Waddington Custot, a cornerstone of London’s art scene, is formalizing its leadership succession as Victor Custot joins his father, Stéphane, as board director. The younger Custot, who transitioned from a career in tech, is now spearheading the gallery’s strategic expansion. Central to this new chapter is a significant move toward Paris, reflecting a broader shift in the European art market landscape following Brexit.
A 1964 painting by Pablo Picasso, 'Le peintre et son modèle,' sold for approximately $4.05 million at the VIP preview of Art Basel Hong Kong 2026. The sale, conducted by gallery BASTIAN, led a wave of early transactions across various price points and media as the fair opened its 13th edition.
Artsy's May 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Julia Jo, Raina Lee, Yaya Yajie Liang, and two others. Julia Jo, a Korean painter based in New York, showed new works at the Independent art fair with Charles Moffett, featuring emotionally charged, abstract figurative paintings. Raina Lee, a Taiwanese American ceramicist, presented pocket-sized glazed stoneware at NADA and Future Fair during New York Art Week, inspired by travel and cultural relics. Yaya Yajie Liang, a Chinese painter based in London, creates oil paintings with fluid brushstrokes exploring bodily sensations and interconnectedness.
The Wagner Foundation has selected artists Tomashi Jackson, Lucy Kim, and Yu-Wen Wu as the recipients of its 2026 Wagner Arts Fellowships. Each artist, based in the Boston area, will receive an unrestricted $75,000 grant, professional development support, and will participate in a group exhibition at the Wagner Gallery in Cambridge from August to December 2026.
The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.
Former BBC New York correspondent Nick Bryant claims the BBC suppressed footage he captured of Banksy at a mural site in New York City in March 2018. In a Substack post, Bryant recounts being tipped off by Banksy's PR team about a new artwork at the Houston Bowery Wall, where he and his cameraman filmed the artist—described as a middle-aged man in a black beanie and grey coat—fleeing the scene with fresh paint on his fingers. Despite believing he had a world exclusive, Bryant says BBC editors in London decided not to air the footage, citing concerns about unmasking the artist and preserving the mystery for audiences, including a senior colleague's daughter who compared revealing Banksy's identity to telling children there is no Santa Claus.
London’s Victoria and Albert Museum (V&A) reportedly complied with censorship demands from its Chinese printing firm, C&C Offset Printing, to alter exhibition catalogues. Internal emails revealed that the museum removed a photograph of Lenin from a Fabergé exhibition book and altered historical maps to align with Chinese government standards after the printers flagged them as "sensitive." Staff noted that while they were aware of contemporary geopolitical sensitivities, the restrictions had expanded to include historical imagery, forcing last-minute editorial changes to avoid production delays.
Chinese artist Ai Weiwei has accused the German newspaper Die Zeit of publishing a “distorted and unjust” article about him, following an earlier incident in which he claims the paper censored an article it commissioned him to write. In a series of posts on X, Ai detailed how Die Zeit’s magazine, Zeit Magazin, invited him to write a piece in July, then revised and ultimately refused to publish it—an act he calls censorship. He later agreed to an interview with Die Zeit journalist Olivia Kortas in Kyiv, where he had just unveiled a large-scale installation at Pavilion 13 responding to armed conflict. Ai alleges that Kortas had not seen the exhibition and that her published article, titled “The Annoyance,” contained distortions and subjective judgments, particularly regarding his statements on arms deliveries to Ukraine.
The Carnegie Museum of Art in Pittsburgh, Pennsylvania, has unveiled the 59th edition of its Carnegie International exhibition, featuring a monumental series of murals titled *Orogenic* (2026) by Abraham González Pacheco. The newly commissioned work, made of concrete, metal, and pigment, depicts a maelstrom of archaeological objects inspired by the museum’s collection and sets the tone for the exhibition.
Vietnamese sculptor and visual artist Tuan Andrew Nguyen has unveiled a 27-foot-tall sandstone Buddha sculpture titled *The Light That Shines Through the Universe* (2026) on New York's High Line Plinth, at the intersection of 10th Avenue and 30th Street. The monumental work is the newest commission for the elevated park's public art program and will remain on view for the next 18 months.
A growing number of gallerists are moving away from the traditional 'white cube' gallery model, opting instead for spaces with unconventional architecture and distinct character. These include locations in repurposed industrial buildings, historic structures, and uniquely designed new constructions that actively shape the visitor's experience of the art.
Italy purchases rare Caravaggio painting for $34.7 million.
The Italian government has purchased Caravaggio's *Ecce Homo* for $34.7 million, preventing the 17th-century masterpiece from leaving the country. The painting, which depicts a bound Christ presented to the crowd, was sold by its private owners after its rediscovery and authentication in 2021. The state exercised its right of first refusal to match a sale agreed with an unnamed foreign buyer, securing the work for public ownership.
« Vous souvenez-vous de la dernière critique négative que vous avez lue ? »
The traditional art of negative criticism is vanishing from mainstream media, replaced by a culture of polite consensus or violent but unprincipled social media attacks. Historically, critics like Baudelaire, Zola, and Huysmans used sharp, subjective arguments to defend avant-garde movements and challenge academicism, viewing the attack on certain artists as a necessary byproduct of championing others. Today, limited editorial space and a desire to support the arts have led French journalists to focus almost exclusively on praise, resulting in a loss of discernment and comparative analysis.
Musician Jack White will debut his first major solo art exhibition, "The Problem of Color," at Damien Hirst’s Newport Street Gallery in London this May. The exhibition will feature over 40 works, including paintings, sculpture, and furniture, primarily in a monochromatic palette, exploring themes of constraint and creativity. This marks a significant public foray into the visual arts for the former White Stripes frontman, who has long engaged with art and design through his music projects and Third Man Records.
A permanent gallery dedicated to the work of artist Ruth Asawa will open in San Francisco this spring. Located within the Minnesota Street Project in the Dogpatch neighborhood, the gallery's inaugural exhibition, "Ruth Asawa: Untitled," is scheduled to open on May 9th, managed by her family foundation, Ruth Asawa Lanier Inc.
Artsy's monthly roundup highlights five notable exhibitions at small and rising galleries for April. The featured shows include Ramón Enrich's architectural paintings "Dos Verds | Un Blau" at London's Cadogan Gallery, which present mysterious, geometric landscapes with surreal doorways.
The estate of American painter Martha Diamond, who died in 2023, has been signed for representation by the international gallery Thaddaeus Ropac. The gallery will collaborate with the Martha Diamond Trust and David Kordansky Gallery to manage and promote her artistic legacy.
The Moore Art Gallery has opened a new exhibition titled "All Hands on Deck: Edward Steichen and the WWII Naval Photographic Unit." The show presents black-and-white photographs taken by the influential photographer Edward Steichen and his team during World War II, offering an intimate look at the lives of sailors and aviators through dramatic and compositionally striking images. The exhibition includes prints annotated by Steichen with editorial instructions, revealing his meticulous process.
Major museums worldwide are launching a series of high-profile exhibitions this spring that challenge traditional art historical narratives. Highlights include a Marcel Duchamp retrospective at MoMA, a deep dive into Pop art's legacy at the Guggenheim, and significant surveys of icons like Frida Kahlo and Agnes Martin. Meanwhile, UCCA Beijing is presenting a major exhibition of Duan Jianyu, highlighting the evolution of Chinese painting in relation to Western influence.
Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.
This article, written by Brian Hieggelke, serves as an editorial introduction to a special issue focused on the visual art scene in Wisconsin. It contrasts the state's art world with that of neighboring Illinois, highlighting Wisconsin's unique, friendly quirkiness and its abundance of self-taught artists. The piece recounts a visit to the inaugural Door County Contemporary art fair in Fish Creek, noting the small scale but immense charm, and the multi-hyphenate nature of Wisconsin's art players who are simultaneously artists, gallerists, and writers. The article then provides a table of contents for the issue, covering topics from the Kohler Arts Residency to the Wisconsin Museum of Quilts and Fiber Arts, and introduces several contributors including artists, writers, and educators.
This article is a roundup of New York City gallery exhibitions in June 2025, featuring reviews by critics Yinka Elujoba, Jillian Steinhauer, Will Heinrich, and Martha Schwendener. It highlights Kati Heck's show "Dear Cobalt Monsters" at Bortolami Gallery in Tribeca, which includes surrealist paintings and installations such as the centerpiece "Classic V" (2025). The article also mentions works by Kyoko Idetsu and John Brock Lear, though only Heck's exhibition is detailed.
Tate Britain will mount the first major exhibition exploring the transformative impact of fashion, art, and photography on 1990s Britain. Curated by former British Vogue editor-in-chief Edward Enninful, the show titled “The 90s: Art and Fashion” will bring together over 100 works—including photographs, paintings, films, sculptures, objects, and garments—from nearly 70 artists. It runs from August 8, 2026 through February 14, 2027.
Lithuanian interdisciplinary artist Lina Lapelytė will present a large-scale sonic installation and performance titled "We Make Years Out of Hours (2026)" at Berlin's Hamburger Bahnhof — Nationalgalerie der Gegenwart, opening May 1st during Berlin Gallery Weekend 2026. The work is the second iteration of the Chanel Commission, with performances scheduled on Tuesdays, Thursdays, and Saturdays through January 10, 2027, and a public preview on April 30th.
The Getty Center in Los Angeles has announced a temporary closure beginning March 15, 2027, to undergo its most extensive renovation since opening in 1997. The modernization project aims to enhance the visitor experience across the campus through a series of facility upgrades and reimagined spaces.
The iconic bronze statue of Rocky Balboa has been relocated from its outdoor spot at the base of the Philadelphia Museum of Art's steps into the museum building itself. This move is in preparation for a major new exhibition titled 'Rising Up: Rocky and the Making of Monuments,' which opens in late April.
Kyiv-based illustrator Masha Foya has released a new series of dreamlike works that blend human emotion with the natural world. Her illustrations often feature surreal architectural and organic elements, such as foliage tunnels forming into hands or planes flying through bird-shaped apertures, to represent the boundlessness of the human imagination. The collection includes a mix of personal explorations and high-profile commissions for international publications.
The 2026 Venice Biennale's main exhibition opens this week, curated by Koyo Kouoh—the first African woman to hold the role—who was announced in 2024 but passed away suddenly in 2025. The article highlights six artworks that define her curatorial vision, which connected the international art world to artists and institutions from Africa and the Global South.
The Lucas Museum of Narrative Art in Los Angeles, co-founded by filmmaker George Lucas and businesswoman Mellody Hobson, has announced its inaugural exhibitions. The ambitious survey will feature over 1,200 works from a founding collection of more than 40,000 objects, including pieces by Thomas Hart Benton and Jessie Wilcox Smith. The museum is housed in a 300,000-square-foot building designed by Ma Yansong of MAD Architects with Stantec.