The Salzburger Kunstverein and ArtReview have announced the four writers selected for their 2026 Writer-in-Residence Programme. The winners—Hana Elhaddad, Sharmilla Ganesan, Olga Hohmann, and Eshwari—were chosen from a large pool of applicants for their distinctive voices and engagement with the conceptual theme 'CAPTCHA Realism'.
The article is a personal reflection on the work and legacy of artist Henrike Naumann, who passed away in 2026. The author, a peer from West Germany, contrasts their own upbringing with Naumann's East German background, detailing how Naumann's practice critically examined the domestic interiors and built environments of post-war Germany to explore the social and political responsibilities embedded within everyday objects and art's role as "stage design" in a fascist-leaning society.
The Museo de Arte Latinoamericano de Buenos Aires (Malba) has opened a major retrospective of Colombian artist Olga de Amaral, titled 'Olga de Amaral: Textile Body,' to celebrate the museum's 25th anniversary. The exhibition, running until May 11, features over fifty works from six decades, including key series like Entrelazados and Brumas, drawn from collections across the Americas.
Hyperallergic's daily newsletter highlights several key art world stories, including a protest by nearly 200 artists, curators, and staff at the 61st Venice Biennale calling for Israel's exclusion from the event. It also features a guide to New York's spring art fairs, a new exhibition on Frida Kahlo, a campaign against a Palestinian artist in Germany, and a profile on artists advancing Islamic Futurism through calligraphy and installation.
A coalition of 182 artists, curators, and art workers participating in the 2026 Venice Biennale, organized under the Art Not Genocide Alliance (ANGA), formally delivered a letter demanding the exclusion of Israel from the exhibition. The signatories, including prominent artists like Yto Barrada, Alfredo Jaar, and Miet Warlop, argue that the Biennale must not normalize Israeli policies towards Palestinians.
The Silverman Gallery of Bucks County Impressionist Art is hosting a solo exhibition titled “Jean Childs Buzgo: Dreamscapes & Discoveries,” running from April 11 through May 3. The showcase features a diverse collection of the artist's newest paintings, including large-scale florals, local Bucks County landscapes, and works inspired by her travels to Scotland and Ireland. Many of the pieces originated during the pandemic in 2020 and have been recently revisited and resolved using a mix of oil, acrylic, wax crayon, and collage.
Architect Luigi Alberto Cippini, founder of Armature Globale, engages in a provocative dialogue with Michael Abel and Nile Greenberg regarding the stagnation of contemporary architecture. Cippini calls for a radical departure from traditional disciplinary boundaries, advocating for a "punk" approach that embraces low-resolution aesthetics, hyper-specialized research, and a rejection of the pedantic communication standards that currently dominate the field.
Gerd Harry ‘Judy’ Lybke, the founder of the influential German gallery Eigen + Art, is making his debut at the inaugural Art Cologne Palma Mallorca. Lybke, who began his career as a nude artist's model in East Germany before opening an underground flat-gallery in 1983, reflects on the evolution of the art market from a socialist system defined by censorship to the modern capitalist landscape. For this fair, he is presenting a diverse roster ranging from New Leipzig School star Neo Rauch to emerging talent Maja Behrmann, with works priced between €2,000 and €20,000.
Kate Sierzputowski has officially stepped into the role of Director at Expo Chicago, succeeding longtime founder Tony Karman following the fair's acquisition by Frieze. As the fair prepares for its April 2025 edition at Navy Pier, Sierzputowski is overseeing a significant transition that includes a streamlined roster of 130 galleries and a more integrated branding presence from the Frieze parent company.
The article examines the complex and often fraught relationship between modern art and political power in Germany from 1910 to 1945. It details how avant-garde movements like Expressionism, Dada, and the Bauhaus initially flourished, only to be systematically suppressed and labeled "degenerate" by the Nazi regime after 1933.
The article examines the aesthetic dimensions of the MAGA movement, comparing and contrasting it with historical fascist regimes, particularly Nazi Germany. It argues that while both movements share a theatrical, media-savvy approach to politics and a resentment of cultural elites, MAGA lacks the disciplined, sophisticated aesthetic program and the cadre of high-profile artists and designers that characterized Nazi cultural production.
Die meistbesuchten Museen weltweit – und warum Deutschland hinterherhinkt
The Art Newspaper's 2025 ranking of the world's most-visited museums reveals a global landscape dominated by institutions in Paris, Seoul, London, and New York. The Louvre leads with just over nine million visitors, followed by the Vatican Museums and Seoul's National Museum of Korea, which doubled its attendance to 6.5 million. Notable trends include strong post-pandemic recoveries at New York's MoMA and the State Russian Museum in St. Petersburg, while London's Tate Modern and National Gallery still lag significantly behind their 2019 numbers.
ELENA DAMIANI, XIMENA GARRIDO-LECCA E ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA
An exhibition titled 'Signal and Strata' featuring Peruvian artists Elena Damiani, Ximena Garrido-Lecca, and Ishmael Randall-Weeks was presented at the Carpenter Center for the Visual Arts from February 5 to April 5, 2026. The show, examined in an accompanying essay by curator Madeline Murphy Turner, focuses on how the artists use materials like travertine, copper, and concrete to interrogate narratives of modernity, resource extraction, and the climate crisis.
GRACIELA ITURBIDE: OJOS PARA VOLAR
The C/O Berlin gallery is presenting "Eyes to Fly With (Ojos para volar)," the first major retrospective in Germany of renowned Mexican photographer Graciela Iturbide. The exhibition, curated by Sophia Greiff and Melissa Harris in close collaboration with Iturbide, runs from February 7 to June 10 and features her iconic works like "Nuestra Señora de las Iguanas" alongside lesser-known series on fashion, the cholo community in Los Angeles, and her travels in India and Bangladesh.
Palestinian artist Basma al-Sharif faced a coordinated smear campaign and threats after being invited to screen her film "Morgenkreis" at the Kunstakademie Düsseldorf. The controversy erupted not over the film's content, but over her social media posts referencing Palestinian resistance and historical injustices, leading to demands from public officials and advocacy groups to cancel the event.
È nata una nuova collana di libri che tiene insieme il mondo dell’arte con quello delle fiabe
Rome-based publisher Bummy Edizioni has launched a new book series titled "Fiabe d’Arte" (Art Fairy Tales), which merges famous artworks with classic folklore. The debut title, "Gli stivali di Vincent" (Vincent's Boots), written by Beniamino Sidoti and illustrated by Ericavale Morello, reimagines the story of Puss in Boots within the world of Vincent van Gogh. In this narrative, the talking cat encourages the artist to express his inner emotions through painting, blending biographical elements with fantasy.
Un important relief italien pour Nüremberg
The Germanisches Nationalmuseum in Nuremberg has acquired and publicly unveiled a previously unknown masterpiece: a large silver relief depicting the Lamentation of Christ, created in the workshop of Luigi Valadier in 1786. The work, purchased from a private collector in 2024 with support from several foundations, is now on temporary display and will later join the museum's permanent collection.
The German government has established a new council, the Coordination Council for Returns of Cultural Property and Human Remains from Colonial Contexts, to oversee the restitution of artifacts acquired during the colonial era. The council will include representatives from federal, state, and municipal authorities and is intended to provide a structured, national approach to handling these complex returns.
Major museums worldwide are launching a series of high-profile exhibitions this spring that challenge traditional art historical narratives. Highlights include a Marcel Duchamp retrospective at MoMA, a deep dive into Pop art's legacy at the Guggenheim, and significant surveys of icons like Frida Kahlo and Agnes Martin. Meanwhile, UCCA Beijing is presenting a major exhibition of Duan Jianyu, highlighting the evolution of Chinese painting in relation to Western influence.
Congolese artist Jean Katambayi Mukendi presents his first solo exhibition in Germany, 'Ratio,' at the KW Institute for Contemporary Art in Berlin. The exhibition features drawings, sculptural installations, and works made from recycled materials that examine technological systems, energy infrastructures, and mineral extraction.
La famille Nahmad sommée de restituer à un agriculteur français un Modigliani spolié par les nazis, estimé à 21,5 millions d’euros
The New York State Supreme Court has ordered the restitution of Amedeo Modigliani’s 1918 painting, 'Seated Man (with a Cane)', to Philippe Maestracci, the grandson of Jewish art dealer Oscar Stettiner. The artwork, valued at approximately €21.5 million, was looted from Stettiner’s Paris gallery by the Nazis in 1944. Despite a 1946 court ruling in Stettiner's favor, the painting remained hidden for decades before being acquired in 1996 by the billionaire Nahmad family through an offshore entity.
La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner
A New York court has ordered the restitution of Amedeo Modigliani’s 1918 painting 'Seated Man with a Cane' to the heirs of Oscar Stettiner, a Jewish art dealer. The work was seized during the Nazi occupation of Paris and sold at a forced auction in 1944 before eventually being purchased by the billionaire Nahmad family via an offshore company in 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the painting was a different version or that the claim was filed too late.
Yuga Labs, the creator of the Bored Ape Yacht Club (BAYC), has reached a confidential settlement with artist Ryder Ripps and his partner Jeremy Cahen, ending a multi-year legal battle over trademark infringement and appropriation art. The dispute began in 2022 when Ripps launched his RR/BAYC NFT collection, which used identical imagery to the original Bored Apes to protest alleged racist and alt-right symbolism within the project. As part of the agreement, Ripps and Cahen are now under a permanent injunction preventing them from using any Yuga Labs trademarks or images.
The 16-year tenure of Viktor Orbán has come to an end following a landslide victory for Péter Magyar’s Tisza Party in the 2026 Hungarian parliamentary election. The shift in power has sparked widespread celebration among Hungary’s progressive art community, which has long felt stifled by Orbán’s nationalist and socially conservative agenda. Figures from major Budapest galleries and the contemporary art scene report a profound sense of relief, signaling a potential departure from the "illiberal democracy" that dominated the country for nearly two decades.
Film Notes has published an essay by Mats Antonissen analyzing Henri Michaux's 1963 film "Images du monde visionnaire." The essay situates the film within Michaux's decade-long exploration of psychotropic substances, the history of pharmaceutical filmmaking, and postwar avant-garde cinema. This publication coincides with an exhibition at the Vandenhove Centre in Ghent dedicated to the film and related works, on view through May 2026.
A major exhibition titled "In Bloom" explores the intertwined history of botanical science, colonialism, and human obsession with flowers. It features works and stories from figures like Mary Somerset, Carl Linnaeus, and Joseph Hooker, tracing how global plant collecting transformed European gardens and culture.
The Museum of Art and Photography (MAP) in Bengaluru is hosting 'Paper Gardens,' an exhibition that re-examines the history of botanical art through the lens of British colonialism. While the show features visually stunning hand-coloured lithographs of rhododendrons and medicinal plants, it juxtaposes these aesthetics with the harsh realities of the East India Company’s surveys. The exhibition highlights how local Indian artists and knowledge keepers were often marginalized or left anonymous, even as their expertise was essential to the scientific and commercial success of the British Empire.
The Gwangju Biennale has announced the title and theme for its 2026 edition, which will run from September 5 to November 15. The title, 'You Must Change Your Life,' is taken from a Rainer Maria Rilke poem. Artistic director Ho Tzu Nyen stated the event will focus on 'change' and 'practice,' exploring art's transformative power through a curated selection of works from 45 artists and collectives, the smallest cohort in the event's history.
The exhibition "Instructions for Unrest: Art Against Complacency" has opened at Art Produce Gallery in San Diego, featuring a group of artists who utilize their work as a tool for political and social disruption. Curated by Alessandra Moctezuma in collaboration with the nonprofit Space 4 Art, the show presents a diverse range of media aimed at addressing issues such as immigrant rights, LGBTQ+ protections, and environmental policy.
Japanese artist Chiharu Shiota has debuted her first Bay Area solo exhibition, "Two Home Countries," at the Asian Art Museum in San Francisco. The show features Shiota’s signature immersive installations of red thread, most notably the 88-foot-long work "Diary," which suspends handwritten journal pages from World War II soldiers and postwar civilians within a dense crimson web. The exhibition also includes sculptures, video, and performance-based works that explore themes of memory, displacement, and the psychological state of living between cultures.