Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.

Wagner comes alive in Milan. Not only at the theater but also in these two exhibitions

A Milano rivive Wagner. Non solo a teatro ma anche in queste due mostre

Two exhibitions dedicated to Richard Wagner's Ring cycle have opened at Milan's Teatro alla Scala, coinciding with a new production of the Ring des Nibelungen and the centenary of the first Scala staging of the tetralogy in 1926. The Museo Teatrale alla Scala presents "La rivoluzione del Ring – Visconti Ronconi Chéreau," curated by Giovanni Agosti with design by Studio Margherita Palli, while the Ridotto dei palchi "A. Toscanini" hosts "Risonanze Wagner – Visioni intorno al Ring," curated by Gianluigi Colin and Mattia Palma, featuring contemporary paintings by four women artists—Antonella Benanzato, Flaminia Veronesi, Chiara Calore, and Federica Perazzoli—each reinterpreting one of the four operas.

Interview with Dries Van Noten who opens his foundation on art & craftsmanship in Venice

Intervista a Dries Van Noten che apre la sua fondazione su arte&artigianato a Venezia

Fashion designer Dries Van Noten is launching a new foundation dedicated to craftsmanship and art in Venice. The Dries Van Noten Foundation, opening on April 25, 2026, will be a hub for the exchange and transmission of knowledge, focusing on skills like glassmaking, textiles, ceramics, and goldsmithing. Its inaugural presentation, 'The Only True Protest is Beauty,' curated with Geert Bruloot, will fill twenty rooms of a Venetian palazzo with over two hundred works spanning fashion, glass, ceramics, design, and photography.

In Turin, a Confrontation Between Masters: The Exhibition of Beato Angelico and Bartholomeus Spranger

A Torino c’è un confronto tra maestri: la mostra di Beato Angelico e Bartholomeus Spranger

The Musei Reali in Turin has unveiled a specialized study exhibition titled "Beato Angelico negli occhi di Bartholomeus Spranger," which brings together two versions of the Last Judgment. The show features the return of Beato Angelico’s "Madonna of Humility" to Turin, accompanied by his "Last Judgment" on loan from the Museo di San Marco in Florence. This masterpiece is displayed alongside a later interpretation of the same subject by the Flemish Mannerist Bartholomeus Spranger, painted over a century later.

Art of resistance: Immigrant children share pain and strength in Tucson exhibit

An exhibition titled "Arte de la Resistencia" (Art of Resistance) was held from May 13 to May 17 at Free Associates gallery in Tucson, Arizona. Curated by a psychologist who uses the pseudonym Rosa for safety reasons, the show featured artwork created by immigrant children aged 7 to 19, many of whom are affected by deportation, family separation, and ICE enforcement. The pieces, including works like "Adiós Tucson" and "Silencio," express pain, grief, and resilience, with identities kept anonymous to protect the young artists. Proceeds from sales of original works and prints directly benefit the children's families.

Writer-artist Nia Zera's work draws parallels between Africa countries and Dravidian communities

Writer-artist Nia Zera recently opened her exhibition "Cobalt Blue" in Chennai, featuring 31 paintings on shaped wooden panels that draw parallels between Dravidian communities in south India and African cultures. The works explore shared histories of resource wealth and colonial exploitation, inspired by Karen Blixen's 'Out of Africa' and Zera's own upbringing near the Muthuvan Kudi community in Munnar, Kerala. The exhibition took one year and one month to complete, using a predominantly blue palette referencing cobalt and blue-green algae from Africa.

Explore art’s future at Hong Kong’s Affordable Art Fair this May

Hong Kong's Affordable Art Fair (AAF) returns in May with the theme “See Art. Love Art. Own Art.”, featuring 106 local and international exhibitors—up from 98 last year—and artworks priced from HK$1,000 (US$128). The fair, held at the Hong Kong Convention and Exhibition Centre, aims to make art accessible to new and seasoned collectors alike, with a focus on transactions under US$50,000. Founder Will Ramsay highlights growing confidence in this market tier, citing a report by Affordable Art Fair × ArtTactic that shows 69% of galleries expect sales growth and that art fairs generate 44% of gallery revenues.

New art exhibition near Penrith spotlights work of celebrated painter

Beckstones Art Gallery in Greystoke Ghyll, near Penrith, is hosting a solo exhibition of celebrated still-life painter Tim Gustard titled 'Looking for the Light' from May 16 to May 31. The show features 23 new paintings created over the past two years, including works depicting glass, porcelain, silver, flowers, and miniature self-portraits. Gustard, who moved to Cumbria in 1997, is known for his technical precision and often spends hundreds of hours on a single painting. The gallery has represented him for over 29 years and notes that his previous exhibitions have nearly sold out.

Amid confrontation with the US, an Iranian museum exhibits anti-war art by American artists

Amid escalating tensions between Iran and the United States, the Tehran Museum of Contemporary Art opened an exhibition of anti-war artworks by American artists. The show features pieces by prominent American artists that critique war and violence, drawing local visitors who are engaging with the works despite the political climate of anti-American sentiment in the streets.

Seniors showcase their art in a final exhibition

Graduating students at Southeast Missouri State University (SEMO) showcased their artwork in a final exhibition held on May 1, 2026, at Crisp Museum. The show featured a wide range of media including 3D works, prints, paper mache, paintings, cloth, video, quilts, and sculptures. Among the participants were painting BFA major Zachary Ross Mayfield, who presented symbolist works centered on nature and a large self-portrait that took over 200 hours to complete, and senior studio art BFA major Kaylee Shelby, whose sculptures question the ethics and aesthetics of taxidermy and human manipulation of animals.

Two Visitors’ Lions have been established for the Biennale Arte 2026

La Biennale di Venezia has announced the establishment of two Visitors' Lions for the 61st International Art Exhibition, following the resignation of the International Jury appointed by curator Koyo Kouoh. The awards ceremony, originally scheduled for May 9, has been moved to November 22, the final public day, echoing a similar shift during the 2021 Architecture Exhibition due to COVID-19. The Visitors' Lions will be voted on by ticket holders who visit both exhibition venues between May 9 and November 22, with one award for the Best Participant in the exhibition "In Minor Keys" by Koyo Kouoh and another for the Best National Participation.

Eye on Art: Art abounds with spring flowers around the region

The article highlights two spring-themed art events in the region. In Fitchburg, the 2026 Hidden Treasures Festival of Nature, Culture & History offers free public events throughout May, including a Henry David Thoreau reading, a community vigil, and a drumming workshop at the Fitchburg Art Museum. In Lowell, the Loading Dock Gallery presents "Full Bloom 8," a members' exhibition celebrating flowers, birds, insects, and gardens, running through May 31 with a reception on May 2.

Art exhibition at Two Selves Gallery explores a journey through depression

Two Selves Gallery in Troy, New York, opened a new exhibition titled "Coming Out of Darkness: Landscapes of Presence" by artist Patricia Wood during the April Troy Night Out event. The show, on display through May, is divided into three sections: a series of acrylic paintings on black velvet depicting forest scenes from the Adirondacks, a middle section featuring reference photos, miniatures, encaustic works, and mental health resources, and a front section with oil paintings of Winnie the Pooh characters and Wood's jewelry. Wood describes the exhibition as a personal journey through depression, using light and dark to convey her struggle and recovery.

Once taboo, now on view: Seoul debuts major queer art exhibition

Art Sonje Center in Seoul has launched "Spectrosynthesis Seoul," the first large-scale institutional exhibition in South Korea dedicated specifically to queer art. Organized in partnership with the Sunpride Foundation, the show features 74 international and Korean artists across two major sections, exploring themes of identity, sign language bias, and the historical queer spatiality of Seoul neighborhoods like Itaewon.

The Guest of La Tribune de l'Art No. 29: Alexis Corbière and Alexandre Portier

L'invité de La Tribune de l'Art n° 29 : Alexis Corbière et Alexandre Portier

This podcast episode of L'invité de La Tribune de l'Art features two guests: Alexis Corbière, the rapporteur, and Alexandre Portier, the president of the Commission d'enquête sur la protection du patrimoine national et la sécurisation des musées. Recorded at the Assemblée nationale, the discussion delves into the commission's findings on protecting national heritage and securing museums, following up on a previous article published by La Tribune de l'Art.

Notre-Dame : les associations attaquent le projet

Two French heritage associations, Sites & Monuments and SOS Paris, have filed legal challenges against the project to replace the stained-glass windows of Notre-Dame de Paris. The groups have submitted requests to an emergency judge and to the administrative court, seeking to suspend the works, which have already begun and threaten to remove the original windows by Viollet-le-Duc within days. The judge will rule on whether there is a serious doubt about the legality of the decision.

NICOLÁS GÓMEZ ECHEVERRI: “LA TRASCENDENCIA DEL MUSEO ES VULNERABLE A LA IMPOSICIÓN DE MODAS POR PARTE DEL ALGORITMO”

Nicolás Gómez Echeverri, director of the Unidad de Artes y Otras Colecciones at the Banco de la República de Colombia, reflects on the challenges facing museums in Iberoamérica in an interview published for International Museum Day. He oversees institutions including the Museo de Arte Miguel Urrutia (MAMU), the Museo Botero, and the Casa de Moneda. Gómez Echeverri describes the museum as a "radar" that captures decentralized artistic practices and integrates them into collective narratives, while emphasizing the need for mediation, public debate, and long-term cultural projects amid economic constraints and the pressures of digital immediacy.

Four Latin American Voices Around the Montevideo Curatorial Intensive

CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO

Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).

culture jenna weiss berman amy poehler

Cultured magazine's 'Quick Questions' column features a brief interview with Jenna Weiss Berman, who discusses the artwork 'The Testament of Ann Lee' as a bright spot during a dark winter, reflects on misconceptions about her gender, and shares her creative process and hypothetical alternative career supporting immigrants in New York City.

NBMAA chooses its first Hamm Family Curatorial Fellow

The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.

The Etruscans Take Center Stage With the Legion of Honor’s Latest Exhibit

The Legion of Honor Museum in San Francisco has opened a new exhibition titled “The Etruscans: From the Heart of Ancient Italy,” running from May 2 to September 20. Curated by Renée Dreyfus, the show features over 20 objects from international institutions including the Vatican, the Louvre, and the National Etruscan Museum of Villa Giulia, highlighting the art, culture, and progressive social roles of women in Etruscan society through bronze and terracotta vessels, sculptures, and gold jewelry.

Claremont Lewis Museum of Art’s Project ARTstART presents exhibit of children’s art

The Claremont Lewis Museum of Art is presenting the 15th annual "ARTstART: StART It Up!" exhibition from May 8-10, featuring artwork created by elementary school students from all seven Claremont elementary schools. The show, curated by high school participants in the museum's Project ARTstART program, includes collages, sculptures, paintings, and works on paper, and will be held at the Ginger Elliott Exhibition Center in Memorial Park. The exhibition also includes hands-on art-making activities for visitors.

Grohmann Museum Exhibit Focuses on Veterans and Service

The Grohmann Museum in Milwaukee has opened a new exhibition pairing two shows by contemporary American artists focusing on military service. Ohio-born Mary Whyte's "We the People: Portraits of Veterans in America" features 50 large-scale watercolor portraits of veterans from various wars and backgrounds. Milwaukee photographer Dennis Darmek's "Boots and Sand: The Marines of 29 Palms" presents two dozen color photographs taken at the Marine Corps base in California's Mojave Desert, where Darmek himself trained in 1969. The photos capture both posed and candid moments, highlighting diversity within the modern Marine Corps, including women in combat roles.

Province invests $35M to help expand Art Gallery of Ontario

The Ontario provincial government has announced a $35 million investment over two years to support the Art Gallery of Ontario's (AGO) expansion project, the Dani Reiss Modern and Contemporary Gallery. The funding will create at least 13 new galleries across five floors, adding 40,000 square feet of space and increasing display area by 30%. Construction is expected to be complete by fall 2027, enabling the AGO to welcome up to 120,000 additional visitors annually. This provincial contribution supplements a $35 million lead gift from Dani Reiss, $25 million from the Government of Canada, and other private donations.

Art exhibitions in Chiang Mai this May

This May, Chiang Mai's art scene offers a diverse lineup of exhibitions across galleries, museums, and independent spaces. Highlights include a group show on regional identity at Chiang Mai Art Museum, a calligraphy-focused solo exhibition by Jin Li at Makok Art Space, and 'Class 2 Canvas' at Fãr Studios featuring artist-educators. Mid-month brings two openings: Chitti Kasemkitvatana's 'Epilogue: A Diffraction Grating' at Gallery Seescape, exploring time and light, and Kailash Mani's solo show of outsider art at Head High Second Floor.

Islamic Art Exhibition Showcases Persian Manuscript Masterpiece

The National Museum of Korea is hosting “Islamic Art, A Journey of Radiant Light” until October 11th, featuring artifacts from the Islamic Art Museum in Doha, Qatar. The exhibition showcases calligraphy, paintings, and crafts from the 7th to 19th centuries, with highlights including two illustrations from the *Tahmasp Shahnameh*, a Persian miniature manuscript from the Safavid era that took over a decade to complete.

Amsterdam Breaks Traditional Tourism Norms by Embedding Cultural Art, Exhibitions and Narratives into Public Spaces and Streets

Amsterdam is tackling overtourism by embedding art, culture, and history directly into its public spaces, streets, and transit systems, transforming the city into an open-air museum. Led by amsterdam&partners, the initiative uses digital screens, art installations, and interactive urban furniture to guide visitors toward hidden cultural gems, encouraging spontaneous engagement with local heritage. Major institutions like the Rijksmuseum, Stedelijk Museum, and Eye Filmmuseum, along with smaller venues such as Foam Museum and STRAAT Museum, are part of a network designed to distribute cultural attention more evenly across the city.

Jury of the Venice Biennial resigns, Russia and Israel return to Award Contention

The five-member international jury of the 61st Venice Biennale, led by Brazilian curator Solange Farkas, has resigned effective April 30, 2026. The jury—comprising Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—announced their resignation in a written statement, referencing a prior Statement of Intention issued on April 22. In response, La Biennale di Venezia postponed the Awards Ceremony from May 9 to November 22, the final public day, and introduced two new "Visitors' Lions" awards—one for the Best Participant in the main exhibition "In Minor Keys" by Koyo Kouoh, and one for the Best National Participation—to be decided by ticket-holder vote.

New Exhibits open today at the African Art Museum

The Savannah African Art Museum is opening two new exhibitions today, April 30, 2026, with a ribbon-cutting ceremony from 5:30 p.m. to 8 p.m. The new exhibits include a permanent gallery featuring artwork from West and Central Africa that explores the connections between agriculture, spirituality, and daily life. Museum representative Alisa Evans-Newsome highlighted that the exhibit shares agricultural and spiritual practices from the West African interior, emphasizing agriculture as a vital link to the land and ancestors.

Salon | Impressionism, Realism & Post-Impressionism

The Salon was an official art exhibition sponsored by the French government, originating in 1667 when Louis XIV sponsored an exhibit of works by members of the Académie Royale de Peinture et de Sculpture. It was held in the Salon d’Apollon of the Louvre Palace in Paris, and after 1737 it became an annual event, with a jury system introduced in 1748. During the French Revolution, the Salon opened to all French artists, though academicians retained control through much of the 19th century. Its influence waned after the Société des Artistes Français took over in 1881 and as independent avant-garde exhibitions gained prominence.