"East-Northeast: Charting Moments in Maine" Presents Four Different Exhibitions of Maine-Focused Artists in Summer 2025

The Bowdoin College Museum of Art (BCMA) presents "East-Northeast: Charting Moments in Maine," a series of four exhibitions running in summer 2025 that highlight artists inspired by Maine. The shows include Gordon Parks’s previously unseen 1944 photographs of rural life, John McKee’s coastal series "As Maine Goes" (first public viewing since 1966), Ann Craven’s lunar paintings from 2020 and 2024, and films by Swiss-American artist Rudy Burckhardt. The exhibitions span from June 28 to November 9, 2025, with a keynote lecture by Philip Brookman on June 28.

Must-see art exhibitions in Mumbai this June

This article highlights five must-see art exhibitions in Mumbai for June, including Manoj Jain's debut solo show 'It Didn't Ask to Be Art' at Soho House, Juhu, curated by Dheeya Soumaiya; the 'Art Carnival' at The Bombay Art Society, Bandra; 'Kala Connect' at Nehru Centre Art Gallery, Worli; 'Form and Flow' group exhibition at Jehangir Art Gallery, Kala Ghoda; and 'Dreamers' by Gurjeet Singh in collaboration with Jaipur Rugs at Chemould Prescott, Fort. These exhibitions span raw art, emerging talent, cultural dialogue, contemporary group shows, and textile-based works exploring identity and queerness.

Jean Tinguely’s 100th anniversary, migration museum opens in Rotterdam, Ben Shahn's social security mural—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories. First, a host of exhibitions and events celebrating the 100th anniversary of Swiss kinetic artist Jean Tinguely, including shows at the Tinguely Museum in Basel, Lehmbruck Museum in Duisburg, Hauser & Wirth Somerset, and the Grand Palais in Paris. Second, the newly opened Fenix museum in Rotterdam, a museum dedicated to migration, featuring a dramatic stainless steel tornado staircase. Third, the episode's Work of the Week focuses on Ben Shahn's 1941 study 'Harvesting Wheat' for his mural 'The Meaning of Social Security,' discussed in conjunction with a major exhibition of Shahn's work at the Jewish Museum in New York.

This Berkeley MFA exhibition probes how museums and institutions exclude disabled bodies

Priyanka D’Souza's Master of Fine Arts thesis installation, "b. Call in sick," opens today at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) as part of the annual MFA exhibition at UC Berkeley. D’Souza, one of six graduating MFA students, created works that critique how museums and institutions exclude disabled bodies, using angled shelves, rolling stools, and seating to privilege seated viewers over standing ones. Her practice draws on campus protest photos from Berkeley archives, transformed into semi-abstract renderings, and builds on her earlier Instagram project "Resting Museum," developed after a residency at the Delfina Foundation in London.

Technology, art and sculptures of fog: LUMA Arles kicks off the 2025/26 season

LUMA Arles has launched its 2025/26 season with three exhibitions, including 'Sensing the Future: Experiments in Art and Technology (E.A.T.)', which explores the 1960s collaboration between artists and engineers from Bell Labs, featuring works by Andy Warhol, Jean Dupuy, and Forrest Myers. The season also includes 'Maria Lassnig: Living with art stops one wilting!', examining the Austrian artist's 'Body Awareness' concept and her connection to curator Hans Ulrich Obrist. The exhibitions are bookended by fog and cloud-themed works, including a fog sculpture by Fujiko Nakaya.

The Look Book Goes to Rashid Johnson’s Opening Night

Nearly a thousand people attended the opening night of Rashid Johnson's solo exhibition at the Guggenheim Museum in New York. The event, covered by the Look Book, featured a diverse crowd including artists, curators, writers, and collectors, with attendees sharing their impressions of the show and personal connections to the work. Notable figures present included artist Rashid Johnson, deputy director Naomi Beckwith, and writer Kevin Young, among many others.

Women’s Work: The art of Dana Boussard (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged the show in the empty Carnegie Library building in 1974, and a year later the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by featuring works from these three artists, including three pieces by Dana Boussard: "The Rialto" (1971), "Sister" (1970), and "Another Time, Another Place" (1970). The exhibition honors the radical spirit of the original 1974 show and the fiber-art movement, which gained momentum alongside the women's movement and feminist art.

Whitney Museum of American Art invites visitors to take in the river view

The Whitney Museum of American Art is celebrating the tenth anniversary of its Meatpacking District building by inviting visitors to experience Mary Heilmann's installation "Long Line" on the fifth floor. The work features a large-scale mural of sea green and foamy white waves, accompanied by whimsically colored boxy chairs that visitors can rearrange. The installation, which runs until January 19, 2026, encourages rest and contemplation, with floor-to-ceiling windows offering views of the Hudson River. Curator Laura Phipps notes that Heilmann, who created the inaugural commission "Sunset" for the building in 2015, has long prioritized visitor comfort and seating in her work.

Ford Foundation Gallery and NXTHVN presents THIS IS NOT A RETREAT! NXTHVN Through the Years

The Ford Foundation Gallery and NXTHVN present "THIS IS NOT A RETREAT! NXTHVN Through the Years," an exhibition opening June 5, 2025, at the Ford Foundation Center for Social Justice in New York. The show features work by alumni artists from the first five years of NXTHVN's intensive 10-month fellowship program, which has supported 41 artists and 12 curators since 2018. Co-founded by artist Titus Kaphar and impact investor Jason Price, the exhibition is curated by Marissa Del Toro and spans drawing, painting, prints, installation, etchings, and sculpture. A concurrent group show, "The Things Left Unsaid," featuring NXTHVN's Cohort 06 Fellows, runs from May 8 to June 21, 2025, at James Cohan Gallery.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

Spiders of Paradise to open at Tweed Regional Gallery

Tweed Regional Gallery & Margaret Olley Art Centre will present 'Maria Fernanda Cardoso: Spiders of Paradise' opening on May 9, 2025. The exhibition, developed and toured nationally by the Museum of Contemporary Art Australia (MCA Australia), features Colombian Australian artist Maria Fernanda Cardoso's photographic project on the Australian Maratus spider. It includes 17 large-scale digital photographic portraits created with scientific imager Geoff Thompson and entomologist Andy Wang, plus an immersive projection of Cardoso's video 'On the Origins of Art I-II' (2016), co-owned by MCA Australia and Tate.

Indigenous Identities: Here, Now & Always

The Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, is presenting "Indigenous Identities: Here, Now & Always," on view from February 1 through December 21, 2025. This exhibition is the largest and final show organized by the late Native artist Jaune Quick-to-See Smith, featuring over one hundred works by ninety-seven artists representing some seventy Nations and communities. The show is organized around four thematic sections—Political, Tribal, Social, and Land—and includes a separate gallery of Quick-to-See Smith's own prints, notably the "Survival Suite" (1996). The exhibition is intergenerational, with artists ranging from their eighties to those born at the end of the twentieth century, and most works date from the twenty-first century.

Shirin Neshat: Born of Fire

The Parrish Art Museum in Water Mill, New York, presents "Born of Fire," a major exhibition of Iranian-born artist Shirin Neshat running from April 20 to September 1, 2025. The show features three photographic series—"Women of Allah" (1993–97), "The Book of Kings" (2012), and "Land of Dreams" (2019)—alongside two double-channel videos and a full-length film. Neshat's work explores themes of alienation, repression, and identity, drawing on her experience of living between Iranian and American cultures after the 1979 Islamic Revolution prevented her from returning home.

UD Scholars Explore Depths of Wyeth’s Art

In September 2024, nearly two dozen students and faculty from the University of Delaware's Department of Art History gathered at the Brandywine Museum of Art for a study day at the Andrew & Betsy Wyeth Study Center. William L. Coleman, the center's new director and a Wyeth Foundation Curator, led the group through the facility, showing drawings, paintings, and Wyeth's personal library, and curated the exhibition “Every Leaf & Twig: Andrew Wyeth’s Botanical Imagination,” featuring previously unseen watercolors and drawings.

Artists Across America Are Creating Stunning Floral Arrangements Inspired by Paintings, Sculptures and Artifacts

Museums across the United States are hosting "Art in Bloom" exhibitions, where floral artists create custom arrangements inspired by artworks in museum collections. The Cincinnati Art Museum recently held its show with 65 arrangements alongside pieces ranging from sculptures to oil portraits, including a sugar flower installation by Amsterdam-based artist Natasja Sadi. Other institutions like the Museum of Fine Arts, Boston—which started the tradition in 1976—and the Minneapolis Institute of Art also participate, with artists like Amy Kubas drawing inspiration from works such as a Japanese block print.

Hiroshige: Artist of the Open Road review – ‘I could look forever at these passing moments in cosmic colours’

The British Museum presents a rapturous exhibition of Utagawa Hiroshige's prints, showcasing the early 19th-century Japanese artist's vivid, Technicolor depictions of fleeting moments in Edo (now Tokyo). The show highlights his innovative use of rain, snow, and everyday scenes, such as pleasure boats, cherry blossoms, and temporary riverside restaurants, and includes a final section on his global influence, though critics find this epilogue rushed.

Pope Francis and art, J.M.W. Turner’s 250th birthday, John Singer Sargent’s ‘Madame X’—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major art stories. Host Ben Luke is joined by managing editor Louis Jebb to discuss Pope Francis's deep engagement with art and the Vatican collections following his death on Easter Monday. The podcast also marks the 250th anniversary of J.M.W. Turner's birth, featuring an interview with Tate Britain senior curator Amy Concannon about Turner's enduring appeal. The episode's 'Work of the Week' is John Singer Sargent's 'Madame X' (1883-84), discussed with co-curator Stephanie L. Herdrich ahead of a major Sargent exhibition opening at the Metropolitan Museum of Art in New York and traveling to the Musée d'Orsay in Paris.

Art initiative brings 10 new contemporary works by local artists to Johns Hopkins

Johns Hopkins University has acquired 10 new contemporary artworks by local Baltimore artists as part of an initiative launched in 2023 to collect and display art by regional talents. The second round of acquisitions includes works by Brandon Donahue-Shipp, Bria Sterling-Wilson, and Jerrell Gibbs, among others. The pieces will be displayed at the Irene and Richard Frary Gallery in Washington, D.C., as part of the exhibition "Strong, Bright, Useful, and True: Recent Acquisitions and Contemporary Art from Baltimore" before being installed across Johns Hopkins campuses.

Museum Spotlight: Kim Chong Hak Exhibition

The High Museum of Art in Atlanta is hosting the first American museum exhibition dedicated to Kim Chong Hak, a South Korean master painter born in 1937 and known as "the painter of Seoraksan." Featuring over 70 works, including new acquisitions from the museum's own collection, the show spans the artist's mature career and highlights an aspect of late 20th-century Korean art rarely seen outside South Korea. The exhibition runs through November 2, 2025.

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At the Galleries for April 9, 2026

The Hamptons art scene is entering the spring season with a diverse array of gallery openings across Montauk, East Hampton, Sag Harbor, and Bridgehampton. Key highlights include Timothy Tibus’s abstract retrospective at The Lucore Art, a Matisse-centered group show at The Drawing Room featuring rare etchings, and Kristy Gordon’s myth-inspired "Primavera" at Grenning Gallery. Other notable exhibitions include a showcase of artists from the Cold Castle collective at Keyes Art and a curated group show titled "Connections" at Dan Welden Studio/Gallery.

Kapopoulos Fine Arts Presents Contemporary Art Auction in Nicosia

Kapopoulos Fine Arts will hold a Contemporary Art Auction on February 18, 2026, at its Nicosia Gallery. The sale features 82 works, with highlights including pieces by street artist Mr. Brainwash (Thierry Guetta), Greek painter Yiannis Mytaras, and sculptor Richard Orlinski, alongside works by Kostis Georgiou, Spyros Vassiliou, and others. Starting prices range from €300, with bidding available in person, by phone, or via absentee bids.

Art Lovers Movie Club: Elisabeth Brun, ‘Big Tech Blues’, 2025

ArtReview's Art Lovers Movie Club presents Elisabeth Brun's film 'Big Tech Blues' (2025), an auto-documentary that follows a small village in northern Norway as it resists the installation of a SpaceX Starlink 'Gateway' transmission site. The film blends personal essay, documentary footage, and interviews with residents who protest the hub over concerns about noise pollution, radiation, and environmental impact on the rural coastline. Brun contrasts slick Starlink promotional material with slow, intimate scenes of the landscape and community organizing on Facebook, highlighting the irony of using digital tools to fight digital infrastructure.

BE PART OF A COLLECTIVE ART WORK BY CHIHARU SHIOTA FOR THE CURITIBA INTERNATIONAL BIENNIAL

Japanese artist Chiharu Shiota has announced a new site-specific installation titled *The Space Between Us* for the 16th Curitiba International Biennial – THRESHOLDS, opening June 14 through November 15, 2026 at the Oscar Niemeyer Museum (MON) in Curitiba, Brazil. Curated by Tereza de Arruda, the work invites the public to submit letters—in text, collage, or other manual forms—which Shiota considers self-portraits of each participant’s inner universe. Submissions must be sent by May 20, 2026, and will be woven into a large-scale collective installation that makes visible the hidden experiences of individuals.

THE IMMA SHOWCASES THE DEEP REFLECTION OF CECILIA VICUNA

The Irish Museum of Modern Art (IMMA) is presenting "Reverse Migration, a Poetic Journey," the first solo exhibition in Ireland by Chilean artist Cecilia Vicuña. The show features a diverse range of works including her signature 'precarios' and 'quipus'—ancient Andean-inspired textile structures—alongside early paintings and sound installations. Central to the exhibition is Vicuña’s personal connection to Ireland, explored through a 2006 pilgrimage to archaeological sites and new collaborations with local artisans using Irish wool.

THE BIOMUSEO SCIENCE AND ARCHITECTURE OF THE FIRST LEVEL

The Biomuseo, a striking museum of biodiversity designed by architect Frank Gehry, stands on the Amador Causeway at the entrance to the Panama Canal. Its avant-garde, deconstructivist structure, featuring chaotic shapes and vivid colors, is designed to narrate the geological formation of the Isthmus of Panama and its impact on global biodiversity. Inside, it houses large sculptures, mineral exhibitions, and audiovisual projections about Panamanian ecosystems, alongside temporary science exhibitions like the current 'Eyes in Space' show about NASA technology.

LATIN AMERICAN ARTISTS AT THE BIENNALE DI VENEZIA 2026

The 61st Venice Biennale, titled 'In Minor Keys' and curated by the late Koyo Kouoh, will run from May to November 2026. The exhibition will feature 15 artists from Latin America, including Alvaro Barrington, Carolina Caycedo, Alfredo Jaar, and Guadalupe Maravilla, among others, who will present works across the Giardini, Arsenale, and other Venetian venues.

La sede ad Albisola della Galleria Raffaella Cortese è più “un pensatoio che spazio espositivo”: la storia e le collaborazioni con gallerie d’arte emergente

Raffaella Cortese opened a small 12-square-meter space in Albisola Superiore, Italy, in June 2022, described as "more a think tank than an exhibition space." The venue, located near the Ligurian sea, honors the town's legacy as a center for contemporary ceramics from the 1950s to the 1970s, hosting artists like Lucio Fontana and Asger Jorn. The space alternates works from Cortese's Milan gallery with collaborations from emerging galleries, such as Fanta-MLN of Milan (presenting Noah Barker's installation "lux principum" in 2023) and Gian Marco Casini Gallery of Livorno (featuring Clarissa Baldassarri's "Exposure value" in 2024). A future collaboration with Triangolo gallery of Cremona is scheduled for May–September 2026, showcasing Nicole Colombo's sculpture "Rosario (to the moon and back)."

antonio pichilla quiacain elizabeth xi bauer 2662895

Artist Antonio Pichillá Quiacaín, born in 1982 and based in San Pedro La Laguna, Guatemala, presents his solo exhibition “Umbilical Cord” at Elizabeth Xi Bauer gallery in London. The show, on view through August 2, 2025, features new and recent works that explore Maya visual culture, Indigenous craft traditions, and the knot as both a formal element and a metaphor for connection, life, and time. A 3:22-minute video from 2021 shows the artist in a forest with traditional weaving materials, while the exhibition also marks the gallery’s announcement of representing the artist.

5 Exhibitions in Avignon and its Surroundings to Shine from Spring to Summer

5 expos à Avignon et ses environs pour rayonner du printemps à l’été

A series of five art exhibitions are scheduled from spring to autumn 2026 in and around Avignon, France. The program includes a refreshed permanent display of 1980s art at the Collection Lambert featuring Jean-Michel Basquiat and Nan Goldin, a solo show by Julien Prévieux critiquing artificial intelligence at Le Grenier à Sel, a photography exhibition of South Korean landscapes by Michael Kenna at Galerie Rousset, and other shows focusing on artists from Asia and the Middle East.