The Salem Area Chamber of Commerce Gallery of Art is hosting its fifth annual exhibition featuring over 60 works by approximately 55 local student artists. The show includes a diverse range of media, such as watercolor paintings, colored pencil drawings, ceramics, and gouache works, representing talent from six different regional school districts including United Local, Leetonia, and Wellsville.
The "From Italy With Love" exhibition recently debuted at Il Gelato di Carlotta’s gallery space in Niagara-on-the-Lake, showcasing works created during immersive painting workshops across Italy. Led by artist and instructor Sandra Iafrate, the collection features oil, acrylic, and mixed-media pieces produced on location in regions including Tuscany, Sicily, and Puglia. The show runs through June 30, with additional works displayed at Iafrate’s local Gate Street Studio.
The Fort Frederik Museum in St. Croix has unveiled "Still We Rise: Art Behind the Walls," an exhibition showcasing original works created by incarcerated individuals at the John A. Bell Correctional Facility. The collection features a variety of media, most notably locally sourced calabash gourds that have been transformed into intricate cultural vessels. Developed through a volunteer-led art and literacy program, the show highlights the personal narratives and creative growth of participants who used the project as a vehicle for self-reflection.
Artist Keely O'Brien has transformed the Richmond-Brighouse SkyTrain station in Vancouver into a public gallery with her exhibition "Secret Ingredients." Part of the Capture Photography Festival, the installation features large-scale photographs of decadent, homemade cakes iced with unconventional messages like "You Snore" or "I'm So Proud of You." These images originated from a social experiment where O'Brien solicited anonymous confessions from the public and delivered them as custom-baked confections to recipients across the city.
Emporia State University seniors Sydney Hickman and Michael Kidwell debuted their collaborative Bachelor of Fine Arts senior exhibition, "All That Remains," at the Eppink Art Gallery. The show features a dialogue between Hickman’s quilt-inspired ceramics and mosaics, which explore domesticity and femininity, and Kidwell’s nature-oriented paintings and wood displays that reflect on his Kansas upbringing and identity.
The Winnipeg Fine Art Fair has returned for its third year at Red River Exhibition Park, featuring nearly 80 artists across a vast range of mediums. As one of the largest juried shows in Manitoba, the event operates without strict curatorial criteria, allowing for a diverse display that ranges from abstract textures to automotive renderings.
Somersfield Academy recently hosted its DP2 Visual Arts Graduate Exhibition at the Rock Island Café, showcasing the final portfolios of students Nico Bean, Hayden Smith, and Excell Jordan. The event marked the conclusion of a two-year International Baccalaureate (IB) creative journey, featuring a diverse range of works including acrylic pour paintings, marine-inspired dot paintings, and detailed anatomical illustrations of dinosaurs.
The ACLU of Texas and the National Coalition Against Censorship have deployed a mobile billboard to the University of North Texas (UNT) campus to protest the administration's removal of an art exhibition by Victor Quiñonez, known as Marka27. The show, titled “Ni de Aquí, Ni de Allá,” was abruptly taken down in February after being open for only a week, with administrators later citing concerns that the artist's critiques of U.S. Immigration and Customs Enforcement (ICE) could cause campus disruptions.
Philadelphia-based artist Jazlyne Sabree has debuted her solo exhibition, "The Spectrum of Resilience," at the newly rebranded Rowan University Museum of Contemporary Art (RUMOCA) in Glassboro, New Jersey. The show features large-scale, textured collages that utilize paint, paper, and found materials to portray members of the African Diaspora as spiritual figures and vessels of memory. The exhibition includes three new works and is scheduled to run through July 30, 2026.
Artist Aurore Guez is transforming the Wilde Galerie in Paris into an immersive, imaginary café for a two-day exhibition titled "LE CAFÉ" on April 25 and 26, 2026. The installation features interactive paintings and talking portraits of figures such as Kalash and Lujipeka, where visitors can trigger recorded dialogue to converse with the artworks. The 80-square-meter space will be populated by actors playing waiters, creating a surreal environment where the boundaries between stage set, performance, and traditional painting are intentionally blurred.
The Ukrainian National Museum in Chicago has launched "9,025 km," a group exhibition featuring 12 Ukrainian-American artists living in Chicago. The show presents 36 original works that explore the emotional and cultural bridge between Chicago and its sister city, Kyiv, specifically highlighting the psychological toll of the ongoing war in Ukraine. Featured artists include Yuliia Poliakova, whose work has previously been displayed in the offices of President Volodymyr Zelenskyy, alongside Olena Diadenko, Andrii Antonenko, and others.
Sanat Art Gallery in Karachi has launched "Held in Motion," a group exhibition featuring emerging artists Behzad Ahmed Warsi, Laiba Abid, Ronaque Ali, and Shahzad Baloch. The showcase utilizes diverse mediums, including oil on canvas and watercolor, to explore themes of human identity, social fluidity, and the preservation of memory. From Abid’s blurred portraits of the multifaceted self to Ali’s nostalgic documentation of disappearing rural traditions, the collection emphasizes the subjective nature of the human experience.
Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video and installation works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something (MOS), Chatchai Notananda’s process-oriented solo show at Haan Studio, and Houda Bakkali’s digital compositions at Alliance Française.
Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video, installation, and photographic works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something and Chatchai Notananda’s process-oriented solo show at the newly opened Haan Studio.
The Cafesjian Art Trust (CAT) Museum in Shoreview has launched "Abstraction and Ourselves," an exhibition marking the first time the institution has paired abstract painting with glass sculpture. Curated by Jill Ahlberg Yohe, the show was inspired by the discovery that renowned glass artists Stanislav Libenský and Jaroslava Brychtová were deeply rooted in Cubist traditions and abstract theory, leading to a broader exploration of international abstraction across different media.
The Cafesjian Art Trust (CAT) Museum in Shoreview has launched "Abstraction and Ourselves," a landmark exhibition that marks the first time a U.S. institution has paired abstract painting with glass sculpture in a dedicated showcase. Curated by Jill Ahlberg Yohe, the show features a diverse array of international artists, highlighting the formal connections between two-dimensional canvases and three-dimensional glass works.
Artists and sisters Darlene Belair and Karen Dheel are set to debut a collaborative exhibition titled "The Bird Sisters" on April 17 at the Michigan Wine and Beer Portal in Monroe. The three-month showcase features a diverse range of acrylic, watercolor, and mixed media paintings that reflect the duo's deep connection to the local landscape. Belair, a long-time community artist and resident at the River Raisin National Battlefield Park, will present nature-focused works, while Dheel will display plein air paintings and pieces inspired by the symbolism of ravens.
Leaked transcripts from the University of North Texas (UNT) reveal that Dean Karen Hutzel attributed the abrupt cancellation of artist Victor “Marka27” Quiñonez’s exhibition to fears of political retaliation. The show, titled “Ni de Aquí, Ni de Allá,” was shuttered shortly after opening at the CVAD Gallery without an initial public explanation. The transcripts indicate that administrators feared the provocative nature of the work—specifically pieces addressing incarceration and deportation—could lead Texas Republican lawmakers to slash university funding or eliminate programs, following a pattern of ideological clashes at other state institutions.
The National Pavilion UAE has unveiled details for its exhibition at the 2026 Venice Biennale, titled "Washwasha." Curated by Bana Kattan with assistant curator Tala Nassar, the show features six artists—Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva—whose works explore contemporary soundscapes, memory, and transformation in the UAE. The exhibition will be housed in a pavilion designed by Buro Koray Duman Architects, featuring a series of chambers that transition from intimate listening spaces to areas of sonic overlap.
Dr. Jayasimha “Jay” Murthy, a Houston-based pulmonologist, has opened a solo exhibition titled "World: Photographs" at the Houston Museum of African American Culture. The show features a collection of high-clarity digital landscapes captured across the globe, including a signature shot of a Fofoti tree in Aruba. Murthy, who pivoted from watercolor to digital photography to balance his medical career, draws a direct parallel between the precision of electron microscopy used in lung research and the composition of his artistic photography.
The Country Music Hall of Fame and Museum has launched a new community art exhibition titled "Connection" within its Taylor Swift Education Center. The showcase features letterpress posters created by Metro Nashville Public Schools students and artists from Friends Life Community, a nonprofit supporting adults with developmental disabilities. Developed in collaboration with the historic Hatch Show Print shop, the works utilize action words and imagery to envision a future centered on social causes and creative unity.
Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.
The Gallerie d'Italia in Naples has opened an exhibition featuring contemporary paintings by American artist Alexi Worth alongside ancient Attic and Magna Graecia ceramics. The show creates a deliberate visual and thematic conversation between the modern works and the classical artifacts.
The Austin Arts, Culture, Music, and Entertainment (ACME) department has launched open calls for two major public art initiatives: the 2026–28 People’s Gallery at Austin City Hall and the 2026 Changing Exhibits Program at Austin-Bergstrom International Airport. Local artists and organizations from the Austin area are invited to submit 2-D and 3-D works for the City Hall exhibition, while the airport program seeks multi-disciplinary proposals under the theme "Vestiges of the Future." Applications are open until May 31, 2026, with no submission fees required.
British artist and critic Matthew Collings has sparked intense legal and ethical debate with his exhibition "Drawings Against Genocide" at Joseph Wales Studios in Margate. The show features graphic imagery, including depictions of Jewish figures consuming infants and denials of sexual violence committed on October 7, 2023. Despite calls from Israeli officials and Jewish community members for legal intervention, Kent Police have stated that no criminal offenses were identified, as the work is currently classified as political criticism rather than a direct incitement of racial hatred.
A Florida artist, while preparing for an approaching hurricane, decided to paint a calming scene of a sailboat on a peaceful bay as a form of stress relief. This spontaneous act, captured in a video that went viral, has now led to a full-fledged solo exhibition of her work at a local gallery.
China's National Cultural Heritage Administration has mandated a comprehensive, item-by-item inventory of all state-run museum collections following a major scandal at the Nanjing Museum. The audit aims to verify that objects listed in official records physically exist in storage, a direct response to the discovery that donated national treasures, including a valuable Ming dynasty painting, were improperly transferred or sold into the private market over decades.
Tad Smith, former CEO of Sotheby's and current chairman of the NFT project Doodles, has agreed to acquire most of the assets of the digital collectibles platform Candy Digital. Upon the deal's expected closure in the coming weeks, Smith will also assume the role of CEO, signaling a significant personal and financial bet on the future of the sector.
Archaeologists in Luxor have discovered 22 painted wooden coffins containing mummies, along with eight sealed papyrus scrolls, in a tomb within the Theban Necropolis. The coffins, dating to Egypt's Third Intermediate Period (1077–664 BCE), were found stacked in a rock-cut chamber, indicating they had been moved from their original burial sites.
Scholar Lucy Munro of King’s College London has identified the precise location of William Shakespeare’s only owned London home in the Blackfriars neighborhood. By analyzing a 1668 property map created after the Great Fire of London, Munro pinpointed the site—now occupied by Ireland Yard and St. Andrew’s Hill—which was previously known only through vague historical references to the Blackfriars Gatehouse.