The 1-54 Contemporary African Art Fair has announced its exhibitor lineup for its New York edition, set for May 13–17 at the Starrett-Lehigh Building in Chelsea. More than 20 galleries will participate, including a mix of returning and first-time exhibitors from Africa, the Caribbean, Europe, and the Americas, with the fair running concurrently with Frieze New York and NADA New York.
The 1-54 Contemporary African Art Fair will return to New York's Starrett-Lehigh Building from May 13 to May 17, 2026, for its 12th edition. Featuring over 20 exhibitors from 12 countries, the fair introduces a curated section titled "1-54 Presents: Brazil Beyond Brazil," led by Brazilian curator and professor Igor Simões, marking the fair's first focus on Afro-Brazilian art and the cultural connections between Africa and Latin America. New participants include Adegbola Gallery (Lagos), Aura (São Paulo), and Black Pony Gallery (Bermuda), alongside returning exhibitors such as 193 Gallery and Galerie Myrtis.
Artist Bahar Behbahani organized a four-hour event called "Damask Rose: A Gathering" on Governors Island, transforming three shallow fountains with handwoven carpets and crocheted canopies. The gathering featured West African musical improvisation, Kurdish poetry, a cyanotype workshop, and communal activities like hair braiding and tea ceremonies, involving over two dozen community groups including the Asia Contemporary Art Forum and Eat Offbeat. The event was part of Governors Island Arts's annual Interventions series, curated with associate curator Juan Pablo Siles.
Harmonia Rosales, an Afro-Cuban artist known for reimagining Renaissance and baroque iconography with Black bodies, and Ingrid Best, an Afro-Latina wine entrepreneur and art collector, discuss their friendship and mutual support in an interview for Cultured. They first connected at Rosales’s 2022 show at UTA in Los Angeles, where Best was part of a collective that purchased Rosales’s work, including the piece *Strangler Fig: Adam and Eve*. Rosales later became the first artist to invest in Best’s wine business, IBEST Wines, which sources from underrepresented regions. Their conversation covers ownership, community, and creating structures that sustain women’s legacies beyond mere representation.
Sanford Biggers, a 54-year-old Los Angeles-born artist known for his "conceptual patchworking" across quilts, sculpture, and Afrofuturist themes, will be honored by the Parrish Museum at its annual Midsummer Gala in July, ahead of a solo exhibition opening next summer. In an interview with CULTURED's Hamptons Editor Jacoba Urist, Biggers discusses his connection to Sag Harbor, the museum's architecture, and his use of antique quilts inspired by Underground Railroad histories.
Denkmäler in Bewegung
Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.
Ghanaian-Canadian artist Ekow Nimako creates intricate Afrofuturistic sculptures using exclusively black LEGO bricks. His work explores African diaspora mythology, folklore, and cultural phenomena, with recent series drawing inspiration from ceremonial masks, interstellar travel, and geometric forms.
Boston Art Review (BAR), an independent online and print publication focused on contemporary art in Boston, has published an article titled "The Boston Collective: Assembled at the Right Time and Place." The piece explores how a group of artists, curators, and cultural organizers in Boston have come together at a pivotal moment to form a collective that amplifies local creative voices and fosters collaboration across the city's art scene.
Temple Contemporary, the exhibition space at Tyler School of Art and Architecture on Temple University's campus, has opened "Pyramid Club: 1937-2035," its first show under new curator and director Matthew Jordan-Miller Kenyatta. The exhibition explores the history of the Pyramid Club, a social club for Philadelphia's Black elite founded in 1937, highlighting its prestigious art shows organized by Humbert Howard from 1941 to 1957. It features works from the collection of Dr. William Dodd, photographs by John W. Mosley curated by Leslie Willis Lowry and artist Shawn Theodore, and contemporary multimedia installations by Theodore.
The Walters Art Museum is showcasing the intricate jewelry designs of Douriean Fletcher, the specialty jeweler responsible for the iconic adornments in the 'Black Panther' film franchise. The exhibition highlights Fletcher's craftsmanship and her ability to blend Afrofuturist aesthetics with traditional African metalworking techniques, bringing cinematic artifacts into a fine art museum context.
The Walters Art Museum in Baltimore is launching "Douriean Fletcher: Jewelry of the Afrofuture," an exhibition featuring the intricate metalwork and costume designs from the Marvel Cinematic Universe’s Black Panther franchise. The show highlights the work of self-taught artist and metalsmith Douriean Fletcher, whose collaboration with Oscar-winning costume designer Ruth Carter helped define the visual identity of Wakanda. On display are iconic pieces such as Nakia’s gold-plated brass necklace and Queen Ramonda’s silver bodice cage, alongside new works created specifically for the museum.
A public poll with over 8,500 votes has determined the top ten exhibitions of 2025 in Brazil. The number one spot went to conceptual artist Ana Amorim's show at MAC USP, followed by Goya Lopes' exhibition at MAM Bahia in second place. Other notable entries include a group show "Floresta de Espíritos" in Salvador, Thiago Martins de Melo's first solo exhibition in his hometown São Luís, and the Monet exhibition at Masp, which broke visitation records with 502,642 visitors. A special highlight is "Memórias do Inconsciente" by Jhonyson Nobre at Sesc Arapiraca, the only exhibition outside the initial shortlist to make the top ten. Maria Bonomi at Paço Imperial received the most votes according to public comments as a bonus.
The Museum of Contemporary Art North Miami (MOCA) has opened three new exhibits as part of its 30th anniversary programming, including 'Field of Dreams,' the first solo exhibition for Miami-based fashion designer and multidisciplinary artist Diana Eusebio. The 27-year-old artist presents 38 works that draw on her Indigenous Peruvian-Quechua and Afro-Dominican heritage, using textiles and fabrics sourced from Miami, Peru, and the Dominican Republic, along with ancestral dyeing techniques and materials native to Miami.
Absa Group has announced that Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, will open his solo exhibition *Breaking the Norm* on November 1, 2025, at The Summit Residences in Naguru, Kampala, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings exploring Afro hair as a symbol of identity, resistance, and cultural pride, using blue figures to represent conformity and black figures with honeycomb textures to symbolize authenticity and resilience against Eurocentric beauty standards.
Ugandan artist Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, is presenting his solo exhibition "Breaking the Norm" at The Summit Residences in Naguru, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings in blue and black ink, exploring Afro hair as a symbol of identity, resistance, and cultural pride, while challenging colonial and Eurocentric beauty standards. Blue figures represent conformity, while black figures with honeycomb-textured faces symbolize authenticity and resilience.
The article highlights several must-see museum exhibits in New Orleans for August 2025, part of the city's Museum Month program. Featured shows include "Louisiana Contemporary 2025" at the Ogden Museum of Southern Art, a juried exhibition of 53 works by 50 Louisiana artists; Vince Fraser's immersive Afro-surrealist installation "Ancestral Odyssey" at the New Orleans African American Museum; and Ben Depp's aerial photography series "Edge of Tomorrow: Aerial Views of Louisiana’s Changing Coastline" at The Historic New Orleans Collection.
Elsa James's exhibition "It Should Not Be Forgotten" at Firstsite in Colchester, UK, confronts Britain's role in the transatlantic slave trade through immersive installations. The show features a floor covered with larger-than-life photographs of the artist, recalling the diagram of enslaved Africans on the slave ship Brooks, accompanied by a cello soundscape by Kirke Gross. Other works give voice to enslaved women Phibbah and Molia, documented in the journals of their 18th-century owner Thomas Thistlewood, subverting historical narratives. The exhibition builds on James's earlier "Black Girl Essex" residency, which challenged the racist and sexist "Essex Girl" stereotype.
The Museum of Contemporary Art Chicago has opened "Dancing the Revolution: From Dancehall to Reggaetón," an ambitious exhibition exploring the historical evolution of dancehall and reggaetón as cultural movements and their influence on contemporary art. Curated by Carla Acevedo-Yates, the show features over 40 international artists including Isaac Julien, Edra Soto, Alberta Whittle, Carolina Caycedo, supakid, and Lee "Scratch" Perry, tracing the genres' roots from Afro-Caribbean traditions through their emergence in Jamaica, Panama, and Puerto Rico to global mainstream dominance by figures like Daddy Yankee and Bad Bunny.
The Stamford Museum & Nature Center is marking its 90th anniversary with the exhibition 'Likeness & Legacy: Portraits from the Permanent Collection.' The show features paintings, prints, drawings, and sculptures, including a John Singer Sargent portrait once stolen by the Nazis and sculptural studies by Mount Rushmore sculptor Gutzon Borglum. It runs through May 25th.
The Greater Miami Convention & Visitors Bureau (GMCVB) has announced a full slate of programming for its Art of Black Miami (AOBM) initiative during 2025 Miami Art Week, marking the program's 11th year. The lineup includes exhibitions, performances, film screenings, culinary experiences, and artist talks, with highlights such as Asser Saint-Val's "Yellow Elder" sculpture in Coconut Grove and events at venues across neighborhoods including Historic Overtown, Little Haiti, and Little Havana. Featured events include the Peter London Global Dance Company, Woody De Othello's exhibition, the Point Comfort Art Fair, and the Museum of Contemporary Art North Miami's Art of Transformation program.
The 36th Bienal de São Paulo has opened with a site-specific installation by Nigerian-American artist Precious Okoyomon, titled "Sun of Consciousness. God Blow Thru Me – Love Break Me" (2025), which features a spiraling path of moss-covered earth and waterfalls evoking Brazil's deforested Cerrado region. The biennial, curated by Bonaventure Soh Bejeng Ndikung with an international team, includes 125 artists—97 international and 28 Brazilian—with more than half of the works commissioned for the exhibition. Notable presentations include a career-spanning display of over 20 paintings by British artist Frank Bowling, alongside works by Brazilian artist Gervane de Paula, who has the largest presence in the show.
The 36th Bienal de São Paulo, titled *Not All Travellers Walk Roads—Of Humanity as Practice*, takes its name from a poem by Afro-Brazilian writer Conceição Evaristo. Chief curator Bonaventure Soh Bejeng Ndikung, alongside curators Alya Sebti, Keyna Eleison, Anna Roberta Goetz, and Thiago de Paula Souza, has organized an edition featuring 125 artists, 28 of whom are Brazilian. The biennial includes a new performance program called Tributaries, created with the cultural center Casa do Povo, and debuts on September 5, 2025, with the public run from September 6, 2025 to January 11, 2026.
Peruvian multidisciplinary artist Joan Jiménez Suero, known as Entes, has been named one of three winners for the Museum of Contemporary Art North Miami’s (MOCA) Art on the Plaza 2026. His winning installation, "Bailando Nuestros Problemas" (Dancing Our Problems), features kinetic metal sculptures inspired by Afro-Peruvian traditions and salsa culture. The work, which officially opens on April 15, 2026, transforms rigid industrial materials into fluid figures of musicians and dancers to celebrate the resilience of the Latin American diaspora.
Jamea Richmond-Edwards presents her solo exhibition “Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show features her mixed-media works that blend Afrofuturism, historical narratives, and contemporary themes, exploring the intersections of Black identity, spirituality, and the cosmos.
The Center for Art, Research and Alliances in New York presents "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," running from February 28 to May 10, 2026. The exhibition focuses on the Martinican poet and philosopher Édouard Glissant's personal art collection, tracing how his key concepts—opacity, relation, and creolization—emerged through his engagement with artworks and artists. It features works by artists such as Agustín Cárdenas, Victor Anicet, Eduardo Zamora, Gerardo Chávez, José Gamarra, and M. Emile, and travels from Instituto Tomie Ohtake in São Paulo.
The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'
Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.
The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.
FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY
The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.
Cultured magazine profiles Ghanaian-American artist Maud Acheampong, age 27, as part of its 2025 Young Artists list. Before their first solo show, Acheampong gained hundreds of thousands of TikTok followers through theatrical videos performed as Dainty Funk, a digital avatar and drag persona. Their work explores surveillance, monstrousness, and existential themes, with a recent live performance piece, "A Yawn, A Scream, An Endless Opening of the Mouth" (2025), presented at the Marshak Planetarium at City College of New York. The artist describes a hypothetical $150,000 project involving an obsidian dome in Ghana, ritual dance, and 3D-scanned footprints.