Laura Phipps has been appointed director of the Gochman Family Collection, a private collection focused on contemporary Indigenous art. She joins from the Whitney Museum of American Art, where she was an associate curator, and will oversee the collection's strategic direction and the opening of its new 10,000-square-foot exhibition space in Katonah, New York this fall.
The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.
Marian Goodman Gallery is suspending operations at its Los Angeles location after two and a half years, following the conclusion of Tacita Dean's solo show on April 25. The gallery's partners announced a consolidation of programming to its historic homes in New York and Paris, stating they will evaluate the space's future while maintaining an LA presence through art fairs, special projects, and museum exhibitions.
London gallery Timothy Taylor will close its New York outpost next month after nearly a decade of operation. The gallery cited current market conditions and the high costs of maintaining a second permanent space as reasons for the consolidation, though it will maintain an office and viewing room in the city.
Artist Alexandre Singh and art historian Natalie Musteata won an Academy Award for their short film "Two People Exchanging Saliva" at the 2026 Oscars. The film tied for first place in the live action short category with Sam Davis's "The Singers," marking a rare seventh tie in Oscar history.
A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.
M+, Hong Kong's museum of modern and contemporary art, has announced a multi-year strategic partnership with the Centre Pompidou in Paris. The collaboration includes co-organized exhibitions at M+ starting in 2027, a joint exhibition at the renovated Pompidou around 2030, and a four-year postdoctoral fellowship funded by the Huo Family Foundation, established by philanthropist Yan Huo in 2009. The Huo Research Fellow will focus on twentieth- and twenty-first-century Western and Asian art.
A man was arrested for allegedly breaking into the Chihuly Garden and Glass exhibition in Seattle and destroying multiple glass sculptures, causing an estimated $240,000 in damage. The suspect, Alexander Taylor Weis, reportedly threw glass at security staff and attempted to stab a guard with a shard before being apprehended by police.
Domenick Ammirati returns to New York after a year-long writing residency in Siena and Provincetown to cover the spring art fairs, including Frieze New York 2026. He observes a notably calm art week, attributing the subdued atmosphere to the fair's proximity to the Venice Biennale, which left key players exhausted. Highlights include a Rei Kawakubo installation at Independent, Gucci's Cruise show in Times Square, and MoMA PS1's 50th anniversary gala, where he mingles with curator Jody Graf and spots Klaus Biesenbach.
Jacob Pabst, CEO of Artnet, reflects on the company's transformation since taking the helm in 2012, including the launch of Artnet News in 2014 as a digital-first publication. In an interview, he discusses how the platform grew to become the most-read art publication globally, with over 200 million annual page views, by prioritizing real-time news and market analysis over traditional print cycles.
German artist Thomas Zipp, known for his dark, punk-infused explorations of history and science, has died at age 60. Throughout a career spanning painting, sculpture, and immersive scenographic installations, Zipp blended a Dadaist sensibility with a deep interest in politics, neuroscience, and the nuclear age. His work often challenged viewers with complex, opaque environments, such as his notable 2013 Venice Biennale installation that transformed a palazzo into a psychological sanatorium.
The Art Gallery of New South Wales (AGNSW) named Richard Lewer the winner of the 2026 Archibald Prize on May 8. Lewer, a New Zealand-born, Melbourne-based artist and six-time finalist, won the AU$100,000 prize for his life-size portrait of Pitjantjatjara elder, senior artist, and traditional healer Iluwanti Ken. The jury of AGNSW trustees selected the work unanimously from 59 finalists culled from 1,034 entries. Additional prizes were awarded: Gaypalani Waṉambi won the Wynne Prize for The Waṉambi tree, Lucy Culliton won the Sulman Prize for Toolah, artist model, and Sean Layh won the Packing Room Prize for his portrait of actor Jacob Collins.
An activist group called Art Not Genocide Alliance has published an open letter demanding the Venice Biennale eject Israel from this year's exhibition. The letter has been signed by nearly 200 artists, curators, and arts workers participating in the 2026 Biennale, including members of the main exhibition's curatorial team and contributors to several national pavilions. The letter accuses Israel of genocide and apartheid, and references the 2024 Biennale where Israel's pavilion remained closed due to similar protests.
The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.
Christie's, Phillips, and Sotheby's spring marquee auctions in Hong Kong generated a combined $164.9 million, an 18% increase from the equivalent sales in spring 2025. The auctions, strategically timed to coincide with Art Basel Hong Kong, saw strong demand for trophy works, with Christie's leading the season at $83.8 million. Key sales included a Gerhard Richter painting for $11.77 million and a Sanyu work for $8.17 million, while Sotheby's sold a Joan Mitchell painting for $17.6 million, the season's top lot.
Manhattan District Attorney Alvin L. Bragg, Jr., has returned 17 rare books, collectively valued at nearly $3 million, to the heirs of John Hay and Betsey Cushing Whitney. The books were stolen from the couple's Long Island estate in the 1980s and include a bound collection of John Keats's love letters, a signed James Joyce volume, and an illustrated Brothers Grimm book. The recovery followed a tip from Manhattan book dealers in 2015, leading to search warrants executed in 2025 and 2026.
The Contemporary Jewish Museum in San Francisco has announced plans to sell its iconic Daniel Libeskind-designed building in the Yerba Buena Gardens neighborhood. The institution has been closed to the public since December 2024, drastically reduced its staff and budget, and aims to use the sale to stabilize its finances, reduce debt, and ensure its long-term survival.
Mikala Tai has been appointed curator of the tenth TarraWarra Biennial, scheduled to run from July 31 to November 14, 2027, at the TarraWarra Museum of Art in Healesville, Australia. Tai is a Sydney-based curator, writer, and academic specializing in contemporary Australian and Asian art.
French Algerian artist, curator, and educator Kader Attia has been appointed curator of the Seventh Kochi-Muziris Biennale, scheduled to open in Kochi, India, in December 2027. The selection was made by a jury led by Biennale president Jitish Kallat and including Shilpa Gupta, Amrita Jhaveri, Pooja Sood, Tasneem Zakaria Mehta, Mariam Ram, and Rirkrit Tiravanija. Attia, who participated in the 2014 edition of the biennale, is known for his practice addressing social injustice, postcolonialism, and marginalized communities, and previously curated the 2022 Berlin Biennale.
Researchers have attributed two previously unattributed works to Michelangelo. The Royal Institute for Cultural Heritage of Belgium used radiocarbon dating, pigment analysis, and infrared reflectography to link a 16th-century oil-on-canvas Pietà to the master, finding monograms and a date consistent with his work. Separately, Italian researcher Valentina Salerno published a decade-long study using archival documents and stylistic analysis to attribute a marble bust of Christ in a Roman basilica to Michelangelo.
The Contemporary Art Center (CAC) Vilnius has appointed artist Nikita Kadan and curator Natalia Sielewicz as curators of the 16th Baltic Triennial, scheduled for 2027. Kadan is a Kyiv-based artist, while Sielewicz is chief curator at Warsaw's Museum of Modern Art. The duo has proposed "grief and resurrection" as the triennial's theme, framing despair and mourning as spaces for careful listening and potential renewal.
Sotheby’s New York sold Mark Rothko’s painting *Brown and Blacks in Reds* (1957) for $85.8 million on Thursday, making it the second-highest price ever achieved for the artist at auction. The work, part of Rothko’s postwar Color Field series, was offered from the private collection of the late art dealer Robert Mnuchin, whose estate also included works by Willem de Kooning. The Mnuchin sale totaled $166.3 million, with de Kooning’s *Untitled* (1970) fetching $8.8 million and *Untitled XLII* (1983) reaching $10.2 million. Bidding lasted about four minutes, with the winning bid placed via phone with Helena Newman, chairman of Sotheby’s Europe.
The Counterpublic Triennial has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12 in Saint Louis. Curated by a five-member international team, the exhibition features forty-seven artists and collectives, including prominent figures like Glenn Ligon and Rebecca Belmore alongside local Saint Louis practitioners. The triennial will feature nearly fifty commissions, with a significant focus on site-responsive works installed along the Mississippi riverfront and the Gateway Arch.
Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.
The National Labor Relations Board has accused Snøhetta, a prominent New York-based architecture firm, of illegally firing eight employees who supported a 2023 unionization campaign. The NLRB complaint alleges that managers tracked union supporters and improperly questioned staff about their sympathies, while Snøhetta denies the claims, attributing layoffs to business pressures predating the union drive. Separately, Singapore Art Week is spotlighting women artists from Southeast Asia, with the launch of Krystina Lyon's book "You Are Seen" and the National Gallery Singapore exhibition "Fear No Power: Women Imagining Otherwise." Other news includes the death of Artforum founding editor Philip Leider at 96, LANZA chosen for the Serpentine Pavilion, and a Louvre heist caught on newly released footage.
London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute of exhibiting a dress that she claims is a counterfeit of her work in the ongoing "Costume Art" exhibition. The dress, titled Corpus Nervina 0.0, is credited solely to New York-based Israeli designer Yoav Hadari, but Samms alleges it closely resembles an earlier Nervina hair dress she co-developed with Hadari during their 2023 residency at the Lee Alexander McQueen Sarabande Foundation. Samms discovered the display via a social media post and has since spoken out, noting that a contract from their collaboration designated her as the sole owner of the intellectual property of the fabric. The Met has requested that the two parties resolve their dispute before the museum takes further action.
Chanel will launch an annual, one-year fellowship in fall 2026 in collaboration with the Guggenheim. The Chanel Culture Fund Fellowship will host a fellow in New York and at the Peggy Guggenheim Collection in Venice, targeting MA and PhD-level scholars dedicated to collection studies and curatorial research. The program complements existing Guggenheim fellowship and internship programs, aiming to nurture emerging talent in modern and contemporary art curation.
Nearly eighty Mexican cultural figures have signed an open letter condemning the installation of Pedro Reyes's sculpture 'Tlali' (2026) in the plaza of LACMA's new David Geffen Galleries. The work, described as a selfie-friendly monolithic face inspired by Olmec art, closely resembles a 2021 proposal for a Mexico City sculpture titled 'Tlalli' that was abandoned after protests from hundreds of cultural workers. Critics argue that Reyes, a male artist who does not identify as Indigenous, should not represent Indigenous womanhood, and that the new work perpetuates colonial stereotypes and nationalistic aesthetics. LACMA has defended the piece, claiming it is entirely different in purpose and meaning, while Reyes has not commented.
The Montclair Art Museum in New Jersey has hired Kate Kraczon as its new chief curator, replacing Gail Stavitsky. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was terminated last December amid university layoffs. At the Bell, she organized the only US screening of "Prisoners of Love, 2025" by Palestinian artists Basel Abbas and Ruanne Abou-Rahme, and an exhibition of Julien Creuzet's work originally shown at the French Pavilion in the 2024 Venice Biennale. Before Brown, she worked as a curator at the Institute of Contemporary Art (ICA) in Philadelphia, where she organized the 2018 show "Ree Morton: The Plant That Heals May Also Poison."
The opening of the Berlin Modern Museum, a planned extension of the Neue Nationalgalerie, has been delayed until 2030 due to significant moisture damage and microbial contamination in its foundation, floors, roof coverings, and exterior walls. Originally laid in February 2024 with a projected 2027 opening, the museum's construction costs have surged from 200 million to 507 million euros, according to Monopol. A spokesperson for the Prussian Cultural Heritage Foundation stated that repairs are underway but will push completion back by approximately eight months.