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V. Joy Simmons, a Los Angeles-based physician and longtime art collector, opened her Baldwin Hills home to ARTnews for a tour of her extensive collection. The house features over 150 objects, including stained-glass windows by Varnette Honeywood and Joyce Dudnick, a site-specific column installation by Lauren Halsey, and works by Elizabeth Catlett, Romare Bearden, Kerry James Marshall, Mark Bradford, Kehinde Wiley, and Carrie Mae Weems, among many others. Simmons began collecting in the 1970s with a $50 lithograph by Catlett and has since built a collection that spans generations of Black artists, often juxtaposing older and younger artists in her displays.

Curating Around Social Urgencies: How Artists Refuse Quietism

The article focuses on the curatorial approach and artistic ethos of the 2025 edition of the 'Made in L.A.' biennial, highlighting how artists are actively engaging with pressing social and political issues rather than retreating into quietism or abstraction. It examines specific works and the overall thematic drive of the exhibition, which is organized by the Hammer Museum and the Huntington Library, Art Museum, and Botanical Gardens.

Remembering Desmond Morris, James Hayward, and Flo Oy Wong

This week's obituaries mark the passing of several significant figures in the visual arts. They include British surrealist painter and zoologist Desmond Morris, known for his 'biomorph' paintings and experiments with chimpanzee art; West Coast monochrome abstractionist James Hayward, who developed a cult following for his thickly painted canvases; and Chinese American artist Flo Oy Wong, a foundational storyteller of Oakland's Chinatown and the Asian American experience. Also remembered are assemblage artist Aldwyth, Ethiopian painter and educator Behailu Bezabih, Anglo-Irish conservator and designer Alec Cobbe, Bangladeshi art director Tarun Ghosh, and New Mexico painter Michael Hurd.

Art Movements: Dozens Laid Off at Artnet and Artsy

Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.

Celeste Dupuy-Spencer, Artist Who Confronted Injustice, Dies at 46

Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.

The Art World Is a Joke

Hyperallergic's April newsletter features a roundup of the best April Fools' jokes from the art world this year, compiled by staff writer Rhea Nayyar. The issue also highlights critic Aruna D'Souza's meditation on the work of abstract painter Kamrooz Aram, who is having a prominent year with appearances from Mumbai Art Week to the Whitney Biennial.

Kamrooz Aram Breaks Down the Grid

Kamrooz Aram is the subject of multiple major exhibitions in early 2026, including a solo show at Alexander Gray Associates in New York, a presentation at Nature Morte in Mumbai for Mumbai Art Week, and a significant inclusion in the 2026 Whitney Biennial. The artist, known for his work with the grid, uses painting to explore the connections between Western modernist abstraction and non-Western decorative traditions, particularly from Western Asia.

Despite Uncertainty, Gulf Art World Projects Normalcy

Galleries and museums in Gulf states like the UAE, Qatar, and Saudi Arabia are reopening and projecting normalcy despite the ongoing US-Israel war on Iran, which has entered its fourth week. Major events like Art Dubai have been postponed, and institutions like the Sharjah Art Foundation have delayed gatherings, but many cultural venues are operating with adjusted formats or by appointment.

Zarina Brought the World to New York

The article reviews the exhibition "Beyond the Stars" at Luhring Augustine Gallery, showcasing the work of artist Zarina Hashmi (known as Zarina). It highlights her spare, post-minimalist prints and sculptures that explore themes of mapping, home, and migration, rooted in her peripatetic life from pre-Partition India to New York. The show features 32 works that demonstrate her unique visual language, embedded in Urdu, South Asian histories, and mysticisms.

The Palaces of Memory

The Palaces of Memory

The article reports that Israeli and US airstrikes on Isfahan, Iran, damaged several centuries-old palaces and cultural buildings. It draws a parallel to the destruction of cultural heritage in Gaza, suggesting this may be a targeted strategy to erase cultural identity and history, which are seen as threats to occupying forces.

Which City Will Be the Next Asian Art Hub? That’s the Wrong Question

The traditional quest to identify a single dominant Asian art hub is being challenged by the organic growth of decentralized scenes in cities like Bangkok and Hanoi. While Hong Kong and Seoul remain established centers, private initiatives and artist-led projects in Thailand and Vietnam are building resilient, hybrid ecosystems that prioritize long-term structural depth over immediate auction results. From the opening of Dib Bangkok to experimental exhibitions in Hanoi, these cities are transitioning from peripheral status to significant cultural players through a mix of private museums, biennials, and non-profit platforms.

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Chicago's annual art week unfolded with gallerist Daisy Sanchez documenting the scene for Artnet News's 'Wet Paint in the Wild' column. Sanchez, who recently co-opened Hans Goodrich gallery with Peter Anastos, attended the Renaissance Society's annual benefit, EXPO Chicago, and after-parties. The week featured artists including Joanne Greenbaum, Leah Ke Yi Zhang, B. Ingrid Olsen, and Isabelle Frances McGuire, with appearances by curators Myriam Ben Salah, Karsten Lund, and Giampaolo Bianconi, among others.

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A group of artists participating in the Whitney Museum's Independent Study Program (ISP) have withdrawn their work from a capstone exhibition at Westbeth Gallery to protest the museum's cancellation of a pro-Palestine performance. The performance, titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance," by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was scheduled for May 12 as part of the ISP curatorial exhibition "a grammar of attention." The Whitney canceled it after viewing a recording of an earlier presentation, citing the performers' demand that attendees who believe in Israel leave the audience and the valorization of specific acts of violence. ISP Associate Director Sara Nadal-Melsió stated that the cancellation was imposed by Whitney leadership, including director Scott Rothkopf, and that the independence of the ISP has been seriously compromised.

11 Contemporary Emirati Artists To Know

The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.

Julie Mehretu Captures Our Contemporary Chaos in Shimmering Abstract Paintings

Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.

5 Ways the Art World Can Better Support Women Artists

Guadalupe Rosales Brings East LA to Venice for the Biennale

Guadalupe Rosales, a Los Angeles–based artist known for her Instagram archive @veteranas_and_rucas documenting 1990s Chicana life, has been selected to participate in the main exhibition of the 2026 Venice Biennale, curated by the late Koyo Kouoh. In an interview with ARTnews, Rosales discusses how her invitation came about after Kouoh's passing, her evolving practice that includes photography, murals, and installations, and the emotional depth of her archival work—balancing joy and grief, as exemplified by her cousin's death certificate. She will also publish a memoir titled *East of the River* in September.

Gladstone Gallery Now Represents the Estate of Pope.L, Boundary-Crossing Performance Artist

Gladstone Gallery has announced its representation of the estate of the late performance and conceptual artist Pope.L. The gallery will present its first solo exhibition of his work in New York in 2027, joining existing representatives Modern Art in London and Vielmetter Los Angeles in stewarding his legacy.

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The Hammer Museum in Los Angeles has announced the prize winners for its 2025 Made in L.A. biennial. Ali Eyal received the $100,000 Mohn Award, Carl Cheng won the $25,000 Career Achievement Award, and Greg Breda was selected by public vote for the $25,000 Public Recognition Award. The winners were chosen by a jury of curators from prominent institutions.

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Diego Marcon, an Italian video artist known for his uncanny and meticulously crafted films, is gaining significant attention in the United States. He recently had his first American solo show at the Renaissance Society in Chicago and is preparing for another at the New Museum in New York. His work, such as the video "La Gola" (2024), features hyper-realistic, inanimate busts with animated eyes that speak about bodily experiences, blending narrative with structuralist film techniques. Marcon's films often explore family dynamics and the materiality of film, creating dreamlike experiences that haunt viewers.

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Earlier this spring, artist Julia Isídrez led a guided tour at São Paulo's Gomide & Co. gallery for a joint exhibition with Maria Lira. The show highlights two artists from different generations and mediums—Lira from Brazil (painting) and Isídrez from Paraguay (sculpture, featured in the 2024 Venice Biennale)—who both engage Indigenous and Afro-Indigenous traditions from a contemporary perspective. Gallerist Thiago Gomide rejects labels like 'folk' or 'popular,' insisting it is simply an art exhibition. The article profiles a network of Brazilian dealers, including Vilma Eid of Galeria Estação and Antonio Almeida of Almeida & Dale, who have worked to revive interest in arte popular, a category historically applied to self-taught, Indigenous, and Black artists.

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Harrison Kinnane Smith's exhibition "Tracings and Arrangements" is on view at Emmelines, a small gallery tucked inside a former newsstand in the Fifth Avenue & 53rd Street MTA station in New York, directly beneath the Museum of Modern Art and the building formerly known as 666 Fifth Avenue. The show features two works by Louise Lawler on consignment from Sprüth Magers—"Bulbs (traced), 2005/06/19" and "(Bunny) Sculpture and Painting (traced), 1999/2019"—which are black-and-white traced decals of her earlier photographs, displayed in the gritty, fluorescent-lit subway mezzanine. Kinnane Smith, at 28, frames Lawler's works as his opening gesture in a conceptually recursive chain that extends her critique of art's circulation through commerce, collecting, and institutional contexts.

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Brooklyn-based painter Shara Hughes is entering a major career phase with a series of high-profile exhibitions and commissions. In September 2025, her first New York solo show since 2019, “Weather Report,” opens at David Kordansky Gallery, featuring nine large-scale paintings. Two months later, a mid-career survey titled “Shara Hughes: Inside Outside” debuts at the Norton Museum of Art in West Palm Beach, including both paintings and ceramics. Next year, she will unveil a large-scale mosaic floor installation at JFK International Airport’s Terminal 6, alongside works by Charline von Heyl and Candida Alvarez. The article includes an interview with Hughes, who discusses her studio routine, creative process, and the emotional depth behind her psychedelic landscapes.

Mary Lovelace O’Neal, Author of Uncategorizable Abstractions, Dies at 84

Mary Lovelace O’Neal, an activist, educator, and artist known for her monumental lampblack paintings that expanded the possibilities of abstraction, died on May 10 in Mérida, Mexico, at age 84. Despite a six-decade career, she was long considered an "artist's artist" before gaining international acclaim in recent years, with major exhibitions at Mnuchin Gallery, Marianne Boesky Gallery, the San Francisco Museum of Modern Art, and inclusion in the 2024 Whitney Biennial and the 2025 group show "Paris Noir" at the Centre Pompidou.

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Adam Lindemann, a collector-turned-dealer, announced he will close Venus Over Manhattan, the New York gallery he founded 14 years ago. The gallery's final exhibition, a solo show for painter Susumu Kamijo, will run until July 18. Lindemann revealed the decision in an opinion piece for Artnet News, citing the challenges of straddling the roles of collector and dealer, as well as the politics of art fairs. He plans to return to collecting full-time.

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TONO, the time-based art festival, has announced its 2026 lineup, running March 6–22 across Mexico City and Puebla. The program includes video installations, performance commissions, music events, and screenings at venues such as Laboratorio Arte Alameda, Casa del Lago UNAM, Museo Jumex, Museo de Arte Moderno, and Museo Amparo. Featured artists include Tino Sehgal, Space Afrika, Franziska Aigner, Kelman Duran, Ho Tzu Nyen, Avantgardo, Rafael Lozano-Hemmer, and Melanie Smith. International collaborations bring dance works via 99 Canal and Dance Reflections by Van Cleef & Arpels, and a joint evening with Berlin’s Neue Nationalgalerie. The festival is also co-producing Camille Henrot’s exhibition Água Viva at São Paulo’s Instituto Bardi.

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The Whitney Museum of American Art is preparing to move into a new Renzo Piano-designed building in New York's Meatpacking District, set to open to the public about a year from now. The new downtown location is vastly larger than its current Marcel Breuer building on Madison Avenue, with 50,000 square feet of indoor exhibition space—a 33 percent increase—and a total of 220,000 square feet, nearly triple the size of the old space. The museum's best attendance year was 372,000 visitors in 2009-10, far below MoMA's 3.22 million that same year, but the new building's proximity to the High Line and tourist-heavy neighborhood is expected to dramatically boost visitor numbers.

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New York's Performa biennial postponed a new work by artist Lina Lapelytė, titled *The Speech (NYC)*, just one day before its scheduled debut because the planned venue, Federal Hall National Memorial, was closed due to the U.S. government shutdown. The piece involves 100 children making primal sounds and was to be performed on Wednesday at the historic site, which is operated by the National Park Service. Performa rescheduled the performance for November 17 and is seeking an alternative venue.

15 of the Most Anticipated Museum Exhibitions Around the World in 2026

Major museums worldwide have announced their flagship exhibitions for 2026, featuring a diverse array of artists and historical periods. Highlights include a Frida Kahlo retrospective at the Museum of Fine Arts, Houston, exploring her rise to icon status; a survey of Ovid's influence on art from Caravaggio to Louise Bourgeois at Amsterdam's Rijksmuseum; a centennial exhibition for Mary Cassatt at the National Gallery of Art; and the largest career survey to date for Tracey Emin at Tate Modern. Other key shows feature Carol Bove at the Guggenheim Museum, Korean national treasures at the Art Institute of Chicago, and exhibitions at the Whitney Museum, the Museum of Modern Art, and the Louvre.

12 Collectors on the Artists, Shows, and Trends to Watch in 2026

Artsy spoke with 12 leading collectors about the artists, exhibitions, and trends they are most excited to follow in 2026. Highlights include the re-centering of women artists, the rise of South Asian and LGBTQ+ artists, and the impact of AI on gallery operations. Collectors point to major institutional milestones such as LACMA's new campus, the Guggenheim Abu Dhabi, the Venice Biennale, and Art Basel's expansion into Qatar, as well as specific shows like Claire Tabouret's stained-glass commission for Notre-Dame and the Frida Kahlo exhibition at the Museum of Fine Arts, Houston.