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'You Must Change Your Life' at GRIMM, New York, United States on 26 Jun–7 Aug 2026

GRIMM gallery in New York presents "You Must Change Your Life," a group exhibition curated by Tom Morton, running from June 26 to August 7, 2026. The show features an international roster of painters and sculptors including Alexander Tovborg, Elinor Stanley, Sophie Ruigrok, Sara Rossberg, Jhonatan Pulido, Ken Kiff, Matthew Day Jackson, Ted Gahl, Gabriella Boyd, Anderson Borba, Kinga Bartis, Mahesh Baliga, and Charles Avery. The exhibition takes its title from the final line of Rainer Maria Rilke's poem "Archaic Torso of Apollo" (1918), exploring themes of how the past speaks to the present, the animation of materials, the fragment as synecdoche, and the transformative power of visual contemplation.

Anish Kapoor to show some of his most ambitious projects—realised or not—in Venice

Anish Kapoor will open an exhibition at Palazzo Manfrin in Venice on May 5, focusing on his architectural-scale sculptural projects—both realized and unrealized. The show includes around 50 to 70 models, with highlights such as *Cloud Gate* (2006) in Chicago, the Monte Sant’Angelo Metro Station in Naples, and unrealized plans for a work in outer space. New works include an immersive painting room, and *At the Edge of the World* (1998) has been remade in a dark black paint related to Vantablack. The exhibition runs through August, after which *Descent into Limbo* (1992) will be permanently installed on the Cannaregio site.

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Collector R Parmar has launched Enzo Art Fair, a new boutique satellite fair debuting during Frieze Week Los Angeles in Echo Park. Hosted at Parmar’s Alabaster Projects warehouse, the fair features nine New York-based galleries, including Magenta Plains and Silke Lindner, and operates on a non-traditional, cost-free model for both exhibitors and attendees.

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Artnet News released its mid-year intelligence report on the art market, led by Katya Kazakina's analysis titled “The Storm Hits the Art Market: Who’s Getting Swept Away?” The article cites major gallery closures including Blum, Venus Over Manhattan, and Kasmin, and quotes a collector warning that “blood will flow in the streets” before the market recalibrates. Kenny Schachter, an artist, dealer, and Artnet columnist, publicly criticized the coverage on Instagram, calling it alarmist and arguing that the market is “fucking fine.” The exchange has sparked a debate about the fairness and responsibility of art-market reporting.

Chicago’s Neighbors and Barely fairs show the strengths of smaller, alternative formats

Chicago’s art week is being defined by the success of alternative, small-scale satellite fairs like Barely Fair and Neighbors, which offer an intimate counterpoint to the massive Expo Chicago. Barely Fair, located in a storefront in McKinley Park, features 32 exhibitors presenting works in 20-inch-square miniature booths. This format encourages rigorous curation and creative risk-taking from a mix of artist-run spaces and established galleries, with price points ranging from $20 to $8,000.

art exhibition carlos vega anima mundi jack shainman

Carlos Vega's exhibition "Anima Mundi" is on view at Jack Shainman Gallery in New York through April 18. The show features Vega's large-scale paintings on lead substrate, which depict a psychedelic, Edenic universe filled with nymphs, extraterrestrial flora, galaxies, and portals. Vega, who is also the husband of gallerist Jack Shainman, draws on ancient Greek philosophy and his own biography—including his upbringing in Melilla, Morocco, and his grandfather's assassination during the Spanish Civil War—to explore themes of consciousness, death, and the interconnectedness of all things. The works incorporate Renaissance antique frames, nodding to his classical training at the Royal Academy of Fine Arts in Spain.

art elian almeida nara roesler alberto pitta

Curator Luis Pérez-Oramas has organized a two-person exhibition at Nara Roesler's New York gallery pairing Afro-Brazilian artists Alberto Pitta, 64, and Elian Almeida, 31. The show collapses generational and medium-based boundaries, featuring Pitta's layered canvas silkscreens with symbolic folk elements alongside Almeida's colorful explorations of Brazil's history in paint. A functioning coffee cart by Pitta, elevated to artwork status, greets visitors. The exhibition runs through early January.

Philadelphia’s New Art Fair Is Betting Big on Community

Philadelphia is set to launch a new contemporary art fair called Elsewhere on June 4, organized by Megan Galardi, founder of Blah Blah Gallery. The fair will take over the Yowie Hotel, a pair of 1900s rowhouses, featuring 26 galleries from cities including Los Angeles, Toronto, and London. Booth prices are kept low—around $3,000 for the largest rooms—and some exhibitors can sleep in their spaces to reduce costs. Participating galleries include Harlesden High Street, DARLA, and Blah Blah Gallery, with artists such as Patricia Renee’ Thomas, Emmanuel Massillon, and Qualeasha Wood. The fair also includes panels, DJ sets, reciprocal museum tours, and VIP studio visits.

Rising Artist Veronica Fernandez’s Uneasy Monument to Childhood Imagination

Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.

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Jeffrey Deitch has organized a pop-up exhibition in Miami's Design District during Art Basel Miami Beach, titled "That Was Then, This Is Now." The show, running from December 2, 2025 to January 2, 2026, features about two dozen ultra-emerging artists, predominantly from the West Coast. It was organized by American Art Projects, a platform led by Deitch associate director William Croghan and Benno Tubbesing, former director of Ruttkowski;68's New York branch. The exhibition includes paintings, ceramics, clothing, and books, aiming to offer accessible price points for new collectors.

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Artist Gail Morris presents "Blue Note," a solo exhibition at Bonner David Galleries in New York, featuring bold abstract paintings that explore the emotional and psychological experience of light, space, and music. The show's title references the musical concept of a "blue note," which Morris reinterprets as a compositional strategy to create tension and balance in her works. While starting from physical landscapes—such as natural sites, urban parks, or islands—Morris obscures specific details, using titles like "Down By the River" (2025) and "Bird of Paradise" (2025) to evoke universal moods rather than literal scenes. The exhibition runs through November 29, 2025.

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NADA Miami has announced its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, will be organized by Vancouver-based curator Kate Wong, who selected seven galleries and artists—including Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano—to present works exploring power structures, identity, and collective histories. The fair will also host the ECOLOGIES public programming series.

When the Ukraine War Continues

A major exhibition titled 'Looking into the Gaps' at the Jam Factory in Lviv, Ukraine, curated by artist Nikita Kadan, explores the complex psychological and social landscape of Ukraine during the ongoing war. The show features Vladislav Plisetskiy's pivotal documentary film 'What Will You Do When the War Continues?' (2023), which traces his journey from Kyiv's queer anarchist scene to fighting on the front lines, alongside works by artists like Bohdana Kosmina that memorialize attacks on Ukrainian Roma communities.

Art Dubai to Present Significantly Smaller Event After Iran War Forces Postponement

Art Dubai has announced a significantly scaled-down 'special edition' fair to be held in May, replacing its postponed twentieth-anniversary event. The new iteration will feature just fifty exhibitors, down from the originally planned 120, and will be held at its traditional venue, Madinat Jumeirah.

designboom's ultimate guide to the venice art biennale 2026

Designboom has published a comprehensive guide to the 2026 Venice Art Biennale, featuring a curated list of must-see exhibitions, installations, and events across the city. Highlights include Miet Warlop's "IT NEVER SSST," Michael Armitage's "The Promise of Change" at Palazzo Grassi, and DRIFT's "Shy Society" at Palazzo Strozzi, alongside works by Lotus L. Kang, Lida Abdul, and Kan Yasuda. The guide also points to collateral shows in Pietrasanta and Berlin, offering visitors a broad itinerary beyond the main Biennale venues.

In 2025, new ‘independent and nimble’ art fairs began redrawing the market map

In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).

Record sales and a tax break close out blockbuster year for South Asian Modern market

Two record-breaking auctions closed a blockbuster year for the South Asian Modern art market. On 27 September, Saffronart in New Delhi sold 85 lots for $40.2 million—the largest single sale ever in South Asia—while on 29 September, Sotheby’s in New York sold 54 lots for $25.5 million, a record total for South Asian art in the West. These followed Christie’s March sale of M.F. Husain’s mural *Gram Yatra* (1954) for $13.7 million, the highest price ever for an Indian painting. India also enacted a major tax reform, cutting the Goods and Service Tax (GST) on art from 12% to 5%, further stimulating the market.

The artist Fabien Verschaere, creator of joyful shambles, has passed away at age 50

L’artiste Fabien Verschaere, auteur de joyeux capharnaüms, s’est éteint à l’âge de 50 ans

The French contemporary artist Fabien Verschaere has passed away suddenly at the age of 50. Known for his dense, colorful, and highly personal visual language, Verschaere was scheduled to receive the Chevalier des Arts et des Lettres distinction just days after his death. His work, which drew heavily from childhood imagery and his own experiences with chronic illness, created a bridge between dreams and nightmares through a cast of recurring characters like ghosts, superheroes, and hybrid creatures.

The Only Guide to This Year’s Venice Biennale You Will Ever Need

The 61st Venice Biennale opens amid significant turmoil. The entire jury of the International Art Exhibition resigned after a statement about withholding prizes from countries with leaders charged with crimes against humanity by the ICC, leading to the cancellation of the Golden Lion awards in favor of 'Visitors' Lions' to be given at the exhibition's end. The event has been further marred by the sudden death of artistic director Koyo Kouoh from liver cancer in early 2025, and the death of artist Henrike Naumann, who was set to debut work in the German pavilion. Additionally, the selection process for the American pavilion artist, Mexico-based sculptor Alma Allen, sparked controversy after a delayed grant application process.

First Look: See What’s Inside the Met Gala’s “Costume Art” Exhibition

Vanity Fair art and style correspondents Nate Freeman and José Criales-Unzueta preview the Metropolitan Museum of Art's Costume Institute spring exhibition "Costume Art," which inaugurates the Condé M. Nast Galleries. The exhibition arrives amid controversy over the Met Gala being sponsored by Lauren Sánchez Bezos and Jeff Bezos, leading to boycott calls and New York Mayor Zohran Mamdani skipping the event. Despite this, Anna Wintour and Met director Max Hollein announced the gala raised a record $42 million. Head curator Andrew Bolton presents fashion as art, pairing garments with artworks like Warhol's Skull and Sarah Lucas's Nud Cycladic 9.

How to watch the 'Costume Art' Met Gala red carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured a dress code titled 'Costume Art' that explicitly frames fashion as an embodied art form. Celebrities including Beyoncé, Nicole Kidman, and Venus Williams ascended the museum's steps wearing archival fashion pieces and custom creations, with references to artistic collaborations such as Elsa Schiaparelli and Salvador Dalí's lobster dress, Yves Saint Laurent's Mondrian-inspired designs, and Marc Jacobs' work with Takashi Murakami. The event raises funds for the museum's Costume Institute, whose spring exhibition 'Costume Art' examines the centrality of the dressed body.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

Black Designers as Fine Artists: Fashion Meets Sculpture

The article from Ebony.com explores the intersection of fashion and fine art, highlighting how Black designers are increasingly being recognized as fine artists whose work bridges clothing design and sculpture. It profiles several contemporary Black designers who create garments that function as sculptural objects, exhibited in galleries and museums rather than solely on runways. The piece examines how these creators challenge traditional boundaries between fashion and art, using materials and techniques that elevate their work into the realm of fine art.

The Relentless Avant-Garde of The Renaissance Society

The Renaissance Society at the University of Chicago, founded in 1915, has consistently championed avant-garde contemporary art from its modest gallery space on the fourth floor of Cobb Hall. Under the leadership of current director Myriam Ben Salah (since 2020), the institution continues its legacy of presenting visionary works by artists who later become household names, including Henri Matisse, Pablo Picasso, Man Ray, and Félix González-Torres. The article traces the society's history through its pioneering female directors—Eva Watson Schütze, Frances Strain Biesel, and Suzanne Ghez—who shaped its forward-thinking exhibition program, from early modernist shows to local Chicago talent and cross-disciplinary collaborations.

From YBAs to McQueen: Tate Britain’s New Exhibition Reframes the Creative Explosion of the 1990s

Tate Britain has announced a major new exhibition, *The 90s: Art and Fashion*, opening in autumn 2026, which will be the first to examine the intersection of contemporary art, photography, and fashion during the 1990s in Britain. Featuring over 100 works by nearly 70 artists, photographers, and designers—including Sarah Lucas, Alexander McQueen, Tracey Emin, and Steve McQueen—the show explores the decade's raw experimentation, anti-establishment energy, and the rise of the Young British Artists. Curated with input from Edward Enninful, the exhibition also highlights subcultures, nightlife, and the work of figures who challenged dominant narratives around race, identity, and class.

Basel’s Art Exhibitions in 2026: A Must-Visit for Art Lovers and Tourists Seeking Unique Cultural Experiences

Basel, Switzerland, is spotlighting two major art exhibitions in spring 2026. The Fondation Beyeler presents a solo show of French painter Paul Cézanne, featuring around 80 works including his celebrated "Bathers" series, running until May 25. On May 1, the museum will host a "Day of the Bathers" where visitors in swimwear receive free admission, inspired by Cézanne and provocateur Maurizio Cattelan. Meanwhile, the Kunstmuseum Basel is showing "The First Homosexuals," an exhibition examining the birth of the word "homosexual" in 1868–69 and its impact on identity and visual representation through over 80 works from the 19th century.

Get a Peek Into the Newly Opened David Geffen Galleries at the Los Angeles County Museum of Art

The Los Angeles County Museum of Art (LACMA) has officially opened its new David Geffen Galleries, a major wing designed by architect Peter Zumthor. The 900-foot-long glass-and-concrete structure, which opened with a ribbon-cutting ceremony on April 19, 2026, houses the museum's permanent collection and features an open-concept layout intended to let visitors explore freely.

DC Getaway: Exploring Toronto’s art scene, from galleries to murals

Toronto's visual arts landscape is highlighted as a premier destination for travelers, featuring a mix of massive institutional collections and specialized local galleries. Key attractions include the Royal Ontario Museum (ROM), known for its vast natural history and ancient civilization galleries, and the Art Gallery of Ontario (AGO), which houses over 120,000 works ranging from Renaissance masterpieces to contemporary installations like Yayoi Kusama’s Infinity Mirrored Room.

It’s LACMA’s World, and Hollywood Wants to Play in It

The Los Angeles County Museum of Art (LACMA) celebrated the opening of its new David Geffen Galleries with a star-studded gala that raised nearly $11.5 million. The event brought together architect Peter Zumthor, museum director Michael Govan, and a high-profile mix of Hollywood celebrities, artists, and major donors. The $720 million building, Zumthor's first major project in the United States, marks the culmination of a decades-long development process and is set to open to the public next week.

Inside LACMA's lavish opening gala for the David Geffen Galleries with George Lucas, Ed Ruscha and Jeff Koons

The Los Angeles County Museum of Art (LACMA) held a lavish opening gala for its new David Geffen Galleries, a $724 million concrete building designed by architect Peter Zumthor. The event drew a constellation of artists including Jeff Koons, Ed Ruscha, Mark Bradford, Refik Anadol, Todd Gray, Do Ho Suh, and Lauren Halsey, as well as Hollywood figures like Will Ferrell and Sharon Stone. LACMA director Michael Govan hosted the evening, which featured conversations about the building's design, the interplay of light and art, and the significance of the new space for the museum's future.