On April 29, a large statue attributed to Banksy appeared on a plinth at Waterloo Place in London's St James's district. The work depicts a man in a suit stepping forward with a flag covering his face, bearing the artist's signature. Banksy later claimed the piece on Instagram, sparking crowds and speculation.
Sous pression, le jury de la 61e Biennale de Venise exclura les pavillons russe et israélien du palmarès
The 61st Venice Biennale, titled "In Minor Keys" and running from May 9 to November 22, 2026, has been embroiled in political controversy after organizers decided to reinstate the Russian pavilion, which had been excluded since Russia's 2022 invasion of Ukraine. Under pressure from the European Commission, which threatened to suspend a €2 million grant, the jury announced it will exclude artists from the Russian and Israeli pavilions from winning prizes, citing that leaders Vladimir Putin and Benjamin Netanyahu face International Criminal Court charges for crimes against humanity. The Russian pavilion will remain closed to the public but open for VIP press previews, while the Israeli pavilion stays open to the public. Italian Culture Minister Alessandro Giuli has refused to attend the opening ceremony in protest.
Jackson Pollock's painting *Number 7A* (1948) sold for $181.2 million at Christie’s in New York, shattering the previous auction record for the Abstract Expressionist artist by nearly three times. The evening sales also set new auction records for Mark Rothko and Constantin Brâncuși, and realized over $1 billion in a single evening, only the second time in auction history that threshold has been crossed.
Assouline has released a new collector's book titled "Basquiat: The World of Jean-Michel," a 348-page volume featuring over 200 artworks and archival photographs of Jean-Michel Basquiat. Priced at $1,400, the book is part of the publisher's Ultimate Collection of large-format, hand-bound volumes, and is organized thematically into six chapters covering Basquiat's depictions of heads, New York City's influence on his work, his use of silkscreens, and spiritual themes.
The 2026 Venice Biennale's main exhibition opens this week, curated by Koyo Kouoh—the first African woman to hold the role—who was announced in 2024 but passed away suddenly in 2025. The article highlights six artworks that define her curatorial vision, which connected the international art world to artists and institutions from Africa and the Global South.
A large statue mysteriously appeared in central London earlier this week and has been confirmed as the work of the street artist Banksy. The piece, bearing the artist's signature, depicts a suited man carrying a flag that obscures his face as he walks off a plinth. It was installed in Banksy's signature guerrilla style at Waterloo Place in St. James's, near statues of Edward VII and Florence Nightingale.
Kunsthalle Friart Fribourg presents "Passages," a group exhibition running from March 14 to May 17, 2026. The show features works by Nat Faulkner, Solomon Garçon, Keta Gavasheli, Gaylen Gerber with Leah Ke Yi Zheng, Hervé Guibert, Nour Mobarak, Henrik Olesen, B. Ingrid Olson, Anastasia Pavlou, Matthew Peers, Cora Pongracz, Pope.L, Ariana Reines and Oscar Tuazon, Dieter Roth, and Sava Sekulić. The exhibition is documented with 51 images and a floor plan, with photos by Cedric Mussano.
Wallace Chan, a Hong Kong-born sculptor and jeweler who once lived as a Buddhist monk, is presenting his latest exhibition “Vessels of Other Worlds” at the Chapel of Santa Maria della Pietà in Venice on May 8, coinciding with his 70th birthday and the Venice Biennale, followed by a show at Shanghai’s Long Museum on July 18. The exhibition features three monumental titanium sculptures standing seven, eight, and 10 meters tall, evoking religious oil vessels, and explores themes of birth, growth, and rebirth through the demanding medium of titanium, which Chan describes as the material closest to eternity.
An exhibition titled 'Prelude for a Press' is on view at palace enterprise in Copenhagen from March 19 to April 25, 2026, organized by Jesper List Thomsen. It features works by Marie Angeletti, Gerry Bibby, Ezio Gribaudo, Asger Jorn, Marion Milner, Anastasia Pavlou, Georgia Sagri, Jesper List Thomsen, and Jackie Wang.
Manuel Segade, director of the Museo Nacional Centro de Arte Reina Sofía, is interviewed as part of a series for International Museum Day. He discusses the museum's role as a space historically tied to critique, conflict, and negotiation with tradition, emphasizing the need to preserve the world's complexity. Segade advocates for institutions that can speak on multiple levels, from introductory lectures to para-academic research, and stresses transforming internal structures toward more horizontal and interdependent models.
Louisiana Channel has released a new film titled "7 Artists on Soft Sculptures," featuring artists Sheila Hicks, Nick Cave, Shoplifter, and Kaarina Kaikkonen, among others. The film explores the tactile and emotional power of textiles in contemporary art, with each artist discussing their unique approach—from Hicks's call for softness in a hard world to Cave's use of found objects in identity-masking suits, Shoplifter's vibrant synthetic hair installations, and Kaikkonen's deeply personal incorporation of her late father's clothing.
Kunsthaus Glarus presents "Bildersaal," the first institutional solo exhibition by Swiss artist Nolan Lucidi (b. 2000, based in Basel). The installation combines videos and objects to explore male homosexual desire drawn from literature, art history, and personal experience, while also interrogating formal language and claims to authority.
Pinacoteca Agnelli in Turin will present "Walter Pfeiffer: In Good Company," the first institutional survey in Italy dedicated to the Swiss artist's photographic work, running from April 30 to September 13, 2026. The exhibition features over one hundred photographs spanning from the 1970s to the present, exploring themes of artifice, desire, and the everyday.
Reba Maybury presents her exhibition "I Come in Peace" at Secession in Vienna, an installation that spans four sites within the building—including the façade, foyer, and upstairs spaces. Maybury, an artist, writer, and political dominatrix, uses her multidisciplinary practice to explore themes of feminism, sexuality, labor, and power, directly engaging with the institution's history by questioning how to dominate the legacy of Gustav Klimt.
British Indian artist Bharti Kher has been commissioned by Powerhouse Parramatta to create a large-scale public artwork for the museum, which is set to open later this year in Parramatta, Western Sydney. Titled *Tree of Life*, the seven-meter-tall bronze sculpture features four stacked heads and incorporates clay fragments from figurines found in Indian secondhand markets, drawing on themes of ancestral memory, interconnectedness, and community.
The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.
The Metropolitan Museum of Art will acquire the Neue Galerie's Fifth Avenue building and its collection of 20th-century Austrian and German art, starting in 2028. The collection was built by cosmetics magnate Ronald S. Lauder, who founded the Neue Galerie in 2001.
Phyllida Barlow's posthumous exhibition "Disruptor" at Wolterton Hall in Norfolk transforms the 18th-century Palladian mansion with her signature chaotic sculptures made from cheap materials like latex, cardboard, foam, and plywood. Works such as "Untitled: Stacked Chairs" and "Loaf" are installed throughout the stately home, clashing with its opulent interiors and historic treasures. The show, curated by artistic director Simon Oldfield, also includes a concurrent solo exhibition by Daisy Parris titled "Fist Full of Dreams."
On 15 May, Belmond's British Pullman will debut a new private dining car named Celia, originally built in 1932. The carriage's interior has been designed by film director Baz Luhrmann and his wife, production designer Catherine Martin, who created an Art Deco-inspired aesthetic featuring burl veneers, marquetry, stained glass, and their signature rich red. The couple invented a backstory for the car's namesake, a fictional 1930s Shakespearean actress, aiming to immerse guests in a narrative experience reminiscent of A Midsummer Night's Dream. This follows Belmond's previous collaborations with Wes Anderson and artist JR, as part of its strategy under LVMH ownership to commission high-profile creative figures for its heritage trains.
Steven Soderbergh's new film "The Christophers" is a London-set movie about contemporary art, starring Ian McKellen as Julian Sklar, a once-dominant but now outmoded English painter, and Michaela Coel as Lori Butler, a former art student hired as his assistant. The plot revolves around a series of hidden paintings called "The Christophers" that Julian's grasping adult children want to find and potentially forge for profit. The film is described as fast, literate, and funny, with McKellen and Coel delivering a compelling double act.
The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.
Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.
The Greek Pavilion at the 2026 Venice Biennale, titled "Grecia" and conceived as a drag artist, presents an S&M-inspired installation by artist and architect Andreas Angelidakis. The immersive space features a red neon-lit floor, soft sculptures resembling beanbags, fragmented marble columns wrapped in chains, and souvenirs bearing images of queer artists and the late activist Zak Kostopoulos (Zackie Oh). The pavilion aims to deconstruct the idea of a fixed national identity, exploring themes of queerness, fascism, and historical trauma.
After a thirteen-year hiatus, the Bahamian Pavilion has returned to the Venice Biennale with an exhibition titled "In Another Man's Yard," featuring the late master John Beadle and his former student Lavar Munroe. The pavilion, housed in the San Trovaso Art Space in Dorsoduro, centers on Junkanoo—the vibrant, crepe-costumed procession that is a defining cultural tradition of the Bahamas. Munroe's large-scale sculptural works incorporate strips of discarded Junkanoo costumes, while paintings and installations commemorate Beadle, who died in 2024. The presentation was revived with support from Baha Mar, a resort company, after government funding was withdrawn in 2014.
Non solo Biennale: cosa vedere a Venezia nella primavera 2026 tra gallerie, spazi indipendenti e progetti speciali
The article highlights a curated selection of exhibitions to see in Venice during spring 2026, beyond the main shows of the 61st Venice Biennale. It features projects in galleries, independent spaces, and historic venues, including a group show titled "Waves" at Casa Sanlorenzo with works by Alexander Calder and Lucio Fontana, a video installation by Ieva Lygnugarytė at Oratorio dei Crociferi, a Judy Chicago survey at Galleria Alberta Pane, a solo show by Hanna Rochereau at Mare Karina, and a Barry X Ball retrospective at the Abbey of San Giorgio Maggiore.
On the opening day of the Venice Biennale, around 60 artists and dozens of other participants staged a protest titled “Solidarity Drone Chorus” at the Giardini entrance, humming a viral song by Gazan composer Ahmed “Muin” Abu Amsha to sonically occupy the space. The action, organized by artists in the main exhibition over several months, protested Israel’s participation in the Biennale and expressed support for Palestine, with participants wearing T-shirts bearing the names and artworks of Gazan and Palestinian artists, many of whom have been killed. The protest follows an open letter from the Art Not Genocide Alliance demanding Israel’s exclusion.
The Fondazione In Between Art Film presents "Canicula," the third and final exhibition in its Trilogy of Uncertainties, opening on 6 May at the Complesso dell’Ospedaletto in Venice. Curated by Leonardo Bigazzi, the show features eight newly commissioned site-specific films that explore themes of excess, sensory overload, and geopolitical tension. Works include Roman Khimei and Yarema Malashchuk's "Affirmations" (2026), depicting fictional deathbed testimonies of Russian soldiers, Lawrence Abu Hamdan's "450XL: The Story of a Fugitive Sound" (2026) about a sonic attack in Belgrade, and Maya Watanabe's "Jarkov" (2025-26) reflecting on Arctic ice melt and Pleistocene remains.
Salisbury Cathedral has completed a two-year restoration of a stained-glass window designed by Edward Burne-Jones and William Morris. The 6.5-metre "Angels" window, depicting ministering and praising angels, was carefully removed in February 2024, cleaned, and fitted with protective glazing and oak frames. Head glazier Sam Kelly, who began as an apprentice at the cathedral 40 years ago, led the project alongside colleagues Vicky Pearce, Kate Kersey, and Alfie Durrant. Lost details were restored on backing glass rather than the original surface, and the window will be rededicated at an evensong service on 7 May.
British-Ethiopian artist Theo Eshetu is presenting a new installation, *The Garden of the Broken-Hearted* (2026), at the Venice Biennale. The work features a live olive tree mounted on a rotating dais, with a video of the tree projected onto itself, marking a shift from his decades-long practice of multi-screen video installations. Eshetu discusses the project's origins in conversations with the late Biennale curator Koyo Kouoh, framing the tree as a space for mourning, human consciousness, and elemental storytelling.
A trove of abstract paintings and sculptures by Russian artist Oleg Prokofiev, hidden for decades in Moscow after he fled the Soviet Union, has been rediscovered and is now on public display for the first time. Prokofiev concealed the works in the 1950s and 1960s to avoid state persecution—abstract art was banned in the USSR, and his relationship with British scholar Camilla Gray made marriage impossible until 1969. After Gray's death and his move to England, the artworks remained safely stored in Moscow, where he found them intact after the Soviet collapse. The collection, including paintings, sculptures, sketchbooks, and letters, is now exhibited at the newly founded Prokofiev Studio in Hackney, London, established by his four children and curator Anzhela Popova.