The National Gallery of Victoria in Melbourne is hosting a major exhibition of Cartier’s historic jewelry and objects, organized in partnership with the Victoria and Albert Museum. The showcase features over 300 items, ranging from the iconic 1917 Tank watch and the surrealist 1967 Cartier Crash to opulent commissions for figures like the Maharaja of Patiala, the Duchess of Windsor, and Grace Kelly.
Gladstone Gallery has opened a solo exhibition of American painter Maureen Gallace, marking the gallery's final presentation at its Cheongdam-dong location in Seoul. The show features Gallace’s signature small-scale oil and acrylic paintings, which utilize a wet-on-wet technique to depict rural and coastal landscapes of the American Northeast. These works are characterized by a process of reduction, stripping away specific details and human presence to balance between figuration and abstraction.
The Metropolitan Museum of Art has announced details for its 2026 Costume Institute exhibition, titled 'Costume Art,' which is set to open on May 10, 2026. Curated by Andrew Bolton, the show will explore the 5,000-year history of the 'dressed body' by juxtaposing contemporary and historical fashion with sculpture, antiquities, and portraiture from across the museum’s 17 departments. The exhibition will be preceded by the annual Met Gala on May 4, 2026, serving as the primary fundraiser for the department.
The Princeton University Art Museum has opened "Willem de Kooning: The Breakthrough Years, 1945-50," an exhibition featuring 22 pivotal works from a transformative period in the artist's career. The show highlights de Kooning’s unique ability to balance abstraction with representational elements, showcasing masterpieces like "Gansevoort Street" and "Dark Pond." Unlike his contemporaries who moved toward pure abstraction, de Kooning’s work from this era remains anchored in the physical world, capturing the energy of mid-century Manhattan and the natural landscape through a radical use of line and gesture.
Art Paris 2026 will return to the Grand Palais from April 9th to 12th, featuring 165 galleries from over twenty countries. This edition is anchored by two major curated themes: 'Babel: Art and Language in France,' led by Loïc Le Gall, and 'Réparation,' an exploration of healing and memory curated by Alexia Fabre. The fair maintains a strong focus on discovery through its 'Promesses' sector for young galleries and a dedicated 'Solo Show' section featuring 24 monographic presentations.
The Yale Center for British Art is set to debut its 2023 acquisition, Rina Banerjee’s monumental sculpture "Take me, take me, take me . . . to the Palace of love," in a dedicated exhibition running from February to July 2026. The work is a translucent, pink cellophane reimagining of the Taj Mahal, suspended from the ceiling and filled with a mix of colonial relics and mass-produced consumer goods like plastic beads and foam balls.
The Norton Museum of Art in West Palm Beach has opened two concurrent exhibitions dedicated to women artists. 'Women of the Norton' showcases over 70 works from the museum's permanent collection, while 'Women of the Norton: The 21st Century' focuses on contemporary acquisitions, featuring artists like Amy Sherald and Mickalene Thomas.
San Francisco’s museum landscape is undergoing a significant shift this April, anchored by the major reinstallation "Reimagined: The Fisher Collection at 10" at SFMOMA. The exhibition marks a decade of the museum's partnership with the Doris and Donald Fisher Collection, featuring works by Alexander Calder, Sol LeWitt, and Roy Lichtenstein across multiple floors. While the city celebrates these high-profile openings and the announcement of SECA Art Award finalists, the local scene faces challenges as the Mission Cultural Center for Latino Arts has suspended operations due to institutional difficulties.
Christie’s has announced a major auction titled "SILSILA: Highlights from the Dalloul Collection," scheduled for November 6, 2025, in London. The sale features 20 exceptional works from the Beirut-based Dalloul Collection, a premier repository of Modern and Contemporary Middle Eastern art, alongside pieces from other private owners. Key highlights include masterpieces by Paul Guiragossian, Mahmoud Saïd, and Samia Halaby, with a specific focus on Lebanese and Palestinian artistic heritage.
The Walker Art Center in Minneapolis is navigating the civic distress caused by 'Operation Metro Surge,' a federal immigration enforcement initiative that has disrupted the lives of local artists, staff, and residents. In response to the atmosphere of fear and the shift to virtual schooling, the museum has positioned itself as a sanctuary, offering art-making kits, indigenous-led workshops, and public screenings to foster community resilience.
The Rijksmuseum in Amsterdam has officially authenticated a previously dismissed painting, 'The Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. Long considered a mere copy of a lost original, the piece has been upgraded following extensive research by the museum's scholarly team. Simultaneously, the 82nd Whitney Biennial has launched in New York, while the escalating conflict in the Middle East raises concerns regarding the stability of the burgeoning cultural tourism sector in the Persian Gulf.
Hong Kong’s art week is shifting from a post-pandemic recovery phase to a more exploratory period defined by innovative fringe events. A standout newcomer is the Central Yards Edible Art Fair, a 20,000-square-foot immersive experience at the Central Harbourfront that blends art history with culinary treats. The fair features ten zones themed after major movements like Impressionism and Surrealism, including a neo-pop installation where visitors can win jelly balloon dogs inspired by Jeff Koons.
The Memorial Art Gallery (MAG) in Rochester has launched a series of new installations, headlined by the exhibition "Picasso and the Progressive Proof: Linocuts from a Private Collection." This show provides an intimate look at Pablo Picasso’s late-career printmaking innovations, specifically focusing on the evolution of three major linocuts through their various proofs. Additionally, the museum has debuted Rashid Johnson’s 2019 film "The Hikers" and several new contemporary acquisitions, including works by Donald Moffett and Hugo McCloud, while its major Impressionism survey enters its final days.
The Metropolitan Museum of Art has announced a major exhibition titled "Krasner and Pollock: Past Continuous," scheduled to run from October 2026 to January 2027. This landmark show will trace the parallel careers of Lee Krasner and Jackson Pollock, marking the first significant New York presentation for either artist in over two decades. The exhibition aims to examine their distinct yet interconnected practices as artistic peers and life partners, featuring galleries that both juxtapose their works and present them independently to highlight their individual evolutions in abstraction.
The Metropolitan Museum of Art has unveiled details for its Spring 2026 Costume Institute exhibition, titled "Costume Art," and the accompanying Met Gala. Opening May 10, 2026, the exhibition will explore the relationship between the dressed body and art history by pairing garments with artworks from the museum's permanent collection. The event will also inaugurate the new 12,000-square-foot Condé M. Nast Galleries, designed by Peterson Rich Office, which are dedicated to fashion and cross-departmental displays.
Frieze Los Angeles has returned to the Santa Monica Airport for its seventh edition, marking the first iteration since the fair was acquired by Ari Emanuel’s live events venture, Mari. The event features nearly 100 galleries from 22 countries, balancing global powerhouses like Gagosian and Hauser & Wirth with a strong contingent of local Los Angeles mainstays. Fair director Christine Messineo emphasized the fair's role as a central gathering point for the international collecting community within the city's sprawling landscape.
London's National Gallery is implementing significant staff cuts and restructuring its operations to address a projected £8.2 million deficit for the 2026-27 financial year. The institution will first offer a voluntary exit scheme to its nearly 500 staff, with compulsory redundancies possible if savings are insufficient. The financial crisis stems from rising operational costs, stagnant income, and visitor numbers that have not fully recovered to pre-pandemic levels, despite a recent boost from a popular Van Gogh exhibition.
The Reina Sofía Museum in Madrid has closed its garden for maintenance and temporarily closed its two satellite buildings, the Glass Palace and Velázquez Palace in El Retiro Park, for renovation. The main museum remains open, showcasing its renowned collection of modern and contemporary art, including Picasso's Guernica and works by Dalí, Miró, and Bourgeois.
A major retrospective of Gwen John, one of Britain's greatest 20th-century artists, is opening at National Museum Cardiff on the 150th anniversary of her birth. The exhibition, titled 'Gwen John: Strange Beauties,' brings together works from across the UK and the USA for the first time, including a significant collection acquired from her nephew Edwin in 1976 that has never been extensively researched or exhibited. John, born in 1876 in Haverfordwest, Pembrokeshire, was long overshadowed by her younger brother, the artist Augustus John, and was often dismissed as a 'reclusive spinster.' However, curators and biographers now challenge that myth, revealing her as a socially engaged, determined artist who pursued her own path despite Victorian-era constraints on women.
The New Orleans Museum of Art (NOMA) will debut "Hayward Oubre: Structural Integrity," the first monographic exhibition dedicated to American modernist Hayward L. Oubre, Jr. (1916–2006). Organized by the Birmingham Museum of Art, the show features 48 sculptures, paintings, and prints, including Oubre's notable wire coat hanger sculptures, and runs from January 30 through May 3. Oubre, a New Orleans-born artist, was the first BFA graduate of Dillard University and later chaired art departments at Alabama State University and Winston-Salem State University, shaping a network of Black artists in the South.
The Muscarelle Museum of Art in Williamsburg, VA, has opened “Abstract Expressionists: The Women,” an exhibition featuring nearly 50 paintings by 32 women artists who were pivotal to the Abstract Expressionist movement. Running from January 23 through April 26, 2026, the show draws from the Christian Levett Collection and the FAMM (Female Artists of the Mougins Museum), France, and is organized by the American Federation of Arts. It spans the movement’s development from the late 1930s to 1977, with works by artists such as Lee Krasner, Joan Mitchell, Helen Frankenthaler, and Grace Hartigan, and is structured around four thematic sections covering New York, San Francisco, Paris, and the artists’ own voices.
The 12th edition of Fog Design+Art in San Francisco opened with a record-breaking preview gala on January 21, drawing over 2,700 guests. The fair features 65 presentations from local and international dealers, with standout booths including Jessica Silverman's blue-hued works and Hauser & Wirth's $1m sale of Jack Whitten's 'Solar Space' (1971). Large-scale paintings dominate, alongside a notable abundance of botanical imagery, while geometric abstractions outnumber representational works. The fair's director, Sydney Blumenkranz, noted a particularly buoyant mood and strong attendance from tech industry leaders.
The article reviews the exhibition 'Still Glasgow' at the Gallery of Modern Art in Glasgow, running from November 29, 2025, to June 13, 2026. Curated from the Glasgow Life Museums collection, it features around 80 photographic works from the 1940s to the present, including pieces by Bert Hardy, Oscar Marzaroli, Alan Dimmick, Iseult Timmermans, Joseph McKenzie, and Eric Watt. The show documents Glasgow's people and urban change, moving from earlier male documentary photographers to contemporary perspectives, and includes both still and moving images.
The Brooklyn Museum in New York City has opened a blockbuster exhibition titled "Monet and Venice," showcasing 37 canvases Claude Monet painted during his 1908 trip to Venice. The exhibition includes over 100 artworks, books, and ephemera, alongside works by Canaletto, J.M.W. Turner, and Pierre-Auguste Renoir, and features an original symphonic score inspired by field recordings from Venice. It highlights Monet's two-month stay, during which he painted iconic sites like the Palazzo Ducale and San Giorgio Maggiore, with letters from his wife Alice Hoschedé revealing personal insights into his creative process.
The New Museum on Manhattan's Lower East Side will reopen to the public on March 21, 2025, after a two-year closure for an $82 million expansion designed by OMA's Shohei Shigematsu and Rem Koolhaas with executive architect Cooper Robertson. The expansion adds 61,930 square feet—including 9,600 square feet of gallery space, education facilities, artists' studios, and event spaces—bringing the total footprint to 119,600 square feet. The new building will be named after the late philanthropist and curator Toby Devan Lewis. The reopening will feature site-specific commissions by Tschabalala Self, Sarah Lucas, and Klára Hosnedlová, and a building-wide thematic exhibition, 'New Humans: Memories of the Future,' with works by over 200 modern and contemporary artists.
The Mobile Museum of Art in Alabama announced a major upcoming exhibition titled "Gateway from Graffiti to Gallery," opening September 1 and running for a year. The show will feature 28 works by five iconic street artists: Jean-Michel Basquiat, Keith Haring, Kenny Scharf, Banksy, and Kaws, including a room-sized installation by Scharf. The works, never before assembled together, are on loan from collectors and investors worldwide through a collaboration with Masterworks, a company that enables fractional investment in blue-chip art. The museum also revealed plans for a 2027 exhibition of 25 leading female artists from the post-World War II abstract expressionist movement.
Al Park, a longtime music impresario in Lyttelton and Christchurch, shares his personal cultural highlights of 2025 in an end-of-year feature for The Press. His picks span books, films, music, poetry, and visual art, including the exhibition "Whāia te Taniwha" at Christchurch Art Gallery, which features works like Piri Cowie's bronze sculpture "Te Wheke – Aro Hā Series 2024." Park also looks ahead to 2026, noting his weekly event 'Al P and his P.A.Ls' and the upcoming "The Art of Banksy" exhibition at Christchurch Convention Centre Te Pae.
Art Basel and Frieze are both launching new fairs in the Arabian Gulf in 2026: Art Basel Qatar in Doha (5-7 February) and Frieze Abu Dhabi in Abu Dhabi (17-22 November). Art Basel Qatar will feature 87 galleries with solo artist presentations on the theme 'Becoming,' curated by artistic director Wael Shawky, with major dealers like Gagosian and David Zwirner participating. Frieze Abu Dhabi takes over the existing Abu Dhabi Art fair, with Dyala Nusseibeh remaining as director and Deutsche Bank as sponsor. Meanwhile, Independent's two New York fairs are moving to larger venues: the contemporary edition to Pier 36 on the East River in May, and Independent 20th Century to Sotheby's Breuer building in September. Art Cologne is also reviving its Mallorca edition at the Palau de Congressos in Palma.
The Petit Palais in Paris is hosting three winter exhibitions: a retrospective of 18th-century portraitist Jean-Baptiste Greuze (until January 25), a tribute to Finnish landscape painter Pekka Halonen (until February 22), and a solo show of contemporary artist Bilal Hamdad (until February 8). The Greuze exhibition is the first full retrospective dedicated to the artist, featuring around 100 works on loan from major collections. The Halonen show, the first major tribute to the Finnish painter in France, highlights his modernist snowy landscapes. Hamdad’s exhibition presents 20 large-scale paintings exploring urban solitude, drawing inspiration from Old Masters like Rubens and Manet.
The Cleveland Museum of Art has announced its full 2026 exhibition schedule, featuring four major shows: 'Manet & Morisot,' the first major exhibition dedicated to the artistic exchange between Édouard Manet and Berthe Morisot; 'Nexus,' showcasing works by American sculptor Martin Puryear; 'Spectacular Freedom,' exploring Andrew Wyeth's watercolors with over 100 works from his estate, most never before exhibited; and a Goryeo dynasty exhibition in partnership with the National Museum of Korea, centered on the reunification of ten 14th-century hanging scrolls depicting the 10 Kings of Hell. Additional exhibitions include 'still/emerging: Native American Works on Paper,' 'Epic of the Northwest Himalayas' featuring Pahari Ramayana paintings, and a photography show contextualizing Manet and Morisot's era.