Sunkissed and the Poetics of Repetition.

Jeddah-based artist Ahaad Alamoudi presents 'Sunkissed' at the Sharjah Art Foundation, a solo exhibition curated by Amal Al Ali that explores the rapidly shifting cultural landscape of the Gulf. Through a series of newly commissioned and recent works, including looping videos and mechanical installations, Alamoudi utilizes repetition and pop-culture symbols like falcons and fly traps to examine how collective identity is negotiated amidst accelerated urban development and technological change.

In Dim Light, New Histories Emerge

Museo Afro Casa Silvana in Humacao, Puerto Rico, is hosting 'Dim Light: Afro-Puerto Rican Photography,' the first collective exhibition dedicated exclusively to Afro-Puerto Rican photographers. Featuring ten artists from the island and its diaspora, the show explores themes of spirituality, family, and resistance through a lens of self-representation. The works were previously debuted at the 3rd Black Brazil Art Biennial before returning to Puerto Rico for this landmark presentation.

MAFOLOFOLO: Sonic Cartographies of Return

The South African artist collective MADEYOULOOK has unveiled 'Mafolofolo' at Hangar – Centro de Investigação Artística in Lisbon. Curated by Margarida Mendes, the installation utilizes sound, oral histories, and liberation songs to map the complex relationships between land, memory, and dispossession in northern South Africa. The work, which originally debuted at documenta fifteen, has been reconfigured for this specific research-driven setting to explore themes of extraction and survival.

NICOLÁS GÓMEZ ECHEVERRI: “LA TRASCENDENCIA DEL MUSEO ES VULNERABLE A LA IMPOSICIÓN DE MODAS POR PARTE DEL ALGORITMO”

Nicolás Gómez Echeverri, director of the Unidad de Artes y Otras Colecciones at the Banco de la República de Colombia, reflects on the challenges facing museums in Iberoamérica in an interview published for International Museum Day. He oversees institutions including the Museo de Arte Miguel Urrutia (MAMU), the Museo Botero, and the Casa de Moneda. Gómez Echeverri describes the museum as a "radar" that captures decentralized artistic practices and integrates them into collective narratives, while emphasizing the need for mediation, public debate, and long-term cultural projects amid economic constraints and the pressures of digital immediacy.

Four Latin American Voices Around the Montevideo Curatorial Intensive

CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO

Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMING BLOOD, INHABITING ITS FLOW, DIMENSIONING THE WOUND

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMAR LA SANGRE, HABITAR SU FLUJO, DIMENSIONAR LA HERIDA

Mapuche visual artist and performer Kütral Vargas Huaiquimilla presents "Performance de la sangre" (Performance of Blood) at Galería Gabriela Mistral in Santiago, Chile. Based on the artist's 2024 novel of the same name, the exhibition utilizes video-performance, sculpture, and clinical materials like medication vials to explore the intimate and collective experience of living with HIV. The project marks a significant interdisciplinary intersection of Mapuche identity, pharmacology, and contemporary medicalization.

A season of colour: Coimbatore gallery showcases works by Kongu Oviya Kalai Kuzhu

An exhibition at the Kasthuri Sreenivasan Art Gallery in Coimbatore showcases around 70 works by five artists of the Kongu Oviya Kalai Kuzhu: V. Rajendhran, Kumanan, Murugesan, Ramamoorthy, and Govindarajulu. The show features a wide range of styles—from realistic animal portraits and textured floral canvases to charcoal sketches of crows and Rajasthani-themed paintings—employing techniques such as knife work, spray painting, and texture painting with clay. Rajendhran’s works focus on textile design, Kumanan presents acrylics and seed-covered sculptures, and Ramamoorthy offers a series of crow sketches. The exhibition is part of the AURORA Series 2026 and runs through May 17.

59th Carnegie International, titled ‘if the word we,’ set to open Saturday

The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.

National Artist Call for Juried Art Exhibition at Minneapolis Institute of Art, Allegories of a Better World

Artists nationwide are invited to submit original works to a juried exhibition titled "Allegories of a Better World," which will be held at the Minneapolis Institute of Art on June 28, 2026. The submission deadline is May 15, 2026. The exhibition is organized in conjunction with the premiere of the documentary film "The Making of America," directed by Monique Linder and produced by OMG Studios in partnership with the Minnesota Humanities Center. Submissions should explore themes such as virtue, moral courage, truth, justice, liberation, reconstruction, memory, history, and cultural healing. Selected works may also be featured in the film.

Bondi exhibition ‘Holding Light’ turns grief into collective response

Four months after the Bondi Beach terror attack that killed 15 people during a Chanukah celebration, a major exhibition titled 'Holding Light' has opened at Bondi Pavilion Art Gallery. Curated by Shalom Collective and supported by Waverley Council, the show brings together 29 artists and 28 works selected through a community call-out, spanning visual art, installation, and digital media. Artists including Ella Dreyfus, Munganbana Norman Miller, Beck Feiner, Bibi Solimani, and David Solomons respond to themes of loss, memory, courage, and hope, with works such as Dreyfus's 'Nature Morte – Zikaron' documenting the spontaneous memorial near the beachfront.

'Two Voices, One Road' show opens at C-Art Gallery

Springfield artists and married couple Randy Bacon and Heidi Herrman are opening a new collaborative exhibition titled "Two Voices, One Road" at their C-Art Gallery on Historic Commercial Street, running from April 29 to July 4. The show was inspired by a restorative road trip along Route 66 they took in 2021 after Herrman's mother died and as the world emerged from the COVID-19 pandemic. Bacon contributes landscape photographs taken as far back as 1992, while Herrman presents new mixed-media works combining her own photographs with vintage handkerchiefs inherited from her mother, printed on mulberry paper and fused with encaustic materials.

Corcoran students commemorate America’s 250th year with interactive art exhibit

Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.

Local artist to feature at one-day-only Calgary art gallery

Local Strathmore artist Emmeline Keeling will participate in the one-day Obsidian Art Show at the Calgary Chinese Cultural Center. She is among over 50 artists selected for the event, which is organized by the Public Display Agency to connect artists with gallery owners from Webster Galleries, The New Gallery, and Gallery Underground.

Artist-run gallery in Old Town Scottsdale’s Art District among best in Valley

On The Edge Gallery, an artist-run collective in Old Town Scottsdale's Arts District, has been named one of the top 10 galleries in the Phoenix metropolitan area by Modern Luxury Magazine. The gallery operates as a co-op where local Arizona artists create the work, set their own prices, and often work on-site, allowing visitors to interact directly with the creators.

Houston’s Pioneering Artist-Owned Gallery — Archway Is Still a Creative Hub at 50

Archway Gallery, the longest-running artist-owned cooperative in Texas, is celebrating its 50th anniversary with a landmark exhibition titled “Fifty Forward.” Founded in 1976 by 12 local artists seeking to bypass traditional gatekeeping, the gallery has survived five decades of economic shifts and environmental challenges through a robust cooperative structure. The anniversary programming includes a "Homecoming" show at its original location, the Jung Center, alongside concerts, poetry readings, and a juried exhibition.

Chilean textiles showcasing women’s stories of heritage on view at Krannert Art Museum

The Krannert Art Museum has opened "Memorias de la Mujer Lotina: Arpilleras, Women, and Coal in Chile," an exhibition featuring 23 arpilleras created by women from the coal-mining community of Lota. These colorful, hand-stitched textiles, which rose to prominence as a form of resistance during the Pinochet dictatorship, document the daily lives, heritage, and struggles of marginalized communities. The show features a centerpiece 16-foot-long collective textile created by 52 women ranging in age from 14 to 92, depicting scenes of labor, domestic life, and social activism.

Pictures: Castle Drogo hosts powerful women’s history art exhibition this March

The Herding Cats Arts Collective is presenting a month-long exhibition titled 'A Woman’s Place' at Castle Drogo, a National Trust property on Dartmoor. The exhibition, running throughout March 2026, features contemporary works that explore the domestic and social structures governing the lives of women connected to the estate during the late 19th and early 20th centuries. Through research conducted with castle historians, the artists utilize domestic materials and imagery to highlight the often-overlooked histories of both the working-class staff and the upper-class residents of the fortress.

‘Melodies of the Diaspora’ art exhibition celebrates Black History Month | City of Bellevue

The City of Bellevue, in partnership with MG2, Onyx Fine Arts Collective, and Elevate, presents 'Melodies of the Diaspora: Celebrating 100 Years of Black History Month,' an exhibition featuring works by Pacific Northwest Black artists. The show runs throughout February at Bellevue Arts Museum and Bellevue City Hall, with an opening reception on Feb. 1. Curated by Jay Taylor, Fancy Vargas, and Jerry Lee, the exhibit includes paintings, photography, sculptures, textiles, and fashion, offering a chronological journey of Black art.

D'art Gallery Announces A Unique Colorado Women’s Self-portraits Exhibition in Denver for the Holidays

D'art Gallery in Denver will host "She Makes an Impression: Colorado Women Take a Look at Themselves," an invitational exhibition of self-portraits by over sixty Colorado women-identifying artists, from December 18, 2025, to January 11, 2026. Organized by the Colorado Women's Art Museum (CWAM), the show features works in diverse media including painting, printmaking, ceramics, fiber, mosaic, and photography, ranging from realistic depictions to abstract and non-representational pieces that explore personal experiences and emotions.

Huntington Debuts Major Chicano Art Exhibition Celebrating Six Decades of Printmaking as Activism

The Huntington Library, Art Museum, and Botanical Gardens in San Marino, California, will host the West Coast debut of “Radical Histories: Chicano Prints from the Smithsonian American Art Museum” on November 16. The exhibition features 60 works by some 40 artists and collectives from the Smithsonian American Art Museum, spanning over six decades of Chicano printmaking as a form of resistance, community building, and cultural reclamation. It traces key moments from the late 1960s Delano Grape Strike to the present, using silkscreens, posters, and offset prints. The Huntington has also commissioned a mural by Los Angeles–based artist Melissa Govea in partnership with Self Help Graphics & Art.

ASU, Phoenix Art Museum shed new light on influential Chicano arts organization

Arizona State University's Barrett, The Honors College is partnering with Phoenix Art Museum to host a one-day symposium titled "MARS: Revisited" on September 20, 2025, at the museum. The event revisits the legacy of El Movimiento Artístico del Río Salado (MARS), a Chicano arts collective founded in the late 1970s that provided a platform for Mexican American artists excluded from major Arizona museums and galleries. MARS operated for over two decades, helping launch the First Fridays on Roosevelt Row arts event and shaping Phoenix's cultural identity before closing in the early 2000s. The symposium, co-organized by professor Mathew Sandoval and curator Christian Ramírez, will feature archival research and oral histories conducted by Barrett students, with a major MARS exhibition and scholarly monograph planned for 2028.

‘The pain has become unbearable’: Tel Aviv Museum of Art workers stage daily protest outside the institution

Since early April, employees of the Tel Aviv Museum of Art have been staging a daily 30-minute protest outside the museum's two public entrances before opening hours. Initiated by senior curator of Israeli art Dalit Matatyahu, the protest brings together staff with diverse stances on the war, the hostage crisis, and the humanitarian situation in Gaza. The demonstration takes place at the intersection of the museum and Hostages Square, a site already central to hostage-family activism. Participants include chief curator Mira Lapidot and contemporary art curator Shahar Molcho, who describe the protest as a moral response to the unbearable transition from the charged square to museum work.

MFA exhibition explores time, space and transformation

UC Santa Barbara’s Art, Design & Architecture Museum presents the MFA Thesis Exhibition titled "it’s about time," featuring works by four graduating artists: Lucy Bell, Austin McCormick, Autumn Nicole, and Rose Schlossberg. The show runs from May 17 to June 1 and includes video, sculpture, painting, and immersive installation that examine the relationships between time, memory, and materiality. Curatorial text by doctoral student Kristin Yinger frames the exhibition as a parenthetical pause that contains the artists' experiences during the MFA program.

Fowler Museum at UCLA presents ‘Construction, Occupation,’ exploring art, activism and housing justice

The Fowler Museum at UCLA has opened 'Construction, Occupation,' an exhibition exploring the intersection of art, activism, and housing justice. The show revisits the 2016–17 occupation of the abandoned Cambridge Hotel in São Paulo, Brazil, by low-wage workers, refugees, and artists—a project known as the Cambridge Artistic Residency (CARe)—which led to the building's transformation into government-funded social housing and a cultural hub. Curated by Alex Ungprateeb Flynn, Juliana Caffé, and Yudi Rafael, the exhibition features 24 artists and collectives, primarily from Brazil, with photography, video, installations from the original residency, and newly commissioned works. It runs through January 11, 2026.

MASP Contested Narratives Between Replica and Weaving

MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING

The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.

María Lucía Alemán: Cultural Expressions Are Uniting the Region More

MARIA LUCIA ALEMAN CULTURAL EXPRESSIONS ARE UNITING THE REGION MORE

A panel discussion titled "Building Institutional Narratives" was held as part of the FORO initiative during Pinta Panama Art Week. It featured museum directors María Lucía Alemán (MAC Panama), Manuel Segade Lodeiro (Museo Reina Sofía, Spain), and Rafael Tamayo Franco (MAMM, Colombia), moderated by Elena González. The conversation focused on how museums construct their institutional stories and programming to better represent and connect with their local and regional contexts.

MEXICAN CURATOR ANNOUNCED FOR LIVERPOOL BIENNIAL 2027

The Liverpool Biennial has appointed Lucía Sanromán and Aimee Harrison as Co-curators for its 2027 edition. Sanromán, Chief Curator at Mexico City's MUAC, brings an international perspective on socially engaged art, while Harrison, a long-time Biennial staffer, provides deep local knowledge and experience in community-focused projects. The festival will run from June 5 to September 12, 2027, utilizing historic buildings, galleries, and unexpected spaces across the city.

Art show reflects on human experience, aspiration

A group of nine young artists, all alumni of the Government College of Fine Arts in Chennai, have formed a collective called Continuum and will present their first exhibition, 'Between Becoming & Being,' starting May 15 at Lalit Kala Akademi. Initiated by artist couple Preethi Umapathy and Prithiviraj, the show features works in painting, printmaking, sculpture, and ceramics by Deepika, Ganesh, Jagath Ravi, Padmapriya, Prithiviraj, Preethi, Ramesh, Saran Mathi, and Sarath Kumar, exploring themes of identity, aspiration, human existence, and lived experiences.

Open call to visual artists to help create festive sanctuary at Dorset venue

Lighthouse Poole in Dorset has issued an open call for visual artists with a local connection to submit work for its seasonal exhibition themed "BURROW," running from November 12, 2025 to February 27, 2026. The exhibition aims to create a peaceful, reflective space during the winter months, following last year's installation "The Wintering" by self-taught artist Carmel De’Lisser. Submissions are free, must use sustainable materials, and can explore concepts such as hibernation, searching, and comfort. The selection panel includes De’Lisser, curator Mille Lake, creative director Paul Newman, and co-founder Tom Pouncy.

Five-Minute Tours: Mark Wade at Andrew Durham Gallery, Houston

Andrew Durham Gallery in Houston is presenting "Long Division," a solo exhibition of works by artist Mark Wade, on view from March 28 to May 23, 2026. The show features Wade's mixed-media pieces that explore historical fault lines in the United States, particularly the American Indian Wars, using fragmented and reconstructed materials to question how national narratives are formed and suppressed.