How This Palestinian-Canadian Artist is Bringing Her Voice to the Met Museum

Dubai-based Palestinian-Canadian artist Samar Hejazi has been commissioned to create mirrored sculptural mannequin heads for the Costume Institute's Spring 2026 exhibition at The Metropolitan Museum of Art, opening alongside the Met Gala. Hejazi's reflective works, designed for the exhibition "Costume Art," aim to collapse the distance between viewer and object, creating moments of surprise and questioning about identity, perception, and belonging.

'Hidden heritage' Metro art shown in exhibition

An exhibition at the Baltic Centre for Contemporary Art in Gateshead is showcasing "Blazing Trails," a project by local artist Sofia Barton originally commissioned for Tyne and Wear Metro trains. The artwork celebrates the hidden heritage of north-east England by depicting lesser-known community leaders, including suffragette Kathleen Brown and Chinatown founders Koon Kiu Cheng and Peter Cheng. The display runs until 27 September in the Baltic's pop-up shop.

The Fabric Workshop and Museum presents Jesse Krimes: Elegy Quilts by Bucks County artist

The Fabric Workshop and Museum (FWM) in Philadelphia, in partnership with Mural Arts Philadelphia, presents "Jesse Krimes: Elegy Quilts," an exhibition featuring works from the artist's ongoing Elegy Quilt series (2020-present). The show debuts a newly commissioned quilt, "Riverside" (2026), created from used clothing collected from incarcerated people. Krimes, a Bucks County-based multidisciplinary artist who experienced incarceration himself, gathers donated clothing and textile fragments from currently and formerly incarcerated individuals and reconstitutes them into patterned quilts that meditate on memory, loss, and resilience. The exhibition also includes collages made during workshops with graduates of Mural Arts' Restorative Justice reentry program, which informed both the quilt and a forthcoming public mural in Philadelphia's Spring Arts District, to be unveiled June 3.

Birthday-Celebrating Sculpture Exhibitions

Richard MacDonald, the internationally acclaimed figurative sculptor known for his bronze works of dancers, athletes, and performers, is celebrating his 80th birthday with a two-day event on June 5 and 6, 2026, in Monterey, California. The celebration takes place at his studio and foundry, featuring a private invitation-only evening on June 5 for close friends, family, and leading collectors, followed by a public cocktail event on June 6. Activities include live performances, guided studio and foundry tours, a live bronze pour demonstration, and the unveiling of new sculptures, including a commissioned piece for the Weaver of Change Foundation in Singapore.

Unpacking the Venice Biennale controversies and highlights

The 2026 Venice Art Biennale is proceeding with a posthumous main exhibition, "In Minor Keys," curated by the late Cameroonian-born artistic director Koyo Kouoh, who died in May 2025. The event features 100 national participations, including seven first-time countries, and has reinstated Russia's pavilion after its voluntary withdrawal following the 2022 invasion of Ukraine.

À Florence, une touriste poursuivie pour avoir endommagé la fontaine de Neptune

In Florence, Italy, a 28-year-old tourist is being prosecuted for damaging the historic Neptune Fountain during a bachelorette party on the night of April 18-19. She allegedly climbed the monument on Piazza della Signoria after a dare from friends to touch the statue's intimate parts, causing an estimated €5,000 in damages to the horses' legs and a decorative frieze. This follows a similar incident in September 2023, when a 22-year-old German tourist caused €5,000 in damage to the same fountain while posing for photos.

❤️ Atlanta, with love

This article from Rough Draft's Sketchbook newsletter highlights two Atlanta-focused art stories. Painter Carlos Solis, who left Venezuela for Kennesaw nearly two decades ago, curates "In the Beginning," a group exhibition opening May 9 at the Hudgens Center's Fowler Gallery in Duluth, featuring 15 artists from around the world who now call Georgia home. Separately, designer and illustrator George F. Baker III, originally from Nebraska and shaped by Detroit, was commissioned by the Mayor's Office of Cultural Affairs to create the key art for the 49th annual Atlanta Jazz Festival, and he discusses how the musical souls of both Detroit and Atlanta influenced his design.

Delicacy as Resistance. Interview with the Curator of the Turkey Pavilion at the Venice Biennale

La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia

For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.

The delirious teaser by the creators of 'Panique au village' for the reopening of the Musée de la Figurine in Compiègne

Le teaser délirant des créateurs de « Panique au village » pour la réouverture du musée de la Figurine à Compiègne

The Musée de la Figurine in Compiègne, France, is set to reopen on May 23, 2026, after a major renovation. To promote the reopening, the museum commissioned Stéphane Aubier and Vincent Patar, the creators of the cult stop-motion series "Panique au village" (known for its absurd plastic figurines), to produce a teaser video. The museum, which holds a rare collection of nearly 155,000 figurines spanning from prehistory to the present, has been redesigned with a 1,000-square-meter space, six thematic areas, interactive displays, and a monumental diorama of the Battle of Waterloo featuring 12,000 figurines, now enhanced with augmented reality. Admission will be free for all from May 23 to August 16, 2026.

Doyen retrouve la chapelle Saint-Louis

A cycle of eleven paintings commissioned in 1772 for the Chapelle Saint-Louis at the École Militaire in Paris, depicting the life of Saint Louis, has been rediscovered. The chapel was built under Louis XV by architect Ange-Jacques Gabriel, and the paintings were executed by Jean-Baptiste-Marie Pierre following a carefully devised iconographic program. The discovery sheds new light on a major decorative ensemble from the Ancien Régime.

art brick hamza walker curator

Hamza Walker, the renowned curator and director of the Los Angeles nonprofit art space the Brick, is featured as a 2026 CULT100 honoree. He was a key driver behind the ambitious exhibition “Monuments,” which places decommissioned Confederate monuments alongside contemporary art at a time when American cultural history is increasingly politicized. The article includes a brief Q&A with Walker, touching on his personal tastes, work philosophy, and reflections on his career.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

Indian High Commission celebrated Rabindra Jayanti, inaugurating art exhibition

The Indira Gandhi Cultural Centre (IGCC) of the Indian High Commission in Dhaka inaugurated a ten-day art exhibition titled “Sampriti” on May 7, 2026, coinciding with the 165th birth anniversary of Rabindranath Tagore. The exhibition features works created during a two-day art camp by 33 eminent Bangladeshi artists, including Rafiqun Nabi, Monirul Islam, and Farida Zaman, and was curated by Professor Sanjoy Chakraborty of Dhaka University. High Commissioner Pranay Verma opened the event, highlighting the shared artistic traditions between India and Bangladesh, and paid tribute to the late Bangladeshi artist Tarun Ghosh, whose work is included in the show.

‘Sampriti’: Dhaka exhibition celebrates artistic ties between Bangladesh and India

The Indira Gandhi Cultural Centre (IGCC) in Dhaka inaugurated the art exhibition “Sampriti” on May 7, bringing together artists, scholars, and diplomats from Bangladesh and India. The exhibition, which follows a two-day art camp held in April, features works by 33 contemporary Bangladeshi artists and ICCR scholars, and was curated by Prof Sanjoy Chakraborty. The opening coincided with the 165th birth anniversary of Rabindranath Tagore and included a lamp-lighting ceremony, speeches by High Commissioner Pranay Verma, and a performance of Rabindra Sangeet by Prof Shahnaz Nasrin Ila.

On the Somalia Pavillion

At the 2026 Venice Biennale, Somalia has established its first-ever national pavilion, commissioned by the Somali government to showcase the richness of Somali culture through the theme of Saddaxleey, a triadic form of Somali poetry and proverbs. The pavilion features works by Somali Swedish artist Ayan Farah, UK-based Somali Danish multidisciplinary artist Asmaa Jama, and Somali British poet Warsan Shire. However, a collective of queer Somali artists, curators, and culture workers called Warbixinta Cidda has publicly criticized the pavilion for overrepresenting the diaspora, selecting an all-male advisory board, and appointing an Italian co-curator instead of Somali curators, raising concerns about representation and neocolonialism.

Oman announces artist, concept for Venice Biennale

Haitham Al-Busafi will represent Oman at the 61st Venice Biennale, serving as both artist and curator. His installation, titled "Zinah," transforms the tradition of Omani silver horse adornment (Al-zaanah) into an immersive environment of sand, suspended metal, and collectively generated sound. Located in the Arsenale Artiglierie and commissioned by Oman's Ministry of Culture, Sports and Youth, the work was developed through a community workshop in Muscat where participants inscribed marks into silver forms. The exhibition runs from May 9 to November 22, 2025.

The Audacity of Art at the Obama Presidential Center

Barack and Michelle Obama commissioned 30 artists to create site-specific works for the Obama Presidential Center on Chicago's South Side, which begins visitor previews next week. The commissioned artworks span multiple media and will be integrated throughout the campus, reflecting the Obamas' commitment to public art and community engagement.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

EL SALVADOR MAKES ITS DEBUT AT THE VENICE BIENNALE WITH ITS OWN PAVILION

El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.

CUBA PRESENTS FREE MEN AT THE VENICE BIENNALE

Cuba presents Roberto Diago's installation "Hombres Libres (Free Men)" at the 61st Venice Biennale, curated by Nelson Ramirez de Arellano Conde and commissioned by Daneisy García Roque. The work, on view from May 9 to November 22, 2025, features a group of sculpted heads made from oxidized metals, wood, plastics, and reclaimed materials that advance toward viewers, bearing scars that evoke a history of pain and resistance.

Roma insiste sulla rigenerazione urbana: Stefano Boeri trasforma un ex deposito di bus in oasi verde per uffici, commerci e cultura

Stefano Boeri Architetti has been commissioned to transform a former ATAC bus depot in Rome's Prati-Delle Vittorie district into a multifunctional hub called Depositi delle Vittorie. The project, owned by the family behind the Fondazione Memmo, will convert the 16,000-square-meter disused site into a mixed-use complex featuring commercial, cultural, and leisure spaces, along with a 8,000-square-meter rooftop park suspended 15 meters high that will host art installations. Construction is set to begin in late 2027 and conclude by 2030.

Architectures, Projects and Visions: The Story of Santa Maria della Scala Goes on Show in Siena

Architetture, progetti e visioni. La storia del Santa Maria della Scala va in mostra a Siena

The Fondazione Antico Ospedale Santa Maria della Scala in Siena has launched a new regeneration project for the historic complex, 40 years after it ceased functioning as a hospital. The foundation, led by president Cristiano Leone and director Chiara Valdambrini, commissioned Luca Molinari Studio to analyze the original design by Guido Canali and coordinate a collaborative masterplan involving three international architecture firms: LAN Architecture, Odile Decq with Pangalos Feldmann Architectes, and Hannes Peer Architecture. An exhibition titled "Santa Maria della Scala. Architetture, progetti e visioni" will open on May 30, 2026, curated by Luca Molinari, showcasing the architectural plans and visions for the site.

Who is the new Minister of Culture in Hungary in the first post-Orbán government? The profile of Zoltán Tarr

Chi è il nuovo Ministro della Cultura in Ungheria nel primo governo post-Orbán? Il profilo di Zoltán Tarr

Zoltán Tarr è stato nominato Ministro delle Relazioni Sociali e della Cultura nel primo governo post-Orbán in Ungheria, guidato dal nuovo Primo Ministro Peter Magyar. Tarr, 52 anni, ex pastore della Chiesa riformata ungherese ed europarlamentare per il PPE, ha promesso di ripristinare la libertà d'espressione e smantellare il sistema di favoritismi politici nella cultura, dopo 16 anni di governo autoritario di Viktor Orbán.

Ministry of Culture inspectors present report on Biennale: Russia pavilion will remain closed

Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso

Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.

In Salento c’è una residenza che mette gli artisti in contatto con territorio e storia della Puglia. Intervista

In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.

L’inquinamento acustico diventa un percorso sonoro. L’installazione di Continental a Milano

Continental, the premium tire manufacturer, has commissioned WOA Studio, a creative studio founded by Davide Carioni and Giuliana Pajola, to create an immersive sound installation titled "The Sound of Premium" for the Fuorisalone design festival in Milan. Presented at BASE Milano, the installation transforms urban noise pollution into a three-part sonic journey—chaos, harmony, and quiet—using seventeen audio-luminous elements that abstract the city soundscape. The experience is designed to show how noise can be mitigated rather than eliminated, with sound data derived from real urban recordings, particularly tire rolling noise.

In Turin, a Confrontation Between Masters: The Exhibition of Beato Angelico and Bartholomeus Spranger

A Torino c’è un confronto tra maestri: la mostra di Beato Angelico e Bartholomeus Spranger

The Musei Reali in Turin has unveiled a specialized study exhibition titled "Beato Angelico negli occhi di Bartholomeus Spranger," which brings together two versions of the Last Judgment. The show features the return of Beato Angelico’s "Madonna of Humility" to Turin, accompanied by his "Last Judgment" on loan from the Museo di San Marco in Florence. This masterpiece is displayed alongside a later interpretation of the same subject by the Flemish Mannerist Bartholomeus Spranger, painted over a century later.

Cincinnati Art Museum Announces Major Charley Harper Exhibition

The Cincinnati Art Museum has announced its first full-scale scholarly exhibition of works by Cincinnati-based artist Charley Harper, titled "The Art of Charley Harper: Creatures Wild and Tame." The exhibition will run from October 16, 2026, through March 7, 2027, featuring around 150 works, including ten large paintings commissioned by the U.S. National Park Service that were only briefly displayed in Washington, D.C., in the 1990s. The show is presented in partnership with the Charley Harper Art Studio and marks the artist's first museum retrospective.

New SLAM exhibition brings ancient Rome to life in ‘Ancient Splendor: Roman Art in the Time of Trajan’

The Saint Louis Art Museum (SLAM) has opened “Ancient Splendor: Roman Art in the Time of Trajan,” a major traveling exhibition featuring a seven-foot-tall marble statue of Emperor Trajan and a vast array of artifacts from his reign. Organized in collaboration with the Italian organization StArt and curated by Roman expert Lucrezia Ungaro alongside SLAM’s Hannah Segrave, the show is structured into three thematic sections: the imperial household, the domestic lives of everyday Romans, and the public sphere. To enhance immersion, the museum has integrated sensory elements including scent stations that replicate ancient fragrances and a commissioned soundscape.