Simply divine: the extraordinary supernatural visions of Francisco de Zurbarán

Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.

‘It’s not much but, at the same time, it’s very much’: the enduring impact of Sade’s style

The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.

Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

literature salman rushdie laurie anderson the satanic verses

Salman Rushdie and Laurie Anderson, two legendary New York-based artists, engage in an intimate conversation published by Cultured magazine. Rushdie discusses his recent appearance at the Sundance Film Festival for the documentary "Knife," which adapts his memoir about surviving a 2022 stabbing attack, and his travels to literary festivals in New Orleans and Tucson. Anderson shares anecdotes about her own touring show "Republic of Love" with the band Sexmob, and the pair trade lighthearted observations about movie theaters, desert landscapes, and aliens.

Statement of Withdrawal from Visitor Lion Awards

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Sara Shamma on Representing Syria at the 61st Venice Biennale

Sara Shamma will represent Syria at the 61st Venice Biennale (2026) with a large-scale immersive installation titled *The Tower Tomb of Palmyra*. The 15-meter-high multisensory work combines painting, architecture, light, sound, and scent, inspired by the ancient funerary towers of Palmyra that were destroyed during the Syrian War. Shamma describes the piece as a reflection on loss, resilience, and cultural memory, and notes its resonance with the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Watch: Wallace Chan returns to the Venice Biennale with ‘Vessels of Other Worlds’

Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

Venice Golden Lion jury won’t consider Russian and Israeli pavilions

The jury for the Golden and Silver Lion awards at the 61st Venice Biennale has announced it will not consider the national pavilions of any country whose leaders are currently charged with crimes against humanity by the International Criminal Court. This decision specifically excludes Russia, whose president Vladimir Putin is charged with unlawful deportation of Ukrainian children, and Israel, whose prime minister Benjamin Netanyahu is charged with targeting Palestinian civilians and using starvation as a weapon. The jury, presided over by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, issued a full statement explaining their commitment to human rights and alignment with the curatorial vision of the late Koyo Kouoh.

Lisbon’s Culturgest appoints Raphael Fonseca as visual arts programmer

Raphael Fonseca has been appointed as the new visual arts programmer at Culturgest in Lisbon, the cultural foundation of the Portuguese bank Caixa Geral de Depósitos. He will relocate to Lisbon in June while transitioning to a curator-at-large role at the Denver Art Museum, where he currently serves as curator and head of the Department of Modern and Contemporary Latin American Art.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

Local Collections Shine at Sarasota Art Museum's Latest Exhibition

Sarasota Art Museum (SAM) has opened a new exhibition titled "Something Borrowed, Something New," featuring works from private collectors across Southwest Florida. The show includes pieces by renowned artists such as Chuck Close, KAWS, Richard Serra, Yoko Ono, Ai Weiwei, and Louise Bourgeois, spanning paintings, prints, sculptures, and mixed media from the 20th and 21st centuries. The exhibition was inspired by a museum trip program, during which executive director Virginia Shearer noticed that local collectors owned significant works by artists featured in major institutions like the Renwick Gallery and Glenstone.

Meet the 2026 Turner Prize shortlisted artists

The 2026 Turner Prize shortlist has been announced, featuring four artists: Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. They will exhibit at Teesside University’s Middlesbrough Institute of Modern Art (MIMA) in September 2026, with the winner revealed on December 10. The jury, chaired by Tate Britain director Alex Farquharson, includes Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo. The shortlisted artists work across installation, performance, and sculpture, with themes ranging from human emotion and industrial heritage to ecological concerns and political history.

Artists Spar Over Credit For A Dress Displayed In The Met’s ‘Costume Art’ Exhibition

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute of exhibiting a dress that she claims is a counterfeit of her work in the ongoing "Costume Art" exhibition. The dress, titled Corpus Nervina 0.0, is credited solely to New York-based Israeli designer Yoav Hadari, but Samms alleges it closely resembles an earlier Nervina hair dress she co-developed with Hadari during their 2023 residency at the Lee Alexander McQueen Sarabande Foundation. Samms discovered the display via a social media post and has since spoken out, noting that a contract from their collaboration designated her as the sole owner of the intellectual property of the fabric. The Met has requested that the two parties resolve their dispute before the museum takes further action.

Chanel Will Launch New Culture Fund Fellowship With the Guggenheim

Chanel will launch an annual, one-year fellowship in fall 2026 in collaboration with the Guggenheim. The Chanel Culture Fund Fellowship will host a fellow in New York and at the Peggy Guggenheim Collection in Venice, targeting MA and PhD-level scholars dedicated to collection studies and curatorial research. The program complements existing Guggenheim fellowship and internship programs, aiming to nurture emerging talent in modern and contemporary art curation.

Selfie-Friendly Pedro Reyes Sculpture Sparks Controversy at LACMA

Nearly eighty Mexican cultural figures have signed an open letter condemning the installation of Pedro Reyes's sculpture 'Tlali' (2026) in the plaza of LACMA's new David Geffen Galleries. The work, described as a selfie-friendly monolithic face inspired by Olmec art, closely resembles a 2021 proposal for a Mexico City sculpture titled 'Tlalli' that was abandoned after protests from hundreds of cultural workers. Critics argue that Reyes, a male artist who does not identify as Indigenous, should not represent Indigenous womanhood, and that the new work perpetuates colonial stereotypes and nationalistic aesthetics. LACMA has defended the piece, claiming it is entirely different in purpose and meaning, while Reyes has not commented.

Montclair Art Museum Hires New Chief Curator Kate Kraczon

The Montclair Art Museum in New Jersey has hired Kate Kraczon as its new chief curator, replacing Gail Stavitsky. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was terminated last December amid university layoffs. At the Bell, she organized the only US screening of "Prisoners of Love, 2025" by Palestinian artists Basel Abbas and Ruanne Abou-Rahme, and an exhibition of Julien Creuzet's work originally shown at the French Pavilion in the 2024 Venice Biennale. Before Brown, she worked as a curator at the Institute of Contemporary Art (ICA) in Philadelphia, where she organized the 2018 show "Ree Morton: The Plant That Heals May Also Poison."

Leaky Berlin Modern Museum’s Opening Delayed Until 2030

The opening of the Berlin Modern Museum, a planned extension of the Neue Nationalgalerie, has been delayed until 2030 due to significant moisture damage and microbial contamination in its foundation, floors, roof coverings, and exterior walls. Originally laid in February 2024 with a projected 2027 opening, the museum's construction costs have surged from 200 million to 507 million euros, according to Monopol. A spokesperson for the Prussian Cultural Heritage Foundation stated that repairs are underway but will push completion back by approximately eight months.

In Performance Series, Artists Tackle the Nature of Images, and Reality, in the Face of AI

At Giorno Poetry Systems (GPS) in New York, a three-day program titled “Exert: The Physics of Metaphysics” featured performances and readings by artists including Mark Leckey, Hari Kunzru, and Gideon Jacobs. The works explored how emerging technologies like AI, VR, and AR are reshaping perceptions of reality and simulation, with Kunzru reading from a novel-in-progress about a man navigating a world where simulation encroaches on everyday life, and Jacobs presenting a performance lecture blending theater, essay, and AI-generated video.

Interview with the great sculptor Charles Ray who shows in two different galleries in Los Angeles

Intervista al grande scultore Charles Ray che a Los Angeles si mostra in due diverse gallerie

Charles Ray, the renowned American sculptor, opened two simultaneous solo exhibitions in Los Angeles on April 18, one at Matthew Marks Gallery and the other at Jeffrey Deitch Gallery, located about a mile apart. The Matthew Marks show features three new works, including "Junk 2" (2026) and "The Animation of Pandora" (2026), while the Deitch exhibition presents three older iconic pieces such as "Firetruck" (1993), "Pepto-Bismol in a Marble Box" (1988), and "Table" (1990). Ray, who has lived in Los Angeles for four decades, is known for his meticulous, slow-working process and his exploration of the human body and everyday objects at altered scales.

WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

Fair Warning Bets Big on a Banksy That Could Realize $18 Million

Fair Warning, the members-only online sales platform founded by former Christie's rainmaker Loïc Gouzer, is staging a rare live auction on May 20 at Tiffany & Co.'s flagship store in New York. The centerpiece is Banksy's *Girl and Balloon on Found Landscape* (2012), a work from the artist's 'Crude Oils' series that has never been publicly exhibited. Consigned by a private collector, the painting carries an ambitious estimate of $13 million–$18 million, one of the highest ever for a Banksy. Gouzer argues that Banksy is among the most consequential artists of our time, comparing his trajectory to Jean-Michel Basquiat, and sees this sale as a landmark moment for the artist's market.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.

Star-Studded Doc on Auction Icon Simon de Pury Heads to Cannes

A new feature-length documentary titled "The Hammer" will premiere at this spring's Cannes Film Market, chronicling the five-decade career of Swiss auctioneer and art advisor Simon de Pury. Produced by Simon Wallon, who previously made a documentary on casting director Bonnie Timmermann, the film features cameos from artists Marina Abramović, Jeff Koons, Ai Weiwei, and Chloe Wise, and includes executive producer Catherine Quantschnigg. Filming took place in New York, Tokyo, London, Cannes, Miami, and Monaco between July 2023 and February 2025.

The Italian artist who sails from the Island of Elba to Saint Helena: talking about power and making a film

L’artista italiano che parte dall’Isola d’Elba in barca a vela per raggiungere Sant’Elena: si parla di potere e si gira un film

Italian artist Luca Vitone (born Genoa, 1964) has launched a project titled "Pro Tempore," which involves a two-month sailing journey from the Island of Elba—Napoleon Bonaparte's first place of exile—to the remote island of Saint Helena, where Napoleon died in exile. The voyage, aboard the boat Adriatica, includes four intermediate stops (Balearic Islands, Algeciras, Canary Islands, Cape Verde) and is funded by the 14th edition of the Italian Council grant, in partnership with the Fondazione Oelle. The project explores the concept of temporary power and uses Napoleon's biography and the sea as metaphors for control and instability.

Hans Ulrich Obrist Reveals the One Artist Who Refused to Let Him Into Their Studio

Hans Ulrich Obrist, the artistic director of London's Serpentine Galleries, revealed in an interview with the Wall Street Journal that he has never been able to secure a studio visit with the reclusive painter Jasper Johns. Obrist, known for his extensive artist interviews and visits, stated that Johns, now 95, "doesn't see anyone," making him the one artist who has consistently refused Obrist's requests.

Ready for their close-ups: celebrity passport photos

Dave Sharkey, a former professional boxer, and his wife Ann founded a photographic studio on Oxford Street in London in 1953, offering passport photos with a 10-minute turnaround. The studio, later run by their son Philip, became a popular spot for celebrities including Muhammad Ali, Mick and Bianca Jagger, David Hockney, and Tilda Swinton. A new book titled 'Passport Photo Service,' published by Phaidon Press, compiles over 300 of these celebrity passport portraits from the 1950s to the 2010s.

Mummy, is this a video game? The dangers of showing kids art on a screen

A parent takes their toddler to Frameless, an immersive digital art experience in London, where works by Hieronymus Bosch, Claude Monet, and Georges Seurat are projected onto walls, ceilings, and floors. The child reacts with mixed engagement—enjoying some moments but feeling overwhelmed by the frenetic, screen-based environment—while the author reflects on the tension between traditional static art and animated digital reproductions.