New Chihuly exhibit to open Saturday at Frederik Meijer Gardens

A new exhibition of glass sculptures by Dale Chihuly opens Saturday at the Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan. This is the third time the venue has hosted Chihuly's work, with pieces installed across 12 outdoor locations on the 158-acre campus, plus an indoor gallery show titled "CHIHULY: Radiant Forms" requiring a separate ticket. The outdoor exhibit is included with general admission and runs from May 2 to November 1, 2026.

The 'Rocky' anniversary year starts with the Philadelphia Museum of Art's “Rising Up”

The Philadelphia Museum of Art has opened a new exhibition titled “Rising Up: Rocky & the Making of Monuments” to mark the 50th anniversary of the original Rocky film (1976) and the 250th anniversary of the United States. The show examines the Rocky statue as a monument tied to the museum and Philadelphia, featuring works by artists such as Keith Haring, Rashid Johnson, Delilah Montoya, Tavares Strachan, Hank Willis Thomas, Kara Walker, Andy Warhol, and Carrie Mae Weems. It also highlights Philadelphia's boxing history, including Joe Frazier and the Blue Horizon venue.

"Homage to the Virtuosos" exhibition opens in Beijing

An exhibition titled "Homage to the Virtuosos: From Leonardo da Vinci to Caravaggio -- Masterpieces of the Italian Renaissance" has opened at the National Art Museum of China in Beijing. The show features 36 masterpieces by more than 20 renowned Italian artists from the 15th to the 17th centuries, including Botticelli, da Vinci, Michelangelo, and Raphael, with most works on display in China for the first time. Chinese painter Jin Shangyi was present to introduce Bronzino's "The Portrait of Lorenzo the Magnificent" to visitors.

In Paris, step inside Swedish artist Mamma Andersson's broken reality

Swedish artist Mamma Andersson is preparing for a new exhibition, 'Œuvres sur papier', at David Zwirner Paris, showcasing her works on paper including aquatint, etching, lithograph, and woodcut. The article visits her studio in Stockholm, where she discusses her creative process, recurring motifs like chairs, masks, and deer, and her collaborations with writer Karl Ove Knausgaard. The show also features vitrines with reference materials and books alongside original artworks.

Dataland, World's First A.I. Arts Museum, Will Open in June, and Other News.

Dataland, billed as the world's first museum dedicated to AI-generated art, will open June 20 at The Grand LA in downtown Los Angeles, founded by Refik Anadol and Efsun Erkılıç. Its inaugural exhibition, 'Machine Dreams: Rainforest,' uses vast environmental datasets to create multi-sensory AI interpretations of nature. In other news, Tuan Andrew Nguyen's 27-foot-tall sandstone Buddha sculpture has been installed on New York's High Line Plinth; Chanel is launching its first-ever Coco Beach pop-up in Shanghai; Kengo Kuma collaborated with Jaipur Rugs on a carpet collection unveiled at Milan Design Week; and Pittsburgh's new $31 million Arts Landing civic space opened in the Cultural District.

Kids Day: When Nature Becomes Art

The Peggy Guggenheim Collection in Venice offers a free weekly workshop series called "Kids Day" for children aged 4 to 10, held on Sundays at 3 pm. The upcoming session, "When Nature Becomes Art," introduces young participants to collage techniques inspired by Surrealist artists such as Eileen Agar and André Masson, who used natural materials like shells, sand, feathers, and plants. The program includes a brief guided tour of the museum followed by a hands-on art workshop, conducted in Italian with interpretation available upon request.

At the Venice Biennale, Canada’s entry blooms with unease

Montreal artist Abbas Akhavan's installation "Entre chien et loup" transforms the Canadian pavilion at the 2026 Venice Biennale into a living climate system, featuring a humid, Amazon-like environment with a pond of Victoria water lilies. The seeds were sourced from the Royal Botanic Gardens, Kew, and germinated at the Orto Botanico di Padova, with the lilies growing and blooming over the course of the biennale.

BE PART OF A COLLECTIVE ART WORK BY CHIHARU SHIOTA FOR THE CURITIBA INTERNATIONAL BIENNIAL

Japanese artist Chiharu Shiota has announced a new site-specific installation titled *The Space Between Us* for the 16th Curitiba International Biennial – THRESHOLDS, opening June 14 through November 15, 2026 at the Oscar Niemeyer Museum (MON) in Curitiba, Brazil. Curated by Tereza de Arruda, the work invites the public to submit letters—in text, collage, or other manual forms—which Shiota considers self-portraits of each participant’s inner universe. Submissions must be sent by May 20, 2026, and will be woven into a large-scale collective installation that makes visible the hidden experiences of individuals.

WHEN FASHION MEETS ART QUOTES BODIES AND POWER AT THE MET GALA

The 2026 Met Gala took place on the first Monday of May, opening the Costume Institute's spring exhibition 'Costume Art' at the Metropolitan Museum of Art. The dress code 'Fashion is Art' prompted celebrities to treat the body as a canvas, with attendees like Hunter Schafer, Madonna, Rachel Zegler, Angela Bassett, Kendall Jenner, Troye Sivan, and Emma Chamberlain referencing specific artworks—from Gustav Klimt's *Mada Primavesi* to the *Winged Victory of Samothrace*—and historical fashion pieces.

A Painting by Gerard van Honthorst in Utrecht

Un tableau de Gerard van Honthorst à Utrecht

The Centraal Museum in Utrecht has acquired a painting by Gerard van Honthorst, titled *Extase de Marie-Madeleine* (c. 1618-1620), purchased from Cantore Galleria. The work was previewed at TEFAF Maastricht, where the museum also announced a major retrospective dedicated to the artist, titled "Gerard van Honthorst - En tout point différent de Rembrandt," which opened on April 25.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Stano Filko “Painting” at Layr, Vienna

Stano Filko's exhibition "Painting" at Layr in Vienna challenges the persistent binary opposition between painting and conceptualism. The show presents Filko's work from around 1980, a period when debates over the merits of painting versus conceptual art were at their peak, offering a nuanced perspective that complicates this historical divide.

Part root vegetable, part deity: Inside Everything Is Terrible’s new Meow Wolf L.A. installation

Meow Wolf's upcoming Los Angeles location, set to open later this year in a former Cinemark movie theater in West L.A., will feature a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW, created by the L.A.-based multimedia collective Everything Is Terrible. WoWoW serves as the centerpiece of "the N.E.S.T.," an EIT-designed section of the 26,000-square-foot immersive exhibition space that tells the story of the Noothies, a fictional community of former film workers who discover a god and a hidden truth about reality. The installation pays tribute to maximalist roadside attractions like Wisconsin's House on the Rock and New Mexico's Tinkertown Museum, and is one of 45 installations by local collaborating artists including Gabriela Ruiz and David Altmejd.

Artist Kasper Eistrup Maps the Human Condition on Canvas

Danish artist Kasper Eistrup (b. 1973) presents his first solo exhibition in Germany, titled "Bridges Over Magma," at Galerie Schimming in Hamburg. The show features a new body of work created during a recent artist-in-residence program in Hamburg, where Eistrup drew inspiration from the city's famous bridges and his ongoing exploration of painting and drawing. The compositions blend meticulously rendered figures with architecture, flora, fauna, handwritten text, and abstract textures, exploring themes of human connection and resilience.

“A Milano Fondazione Elpis sarà luogo di sorpresa e di comunità”. Intervista alla nuova direttrice Marcella Ferrari

Fondazione Elpis in Milan has appointed Marcella Ferrari as its new director, effective April 2026, marking a new phase for the foundation founded by Marina Nissim in 2020. Ferrari plans to expand the foundation's spaces in Porta Romana with the addition of Villa and Atelier Elpis alongside the existing Lavanderia, creating a constellation of venues for residencies, production, education, and public programs. She emphasizes listening to staff, artists, curators, and the local community, while strengthening international relations and developing projects that connect artistic production with public space and contemporary research.

Contemporary art returns to center stage in Ascoli Piceno for the fifth edition of the Premio Sparti

L’arte contemporanea torna protagonista ad Ascoli Piceno per la quinta edizione del Premio Sparti

The fifth edition of the Premio Sparti, titled "Dove finisce la città" (Where the City Ends), will open on May 23 at the Forte Malatesta in Ascoli Piceno, Italy, running through June 28. Curated by Alex Urso, the exhibition features over twenty international artists exploring artistic practice outside major urban centers, with works also installed at the Frida Museum. The show is divided into three sections—"Essere oltre," "Essere qui," and "Essere altro"—highlighting artists who have chosen peripheral, rural, or marginalized locations as bases for their research, including Francesco Arena, Davide Maria Coltro, Andrea Mastrovito, and emerging talents under 35.

Finally, Culture Minister Giuli visited the Italy Pavilion at the 2026 Venice Biennale and made peace with President Buttafuoco

Finalmente il Ministro della Cultura Giuli ha visitato il Padiglione Italia alla Biennale di Venezia 2026 e ha fatto pace con il Presidente Buttafuoco

Italian Culture Minister Alessandro Giuli finally visited the Italy Pavilion at the 2026 Venice Biennale alongside Biennale President Pietrangelo Buttafuoco, marking their first public appearance together after earlier tensions led Giuli to skip the opening ceremony. During the visit, Buttafuoco proposed that the work of artist Chiara Camoni, whose exhibition "Con te con tutto" is curated by Cecilia Canziani, should find a permanent home after the Biennale ends, sparking discussion about the future of pavilion artworks.

Notte Europea dei Musei 2026: tornano le aperture serali con biglietto a 1 euro. Il programma

The European Night of Museums returns on Saturday, May 23, 2026, with participating museums across Europe opening their doors for special evening hours. In Italy, the Ministry of Culture organizes extraordinary openings from 8 PM to midnight at the symbolic price of 1 euro, alongside events in theater, music, dance, literature, and cinema. Highlights include Rome's Notte dei Musei (16th edition) with civic museums open until 2 AM, Villa Adriana and Villa d'Este in Tivoli offering evening access and contemporary performances, and the Royal Savoy Residences in Piedmont featuring guided tours, exhibitions, and family activities.

As Democracy Falters, a New York Museum Champions Activism

The Museum of the City of New York (MCNY) in East Harlem will open the Puffin Foundation Center for Social Activism this fall, replacing its existing Puffin Foundation Gallery. The expanded center, funded by an $8 million donation from the Puffin Foundation, will feature a new version of the permanent exhibition "Activist New York," along with temporary shows, public programs, and an annual fellowship. The inaugural temporary exhibition, "Halumii Ktapihna: Lenape Legacies and Future," marks the 400th anniversary of Manhattan's purchase from Indigenous peoples.

A Rediscovered Beato Angelico Takes Center Stage at Pandolfini's Old Masters Auctions in Florence

Un Beato Angelico riscoperto protagonista alle aste di arte antica di Pandolfini a Firenze

Pandolfini auction house in Florence will auction a rediscovered fragment of Beato Angelico's *Tebaide* on May 20, 2026, after it had been missing for fifty years. The attribution was confirmed by comparison with the version held at the Museo di San Marco and formerly at the Galleria degli Uffizi. The auction house's Old Masters department, led since 2025 by young director Nicolò Pitto, has achieved strong results, including over €5 million in total revenue for the year, with top lots such as Artemisia Gentileschi's *Cleopatra* (€595,600) and a French School *Saint Catherine of Alexandria* (€620,000).

Mimmo Jodice in mostra al nuovo Museo del Tesoro di San Gennaro a Napoli. Rare foto ‘barocche’ a colori

Mimmo Jodice, the renowned Italian photographer who died in October 2025 at age 91, is being honored with a new exhibition at the Museo del Tesoro di San Gennaro in Naples. The show, curated by former Capodimonte director Sylvain Bellenger, presents Jodice's rare color photographs from the 1980s—his only color project—which focus on 17th-century Neapolitan Baroque paintings by artists such as Caravaggio, Jusepe de Ribera, and Artemisia Gentileschi. The exhibition runs until January 10, 2027, and also marks the inauguration of newly renovated welcome spaces at the museum, designed by Vanni del Gaudio.

72 Hours in Venice: Palazzos, Protests, and a Biennale on the Brink

The article recounts a journalist's 72-hour visit to the Venice Biennale, beginning with a protest by Pussy Riot and Femen at the Russian Pavilion. The action features pink smoke, chants of "Blood is Russia's art," and a guerrilla performance of the song "Disobey," set against a backdrop of internal Biennale strife—including juror resignations over countries whose leaders face ICC arrest warrants (Netanyahu and Putin). The narrative also notes the presence of alt-right figures like Ryan Coyne and sculptor Alma Allen's troubled U.S. pavilion representation.

Did Zurbarán Believe What He Painted?

An exhibition of Francisco de Zurbarán's 17th-century religious paintings at London's National Gallery prompts a critic to question whether the artist's personal faith influenced his artistic skill. The show features monumental works from Spanish churches and monasteries, displayed dramatically against black walls, including crucifixion scenes, monks, and saints. The critic notes that no personal records of Zurbarán survive—only contracts—leaving his beliefs unknown, and compares him to Agnolo Bronzino, who painted pious scenes but wrote obscene verses. A small painting of a crucified Christ with a painter, possibly a self-portrait of Bronzino, is presented as ambiguous evidence of faith.

Al Padiglione del Giappone della Biennale di Venezia vi affidano una bambola da accudire

The Japan Pavilion at the Venice Art Biennale 2026 features an immersive, interactive exhibition titled "Grass Babies, Moon Babies" by Japanese-American artist Ei Arakawa-Nash. Visitors are invited to care for one of 200 dolls, each with a QR code that provides a "diaper poem" linked to the doll's symbolic birth date—reflecting the artist's personal experience of becoming a father in 2024 and broader social dynamics in Japan. The pavilion, curated by Lisa Horikawa and Mizuki Takahashi, evolves over the seven months of the Biennale as a platform for shared care and participation.

Nel Padiglione Germania alla Biennale di Venezia un gruppo di donne riflette sulle rovine del passato per capire il mondo

The German Pavilion at the 2026 Venice Biennale will present the work of two women artists, Henrike Naumann and Sung Tieu, following the death of Naumann at age 41 in February 2026. Curated by Kathleen Reinhardt, director of the Georg Kolbe Museum in Berlin, the pavilion's project, titled "Ruin," explores the dual meanings of the word in English and German—architectural decay versus economic, social, or moral collapse. The exhibition draws on research into East Germany (DDR) and the post-reunification period, using the pavilion's fascist architecture as a lens to examine historical ruptures and their impact on the present. For the first time in its history, the German Pavilion is represented solely by women, mirroring the Italian Pavilion.

Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists

New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.

The AfD Rehearses the Seizure of Power

Die AfD probt die Machtergreifung

The article reports that in the German state of Saxony-Anhalt, the far-right party AfD could achieve an absolute majority in the upcoming September election—a first in postwar German history. The state government has preemptively introduced a cultural funding law to protect the arts. The AfD's platform includes a "new patriotic cultural policy" under the slogan "#deutschdenken," which explicitly targets the Bauhaus and modernist art as symbols of an "identity disorder" they promise to "heal."

Anila Quayyum Agha exhibitions in Nashville and Huntsville

The Frist Art Museum in Nashville will present "Anila Quayyum Agha: Interwoven," a survey exhibition spanning two decades of the Pakistani American artist's work, from May 22 to August 30, 2026. Organized by The Westmoreland Museum of American Art, the show features 26 works including installations, drawings, and sculptures that explore themes of identity, immigration, and environmental devastation, drawing on influences from Indo-Islamic architecture, Urdu poetry, and traditional crafts. The exhibition, which is the final stop on a four-venue tour, includes Agha's iconic lightbox installations such as "Intersections" (which won the 2014 ArtPrize) and "All the Flowers Are for Me (Red)."

"Geschichtspolitisch fatal und realitätsblind"

A German media roundup reports on a planned restructuring of the Stiftung Flucht, Vertreibung, Versöhnung (Foundation Flight, Expulsion, Reconciliation), which would shift its focus toward German expellees and reduce the influence of the Federal Government Commissioner for Culture and the Media. The reform, criticized by FAZ commentator Andreas Kilb as a fundamental cultural-political intervention, would detach the foundation from the German Historical Museum and give greater weight to the Federation of Expellees in its board. Separately, the roundup covers a review of a legal study on artistic freedom sparked by the antisemitism debate around Documenta Fifteen, and a speech by Culture Minister Wolfram Weimer warning of democratic backsliding and rising antisemitism.

A Decade of Contemporary Art: Gallery Weekend Beijing Turns 10

Gallery Weekend Beijing (GWBJ) will celebrate its 10th anniversary with the 2026 edition running from May 22 to May 31, opening with three VIP days before going public on May 26. Founded in 2017, the event features curated exhibitions from 30 galleries and 10 non-profit institutions across Beijing, anchored in the 798 Art District and extending to Caochangdi and the CBD Art District. A new Academic Committee—comprising Guo Xi, Leng Lin, Tian Yuan, Xi Tao, and Yang Beichen—selected the participating galleries, with 25 returning from previous editions and five newly nominated. Highlights include institutional presentations at UCCA Center for Contemporary Art, Red Brick Art Museum, and SONG Art Museum, as well as a special exhibition titled "Nirvana" by Ouyang Chun.