The Prix Marcel Duchamp, France's most prestigious art prize, has announced its 2026 nominees: Joël Andrianomearisoa, Josèfa Ntjam, Laura Henno, and the duo David Brognon and Stéphanie Rollin. The five nominees will exhibit together at the Musée d’Art Moderne de Paris in October, with the winner receiving €35,000. The jury is led by Centre Pompidou director Xavier Rey and includes prominent curators, collectors, and past winners such as Kader Attia.
Palazzo Dario, a historic Gothic palace on Venice's Grand Canal built in 1486 by diplomat Giovanni Dario, is now listed for sale through Christie's International Real Estate following a structural restoration. The 10,000-square-foot property features four levels, marble staircases, Murano chandeliers, and a Moorish fountain, with its asking price available upon request. The palace has changed hands through noble families, countesses, and financiers over centuries, and was famously painted by Claude Monet in 1908 and sketched by John Ruskin.
Barbara Dauphin Duthuit, the wife of Henri Matisse's grandson, has donated 61 works by Matisse to the Musée d’Art Moderne de Paris. The gift includes seven paintings, numerous drawings, etchings, lithographs, and illustrated books, most of which feature portraits of the artist's eldest daughter, Marguerite (1894–1982). Many of these works were on view in France for the first time during the museum's recent exhibition “Matisse and Marguerite: Through Her Father’s Eyes.” The donation spans from Marguerite's childhood to 1945, including pieces that reference her convalescence from diphtheria and her survival of Gestapo torture during World War II.
A Swedish court acquitted six climate activists from the group Återställ Våtmarker (Restore Wetlands) who smeared red paint on the protective glass of Claude Monet's painting *The Artist’s Garden at Giverny* (1900) at the National Museum of Sweden in June 2023. The painting, on loan from the Musée d'Orsay in Paris, was unharmed; the court ruled the activists had no intent to damage the work, noting they used water-soluble paint and targeted a glass-covered piece, though some paint reached the frame.
A wave of exhibitions and projects is celebrating the 90th anniversary of the births of Christo and Jeanne-Claude, the late husband-and-wife duo known for monumental environmental installations. Their nephew Vladimir Yavachev, who directs their foundation, is overseeing the realization of their final permanent work, *The Mastaba* in Abu Dhabi, while temporary works like *The Gates* in Central Park are being revived through augmented reality. The anniversary also marks 30 years since *Wrapped Reichstag* and 20 years since *The Gates*.
The article traces the history of plein air painting, beginning with French painter Pierre Henri de Valenciennes in the 1780s, who created one of the earliest known outdoor oil sketches on the banks of the river Rance in Brittany. It follows the evolution of the practice through British painter John Constable, the Barbizon school in France, and the revolutionary impact of John G. Rand's invention of the paint tube in 1841, which enabled artists like Claude Monet and Pierre-Auguste Renoir to capture light and atmosphere with unprecedented accuracy.
California Attorney General Rob Bonta filed a motion on November 17 to intervene in the Cassirer family's two-decade-long restitution case for a Camille Pissarro painting stolen by the Nazis. The artwork, *Rue Saint Honore, Apres Midi, Effet De Pluie* (1897), is owned by Spain's Thyssen-Bornemisza Collection Foundation. The U.S. Court of Appeals for the Ninth Circuit had previously ruled that Spanish law applied, allowing the museum to keep the painting, but California's Assembly Bill 2867, signed into law in September, now seeks to apply California law to protect victims of art theft. The case has been sent back to the U.S. District Court for the Central District of California for reconsideration.
Sotheby's held a day sale on Wednesday featuring 30 works from the collection of cosmetics heir Leonard Lauder, generating $3.84 million against an estimate of $2.22 million to $3.29 million. The sale followed a strong Tuesday auction led by a Gustav Klimt portrait from Lauder's collection that achieved the second-highest price ever for an artwork at auction. Standout results included works by Dorothea Rockburne, Elizabeth Murray, and Lyonel Feininger that far exceeded their estimates, while a Claes Oldenburg sculpture sold for $444,500, the top price of the day.
California Attorney General Rob Bonta has re-entered the long-running legal battle over a Camille Pissarro painting, *Rue Saint-Honoré in the Afternoon, Effect of Rain* (1897), which was sold under duress by Lilly Cassirer Neubauer to a Nazi appraiser in 1939 for 900 Reichsmarks. The painting is now held by the Museo Thyssen-Bornemisza in Madrid, and the Cassirer family has sought its return for decades. A new California law signed by Governor Gavin Newsom in September allows exceptions for property taken as a result of political persecution, and Bonta is now defending the state's authority to compel the return of stolen art to victims connected to California.
The Brooklyn Museum's exhibition "Monet and Venice" explores how Claude Monet's 1908 trip to Venice revitalized his creative practice, leading to 37 remarkable paintings that directly influenced his later "Water Lilies" series. The show assembles more than half of these Venice works alongside pieces by Canaletto, J.M.W. Turner, and others, tracing how the sojourn allowed Monet to see his canvases with fresh eyes after a period of creative impasse. Curated by Lisa Small and Melissa Buron, the 100-work survey opens October 11 and is the largest Monet exhibition in New York in over 25 years.
A René Magritte painting, *La Magie Noire* (1934), will be auctioned at Sotheby’s Paris on October 24 with a high estimate of €7 million ($8.1 million). The work has remained in the same private collection for nearly a century, having been acquired directly from the artist by the family of World War II resistance heroine Suzanne Spaak, who was executed by the Gestapo in 1944 for helping Jewish children escape Nazi persecution. The painting depicts Magritte’s wife, Georgette Berger, and is the first of ten portraits in which the female body merges with sky, stone, and spirit.
Heirs of German Jewish banker and art collector Paul von Mendelssohn-Bartholdy have urged the US Seventh Circuit Court of Appeals in Chicago to revive their lawsuit seeking the return of Vincent van Gogh's *Sunflowers* (1888), which they claim was sold under Nazi duress. The lawsuit, filed in 2022 against Japanese insurer Sompo Holdings, argues that the painting was purchased at a 1987 Christie's auction by Sompo's predecessor, Yasuda, despite provenance indicating Mendelssohn-Bartholdy was a Nazi victim. A lower court dismissed the case in 2024 for lack of jurisdiction, but the heirs contend that the painting's exhibition in Chicago in 2001 establishes sufficient legal ties to Illinois.
Sotheby's achieved a white-glove sale of Pauline Karpidas's collection on Wednesday night, far exceeding its $53 million high estimate to reach $100 million. All 55 lots sold, with 70% surpassing their high estimates, marking the highest total for a designated auction held in London. Two additional sales from the collection are ongoing: a day auction of 193 lots and an online sale of 97 lots, with a combined presale estimate of $80 million. The auction featured 23 Surrealist works, including pieces by René Magritte, and replicated Karpidas's London home in the salesroom.
The article introduces the annual 'Icons' issue of Art in America, profiling artists whose decades-long practices reflect deep commitment to their mediums. Featured artists include Paul Pfeiffer, who became hyper-aware of image grammar through early video work; Consuelo Jimenez Underwood, who found her voice in textiles; David Diao, who references Barnett Newman; and the late Joel Shapiro, who explored transformation through wood sculpture. The issue also includes an interview with Tehching Hsieh on freethinking and art, plus departments on curatorial challenges, a Bukhara Biennial curator Q&A, and an appreciation of Dara Birnbaum.
Sotheby's has announced the headline lots for the upcoming sale of British socialite and arts patron Pauline Karpidas's collection, set to take place September 17–19 in London. The 250-item auction, described as the 'greatest collection of Surrealism to emerge in recent history,' is led by René Magritte's oil painting *La Statue volante* (1940-41), estimated at £9–12 million ($12–16 million). Other highlights include ten more Magritte works, four Andy Warhol pieces from his 'Art from Art' series, and works by Pablo Picasso, Salvador Dalí, and Leonora Carrington, along with furniture and design objects.
The Digital Art Mile, Basel's first-ever digital art fair, opened its second edition on Monday at the city's Kult Kino Camera cinema, running through Sunday. Founded by digital art adviser Georg Bak and ArtMeta founder Roger Haas, the fair features panels, conferences on the digital art market, and the headline exhibition “Paintboxed,” which explores the history of the Quantel Paintbox. In a calmer, more academic atmosphere than Art Basel, ARTnews asked 10 prominent digital art figures to select their favorite artwork from the fair, with responses highlighting works such as Kim Asendorf's "Monogrid 90," XCOPY's "Last Selfie," and Matt Kane's "Gazers 200."
Christo and Jeanne-Claude's posthumous project to wrap the Arc de Triomphe in Paris has been completed and inaugurated by French President Emmanuel Macron. The monument is covered in 25,000 square meters of silvery blue polypropylene fabric and 3,000 meters of red rope, with the installation open to the public from September 18 to October 3, 2021. The €14 million project was entirely funded by the sale of Christo's artworks and overseen by the couple's nephew, Vladimir Yavachev, along with the Center of Monuments Nationaux.
Katsushika Hokusai's iconic woodblock print "The Great Wave" (officially *Under the Wave off Kanagawa*) is examined through three lesser-known facts. The article notes that the print, created between 1830 and 1832, is surprisingly small—less than 15 inches wide—and that its vivid blue pigment, Prussian blue, was a recent European import that revolutionized Japanese ukiyo-e prints. It also highlights Hokusai's practice of adopting over 30 different names throughout his career, which now helps scholars periodize his work.
The Château de Wargemont, a 19th-century seaside castle in Normandy where Pierre-Auguste Renoir summered and painted, has been listed for sale by Sotheby’s International Realty for €4 million ($4.5 million). The 17-room property, set on 25 acres, is the last great Impressionist site still in private hands and retains original features including Renoir’s dining room mural The Two Hunts, the only in-situ decor by an Impressionist. Renoir was invited there by diplomat and banker Paul Bérard, and the estate appears in several of his works, including Les rosiers à Wargemont (1879), which sold for $7.5 million at Sotheby’s in 2004.
François-Xavier Lalanne's functional sculpture "Ostrich Bar" (1965) sold for €11.1 million ($12.5 million) at Sotheby's Paris on May 20, far exceeding its €3–4 million estimate after an 11-minute bidding war. The piece, one of only six ever produced, features two porcelain ostriches gripping a metal shelf with a central egg for ice cubes; it was the artist's personal favorite, kept in his bedroom for over four decades. The sale took place within Sotheby's Important Design sale curated by model Betty Catroux.
This year marks the 150th anniversary of Impressionism, which began in 1874 when 31 artists including Paul Cézanne, Claude Monet, and Berthe Morisot staged a groundbreaking exhibition in Paris. To commemorate the sesquicentennial, international institutions are hosting exhibitions such as the Musée d'Orsay's "Paris 1874: Inventing Impressionism," while Artnet and Morgan Stanley have collaborated to analyze auction data from 2014 to 2023, examining the market for works by approximately 120 Impressionist and Post-Impressionist artists. Despite perceptions that Impressionism has lost its luster, the number of lots offered at auction has remained steady, averaging 6,091 annually over the decade.
Artnet News and Morgan Stanley have released an analysis of the global art market, examining auction performance by artists from different regions over the past decade. The report breaks down sales by region—North America, Europe, Asia-Pacific, Africa, Latin America and the Caribbean, and the Middle East—and by genre categories including Old Masters, Impressionist and Modern, Postwar and Contemporary, and Ultra-Contemporary. Key findings show that North American and European artists dominate the market, while African-born artists have seen notable but uneven growth, and Asia-Pacific-born artists have experienced a marked decline.
Hong Kong-based activist fund Oasis Management has publicly condemned Japanese chemical company DIC Corporation for relocating the Kawamura Memorial DIC Museum of Art to the International House of Japan (IHJ), a private members' club in Tokyo. The move includes seven of Mark Rothko's "Seagram Murals" and other valuable artworks. Oasis, a major shareholder in DIC Corp, accuses the company's chairman, Yoshihisa Kawamura, of attempting to transfer assets to an inner circle and has urged shareholders to vote against CEO Takashi Ikeda and support governance reforms.
The Victoria and Albert Museum has unveiled the first look at its new V&A East outpost in London’s Olympic Park, showcasing a collection that emphasizes diversity, global exchange, and the integration of art into daily life. The inaugural displays feature a wide-ranging mix of objects, from Althea McNish’s vibrant Caribbean-inspired textiles and Vivienne Westwood’s punk designs to a talismanic shirt inscribed with the Qur’an and a Japanese screen documenting colonial encounters. While the museum's public-facing branding focuses on community engagement, the actual curation offers a sophisticated, open-ended exploration of how different cultures influence and define one another.
Les meilleures expos du moment à voir à Paris
Beaux Arts Magazine has published a guide to the best current exhibitions in Paris for spring 2026, highlighting major shows such as "Martin Parr. Global Warning" at the Jeu de Paume, "Matisse. 1941–1954" at the Grand Palais, "Michel-Ange Rodin" at the Musée du Louvre, "Renoir et l'amour" at the Musée d'Orsay, "Calder. Rêver en équilibre" at the Fondation Louis Vuitton, and "Splendeurs du baroque" at the Musée Jacquemart-André. The article also features retrospectives of Hilma af Klint at the Grand Palais, Károly Ferenczy at the Petit Palais, Henry Taylor at the Musée Picasso, a Lee Miller exhibition at the Musée d'Art moderne de Paris, a Giovanni Segantini show at the Musée Marmottan Monet, and a Nan Goldin multimedia presentation at the Grand Palais.
The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.
The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.
À Giverny, Monet ne profite pas à tout le monde
The article examines the economic paradox of Giverny, the French village where Claude Monet lived and painted. While Monet's gardens attract nearly one million visitors annually—with ticket sales estimated at €9-10 million—the village itself, with a population of just 430 and an annual budget of €600,000, sees almost none of that revenue. Visitors flood in for half-day trips, queue for hours to see the gardens, and leave by evening, spending little in local shops. The gardens, run by the Académie des beaux-arts, are tax-exempt and operate as a closed economic loop, with their boutique and restaurant generating income that stays within the institution.
Beaux Arts Magazine presents a detailed dossier analyzing ten iconic masterpieces of Impressionism, including works by Edgar Degas, Édouard Manet, Berthe Morisot, Auguste Renoir, Gustave Caillebotte, Claude Monet, and Mary Cassatt. The article explores the technical innovations, modern subjects, and revolutionary spirit of the movement, which began in 1874 and was initially rejected by critics. Each featured painting—such as *Le Déjeuner sur l’herbe*, *Impression, soleil levant*, and *Le Bal du moulin de la Galette*—is examined by art historians and journalists to reveal its composition, historical context, and lasting impact.
A set of 15 bronze and copper mirrors by Claude Lalanne sold for $33.5 million at Sotheby's in New York, shattering the artist's previous auction record and surpassing the record price for works by her late husband and collaborator, François-Xavier Lalanne. The ensemble, which far exceeded its $15 million high estimate, drew fierce competition from five bidders over ten minutes.