-painting series inspired by the I Ching at the Renaissance Society. The article also notes the concurrent group show "Unreal" at Secrist Beach and the artist-run nature of Weatherproof, led by Young Dealers Milo Christie and Sam Dybeck.
A year after lamenting the dominance of safe, decorative painting in New York galleries, art critic Andrew Russel observes a decisive shift toward sculpture and installation in 2026. The Whitney Biennial epitomizes this trend, alongside major shows like Carol Bove’s survey at the Guggenheim Museum and Michael Heizer’s largest indoor "Negative Sculpture" at Gagosian 21st Street. Two exhibitions spotlight neglected aspects of Isa Genzken’s work: Galerie Buchholz focuses on her "Projects for Outside," while Zwirner Tribeca presents her "world receivers" concrete sculptures. Russel also highlights Paul Chan’s "breathers" at Greene Naftali and three standout shows—Robert Gober at Matthew Marks, Felix Beaudry at Situations, and a pairing of Hans Haacke and Louise Lawler at Maxwell Graham—as essential viewing alongside the Biennial.
Cultured magazine has published a preview of artists to watch in 2026, focusing on the upcoming biennial season. The article features insights from a dozen industry insiders, including Diya Vij of Powerhouse Arts, who highlights Guadalupe Maravilla's healing-focused practice; Allan Schwartzman, who champions Yoko Ono's underrecognized legacy; Hans Ulrich Obrist, who anticipates Koo Jeong A's multisensory exhibitions; and Victoria M. Rogers, who spotlights Akinsanya Kambon's politically charged ceramics. Major events in 2026 include the 61st Venice Biennale (opening after the death of commissioner Koyo Kouoh), new Art Basel and Frieze fairs in Qatar and Abu Dhabi, and expansions at LACMA and the New Museum.
Art Basel Miami Beach 2025 generated viral moments with Beeple's 'Regular Animals' installation featuring robot dogs with billionaire faces, while Leandro Erlich's underwater sculpture garden 'Reefline' debuted concrete cars in Biscayne Bay. The fair's priciest work was Andy Warhol's $18 million 'Muhammad Ali' (1977), sold by Lévy Gorvy Dayan. Other highlights included Katie Stout's public commission 'Gargantua's Thumb' in the Miami Design District, Refik Anadol's AI screen, and the return of Sukeban, a Japanese women's wrestling league, as a crowd favorite.
Cultured's 'Parties Miami Art Week Social Playbook' provides a curated guide to the social and cultural events surrounding Miami Art Week 2024. It lists key art fairs including NADA (Dec. 2-6), Untitled Art (Dec. 3-7), Satellite Art Show (Dec. 4-7), and the Open Invitational (Dec. 1-6), alongside parties, fashion collaborations, and talks. Highlights include a Jimmy Choo installation with Harry Nuriev, a fireside chat with ECOLOGIES moderated by Julia Halperin, and a celebration at MOCA North Miami featuring artists Hiba Schahbaz, Diana Eusebio, and Magnus Sodamin.
The article is a first-person diary by artist Elle Pérez, chronicling their experience at Paris Photo 2024. Pérez describes the fair as the art world's best-kept secret, noting its uniquely fun and intergenerational atmosphere where artists and curators genuinely enjoy gathering. The diary covers a week of events including book meetings with Aperture, dinners with photographers, and the main fair at the Grand Palais, highlighting the camaraderie and joy of being together despite the anxieties facing photographers today.
This article from Cultured magazine highlights several notable art and architecture openings and exhibitions around the world. Key events include the reopening of Donald Judd's Architecture Office in Marfa, Texas, after a seven-year closure and a devastating 2021 fire; the opening of the Tselinny Center of Contemporary Culture in Almaty, Kazakhstan, designed by British architect Asif Khan; and the debut of "Chiharu Shiota: Two Home Countries" at Japan Society in New York, marking the artist's first solo museum exhibition in the city. Other featured shows include "Dream Rooms: Environments by Women Artists 1950s-Now" at M+ Museum in Hong Kong, "Vacant Futures" at VI PER Gallery in Prague, and "Four Five Six" by OFFICE KGDVS at A83 in SoHo, New York.
Brian Droitcour curates a guide to navigating the current media landscape through the work of tech-savvy artists and writers, focusing on exhibitions in Brooklyn and Queens. The guide highlights Porpentine's show "Xrafstar World" at Haul Gallery in Gowanus, which features poster-prints of drawings depicting characters from their stories and games, made with different digital brushes. Droitcour contrasts this DIY, performance-driven work with major institutions' engagement with AI, such as Sasha Stiles' "A Living Poem" at MoMA, which he criticizes for echoing technology's promises of polish rather than probing its complications.