A new exhibition titled VISION has opened at the recently launched Art Jewel gallery space within Bangkok's Siam Paragon shopping mall. The show features works by fifteen artists from around the world, including notable figures like Japanese artist Kohei Nawa and Thai artist Pinaree Sanpitak, presenting a diverse range of contemporary art in a high-traffic commercial setting.
The Singaporean art gallery Utterly Art is making a return through a collaboration with the Visual Arts Centre (VAC) at its former Chinatown location. Rebranded as VAC Art Gallery And Studio, the space has been revamped by VAC director Iola Liu to serve as both a retail gallery and an art studio. The inaugural group exhibition, titled "Welcome Home!", features works by 20 local and Southeast Asian artists across various media, including street art, pop art, and traditional still life.
Serakai Studio is launching a new cultural laboratory and exhibition space called GOLD in Hong Kong’s Wong Chuk Hang district. The venue, situated in a repurposed bank and jewelry shop, will debut with a group exhibition titled "CERTAINLY" curated by Tobias Berger. The show features a diverse roster of international and local artists, including Pak Sheung Chuen, Shinro Ohtake, and Santiago Sierra, all responding to the theme of uncertainty inspired by La Monte Young’s 1960 instructional compositions.
The National Portrait Gallery in London has unveiled a new family portrait of Sir Elton John, his husband David Furnish, and their two sons, captured by the acclaimed American photographer Catherine Opie. Taken at the family's home in Old Windsor, the image depicts the group in their library alongside their pet Labradors. The work is a centerpiece of Opie’s major retrospective, "Catherine Opie: To Be Seen," which opens this week.
The Washington County Museum of Fine Arts is launching "Kindred Spirits: Artists in the Tenth Street Studio Building" on March 7, 2026. This exhibition is part of the global Frederic Church 200 celebration, marking the bicentennial of the influential landscape painter's birth. Centered around Church’s "Scene on the Catskill Creek," the show highlights the collaborative environment of the nation’s first purpose-built artist studio space in New York City.
Artist Bria Edwards has debuted a solo exhibition titled "What We Do, We've Always Done" at the Julio Fine Arts Gallery at Loyola University Maryland. The multidisciplinary showcase features oil paintings, photography, and video work resulting from two years of fieldwork and interviews with Black equestrians across Maryland. Curated by Lauren Davidson of Museum Nectar Art Consultancy, the exhibition explores the historical and contemporary presence of Black horse riders, moving from the era of enslavement to modern-day leisure and competitive spaces.
The Silo Hotel in Cape Town has launched "The Salon," a new year-long exhibition located in its subterranean gallery space, The Vault. Curated in collaboration with Brundyn Arts & Culture, the show utilizes a traditional floor-to-ceiling salon hang to present works by emerging contemporary artists alongside South African masters such as William Kentridge, Zanele Muholi, and Dumile Feni. Access to the exhibition is restricted to private, guided walkthroughs led by the hotel’s dedicated art concierge, Michael Jacobs.
The Joel and Lila Harnett Museum of Art at the University of Richmond has opened its spring season with three new exhibitions centered on themes of lineage, place, and blackness. The shows include a newly commissioned, full-gallery installation by sculptor Abigail DeVille, an exhibition titled 'Black Work: Absence/Absorption' exploring the material and perceptual qualities of blackness, and 'Politics of Place,' a film-focused exhibition examining geography's influence on identity and power.
The article describes the Arts and Culture Programme at the World Economic Forum's Annual Meeting in Davos, centered on the theme 'A Spirit of Dialogue.' It features performances and installations including the Mahler Chamber Orchestra with violinist Renaud Capuçon and an AI-generated visual installation by artist Ronen Tanchum, a concert by musician Jon Batiste, Thijs Biersteker's data-driven installation 'Forestate' created with Unesco, and Marina Abramović's mobile installation 'THE BUS.' The programme is structured around three pillars: Human Presence in the Digital Age, Tradition and Innovation, and Connection and Collaboration.
Megan Monaghan, director of arts at Springside Chestnut Hill Academy (SCH), organized an exhibition at the school's Barbara Crawford Gallery titled "Echoes of Our Future: 250 Years of Black Artistic Legacy in Philadelphia" to honor the city's Black artistic heritage ahead of America's semiquincentennial. Collaborating with Claudia Volpe, director and curator of the Petrucci Family Foundation Collection of African American Art, Monaghan selected over 30 works by 27 artists—including Barbara Bullock, Eustace Mamba, Tim McFarlane, Dox Thrash, and Henry Ossawa Tanner—organized into three themes: faces and community, music and movement, and environment. The exhibition runs from Jan. 15 to March 12 and is accompanied by The Next 250, an educational project connecting students through workshops, mentorship, and visual storytelling.
Bose Krishnamachari, co-founder of the Kochi-Muziris Biennale in India, has stepped down as president of the Kochi Biennale Foundation and as a board trustee after 14 years, citing pressing family reasons. His departure will not affect the ongoing sixth edition, titled "For the Time Being," which opened last month and runs until March 31. Krishnamachari founded the biennial in 2012 in Fort Kochi, Kerala, alongside fellow artist Riyas Komu, who left in 2018 amid sexual harassment allegations.
The article argues that art and science are deeply interconnected, both relying on freedom of thought and cross-disciplinary collaboration. It cites examples like birds' colorful feathers being explained by a study supported by Schmidt Sciences, which found that birds use a layer of white and black feathers to accentuate color—a technique painters have used for centuries. The piece highlights the Artist-at-Sea programme aboard the Schmidt Ocean Institute's research vessel Falkor (too), where artists like Constance Sartor and Jill Pelto collaborate with scientists to communicate marine science to broader audiences. The author, who works with scientists and is married to one, emphasizes that both disciplines pursue truth through different but complementary methods, from Leonardo da Vinci's anatomical studies to medieval Islamic tilework and Alexander von Humboldt's naturalist drawings.
Several works by Scottish-Italian artist Eduardo Paolozzi, gifted to his longtime collaborator and model maker Ray Hardinge Campbell Watson, are being auctioned at Lyon & Turnbull in Edinburgh. The collection includes a bronze statue titled *Hermes/Mondrian Head – 1996* (estimate £10,000–£15,000), along with plaster sculptures, prints, and folio sets, many bearing personal inscriptions. The sale reflects a creative partnership that spanned over thirty years, during which Paolozzi and Watson collaborated on major projects such as the Tottenham Court Road murals for London Underground and a Pizza Express mural in the late 1960s.
Blue Sky Gallery in Portland, Oregon, is celebrating its 50th anniversary as a nonprofit champion of photography as fine art. Founded in 1975 as the Oregon Center for the Photographic Arts by a collective of five co-founders—Ann Hughes, Bob DiFranco, Craig Hickman, Terry Toedtemeier, and Chris Rauschenberg—the gallery opened in a small storefront on Lovejoy Street when photography was not yet widely recognized in institutional spaces. It has never charged admission or application fees, relying on volunteer labor and a philosophy of free access. Over five decades, the gallery moved through three locations before settling in Portland's historic DeSoto Building, which it now owns.
The Museum of Applied Arts Cologne (MAKK) in Germany is presenting an exhibition titled “From Louise Bourgeois to Yoko Ono: Jewellery by Female Artists,” featuring 101 pieces of jewelry created by 45 female artists. The show, which opened November 11 and runs through April 26, highlights works by well-known figures such as Yoko Ono and Louise Bourgeois, including Ono's yellow and white gold ring shaped like a vinyl disc inscribed with “Imagine Peace” and Bourgeois’ gold spider brooch and silver shackle neckpiece. The exhibition was curated by Lena Hoppe in collaboration with museum director Petra Hesse, and an accompanying book edited by the curators will be published by Arnoldsche Art Publishers in February 2026.
The fourth edition of the international art exhibition 'Peace & Pieces' opened in Karachi on Thursday, inaugurated by Mayor Barrister Murtaza Wahab as part of the 39-day World Culture Festival 2025. Held at the Ahmed Pervez Art Gallery, the exhibition features works by global artists including Kelechi Nwaneri (Nigeria), Adjaratou Ouedraogo (Burkina Faso), Sofia Maria Xenaki and Aglaia Perraki (Greece), alongside Pakistani artists such as Amin Gulgee, Akram Spaul, Basil Habib, Hamza Qazi, and Haider Ali Naqvi. The event was attended by Marc Piton, Counsellor for Cooperation and Cultural Affairs at the French Embassy, and drew a diverse crowd of art enthusiasts.
The HOPE Outdoor Gallery in Austin, Texas, will open its new purpose-built location at 741 Dalton Lane near the airport on November 28, following a six-year closure after its original site off Lamar Boulevard shut down. The 8-acre space, sponsored by the Nouns DAO Community, features over 30 street artists including Miles Starkey, Emily Ding, and Kimie Flores, and is designed as a free, accessible laboratory for both budding and established artists. The opening weekend includes a special limited-edition print by Shepard Fairey for the first 50 daily visitors.
A new exhibition at the Stanley Spencer Gallery in Cookham, titled *Revealing Genius, Conserving Art: Stanley Spencer’s Final Masterpiece*, offers visitors a rare chance to watch conservator Olivia Leake work on Spencer’s unfinished painting *Christ Preaching at Cookham Regatta*. The large canvas, which Spencer labored over for over a decade but left incomplete at his death in 1959, has been lowered from its usual high hanging for live conservation. Using UV light and paint analysis, Leake has discovered surprising details: extremely thin paint layers, a green water area later overpainted in blue, and multiple changes to underdrawings—contradicting anecdotes that Spencer never altered his initial drawings.
Wilson College in Chambersburg, Pennsylvania, will open a new art exhibition titled “Jacques Callot and Those Who Came After” on November 19, 2025, in the first-floor gallery of the John Stewart Memorial Library. The show features 18 etchings from Callot’s 1633 series “Les Grandes Misères de la Guerre,” widely regarded as the first anti-war statement in Western art, alongside works by artists he inspired, including Francisco Goya, Otto Dix, and Ernst Barlach. Curated by assistant professor Adam DelMarcelle, the exhibition was a collaborative effort involving students from multiple courses—Western Art History 1000–1800, Graphic Design II, Typography and the Letterform, and digital photography—who conducted research, designed the visual language, built the catalog, and contributed photographic elements.
Marge Dean, an Emmy-winning animation producer and head of Skybound Entertainment, opens a new conceptual art exhibition titled "The Sweepers" at Automata gallery in Los Angeles' Chinatown on November 7. The show imagines a world where housework is valued as highly as fine art, presenting the fictional "Floor Field Cleaning" art movement (1940-1975) through portraits, floor samples, biographies, and an animated interview with a housewife named Laurie Poons. Dean, who is also founder of Women in Animation, created the work during the COVID lockdown, using rotoscoping and Photoshop to explore the intersection of domestic labor and artistic value.
Turner Prize-winning artist Helen Marten has created an epic opera-like exhibition titled "30 Blizzards." during Art Basel Paris, commissioned by fashion brand Miu Miu. The free exhibition at the Palais d'Iéna in Paris combines installation, video, and performance in a five-channel work activated by 30 performers, staged by theatre director Fabio Cherstich. The work features archetypal characters such as the Fox, the Mother, the Snail, and the Dog Walker, with a libretto written by Marten and music composed by Beatrice Dillon. This marks Marten's first foray into performance, expanding her sculptural and film practice into live, resonant bodies.
Media artist Refik Anadol has announced that Dataland, the world's first museum of AI arts, will open in spring 2026 at the Frank Gehry-designed Grand L.A. complex in downtown Los Angeles, delayed from its original 2025 schedule. The museum spans 25,000 square feet and includes five galleries; a sneak peek was released of the Infinity Room, an immersive multisensory space featuring swirling colors, AI-generated scents, and a proprietary AI model called the Large Nature Model. The Infinity Room concept originated in 2014 at UCLA and has since toured 35 cities, attracting over 10 million visitors.
Moody Gallery in Houston opened “50th Anniversary Exhibition Part I” on September 13, showcasing 38 artworks by gallery-affiliated artists. The show is deliberately non-chronological and non-comprehensive, featuring works ranging from 2006 to 2025, including pieces by Melissa Miller, William “Bill” Steffy, Michael Kennaugh, Dan Sutherland, Pat Colville, Tracye Wear, Al Souza, and the collaborative MANUAL (Ed Hill & Suzanne Bloom). The exhibition spans three spaces and highlights the gallery’s eclectic, open-minded approach and its commitment to promoting Texas-based artists.
October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.
October arts in Pittsburgh center on play and legacy, with multiple gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" (Oct. 3), showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3–Jan. 19, 2026), featuring alumni like Renee Cox and Erin Mallea. James Wodarek's "Industria Nova" (Oct. 3–Nov. 8) reimagines industrial forms, while the University of Pittsburgh's galleries offer "Felt-Occurrence" and "Continuing a Legacy of Classical Painting" (Oct. 3–Nov. 14), linking three generations of American landscape artists.
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A wave of legal complaints has been filed against several major French cultural institutions, including the Louvre, the Pinault Collection, and the MuCEM, alleging illegal labor practices. Labor unions Sud-Culture, SUD-PTT, and Solidaires claim these museums are engaging in "illicit lending of labor" and "bargaining" by exercising direct authority over outsourced staff from third-party agencies like Marianne International and Pénélope. While outsourcing services like ticketing and reception is legal in France, the lawsuits argue that museums are illegally managing these external employees' daily schedules, rotations, and disciplinary actions as if they were their own staff.
In mid-2025, the Trump administration rescinded $9 billion in public media funding, including $1.1 billion for the Corporation for Public Broadcasting (CBP), which subsequently voted to dissolve. While NPR stated its mission would continue unchanged, the cuts disproportionately impacted rural member stations that relied on CBP for about 13% of their revenue, threatening local access to public media.
Pioneer Works in New York presents "The Endless Garment: Atlantic Basin," a transnational exhibition curated by Jeppe Ugelvig. The show features work by artists and collectives including Serena Chang, Chang Yuchen, CFGNY, Huang Po-Chih, and Shanzhai Lyric, examining representations of Asian fashion production. It builds upon a prior 2021 exhibition at Beijing's X Museum and a related publication.
Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.
The Argentine artistic duo Roberto Behar and Rosario Marquardt have received the $75,000 Lifetime Achievement Award at The Ellies Oolite Arts Awards. The pair, founders of R&R STUDIOS, are recognized for their decades-long collaborative practice that merges art, architecture, and public space to create social sculptures.