KU students, teachers to show off form-defying ceramics at Off-Site Art Gallery exhibition

University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.

Springs Scene – Art

The Colorado Springs art community has announced its extensive 2026 spring and summer calendar, featuring a diverse range of student exhibitions, juried festivals, and monthly gallery walks. Key highlights include the Young People’s Art Exhibition at The Colorado Springs School, the UCCS Visual Art Majors exhibition titled “Chrysalis” at the Ent Center for the Arts, and the Garden of the Gods Art Festival, which will host over 150 national artists. The schedule also confirms the continuation of the popular First Friday art walks across Old Colorado City and downtown Colorado Springs through the end of the year.

Dubai's DIFC transforms into open-air art gallery with over 50 sculptures

Dubai's Dubai International Financial Centre (DIFC) has been transformed into an open-air sculpture park featuring over 50 artworks placed across walkways, plazas, and open spaces. The exhibition, titled 'Enduring Forms,' includes notable pieces such as Jerzy Kędziora's 'Pearl’s Guardian,' Elena Rede's 'We The Future,' and works by Unus Safardiar, Anna Chekh, Mert Ege Kose, and Ayla Turan. The sculptures are integrated into the daily environment of offices, cafes, and restaurants, creating a seamless blend of art and urban life. The park is free to visit and will remain on display until May 2026.

How this artist finds sci-fi inspiration in bamboo scaffolding

Freddy Carrasco, a Canadian artist of Dominican heritage based in Japan, is preparing for his first Hong Kong exhibition titled "Return to Nothing" at WKM Gallery in Wong Chuk Hang, running until August 2. The show features paintings and sculptures inspired by the bamboo scaffolding and grid-like structures he observes from his studio window in Tsim Sha Tsui, which he likens to a tesseract—a four-dimensional cube representing space and time. Carrasco's work explores themes of existence, death, religion, and transformation, often depicting abstract black figures suspended in grids, hands in worship, or empty forms suggesting portals between dimensions. He is in Hong Kong on a visiting artist residency with Side Space, supported by Matt Chung, Alex Chan of The Shophouse, and William Kayne Mukai of WKM Gallery.

The Kaldea street-art exhibition at Espace Cinko plunges us into kawaii Japan — photos

French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.

Student artists take center stage at ArtNow 2026 Exhibition

The New Museum Los Gatos (NUMU) has launched ArtNow 2026, its largest juried high school exhibition to date, featuring 97 student artists from 36 schools across Santa Clara County. Selected from over 600 submissions, the featured works respond to the theme "Before / Between / Beyond," exploring concepts of identity, heritage, and the future. The exhibition process is designed to mirror professional standards, requiring students to submit artist statements and undergo a rigorous selection process by a panel of arts professionals.

Agitate, Educate, Organize. A Conversation with the Indonesian Collective That Is in Venice with Two Projects

Agitare, educare, organizzare. Una conversazione con il collettivo indonesiano che è a Venezia con due progetti

Sale Docks, an activist art space born from a 2007 occupation in Venice, has invited the Indonesian collective Taring Padi to collaborate on two projects. The first is the exhibition "Taring Padi: People's Liberation," which reactivates banners as tools for propaganda, mobilization, and resistance. The second is a public intervention in Venice, where the collective and local community will repaint the walls of the historic social center Laboratorio Occupato Morion. The article includes an interview with Taring Padi, which was founded in 1998 in Yogyakarta by students and activists, and discusses their use of wayang shadow-puppet imagery and collaborative processes to agitate, educate, and organize communities.

FLESH, FREQUENCY, FLIGHT: Acra’s Angels descend on the ICA

The Institute of Contemporary Arts (ICA) in London is hosting 'Angels', a new exhibition of paintings by the multidisciplinary Venezuelan artist Arca. Returning to the venue where she gave her first live vocal performance over a decade ago, Arca presents a series of works created with paint, marker, and mixed media. These pieces explore themes of instability and transformation, featuring fluid forms that hover between figuration and abstraction.

Elliot Erick Jimenez El Monte

Elliot and Erick Jiménez, twin photographers from Miami, have debuted their first museum exhibition, 'El Monte,' at the Pérez Art Museum Miami (PAMM). The immersive installation transforms the gallery into a hybrid chapel-forest, drawing conceptual inspiration from Cuban ethnographer Lydia Cabrera's seminal 1954 book of the same name, which explores Afro-Cuban spiritual traditions. The artists present staged photographs featuring anonymous 'shadow figures' adorned in paint and costumes, creating archetypal representations of spiritual forces.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

Ex-Sotheby’s CEO Tad Smith Banks on NFTs, Agrees to Buy Collectibles Platform Candy Digital

Tad Smith, former CEO of Sotheby's and current chairman of the NFT project Doodles, has agreed to acquire most of the assets of the digital collectibles platform Candy Digital. Upon the deal's expected closure in the coming weeks, Smith will also assume the role of CEO, signaling a significant personal and financial bet on the future of the sector.

Iconic ‘Star Trek’ Costumes and Props Beam Into London’s Science Museum

London's Science Museum has opened a free exhibition titled 'Star Trek Warp Trail' to celebrate the franchise's 60th anniversary. The display features iconic costumes, props, and models from various Star Trek series and films, including uniforms worn by characters like Captain Pike and Jean-Luc Picard, the prototype android B-4 prop head, and a model of the U.S.S. Enterprise.

Swimming pools and school rules: artist Chan Wai Lap on the unusual themes behind his installations

Hong Kong artist Chan Wai Lap is presenting several projects tied to Art Basel Hong Kong, including a commissioned jacuzzi-like seating installation called 'Mimimomo Pool' for UBS and an exhibition titled 'Jeremy’s Bathhouse' at the Oi! arts complex. His work explores the visual order and social rules of regulated aquatic spaces like public swimming pools and bathhouses, translating observations of tiled surfaces, lane markings, and behavioral codes into drawings and installations.

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A new report by the art industry network First Thursday reveals that 84 percent of commercial galleries are now using artificial intelligence in their daily operations. Despite this widespread adoption for tasks like drafting press releases, translation, and market research, only 8 percent of these institutions have formal policies governing AI use. The study, which surveyed 103 gallery professionals globally, highlights that most AI integration is happening informally through staff using personal accounts rather than through leadership-driven strategy.

Competition in the Auction Business’s Middle Market is Fierce, and Growing Fiercer

The auction industry's middle market, generally defined as lots valued below $1 million, is experiencing intense competition and shrinking profit margins. While this segment accounts for the vast majority of transactions and a significant share of auction house earnings, rising overhead and sellers demanding complex financial deals—like enhanced hammers and guarantees—are squeezing profitability. Regional and specialized auction houses are fiercely competing for business against each other and against third-party online platforms.

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British artist James Doran-Webb is set to debut his first solo exhibition with the venerable UK gallery Gladwell and Patterson during Scottsdale Ferrari Art Week 2026. Known for his intricate wildlife sculptures crafted from reclaimed driftwood, Doran-Webb’s practice transforms weathered, inanimate natural materials into dynamic animal forms such as horses, owls, and meerkats. The presentation will pair these contemporary sculptures with Impressionist and Post-Impressionist paintings to create an immersive environment.

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Masterworks, an art investment platform, has filed a lawsuit in New York State Supreme Court against its former chief product officer, Hai Min Tran. The company alleges Tran threatened to sue for wrongful termination after his paternity leave, while Masterworks contends he voluntarily resigned before taking leave and that no part-time contract work was available for him upon his return.

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You Yang, the director of X Museum, discusses the recent surge in new art museums, particularly those backed by tech companies in China's Greater Bay Area, including Shenzhen and Hong Kong. He attributes this boom to a strategic shift in Shenzhen's cultural policy, the city's established cultural foundations, and the region's historical role in cross-cultural exchange, which has created a demand for contemporary institutions.

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Nifty Gateway, one of the earliest and most prominent NFT marketplaces, announced it will shut down on February 23, 2026, citing sharply declining activity. The platform, founded in 2018 by twins Duncan and Griffin Cock Foster and acquired by Gemini in 2019, has entered withdrawal-only mode, advising users to move their assets before the deadline. At its peak in 2021, Nifty Gateway reported $300 million in gross merchandise value, boosted by a Sotheby's partnership for a $17 million NFT drop by the artist Pak. The closure follows the collapse of the NFT boom, with trading volumes plummeting and other platforms like Async Art, KnownOrigin, and MakersPlace already shuttered.

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A controversy erupted on the Reddit forum r/Art after Brooklyn-based digital artist Hayden Clay Williams posted his work *Clear Boundaries* (2025) and mentioned in a comment that prints were available. This violated the subreddit's strict anti-self-promotion rules, leading a moderator to permanently ban Williams and delete all his past posts. Williams shared the exchange on X, where it gained 11 million views, sparking widespread backlash. Users spammed the forum with the word "print" and pressured the moderators, who eventually resigned en masse, leaving the subreddit frozen and without new posts for a week.

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Christie's website experienced a temporary outage on Wednesday, October 29, due to a global Microsoft 365 and Azure cloud platform disruption. Visitors saw an error message apologizing for the inconvenience and providing contact numbers for Christie's branches in London, New York, Paris, and Hong Kong. A Christie's spokesperson confirmed the outage was caused by the Microsoft issue, and the site was restored after Microsoft pushed a recovery configuration. No live auctions were scheduled that day.

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A new study in the Journal of Archaeological Science by archaeologists Carl Lipo of Binghamton University and Terry Hunt of the University of Arizona proposes that the 92-ton moai statues on Easter Island, Chile, were transported in a vertical position using ropes to “walk” them onto their stone platforms. The research combines three-dimensional modeling, field experiments with a scaled replica, and analysis of 62 abandoned statues along ancient roads, finding that wider bases and a forward lean of 6–15 degrees enabled a rocking motion that allowed a team of 18 people to move a statue 328 feet in about 40 minutes.

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A new report from First Thursday, a London-based sales intelligence company, reveals widespread frustration among gallerists over the rising costs and high risks of participating in art fairs. Surveying 56 commercial galleries across Europe, Asia, Africa, and North America, the inaugural Art Fair Report found that nearly half of galleries spent over £30,000 ($40,000) per fair, with 24% spending between £50,000 and £100,000. High participation costs were cited by 83% of respondents as the biggest challenge, followed by sales uncertainty (77%). As a result, 31% plan to attend fewer fairs, shifting investment to digital platforms and marketing.

The language of termites: Liss Fenwick’s The Colony – in pictures

Artist Liss Fenwick has created a photobook titled 'The Colony' by feeding a collection of historical Australian novels, described as 'settler fan fiction,' to a colony of termites. The insects consumed the books over several years, leaving behind hollowed, sculptural remains that Fenwick photographed. The resulting work documents this process of organic transformation, where the physical texts are digested and reshaped.

Desmond Williams obituary

Architect Desmond Williams, known for designing modern Catholic churches, has died at age 93. His work, which includes four listed churches, was celebrated for its innovative integration of liturgical function, architectural ambition, and artistic collaboration, placing him among the leading figures of postwar British architecture.

International Museum Day: Museum of Art and Photography showcases botany, history and social media

The Museum of Art and Photography (MAP) in Bangalore, India, celebrated International Museum Day by presenting a special showcase that weaves together themes of botany, history, and social media. The exhibition highlights how plant life has been depicted in art across centuries, from historical botanical illustrations to contemporary digital works, and explores the intersection of nature, culture, and online platforms.

Fabian Perez Gallery Showcases 20 Artists in Neo-Emotionalism Exhibition

Fabian Perez Gallery in Los Angeles is hosting the Neo-Emotionalism Group Exhibition, featuring 20 artists working in painting, photography, and sculpture. The show, running through May 23, centers on feeling and memory, with artists like Shaylen Nelson, Awadé Wade, James Smith, and Martinos Aristidou presenting works that explore personal and cultural narratives. Nelson, an Afrocentric Realism painter, uses Black figures and music to place culture within traditional painting, while Wade’s piece "Abstract Love" draws on a Prince song and uses a tree as a symbol of life and transition.

Art: UOB Painting of the Year set to elevate artistic excellence in its 45th edition with a festival and more

The UOB Painting of the Year competition, now in its 45th edition, is expanding beyond its traditional awards format to launch its first-ever arts festival in Singapore. Running from late August to early September, the festival will feature exhibitions, workshops, and artist talks, showcasing semi-finalists from the Emerging Artist category alongside veteran winners. The competition, established in 1982, has grown into one of Southeast Asia's most recognized art awards, with editions in Singapore, Indonesia, Malaysia, Thailand, and Vietnam, and has launched over 1,000 artists' careers. This year also introduces stricter criteria for the Established Artist category, requiring a stronger professional track record.

Israeli Artists Slam Venice Biennale Participation: 'Again, Israel as a Victim'

The 61st Venice Biennale opened on Saturday amid significant upheaval, including the unexpected death of its curator Koyo Kouoh and the passing of German artist Henrike Naumann. Israeli artists have publicly criticized their country's participation in the event, with one artist quoted as saying, 'Again, Israel as a victim,' reflecting ongoing anti-Israel protests and the resignation of the Biennale's judges.

As the South African Pavilion Sits Empty, Gabrielle Goliath Continues a ‘Life-Work of Mourning’

South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.