Central Lakes College is set to host "Atrophy of Reality," a multidisciplinary exhibition featuring the work of studio arts instructor Casey Hochhalter. The event, scheduled for April 17 at the Brainerd campus, will include an artist lecture followed by an opening reception where the public can engage with Hochhalter regarding his creative process and research.
The City of Rahway has announced the upcoming exhibition "Face(t)s of America" at Gallery Space, running from April 18 through June 13, 2026. Featuring works by six artists—Rodríguez Calero, Dong Kyu Kim, Carlos Mateu, Roxanna Meléndez, Diane Phares, and Duquann Sweeney—the show utilizes portraiture and painting to explore themes of identity, heritage, and belonging in the United States. The exhibition will include a public reception on April 24 featuring performances by the New Jeru Poetry Slam Team.
The Museum of Oriental Art in Venice is presenting "MUSHI 虫. Dragonflies and Other Insects in the Painting of Stéphane Dubé," a solo exhibition featuring twenty-seven gouache works on paper. Curated by Marta Boscolo Marchi, Sachiko Natsume, and Giulia Passante, the show is organized into three thematic sections focusing on dragonflies, moths, and dead snakes. These contemporary works are displayed in dialogue with traditional Japanese artifacts from the museum's permanent collection, such as netsuke and military items, highlighting the symbolic significance of these creatures in Eastern culture.
The Thames Art Gallery in Chatham-Kent is launching two concurrent exhibitions on April 17, 2026, featuring a blend of professional and student work. Ukrainian artist Lana Matskiv presents "Hyphenated," a solo exhibition of over forty pieces including paintings and installations that explore the intersection of cultural histories and personal narratives. Alongside this, the gallery hosts "Here I Am," a juried showcase of artwork by local high school students from grades 9 through 12, culminating in a public reception and awards ceremony.
Emporia State University seniors Sydney Hickman and Michael Kidwell debuted their collaborative Bachelor of Fine Arts senior exhibition, "All That Remains," at the Eppink Art Gallery. The show features a dialogue between Hickman’s quilt-inspired ceramics and mosaics, which explore domesticity and femininity, and Kidwell’s nature-oriented paintings and wood displays that reflect on his Kansas upbringing and identity.
Artist Aurore Guez is transforming the Wilde Galerie in Paris into an immersive, imaginary café for a two-day exhibition titled "LE CAFÉ" on April 25 and 26, 2026. The installation features interactive paintings and talking portraits of figures such as Kalash and Lujipeka, where visitors can trigger recorded dialogue to converse with the artworks. The 80-square-meter space will utilize warped scenography and actors playing waiters to blur the lines between traditional painting, performance art, and stage design.
The Glory! Glory! art exhibition, organized by Pigment International, is currently on display to commemorate Black History Month. The showcase features a diverse array of powerful works by Black artists, including featured artist Reggie McFly, and aims to highlight the depth and resilience of Black creative expression.
The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from correctional facilities across the state. Organized by the University of Michigan’s Prison Creative Arts Project (PCAP), the show displayed pieces made from unconventional materials like soap and graham crackers, ranging from spiritual reflections to bright, hopeful compositions. The exhibit was curated from donated works by artists who are unable to keep their pieces or sell them directly due to Department of Corrections regulations.
Artists Adam Russell and Kelly Lever, the duo behind Key West Pottery, are reuniting for a joint exhibition titled 'Coastline' at JAG Gallery in Key West. Opening April 8, the show features a collection of paintings that explore the intersection of land and sea, drawing inspiration from the couple's global travels. While the two maintain distinct individual styles, the works reflect a creative collision born from their shared studio practice and personal partnership.
The Salmon Arm Art Gallery is set to host "A.R.E.N.A. babies," an immersive installation by local artist Scott Kwah that explores the trauma and resilience of Sixties Scoop survivors. The exhibition's centerpiece features 18 hand-cast concrete figures seated on vintage chairs, utilizing childlike voices to create a sensory space for reflecting on the forced adoption of Indigenous children into non-Indigenous families.
The City of Austin’s Arts, Culture, Music and Entertainment (ACME) department has launched two open calls for local artists to exhibit their work in high-traffic public spaces. The 2026–28 People’s Gallery exhibition at Austin City Hall and the Changing Exhibits Program at Austin-Bergstrom International Airport are seeking submissions of 2-D and 3-D multi-disciplinary works. Applications are open to professional artists and organizations within the Austin metropolitan area through May 31, 2026.
The Rome Art and Community Center (RACC) in Rome, New York, is set to debut a new group exhibition titled “Out of the H2O” on April 2, 2026. The show features over 40 works from local artists across various mediums, including photography, painting, and mixed media, all centered around the thematic exploration of water.
The Middletown Art Center (MAC) is launching its 63rd exhibition, titled "Water," with an opening reception on March 14. The show features a diverse range of media from both new and returning artists, including Monte Brill, Richard Vargas, Alana Clearlake, and Darren Jekel, and will remain on view through June 7.
The Prison Creative Arts Project (PCAP) is celebrating the 30th anniversary of its Annual Exhibition of Artists in Michigan Prisons at the University of Michigan’s Duderstadt Center Gallery. The landmark show features over 800 works by more than 600 incarcerated artists across 26 facilities, ranging from traditional paintings to sculptures made from soap and found materials. This year’s edition is curated by guest artist Omari Booker, whose own work is displayed in dialogue with the incarcerated artists, and includes a collaborative musical component titled "New Art // New Music."
The city of Red Deer is launching its March 'First Fridays' gallery cycle, featuring a series of exhibition openings across several local venues. Highlights include Jessica Symons’ landscape exhibition "Upon Return" at the Red Deer Arts Council Community Gallery, a group show titled "Alberta Animals and Their Homes" by the Red Deer Art Club at the Marjorie Wood Gallery, and the mixed-media installation "Anima Motrix V.2.0" by Trudy Golley and Paul Leathers at Viewpoint Gallery.
The Bridge at 909 art exhibit recently held a reception in the lobby of Evanston’s City Hall, featuring a dialogue between the works of established local artist Chris Froeter and emerging Chicago artist Gabi Bozeman. Curated by Juelle Daley, the exhibition juxtaposes Froeter’s large-scale, monochromatic portraits of activists from his “Voices” series with Bozeman’s vibrant, surrealist canvases focused on young Black women. The pilot program aims to transform public municipal spaces into accessible galleries that engage passersby in their daily routines.
The Historical Museum at Fort Missoula is launching a new exhibition titled 'Treasure Trove' to celebrate the museum's 50th anniversary and local history. Local artists, including Chris Alveshere, selected artifacts from the museum's 'Everyday Treasures' gallery and created new artworks that reimagine these historical objects through their own artistic mediums.
The Allegheny Art Galleries opened a faculty art exhibition featuring works from three art department professors. Associate Professor Heather Brand presented three photographic series, including "Under Glass, Over Time," "Recursive Light," and "After Utopia," exploring themes of scale and contained worlds. Associate Professor Clare Kambhu displayed a series of oil paintings inspired by her time teaching in New York City public schools, focusing on imparting a human presence to impersonal educational spaces through her technique.
The Columbus Arts Council in Mississippi hosted the opening reception of its second Black Excellence Art Exhibition, featuring fiber artist Stephany Brown reading from 'Of Salt and Spirit: Black Quilters in the American South' and a poem by Alabama Poet Laureate Ashley M. Jones. The exhibition showcased a diverse range of works including Brittany Horne's luminous portrait of her daughter, Brown's hand-sewn quilts, Kenneth Smith's stained glass mosaics, and live music by vocalist-pianist Kyia King. Culinary arts students from East Mississippi Community College contributed food honoring Black chefs and agricultural scientists, creating a multisensory celebration of Black artistry and heritage.
The Montgomery County Probate Court is organizing a Black History Month art exhibition titled 'Through the Artist’s Eye: Montgomery’s Black History.' The call is open to local artists to submit original works that celebrate the area's Black history, with selected pieces to be displayed at the Juliette Hampton Morgan Memorial Library from February 13 to 28, 2026.
A new art exhibition titled 'Humanity' has opened at the Goa Gajah (Elephant Cave) cultural landmark near Ubud, Bali. Featuring works from 28 local artists from the Wajah Art Community, the exhibition explores themes of social empathy, humanitarian concerns, and personal inner experiences through diverse media including paintings, sculptures, and installations. It will run until February 25, 2026.
The University of Arkansas School of Art is hosting the United States International Poster Biennial at its Studio + Design Center in Fayetteville, featuring juried posters from designers worldwide, including works by university faculty, students, and alumni. A public reception on January 29 will include remarks by assistant professor Ryan Slone and the presentation of the Gold Award to MDES Fellow Andi Hardin for her poster "The Gratitude Magma – Yellowstone." The exhibition has also traveled to several other U.S. universities and will have international stops in 2026.
New Jersey City University (NJCU) Galleries will open "HOME HERE," a site-specific installation featuring 11 women artists from Jersey City, on February 5, 2026. Curated by NJCU alumna Lucy Rovetto, the exhibition runs through March 5 and explores themes of history and memory through overlapping, boundary-less works. Featured artists include Laia Cabrera, Nicole DeMaio, Isabelle Duverger, Jaz Graf, Katelyn Halpern, Jin Jung, Pat Lay, Tina Maneca, Cheryl R. Riley, and Jennifer Roberts, with a tribute to former NJCU art department chair Ward Mount.
Pittsburg State University's Art Department will host a series of free exhibitions and receptions this spring at Porter Hall, featuring works by Virginia Derryberry, Marie Hines Cowan, and Richard Alpert, along with a faculty exhibition. Derryberry's "Private Domain" series blends mythological narratives with collage, Cowan's "Musing" presents immersive graphic-novel-style installations, and Alpert's "Primary Trances" showcases sculpture, film, and performance art.
Northwestern College in Orange City, Iowa, will host “Grounded,” a joint exhibition featuring ceramicist Danielle Whigham and painter Emily McQueen, from January 13 to February 26, 2026, at the Te Paske Gallery. Whigham’s functional ceramic pieces are wheel-thrown and hand-carved with earth-inspired textures, while McQueen’s layered paintings combine printmaking and oil paint to explore nature, seasonality, and loss. Both artists, who live in Glenwood, Iowa, share a thematic focus on the natural world.
The Bush Barn Art Center in Salem, Oregon, will host an opening reception on January 9, 2026, for four new exhibitions. The shows include Yuji Hiratsuka's "Personal Mythology: Color Intaglio" in the A.N. Bush Gallery, Sam Marroquin's "Inhabit: Reflections of Us" in the Focus Gallery, and SAA Represented Artists in the Camas and Annex Galleries. The free public event runs from 5:30 to 7:30 p.m., with artist introductions at 6:00 p.m.
D’ART Gallery has opened in Baku’s White City district with its inaugural exhibition, “From Generation to Generation,” featuring nearly 50 works by Azerbaijani artists spanning multiple generations, including People’s Artists, Honoured Artists, and emerging painters, graphic artists, and sculptors. The gallery aims to bridge Azerbaijan’s historical artistic heritage with contemporary art, and all exhibited works are available for sale. The opening ceremony included remarks from notable figures such as sculptor Ömər Eldarov, Executive Director Rəvan Həsənov, Vice-Rector Fuad Salayev, and gallery co-founder and director Dilara Muzaffarli.
Acción Latina's Juan R. Fuentes Gallery in San Francisco has issued an open call for Bay Area artists to submit artwork for "Sinvergüenza," a group exhibition honoring women and nonbinary people who defy societal expectations. The show reclaims the term "sinvergüenza" (shameless) as a badge of courage, inviting works in all formats including painting, ceramics, photography, and mixed media. The submission deadline has been extended to January 18, 2026, with the exhibition running from February 14 to March 29, 2026.
A new art exhibition titled "The Silence Between Us" is opening at Studio 18 in Brimscombe, Stroud, exploring modern misogyny through works by young women and men from the local area. The show spans photography, textiles, paintings, poetry, and dialogue, with an opening night on December 11 and a public run from December 12 to 18.
Craighead Green Gallery in Dallas is opening a new three-person exhibition featuring artists Faith Scott Jessup, Linda McCall, and Damián Suárez. The show explores themes of belonging, heritage, and personal history through diverse styles ranging from realism and impressionism to abstraction. Suárez presents his 'Kinetic Landscape' series using threaded thread on wood panels, Jessup offers surrealist 'Duets' paintings of empty dresses, and McCall displays impressionist 'Rituals' scenes capturing private moments. Gallery director William Bardin notes the intentional pairing of artists with distinct practices but a shared narrative.