Since 1968, Protests Have Revealed the Real Impact of the Venice Biennale

The article recounts the 1968 protests at the Venice Biennale, where artists, students, and activists clashed with police over the event's perceived ties to bourgeois power and capitalist commodification. It draws parallels to the 2024 Biennale, where groups like Art Not Genocide Alliance, Pussy Riot, and Femen demonstrated against the participation of Russia and Israel, while artists staged strikes and performances like the Solidarity Drone Chorus to highlight the Gaza conflict.

Trial Begins in Brent Sikkema Murder-For-Hire Case

Opening statements and witness testimony began on Tuesday in a Manhattan court for the murder-for-hire trial following the 2024 killing of New York art dealer Brent Sikkema. Alejandro Triana Prevez, a Cuban national, was arrested shortly after Sikkema was found murdered in his Rio de Janeiro apartment, and claims that Sikkema's ex-husband, Daniel Carrera Sikkema, offered him $200,000 to commit the crime. Carrera Sikkema was charged in February 2025 with hiring Prevez. Prosecutors presented evidence including phone records, financial transactions, and witness testimony, while the defense argued the case relies on circumstantial evidence and that Carrera Sikkema's statements were made amid a contentious divorce.

A sonic tribute to the act of speech on New York City’s Roosevelt Island

Sound artist Hans Rosenström has launched a site-specific sound installation titled "Out of Silence" at Four Freedoms Park on New York City's Roosevelt Island, running until 21 June. The multi-speaker work features layered voices sung by the Estonian choir Vox Clamantis, arranged across four sections of the park as an homage to Franklin D. Roosevelt's 1941 Four Freedoms speech. Rosenström, a Finnish artist based in Stockholm, developed the project during an International Studio & Curatorial Program residency in New York in 2024, after being approached by Latvian curator Alina Girshovich to mark the 90th birthday of composer Arvo Pärt. The park's memorial to FDR was designed by architect Louis Kahn, who was born in Estonia and benefited from New Deal programs.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

Markus Brunetti’s Monumental Photos Venerate European Ecclesiastical Landmarks

Bavarian photographer Markus Brunetti, working with collaborator Betty Schöner, has spent over two decades traveling across Europe in a converted firetruck photo lab to capture monumental composite photographs of basilicas, cathedrals, and other ecclesiastical landmarks. Their process involves taking thousands of meter-by-meter shots of each structure over several years, then meticulously layering and arranging them into high-resolution images that correct perspective to create a striking one-point view. Brunetti's current solo exhibition, "Facades IV" at Yossi Milo gallery in New York City, features recent works including "Roma, Basilica di San Pietro" (2007-2026), which required seven visits over nineteen years to complete.

Ron Nagle in Milan: at Gió Marconi the first Italian solo exhibition 'Phantom Banter'

Gió Marconi Gallery in Milan will host 'Phantom Banter', the first Italian solo exhibition of American sculptor Ron Nagle, from May 29 to July 24, 2026. The show features eleven ceramic sculptures created between 2024 and 2026, along with a selection of recent drawings, highlighting Nagle's process-oriented practice focused on material, surface, and language. Nagle, born in San Francisco in 1939, is a key figure in the California Clay Movement, having apprenticed with Peter Voulkos in the 1960s and influenced by Ken Price. His small-scale works, rarely exceeding 15 centimeters, explore reduction of scale and surface construction through cast and fired ceramics combined with resins and synthetic materials.

Craig Alan | Summer Love (2024) | For Sale

Craig Alan's 2024 print "Summer Love" is being offered for sale through Art Leaders Gallery on Artsy. The limited-edition giclee on canvas, part of his Populous series, depicts a heart-shaped formation of miniature figures on a beach, hand-signed by the artist and priced between $2,400 and $2,550.

Uzbek Artist Saodat Ismailova Makes Her U.S. Museum Debut at the Smithsonian

Uzbek artist Saodat Ismailova is making her U.S. museum debut at the Smithsonian Institution. The exhibition introduces her multimedia works, which often explore Central Asian history, spirituality, and female identity, to an American audience for the first time.

Serakai Studio unveils dreamedcore, a multi-sensorial exhibition exploring digital nostalgia in Hong Kong

Serakai Studio presents 'dreamedcore', its second exhibition at GOLD in Hong Kong's Wong Chuk Hang district, running from June 6 to August 1. Curated by Shirley Lau and Tobias Berge, the show blends an art exhibition, concept store, and runway format to explore digital-age nostalgia through the lens of 'dreamcore' aesthetics—drawing on 1990s and early 2000s visual textures. Featuring 22 emerging multi-disciplinary artists and creative practitioners from across Asia, including Li Shuang, Wong Ping, and Peng Ke, the exhibition is divided into two chapters: 'The Lure' and 'The Twist', with a central runway stage, ambient lighting, and a mini cinema screening a video by Wong Ping.

Reggie Burrows Hodges Debuts First European Solo Exhibition at Malta’s MICAS

The Malta International Contemporary Art Space (MICAS) has opened "Mela," the first European solo exhibition by American artist Reggie Burrows Hodges. Running from May 9 to August 30, the show features 30 newly created works inspired by Malta, including the monumental painting "Mamajamma" (over 14 feet high and 26 feet wide), which responds to Caravaggio's "The Beheading of St. John the Baptist." Hodges relocated his studio to Malta to develop the exhibition, engaging with the island's coastline, architecture, labor traditions, and communities.

SCST: Celebrating Cultural Exchange Through Art at the Opening Reception of "Fermata: Hong Kong in Venice" Collateral Event of 61st International Art Exhibition - La Biennale di Venezia (Venice Biennale)

At the opening reception of "Fermata: Hong Kong in Venice," a Collateral Event of the 61st Venice Biennale, Hong Kong's Secretary for Culture, Sports and Tourism, Miss Rosanna Law, delivered a speech celebrating the exhibition. The event marks Hong Kong's 25th year of participation in the Biennale, featuring artists Kingsley Ng and Angel Hui, who present five new site-specific installations that explore stillness and overlooked rhythms of everyday life, in resonance with the Biennale's theme "In Minor Keys." For the first time, the Hong Kong Museum of Art co-organized the exhibition with the Hong Kong Arts Development Council, curating a dialogue between the two artists.

Between heroes, anti-heroes and pure humanity: an exhibition in Rome becomes a metaphor for the current crisis

Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale

The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.

Evidence of Evolution at QUEUE Gallery, Miami

QUEUE Gallery in Miami is presenting 'Evidence of Evolution,' a two-person exhibition featuring Fharid LaTorre’s hand-carved wood and metal sculptures alongside Jamieson Pearl’s oil-on-linen paintings. LaTorre’s works, such as 'showing slivers & taking off skin for sake of dopamine layer of diophantine equations' (2026), use scavenged metal and burl wood to evoke surgical transformations and bodily stress, while Pearl’s paintings depict glitch-blocked internet microcelebrities and screenshots from LiveLeak pornos, rendered freehand in distorted blocks. The show runs at QUEUE’s new location above Tunnel Projects in Miami.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

Mennello Museum’s 'Our Orlando' group show returns, featuring three innovative local artists

The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.

61st Venice Biennale: Cultural workers and artists strike and protest against the Israeli genocide in Gaza

Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.

Iran Pushes Back on Venice Biennale Withdrawal Reports: ‘We’re Still Coming’

Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.

Art Collectors Bet on Known Quantities Amid Market Reset

The Impressionist and Modern art category became the most lucrative market segment in 2025, generating $4.7 billion in sales—a 29.5% increase from 2024—as collectors favored established names amid a cautious market. The $10-million-plus bracket surged 68.6% to $1.5 billion, while the number of lots sold hit a decade high of 122,213. Postwar and contemporary art ranked second with $4.1 billion, but its average price per lot dropped to a decade low of $23,027. Old Masters saw a 41.2% rise to $708.6 million, partly driven by the Thomas A. Saunders III collection at Sotheby’s, though that sale fell short of estimates. Ultra-contemporary art continued its four-year decline, falling 26.5% to $229.9 million, with average prices tumbling 72.4% from their 2021 peak.

Before We Knew Better or We Should All Know Better

The article reviews "Before We Knew Better," a group exhibition at Elise Seigenthaler Gallery featuring artists Sarah Bedford, Day Brièrre, Josiah Ellner, and Léa LeFloc'h. The critic reflects on the show's thematic framing around narrative, folklore, and personal mythology, while expressing frustration with its open-endedness and lack of clear intent. Specific works are discussed, including Ellner's psychedelic unicorn paintings, LeFloc'h's enigmatic works on paper, Bedford's nocturnal flowers, and Brièrre's intricate ceramics, though the critic notes the installation does not always serve the pieces well.

A Roma il popolare quartiere Quadraro ospita un festival d’arte diffuso. Il programma

The IPER Festival delle periferie returns to Rome's Quadraro neighborhood for its fifth edition, titled "Super Lieux (Super luoghi) Periferie. Storie e geografie." Running until May 31, the festival features conferences, roundtables, study days, talks, exhibitions, and performances. A highlight is "Überlagerungen," a diffuse art review curated by Spazio Y that animates the Quadraro Vecchio district on May 16 with actions, installations, and shows from 4 PM to 11 PM. Participating venues include Spazio Kina, vineria Moggio, and osteria Grandma, with works by artists such as Lucia Bricco, Giulio Cassanelli, Felice Levini, and many others.

Who is the new Minister of Culture in Hungary in the first post-Orbán government? The profile of Zoltán Tarr

Chi è il nuovo Ministro della Cultura in Ungheria nel primo governo post-Orbán? Il profilo di Zoltán Tarr

Zoltán Tarr è stato nominato Ministro delle Relazioni Sociali e della Cultura nel primo governo post-Orbán in Ungheria, guidato dal nuovo Primo Ministro Peter Magyar. Tarr, 52 anni, ex pastore della Chiesa riformata ungherese ed europarlamentare per il PPE, ha promesso di ripristinare la libertà d'espressione e smantellare il sistema di favoritismi politici nella cultura, dopo 16 anni di governo autoritario di Viktor Orbán.

A Roma un evento per indagare le relazioni tra scienza e moda. Intervista alla curatrice Dobrila Denegri

From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.

How do art auctions change if everything online seems like a video game?

Come cambiano le aste d’arte se online tutto sembra un video game?

The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.

Photographer Valerio Minato strikes again. The extraordinary shot of the red moon aligned with the Milan skyline: 'I waited for 5 years'

Il fotografo Valerio Minato colpisce ancora. Lo straordinario scatto della luna rossa allineata con lo skyline di Milano: “ho atteso per 5 anni”

Italian photographer Valerio Minato captured a striking image on May 2, 2026, showing a giant red moon aligned with Milan's skyline, including the Porta Garibaldi skyscrapers and the Duomo with its Madonnina. The photograph, which went viral, was the result of a five-year pursuit involving astronomical calculations, multiple location scouting across northwestern Italy, and precise timing to align the moon with the city's landmarks. A Ryanair Boeing 737-800 crossing the lunar disk added an unexpected cinematic element.

A new cultural space that works on the memory of the city (also through postcards) has been born in Rome

A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)

A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.

Frieze New York Opens Strong, But the Real Test Is Just Beginning

Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.

Art market trends 2025: Impressionist & Modern hit $4.7B, up 29.5%

According to the 2025 art market trends, Impressionist and Modern art generated $4.7 billion in auction sales, a 29.5% increase from 2024, overtaking Postwar and Contemporary art to become the year's largest auction segment. Meanwhile, Ultra-contemporary art continued its decline, and Old Masters gained ground, signaling a broader shift in collector behavior toward established, blue-chip works.

New exhibition created by three talented artists comes to Waterford amid major success

A joint painting exhibition titled 'Creations of a Colourful Mind' by three artists—Marja van Kampen, Olivia O’Keeffe, and Martina Furlong—has opened at The Old Market House Arts Centre in Dungarvan, Waterford. The national touring exhibition, which previously appeared in counties Cork, Clare, Tipperary, Wicklow, Wexford, and Laois, marks the trio's tenth collaborative show, following their success at the Tramore Coastguard Cultural Centre last spring.

The church, the village, the park. FAI's 'Places of the Heart' returns to save ruins

La chiesa, il borgo, il parco. Tornano i Luoghi del Cuore del FAI per salvare i beni in rovina

The Fondo per l’Ambiente Italiano (FAI) has launched the 13th edition of its "Luoghi del Cuore" (Places of the Heart) initiative, a biennial census that invites Italians to vote for cultural heritage sites most in need of restoration. Since 2003, the campaign has collected over 13.5 million votes, with the 2024 edition alone receiving more than 2.3 million votes for over 41,000 sites across 6,508 municipalities. The initiative has funded 180 recovery projects, 40% of which involve churches, followed by environmental, architectural, and archaeological assets. Notable successes include the Church of San Pietro dei Samari in Gallipoli, the Oratorio del Sasso in Orasso, and the Complesso di Sant’Angelo Magno in Ascoli Piceno.