Lo Brutto Stahl presents "Where It Doesn’t Reach," a group exhibition featuring works by Bas Jan Ader, Hélène Janicot, and Park McArthur, running from March 27 to May 2, 2026, at both its Basel and Paris locations. The show brings together three artists whose practices explore absence, gesture, and the limits of perception, with the press release and floor plan available on the gallery's website.
Arch Enemy Arts in Philadelphia is presenting 'Common Waters,' a group exhibition running from June 5 to July 5, featuring 60 artists from around the world. The show celebrates marine wildlife and lore through square-format works that range from fantastical depictions of coral-haired sirens and octopuses to miniature paintings and sculpted paper reliefs of sea turtles. A portion of sales proceeds will be donated to PangeaSeed, a non-profit that uses art to advocate for ocean conservation.
Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta
Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.
Italian artist Davide Rivalta has installed thirteen monumental bronze sculptures of lions, buffalo, and rhinoceroses across Stockholm, Sweden, in a project titled "Blowing Figures into Space." Organized by the Italian Cultural Institute of Stockholm, the works are placed in strategic locations including Mynttorget, Gamla Stan, Ladugårdsgärdet, and Hagaparken, with installations rolling out from April 2025 through summer 2027. The first sculpture was unveiled near the Swedish Parliament during Stockholm Art Week, and additional animals will appear in public parks on August 29.
A satirical statue has appeared in Waterloo Place, London, depicting a man in a suit with his face covered by a large waving flag. Initially met with skepticism due to its unusual chalk signature and three-dimensional form—departing from Banksy's typical stencil and mural work—the artist later claimed the piece via an ironic video on his Instagram page. The statue stands near the Crimean War Memorial and statues of Edward VII and Florence Nightingale, and is interpreted as a critique of authoritarian trends in democracies.
Cosa sono questi “art club” che Alessandro Benetton sta aprendo in giro per l’Italia? Il racconto
21Art, a company founded by Alessandro Benetton based on a project by entrepreneur Davide Vanin, is expanding its network of gallery spaces and affiliated 'Art Clubs' across Italy and into Monaco. This spring, a new location in Montecarlo will join existing galleries in Rome, Padua, and Treviso, with plans for further openings in Milan, Cortina, and Jesolo by 2027. The expansion is accompanied by a spring 2026 exhibition program featuring shows by Mario Ceroli in Treviso, Ahmet Güneştekin in Rome, and Jan Fabre in Montecarlo.
“Lo stato del mondo? Un atto di follia”. Intervista con Ai Weiwei che arriva a Milano con un’installazione a sorpresa
Chinese artist and activist Ai Weiwei has unveiled a surprise site-specific installation in Milan, created in collaboration with the historic Venetian textile house Rubelli. Located in the Rubelli showroom for Fuorisalone 2026, the immersive work features a large-scale lampas fabric woven with silk and gold threads, depicting symbols of surveillance, censorship, and political struggle such as handcuffs, the Twitter bird, and alpacas.
A Verona il museo di Palazzo Maffei apre un nuovo spazio polifunzionale recuperando un’antica cappella
Palazzo Maffei House Museum in Verona has inaugurated a new multifunctional space called "Il Monastero," following the restoration of an ancient chapel located behind the main palace. Inspired by a memory of seeing Miquel Barceló’s work in a deconsecrated Sicilian church, director Vanessa Carlon spearheaded the project to create a contemplative, intimate environment for exhibitions and educational activities. The restoration uncovered original frescoes, vaults, and columns, breathing new life into a previously neglected corner of the city's historic center.
Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?
Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.
L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)
Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.
The New York Transit Museum's Grand Central Gallery is presenting "Inspired by MetroCard," a free exhibition running through October 2026 that transforms the city's iconic fare card into works of art. The show features paintings, collages, mosaics, and wearable pieces created from thousands of MetroCards by artists including VH McKenzie, Nina Boesch, Juan Carlos Pinto, Barbara Kruger, Nina Vishneva, and Thomas McKean. Curator Jodi Shapiro organized the exhibition, which is located in the museum's gallery and store within Grand Central Terminal's Shuttle Passage.
Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.
León Gallery's The Kingly Treasures Auction 2025, taking place on December 6 at 2 p.m., features works by leading Filipino contemporary artists. The sale highlights Bernardo Pacquing's experimental abstractions, Leo Valledor's geometric explorations, Jigger Cruz's layered and destructive techniques, and Manuel Ocampo's provocative social commentaries, among others.
Phillips auction house has launched a selling exhibition titled "Crossing Borders" at its Berkeley Square location in London, featuring 64 South Asian Modernist artists including Bhupen Khakhar, Huma Bhabha, Rasheed Araeen, and Nilima Sheikh. The show, organized in collaboration with Grosvenor Gallery, includes major market figures like S.H. Raza and F.N. Souza alongside lesser-known names such as Ahmed Parvez and Viswanathan. Prices range from £5,000 to £1.5 million, with works jointly consigned and profits shared between Phillips and Grosvenor. The exhibition marks Phillips' most significant entry into the South Asian art market, a sector long dominated by Sotheby's, Christie's, and Bonhams.
Mountain Galleries, a Canadian fine art gallery group, has opened a new location inside the Fairmont Empress hotel in downtown Victoria. The space features works by established artists such as Paul Nicklen, Ann Murphy, Charlie Easton, and Robert E. Wood, alongside contemporary voices from the Off-Piste Fine Arts group including Jane Waterous, John Clinton, and David Yarrow. A grand opening celebration is scheduled for June 26th, 2025, from 4 p.m. to 6 p.m., with champagne and free admission by RSVP.
Japanese artist Goro Kakei is presenting a solo exhibition across two locations of Taka Ishii Gallery in Tokyo: the Kyobashi and Roppongi spaces. The exhibition is documented with 57 images, showcasing Kakei's work in a significant gallery presentation.
Curator Yasmin Sarnefors challenges the traditional boundaries of portraiture in the exhibition 'What Faces Do Not Say,' which features artists from Africa and its diaspora. Moving away from the expectation of physical resemblance, the show explores identity through ambiguity, memory, and the use of archives, landscapes, and abstract gestures. By presenting works that obscure or transform the human face, the exhibition highlights the psychological and political dimensions of how individuals are perceived and represented.
RYAN LEE Gallery in New York is presenting "traces," an exhibition featuring embroidery, installation, sculpture, video, and works on paper by artist Tiffany Chung. The show runs from May 14 to June 20, 2026, at the gallery's location on West 26th Street.
Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.
Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.
Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.
Praise Shadows Art Gallery, a contemporary art gallery focusing on untapped and unrecognized artists, has relocated from Coolidge Corner in Brookline to a larger 2,000-square-foot space on Kingston Street in downtown Boston. The gallery reopened in mid-March after moving in January, with founder and CEO Yng-Ru Chen citing the convenience and breathing room of the new location. The move was facilitated by the Mayor's Office of Arts and Culture and the Downtown Boston Alliance, which aims to fill vacant storefronts with arts businesses and revitalize the neighborhood.
Gladstone Gallery is set to host a solo exhibition of contemporary painter Aaron Gilbert at its Brussels location from April 22 to June 27, 2026. Gilbert’s work is characterized by its deep psychological and philosophical exploration of the human condition, utilizing figurative painting to navigate complex emotional and societal landscapes. His practice is deeply rooted in art history, drawing stylistic and thematic inspiration from sources ranging from Italian Quattrocento and Byzantine icons to Mexican Retablos and the Expressionism of the Weimar Republic.
Choreographer Florentina Holzinger, known for her extreme and provocative performances, has joined the roster of the Thaddaeus Ropac gallery. This move coincides with her preparation to represent Austria at the 61st Venice Biennale in 2026 with a site-specific performance project titled SEAWORLD VENICE.
London-based arts non-profit The Arts Family (TAF) will present a curated showcase of award-winning contemporary artists from the TAF Emerging Artist Award – South Asia 2025 at the India Art Fair 2026, held from 5th to 8th February at the NSIC Exhibition Grounds in New Delhi. The presentation, located in the fair’s Institutional Section at Booth M-04, features winners including Deena Pindoria (1st winner), Ritika Sharma and Akshay Bhoan (2nd winners), Mohit Shelare (3rd winner), and Deshna Shah (Special Mention). Deshna Shah will also have a solo exhibition at Nature Morte in April 2026.
UK-based Clarendon Fine Art is opening a new gallery in Wellesley Square, Massachusetts, at 25 Central St., the former location of Laurel Grove. The business, which operates dozens of galleries in the UK and one in Westport, Connecticut, specializes in international, contemporary, and modern art. Clarendon is scheduled to meet with the Wellesley Design Review Board regarding minor construction and a sign review, including making the entrance ADA compliant. Separately, Wellesley Books has renewed its lease at 82 Central St. for another five years, ensuring the independent bookstore remains a community fixture.
Morrison Gallery in Kent, Connecticut, will host 'What Lurks On Channel X?', the first-ever gallery exhibition of musician and filmmaker Rob Zombie's paintings, from October 25 to November 16, 2025. The show features over ten large-scale works on canvas that blend pop culture icons—from Bela Lugosi and Charles Manson to Archie Comics characters and classic comedians—reflecting Zombie's childhood immersion in television.
English artist Hilary Lloyd has opened a new exhibition at Studio Voltaire in London titled 'Very High Frequency,' which reimagines the life and work of playwright and television dramatist Dennis Potter. Through a series of short films featuring Potter's collaborators, including actors Gina Bellman, Alison Steadman, Richard E Grant, and producer Kenith Trodd, Lloyd constructs a theatrical biography that explores Potter's enduring influence. The exhibition eschews traditional formats, scattering monitors and screens in unexpected locations to mirror Potter's own blending of reality and fantasy, and incorporates footage from his iconic works such as 'The Singing Detective' and 'Pennies from Heaven.'
Ilya and Emilia Kabakov's participatory art project *Ship of Tolerance* (2005–present) has been reinstalled at Oakville Galleries on Lake Ontario, near Toronto, opening on 31 May as part of the exhibition *Between Heaven and Earth* (through 20 September). The project, which involves children from diverse backgrounds creating painted sails for a 60-foot wooden boat, has previously traveled to locations including Siwa, Egypt; the Venice Biennale; Sharjah; Brooklyn; Miami; Moscow; and London. Emilia Kabakov continues to lead the project after Ilya Kabakov's death in 2023, and the latest iteration arrives amid global crises including wars, migrant displacement, and US President Donald Trump's threats to annex Canada.
The 61st Venice Biennale opened in May 2026 amid strikes, protests, and political unrest, rather than celebration. Coordinated by Italian labor groups and transnational coalitions, demonstrators targeted the Biennale's decision to allow participation by Israel and Russia during the ongoing wars in Gaza and Ukraine. The Art Not Genocide Alliance (ANGA) led protests against Israel's participation, while Pussy Riot and FEMEN activists staged a protest outside the Russian pavilion. The Israeli pavilion's relocation from the Giardini to the Arsenale added symbolic weight, with critics viewing it as institutional endorsement. The late curator Koyo Kouoh's vision for the exhibition, titled "In Minor Keys," emphasized tenderness and complexity, contrasting with the volatile atmosphere.