Russian Pavilion Will Be Closed to the Public During Venice Biennale: Report

The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.

Tale of a Riderless Horse

The National Gallery in London is hosting an exhibition titled "Stubbs: Portrait of a Horse," focusing on the 18th-century artist George Stubbs and his masterful equine paintings. The show features studies, drawings, and key works like "Whistlejacket" (c. 1762) and "Scrub" (c. 1762), highlighting Stubbs's unique anatomical knowledge gained from dissecting horses.

In the Studio With Rama Duwaji

Syrian-American artist Rama Duwaji discusses her evolving art practice and her new role as the First Lady of New York City following her husband Zohran Mamdani’s mayoral victory. Known for her distinct illustrations and animations for major institutions like the Tate Modern and the New Yorker, Duwaji is now transitioning into a more public-facing life while maintaining a studio practice at Gracie Mansion. Her work, which spans hand-drawn animation, ceramics, and paintings on found materials like cardboard, continues to blur the lines between commercial illustration and fine art.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

What to See During New York's Asia Art Week

Asia Week New York begins, bringing a concentrated series of exhibitions, auctions, and lectures across the city dedicated to the art and material culture of Asia and its diaspora. The ten-day event features highlights including a selling exhibition of Indian-American artist Zarina at Sotheby's, a showcase of Indian and Persian miniature paintings, a condensed survey of 250 years of Japanese woodblock prints, and a contemporary group show exploring Korean diasporic identity.

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Nigel Peverett, a former staffer in the British Museum’s prints and drawings department, stole over 350 artworks during his tenure in the 1970s and 80s. The thefts, detailed in Barnaby Phillips’s upcoming book 'The African Kingdom of Gold', involved Peverett smuggling prints out of the museum, altering them with razors to remove catalog numbers, and selling them at London’s Portobello Road market. Although he was caught in 1992 with 35 prints in his possession, nearly 100 items remain unrecovered.

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Archaeologist Mike Pitts has challenged the prevailing narrative surrounding the removal of Hoa Hakananaiʻa, the iconic Easter Island moai held by the British Museum. Drawing on a newly discovered 1869 eyewitness account from the Army and Navy Gazette and a rare historical photograph, Pitts argues that the statue's excavation was a collaborative effort involving hundreds of Indigenous Rapa Nui people rather than a simple act of imperial theft. The evidence suggests the British crew traded tobacco for assistance and were guided to the statue's location by the islanders.

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Scottish sculptor Andy Scott, renowned for his massive 300-ton steel horse heads known as The Kelpies, is the subject of a new solo exhibition titled “Monumental” at VEFA Gallery in Torrance, California. The show shifts the focus from his colossal public landmarks to a more intimate human scale, featuring maquettes, sketches, and a ten-foot steel horse head. By showcasing the evolution of his work from initial drawings to complex engineering feats, the exhibition highlights the technical precision and emotional depth behind Scott’s animal forms.

Anne Boleyn Exhibition at Hever Castle

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Hever Castle has launched "Capturing a Queen: The Image of Anne Boleyn," a landmark exhibition exploring the visual legacy of King Henry VIII’s second wife at her childhood home. The show brings together an unprecedented collection of portraits, woodcuts, and costumes to challenge the long-held myth that all contemporary likenesses of Anne were destroyed after her execution. Key highlights include infrared analysis of the 1583 "Rose" Portrait and research suggesting that some famous posthumous depictions actually blended her features with those of her daughter, Elizabeth I, to solidify Tudor legitimacy.

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The Gaza Biennial, a major exhibition featuring 25 artists from Gaza, concluded its full run at the Brooklyn nonprofit space Recess, with an abbreviated version remaining on view until December 20. The show presents painting, video, drawing, and testimony created under siege, offering a powerful artistic response to the ongoing conflict and displacement.

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The University of North Texas (UNT) abruptly canceled and removed artist Victor "Marka27" Quiñonez's traveling solo exhibition "Ni de Aquí, Ni de Alla" from its CVAD Gallery, locking the gallery doors and drawing blinds over the windows. The university terminated the loan agreement with Boston University Art Galleries, which originated the show, and scrubbed all mentions of the exhibition from its website and social media without providing a reason to the artist.

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A previously unknown Michelangelo drawing, a red chalk study for the foot of the Libyan Sibyl on the Sistine Chapel ceiling, was discovered after an owner submitted a photograph to Christie's online estimate service. The work, created around 1511–12, sold at Christie's New York for $27.2 million, far exceeding its $1.5–2 million estimate and setting a new auction record for a Michelangelo drawing. The anonymous seller inherited the piece from his grandmother, and it had been in his family since the late 1700s.

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The British Museum's proposal to redesign its forecourt with two permanent security pavilions and a Mediterranean-style garden has drawn opposition from conservation groups. The Georgian Group and the Victorian Society argue the additions would disrupt the historic symmetry and formal setting of Robert Smirke's 19th-century Greek Revival building, urging Camden Council to reject the plan.

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UK Culture Secretary Lisa Nandy announced a £1.5 billion arts funding package on Wednesday, urging London-based national institutions like the British Museum and the National Portrait Gallery to extend their reach across the country. The package includes £600 million for national institutions, £425 million for a Creative Foundations Fund supporting capital projects at arts venues nationwide, £160 million for local and regional museums, £230 million for the heritage sector, £27.5 million for public libraries, and an additional £80 million for national portfolio organizations. Nandy praised the Royal Shakespeare Company’s outreach as a model and framed the investment as the largest reset in the arts for a generation, comparable to post-World War Two cultural rebuilding.

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The House Oversight Committee has released a crude drawing that President Donald Trump reportedly gave to convicted sex offender Jeffrey Epstein for his 50th birthday in 2003. The sketch, first reported by the Wall Street Journal, features a marker outline of a naked woman with Trump's apparent signature placed where her pubic hair would be. Trump has denied creating the drawing, claiming he has never drawn, and has filed a $10 billion libel lawsuit against the Wall Street Journal and its owner Rupert Murdoch. The New York Times compared Trump's signature on the drawing with his correspondence from 1987 to 2001 and found they "closely matched."

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New research by Tudor historian Owen Emmerson suggests that the most famous portrait of Anne Boleyn, displayed at London’s National Portrait Gallery, actually depicts her daughter Queen Elizabeth I. Emmerson argues the late-16th-century painting was deliberately made to resemble Elizabeth I, reinforcing a legitimate Tudor succession. The theory is supported by comparisons with another portrait of Elizabeth at Compton Verney and by Lawrence Hendra of Philip Mould gallery. An upcoming exhibition at Hever Castle, "Capturing a Queen: The Image of Anne Boleyn," will present this and other evidence, alongside newly identified contemporaneous images of Boleyn, including a miniature from the British Museum and a drawing by Hans Holbein the Younger.

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Congress has unveiled a bipartisan partial funding package that would keep the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) budgets steady at $207 million each, despite President Donald Trump's proposal to eliminate both agencies. The three-bill "minibus" package faces a House vote and then Senate consideration, as the government seeks to avoid another shutdown after last year's record 43-day closure.

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The Victoria & Albert Museum in London removed an image of an artwork depicting the Prophet Muhammad from its website due to security concerns following the Charlie Hebdo terrorist attack. The artwork, a poster made by an Iranian artist around 1990, remains in the museum's collection and is available to scholars by appointment. The decision has drawn criticism from experts who view it as self-censorship that could undermine the study of Islamic art.

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The article uncovers the story of three secret sculptures carved by François Décure, a quarryman in the Catacombs of Paris during the late 18th century. Décure, a veteran of the Seven Years' War, used his lunch breaks and spare time to chisel detailed stone models of buildings he remembered from his imprisonment on the island of Menorca, including a fortress called Port Mahon. He died tragically when a staircase he was working on collapsed, but his sculptures survived, were restored in 1854, and remain a highlight of guided tours through the catacombs.

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Federico Zuccaro, a 16th-century Italian Mannerist painter, was banished from Rome in 1581 after presenting a satirical drawing at a feast in the church of Saint Luke. The 13-foot work, 'Porta Virtutis (The Gate of Virtue),' depicted King Midas with donkey ears as a thinly veiled attack on papal steward Paolo Ghiselli, who had rejected Zuccaro's altarpiece. Zuccaro explicitly identified Ghiselli as the foolish Midas and labeled Bologna the 'Reign of Ignorance,' leading Pope Gregory XIII to sentence him for 'excesses' and banish him from the city. He avoided prison by paying a 400 scudi bail.

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The ABC television series *High Potential* aired a midseason finale episode titled “The One that Got Away,” in which protagonist Morgan Gillory, a cleaning lady turned police consultant, investigates a museum heist involving a $20 million Rembrandt painting, *Young Girl Leaning on a Windowsill*. The fictional theft—executed via a skylight rope descent, laser security disabling, and smoke bomb—eerily mirrored a real-life Louvre heist that occurred just a week after the episode was written, where thieves used a cherry picker and angle grinder to break through a window. The episode also touches on Nazi-looted art and a possible serial art thief named John Baptist.

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Sotheby's hosted a lunch in Paris for billionaire collector Thomas S. Kaplan, who is selling a Rembrandt drawing titled *Young Lion Resting* (ca. 1638–42) from his Leiden Collection. The drawing, with a high estimate of $20 million, will be auctioned in New York in February, with all proceeds donated to Panthera, the wild cat conservation charity Kaplan founded. Kaplan acquired the work in 2005 from the Herring gallery and has kept much of his collection anonymous, but is now stepping forward to support conservation and public access.

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Eight pieces of the French Crown Jewels were stolen from the Louvre Museum on October 19, including a pearl-and-diamond tiara and a bow-shaped brooch that once belonged to Empress Eugénie, as well as a sapphire parure and diadem owned by Queen Maria Amalia. The theft has drawn attention to the jewels' complex history: most of the Crown Jewels were auctioned off in 1887 by the French government to eliminate monarchical symbols, and the stolen pieces were among the few remaining in the Louvre's collection, some repurchased at great expense in the 1990s and 2000s with help from the Société des Amis du Louvre.

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A 5,000-year-old statue of the Egyptian god Min, currently on display in the Metropolitan Museum of Art's exhibition "Divine Egypt," has gone viral on social media after a user on X posted a humorous comment about its erect phallus. The statue, which originally featured a separate stone phallus now lost, depicts Min with his hand at his groin, a pose linked to male fertility. The exhibition includes nearly 250 artworks and objects related to Egyptian deities, with loans from the Louvre, the Ny Carlsberg Glyptotek, and the Museum of Fine Arts, Boston.

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Jonny Tanna, founder of the London gallery Harlesden High Street, has launched a pop-up project in Mayfair during Frieze Week, in collaboration with Düsseldorf- and Berlin-based gallery Setareh. The inaugural exhibition, “Forces of Nature,” features London-based artists Abbas Zahedi and Jamiu Agboke, presenting conceptual installation and atmospheric painting. Tanna emphasizes that this is not a permanent relocation but an itinerant extension of his gallery, which exclusively shows artists of color and is known for its community-focused, unvarnished approach.

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UNESCO's executive board has nominated Khaled El-Enany Ezz as its sole candidate for the next director-general, following a decisive vote during the organization's meetings at United Nations High Week. El-Enany, a 54-year-old Egyptian professor of Egyptology and former minister of tourism and antiquities, previously oversaw the construction and renovation of more than 20 museums, including the Grand Egyptian Museum. He will be the first Arab to lead UNESCO, replacing outgoing director-general Audrey Azoulay.

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Taipei Dangdai, the art fair in Taiwan, has canceled its 2026 edition as organizers undertake a "strategic re-evaluation" of the fair's model, timing, scale, and format. The fair, which held its sixth edition in May 2025, is part of The Art Assembly, a conglomerate overseeing three regional Asian fairs including Art SG and Tokyo Gendai. The number of participating galleries dropped from over 90 in its 2019 inaugural edition to 54 in 2025, with no mega-galleries participating this year. The announcement follows a similar "strategic pause" by the Art Dealers Association of America (ADAA) for its flagship fair, The Art Show, and comes amid broader challenges for the fair's organizer, Angus Montgomery Arts, which also canceled recent editions of Photofairs in Hong Kong and New York.

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A bitter legal battle has erupted between prominent art advisors Barbara Guggenheim and her former partner Abigail Asher, whose firm Guggenheim Asher Associates (GAA) has collapsed. Guggenheim accused Asher of misusing firm funds for personal expenses and claiming up to $20.5 million in future commissions. Asher countersued, alleging Guggenheim stole money for personal costs including her husband's funeral, bullied her, and encouraged her to build a relationship with convicted sex offender Jeffrey Epstein. The dispute has drawn widespread attention in the art world, with collector Sylvain Levy calling it a moment of reckoning for an industry built on trust and discretion.

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NSCAD University (Nova Scotia College of Art and Design) in Halifax has reported a dramatic surge in applications and acceptances from US-based students for fall 2025, driven by tightening US immigration policies under the Trump administration. Undergraduate applications from the US spiked 220%, acceptances rose 186%, and student responses increased 66%, with interest coming from 23 different states. NSCAD president Jana Macalik noted that student feedback cited concerns over trans rights, disability, same-sex marriage, and women's freedoms as motivating factors. Similar trends are being seen at other Canadian institutions like the University of Toronto, University of British Columbia, and Alberta University of the Arts.

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A 19th-century condom printed with a bawdy scene depicting a nun and three clergymen is on display at the Rijksmuseum in Amsterdam as part of the exhibition “Safe Sex?” The Catholic foundation Civitas Christiana staged a two-day protest outside the museum and launched a petition with over 1,000 signatures demanding the object's removal, calling it a grotesque insult to God, the Catholic Church, and the Dutch nation. Right-wing publications like De Dagelijkse Standaard have supported the protest, drawing comparisons to restrictions on depictions of Mohammed.