Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at age 81 in Berlin. His vast collection focused on 20th-century avant-garde movements, from Dada and Bauhaus to Fluxus and Arte Povera, and was distinguished by its deep archival holdings of letters, diagrams, and ephemera that documented the intellectual processes behind the art.
The Brooklyn Public Library hosted an overnight festival called "Night in the Library: The Philosophy of Mathematics" on Pi Day, March 14. The event featured a diverse program including tap dancing, textile workshops, talks by novelist Michael Cunningham and artist Molly Crabapple, and concerts, all aimed at exploring math's connections to broader culture. Filmmaker Werner Herzog delivered the keynote address, titled "Mathematics and the Sublime," in which he argued that mathematics is a new form of art, loaded with meaning and poetry.
The historic San Francisco Art Institute campus, which shuttered in 2023 following bankruptcy, is being revitalized as the California Academy of Studio Arts (CASA). Founded by billionaire philanthropist Laurene Powell Jobs, the new center will offer a free, unaccredited, year-long studio program for up to 30 emerging visual artists. The initiative aims to foster an experimental environment inspired by Black Mountain College, providing mentorship, workshops, and public engagement platforms.
The Dalí Museum in St. Petersburg, Florida, has announced a $65 million expansion project set to break ground in 2026. The 35,000-square-foot addition, designed by the Beck Group, will feature flexible gallery spaces for immersive digital art experiences, a dedicated K-12 learning center, and community-focused programming areas. The project, titled "Reveal," aims to modernize the institution's infrastructure while reinterpreting the architectural language of its existing 2011 building.
mark bradford carrie may weem latest artists commissioned obama presidential center
The Obama Presidential Center in Chicago has announced its latest cohort of commissioned artists, featuring high-profile names such as Mark Bradford and Carrie Mae Weems alongside local Chicago talents like Tyanna J. Buie and the duo Sam Kirk + Dorian Sylvain. These site-specific installations will be integrated across the center's 19-acre campus, including a three-story atrium collage by Bradford and a jazz-inflected photo mural by Weems. The project, which has already engaged over two dozen artists including Maya Lin and Julie Mehretu, is overseen by art program leaders Louise Bernard and Virginia Shore with direct input from the Obamas.
The Indianapolis Museum of Art at Newfields has officially closed The Lume, its controversial immersive digital art gallery, following the conclusion of its final exhibition on Indigenous Australian art. Since its 2021 launch, the high-tech space hosted popular digital spectacles featuring the works of Van Gogh, Monet, and Dalí, but it will now be repurposed for a new contemporary art initiative that the museum claims will expand how audiences experience art.
Butter, the Indianapolis-founded art fair known for returning 100 percent of sales proceeds to artists, is making its Los Angeles debut at Hollywood Park in Inglewood. Organized by the cultural development firm GangGang, the fair coincides with Frieze Week and features works by Black visual artists including Micah Johnson, Micaiah Carter, and April Bey. The event includes a robust programming schedule featuring a collaborative installation by Lauren Halsey and a screening commemorating the 50th anniversary of Ernie Barnes’s "The Sugar Shack."
Pierre Huyghe has unveiled his most ambitious project to date in Berlin, a major exhibition titled 'Liminals' staged at the cavernous Halle am Berghain. Commissioned by the LAS Art Foundation as part of its 'Sensing Quantum' program, the installation features a massive 50-minute film projected in a former electrical station, accompanied by a droning, atmospheric soundscape. The work continues Huyghe’s exploration of AI-driven systems and 'unworlding,' attempting to create a space that transcends human subjectivity through bio-technological environments.
Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.
Casa Batlló, a UNESCO World Heritage Site in Barcelona designed by Antoni Gaudí, has opened a new exhibition space called Casa Batlló Contemporary dedicated to contemporary art. The program launched with a show by United Visual Artists (UVA), a London-based collective founded by Matt Clark, running from January 31 to May 17. The space, located on the second floor and restored by architecture studio Mesura, will host two annual exhibitions. This initiative expands on Casa Batlló’s existing "Mapping" series, which commissions artists to project audiovisual works onto Gaudí’s façade.
The Andy Warhol Foundation for the Visual Arts is launching a new grant program to support U.S.-based visual arts nonprofits with budgets under $200,000, offering awards between $20,000 and $30,000. The program will begin accepting applications for its Spring 2026 grant cycle, with a deadline of March 1. This marks a significant expansion of the foundation's previous focus, which had been on organizations with budgets of $300,000 or more.
Chinese artist and dissident Ai Weiwei returned to China last month for the first time in a decade, visiting Beijing for three weeks after years of exile in Europe. His passport had been confiscated in 2015, ending travel restrictions tied to his political dissent. Upon arrival, Ai was interrogated for nearly two hours at Beijing's airport before being granted entry. He documented the trip on Instagram, including a reunion between his 17-year-old son and 93-year-old mother, and described the experience as like reconnecting a long-disconnected phone call.
Artist Briony Godivala is performing a year-long piece called *The Inked Link*, in which she has a QR code tattooed on her forearm that redirects to a new link each day based on public votes. Since January 2025, the voting site has been hacked to repeatedly play an anime episode, and participants have submitted links to pornographic, fascist, and racist content, as well as footage of death. Godivala, a graduate of the Glasgow School of Art, previously explored collective responsibility in physical performances where audience members carried her until they dropped her; she now uses social media to continue these experiments in a virtual space.
Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.
The di Rosa Center for Contemporary Art in Napa, California, has listed its 217-acre estate for $10.9 million amid ongoing financial struggles. The property, which houses a significant collection of postwar Northern California art including works by Mark di Suvero, Peter Saul, and Jay DeFeo, was founded by collector Rene di Rosa and his wife Veronica. The center has been seeking financial stability since 2019, when it briefly attempted to sell its holdings before reversing course after local backlash. Director Kate Eilertsen hopes a wealthy philanthropist will purchase the estate and lease it back to the center, or that Napa County may acquire the land for public use while preserving the sculptures.
The Chanel Culture Fund has announced the 10 recipients of its 2026 Chanel Next Prize, each receiving €100,000 ($117,400). The winners, announced on January 19 in London, include visual artist Álvaro Urbano, jazz musician Ambrose Akinmusire, fashion designer Andrea Peña, artist and filmmaker Ayoung Kim, fashion designer and artist Bárbara Sánchez-Kane, sound artist Emeka Ogboh, choreographer Marco da Silva Ferreira, experimental musician Pan Daijing, filmmaker Payal Kapadia, and painter Pol Taburet. The biennial prize, now in its third edition, also includes a two-year mentorship program in collaboration with Chanel’s cultural partners, such as London’s Royal College of Art.
California College of the Arts (CCA), the Bay Area's last private art and design school, will close after the 2026–27 academic year, ending 116 years of operation. Vanderbilt University will acquire CCA's San Francisco campus and open a West Coast outpost in 2027, continuing some art and design programs. The closure follows years of financial struggles, including a $20 million deficit, declining enrollment from 1,800 to 1,295 students, and emergency fundraising that raised nearly $45 million—including a $22.5 million matching gift from the Jen-Hsun and Lori Huang Foundation and a $20 million state grant—but proved insufficient to ensure long-term independence.
The Joan Mitchell Foundation has announced the 31 artists selected for its 2026 residency program at the Joan Mitchell Center in New Orleans. The residencies, lasting six or 14 weeks across three seasons, will host no more than nine artists at a time, beginning February 2. The cohort includes 17 local New Orleans artists and participants from cities such as New York, San Francisco, Chicago, Boston, and Atlanta, ranging in age from 27 to 75. Notable participants include Edra Soto, who also won a United States Artists Fellowship, and two leaders of New Orleans’s Black Masking Indian tradition, Kelly Pearson Boles and Efrem Z. Boles. The selection was made by a jury of artists, curators, and academics.
The Obama Foundation has commissioned artist Theaster Gates to create an expansive frieze for the Pendleton Atrium of the Obama Presidential Center (OPC), set to open on Chicago’s South Side in 2026. The installation will draw from the Johnson Publishing Company image archive and the Howard Simmons photographic collections, celebrating the visual archives of Ebony and Jet magazines. Gates, who founded the Rebuild Foundation in 2009, will join nine other artists—including Kiki Smith, Nick Cave, Marie Watt, Jenny Holzer, and Idris Khan—whose works were announced in September for the OPC campus.
Banksy has unveiled two identical murals in London, one near Tottenham Court Road Tube station and another in Queen's Mews, Bayswater. The artwork depicts two children lying on their backs, one pointing skyward, and was confirmed via the artist's Instagram. The piece appears during the Christmas season, but its placement near the landmark Centre Point skyscraper—a symbol of London's housing crisis—suggests a critique of homelessness and unaffordable housing.
A new Banksy mural appeared on a wall in west London on Monday, December 22, 2025, depicting two children in winter clothing lying on their backs and gazing at the sky. The stenciled artwork, located on Queen’s Mews in Bayswater near Notting Hill, was officially claimed by Banksy via Instagram. An identical version was also spotted outside the Centre Point tower in central London, though not yet claimed. The piece has sparked widespread speculation about its meaning, with interpretations ranging from a commentary on childhood imagination and wonder to a satirical critique of consumerism and the replacement of sacred values by utility.
Art Basel launched its inaugural Art Basel Awards ceremony at the New World Center in Miami Beach during Art Basel Miami Beach week. The awards, first introduced in New York in May, recognized 36 medalists across categories including Icon, Established, Emerging, Patron, Institution, Curator, and Media & Storytelling. Top winners included Cecilia Vicuña (Icon), Nairy Baghramian and Ibrahim Mahama (Established), Mohammad Alfaraj and Saodat Ismailova (Emerging), and Meriem Bennani (BOSS Award). The event was hosted by musician and collector Kasseem "Swizz Beatz" Dean, with performances by cellist Kelsey Lu and recorded narration by actor Emma D'Arcy. Each artist received $50,000, and established artists will debut commissions at Art Basel in Switzerland next year.
Miami Beach announced Ximena Garrido-Lecca as the winner of its 2025 Legacy Purchase Program, acquiring her copper-rope work "Modulations – Sequence XXIX" for the municipal collection. The piece, shown with Livia Benavides Gallery, was selected by public vote and has been installed at the Miami Beach Convention Center. Separately, the sixth edition of the No Vacancy public-art program placed 12 site-specific installations in hotel lobbies across the city, running from November 13 through December 20, with $35,000 in total prizes.
Barbra Streisand posted on Instagram expressing regret over selling Gustav Klimt's "Ria Munk on her Deathbed" (1912), which she owned for 30 years. The post came three days after another Klimt portrait set a record at auction. Streisand bought the painting in 1969 for $17,000 and sold it in 1999, explaining she had shifted her interest to Frank Lloyd Wright and the Arts & Crafts movement.
A 1987 Bob Ross painting, *Cabin at Sunset*, sold for $1.04 million in a benefit auction hosted by late-night comedian John Oliver, setting a new auction record for the artist. The work was painted during the second episode of the 10th season of Ross's television series *The Joy of Painting*. The online sale, which concluded November 24, included 65 eclectic lots—from presidential wax figures to a signed bucket of dolls—and raised funds for the Public Media Bridge Fund, which supports independent broadcasters amid federal cuts to public broadcasting.
The second edition of Manar Abu Dhabi has launched under the theme “The Light Compass,” featuring 22 site-specific light-based installations across Abu Dhabi and Al Ain through January 4, 2026. Organized by the Department of Culture and Tourism – Abu Dhabi, the exhibition includes works by Emirati and international artists such as Pamela Poh, DRIFT, Shaikha Al Mazrou, Rafael Lozano-Hemmer, and KAWS, with venues spanning Jubail Island, Al Jimi and Al Qattara oases, and Mina Zayed. A parallel performance program and educational lectures accompany the installations.
The School of the Art Institute of Chicago (SAIC) laid off three of five staff members of its Video Data Bank (VDB), including director Tom Colley, as part of 20 total layoffs across the institution. The cuts, announced on November 12, eliminated leadership and key distribution and digital management roles, sparking outcry from the new-media art community. VDB, founded in 1976, is a leading archive of video art with over 6,000 works by artists including Nam June Paik, Bruce Nauman, and Pipilotti Rist, distributed worldwide via subscription streaming.
The Park Avenue Armory in New York has announced its 2026 program, headlined by the US premiere of Marina Abramović's provocative performance piece "Balkan Erotic Epic" on December 8. The four-hour work, centered on nude fertility rituals rooted in Balkan traditions, will be joined by other multidisciplinary works including Céleste Boursier-Mougenot's sound installation "clinamen," Steve Reich's "Music for 18 Musicians" conducted by Alan Pierson, a Simon Stone production of "The Cherry Orchard" set in modern-day Seoul, and a Benjamin Millepied dance piece based on Romeo and Juliet. All performances will take place in the Armory's Drill Hall.
The Brooklyn Public Library (BPL) has launched an experimental art lending program alongside its new exhibition “Letters for the Future,” created with the artist-organized group Department of Transformation. The show features works by 35 artists, including a print by Kameelah Janan Rasheed and a box of spell jars by the duo Hilma’s Ghost. Twenty artworks—ranging from magnets and banners to prints and original works on paper—are available for patrons to borrow, reviving a BPL initiative from the 1950s and ’60s.
Preservationists are petitioning to save Washington, D.C.'s Wilbur J. Cohen Federal Building, known as the 'Sistine Chapel of New Deal Art' for its 20th-century murals by Philip Guston and Ben Shahn. The Trump administration has listed the building for sale under an 'accelerated disposal' program, raising fears it could be demolished. The nonprofit Living New Deal launched a petition demanding transparency and public participation, as the building is one of 45 federal properties slated for swift sale. The structure, completed in 1940, houses ten New Deal-era artworks including frescoes, relief sculptures, and murals, and has been home to Voice of America since 1954.