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The RISD Museum in Providence has opened "Liz Collins: Motherlode," the first U.S. survey dedicated to fiber and textile artist Liz Collins. Curated by Kate Irvin, the exhibition spans Collins's multi-decade career, from her early fashion label to her recent cross-disciplinary experiments, and includes works like "Cosmic Explosion" (2008–18). Collins, a double RISD graduate and former professor there, describes the show as a homecoming rooted in her deep ties to the school and museum.

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A rediscovered Baroque painting by 17th-century Neapolitan artist Diana de Rosa, titled *Salome with the Head of Saint John the Baptist*, sold for £317,500 ($436,086) at Sotheby’s Old Masters and 19th Century Paintings sale in London on July 2, more than quadrupling its high estimate. The work, previously unknown to scholars, set a new auction record for the artist and was described by Sotheby’s specialist Elisabeth Lobkowicz as a powerful image comparable to Caravaggio’s treatment of the same subject.

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The US Department of State confirmed that Mexico-based artist Alma Allen will represent the United States at the 2026 Venice Biennale, opening next May. Jeffrey Uslip will serve as curator, and the commissioning institution is the American Arts Conservancy (AAC), with its executive director Jenni Parido as official commissioner. Allen, who has had only two museum solo shows in three decades, was approached directly by Uslip in October after the State Department had already approved him. The selection process broke from tradition: the National Endowment for the Arts was not involved due to time constraints and staffing transitions, and a prior proposal by artist Robert Lazzarini and curator John Ravenal fell through after negotiations with the University of South Florida’s Contemporary Art Museum collapsed. Allen’s pavilion, titled "Call Me the Breeze," will feature about 30 works exploring elevation and transformation, framed by the State Department as furthering the Trump Administration’s focus on American excellence.

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Hong Kong crypto entrepreneur and art collector Justin Sun has filed a new 100-page legal response in his ongoing lawsuit against megacollector David Geffen over Alberto Giacometti's sculpture *Le Nez* (1949/1965). Sun claims his employee Xiong Zihan Sydney stole the $78.4 million artwork—which he bought at Sotheby's New York in 2021—and sold it to Geffen without his knowledge. Geffen counters that Sun is experiencing "seller's remorse" and that the lawsuit is a sham. Sun's latest filing alleges that Geffen paid $2 million "under the table" to dealers David and Cole Tunkl to secure the piece, and reveals that Xiong has been detained in China since February at the Dezhou Detention Center.

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Expo Chicago 2025 wrapped on Sunday with upbeat energy and larger crowds than usual, thanks to a scheduling change that allowed VIPs earlier access. The fair, now in its second edition under Frieze ownership, featured 170 exhibitors, a new magazine with artist profiles of Caroline Kent and Nick Cave, and a partnership with KIAF and the Galleries Association of Korea that brought 20 Korean galleries. Dealers reported healthy sales, including a sold-out presentation by Jaylon Hicks at Maximilian Williams gallery, with works priced from $3,000 to $20,000. Frieze leaders attended major events, signaling continued commitment to Chicago nearly two years after acquiring the fair.

Joan Mitchell becomes most expensive female artist at auction in Asia with US$17.6m Sotheby's sale

Joan Mitchell’s diptych "La Grande Vallée VII" sold for HK$137 million (US$17.6 million) at Sotheby’s Hong Kong, setting a new record for the most expensive work by a female artist ever sold at auction in Asia. The 1983 masterpiece, part of a celebrated 21-painting cycle dedicated to a grieving friend, led a successful Modern and Contemporary Evening Auction that saw a 100% sell-through rate for its 54 lots. Other notable results included a Mark Rothko canvas that more than doubled its low estimate and significant sales for works by Sanyu and Zao Wou-Ki.

10 Must-See Shows during Frieze London 2025

Frieze London 2025 has arrived, bringing with it a sprawling public sculpture exhibition and two art-packed tents in Regent's Park, including the historically focused Frieze Masters. Alongside the main fair, London's galleries are hosting a mix of shows ranging from established favorites to emerging talents, with many exhibitions featuring ambitious sculptural works made from unconventional materials like furniture and driftwood. Notable highlights include Sonia Gomes and Kudzanai-Violet Hwami showing bronze sculptures for the first time, Cai Guo-Qiang's controversial gunpowder canvases at White Cube, and Danielle Fretwell's sumptuous oil paintings at Alice Amati. Artsy has curated a list of 10 must-see gallery exhibitions taking place during the fair.

At Art Basel Hong Kong, Blue-Chips Report Flurry of 7-Figure Deals, While Others Lament ‘Slower Than Usual’ Sales

Major galleries reported significant seven-figure sales on the opening day of Art Basel Hong Kong. Hauser & Wirth sold works by Louise Bourgeois and George Condo for millions, while David Zwirner sold paintings by Liu Ye and Marlene Dumas for $3.8 million each. Pace Gallery's CEO noted a renewed energy, and other blue-chip dealers like White Cube and Lehman Maupin also reported high-value transactions, particularly with Asian collectors and institutions.

Zurich’s Galerie Philipp Zollinger Closes After 7 years

Galerie Philipp Zollinger in Zurich is closing after seven years, as announced by founder Philipp Zollinger on Instagram. Citing continued global instability and a lack of conditions necessary to sustain the gallery, Zollinger explained that despite his willingness to invest further, the market no longer supports growth. The gallery focused on Swiss and Scandinavian artists working in three-dimensional media, along with artists from Southeast Asia and the United States. Its final exhibition, a dual presentation of Renée Levi and Theo Eble, closed on April 18 at Galerie Mueller in Basel. The closure follows a previous move from a nomadic operation to a physical space on Rämistrasse, which shut in fall 2025 due to an unstable art market and shifting collecting trends.

Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

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Konstantin Akinsha, a prominent curator and art historian of Russian and Ukrainian art, has identified 14 artworks in the collection of the Palazzo de Nordis museum in Cividale del Friuli, Italy, as likely forgeries. In a Substack post and interview with ARTnews, Akinsha scrutinized the De Martiis Collection, donated in 2015 by the late collector Giancarlo De Martiis, which includes works attributed to Russian and Ukrainian modernist painters. He points to suspicious provenances involving Jean Chauvelin, a disgraced French art dealer, and Boris Gribanov, a convicted forger. A specific still life attributed to Olga Rozanova (1915-17) is nearly identical to a 1999 painting by contemporary Russian artist Andrei Saratov, who confirmed he did not paint the museum's version. Elisabetta Gottardo, the municipal head of culture, acknowledged Akinsha's authority and pledged further investigation.

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The Frank Lloyd Wright Building Conservancy has acquired 11 original pieces designed by Frank Lloyd Wright for the Price Tower in Bartlesville, Oklahoma, including the lobby direction board, an armchair, three copper tables, two stools, and four embossed copper panels. The acquisition, funded by donors, was made to prevent further sale and dispersal of the items after they were sold without the conservancy's permission in spring 2024, despite being protected under a preservation easement. The artifacts are currently stored in the Dallas area, and the conservancy intends to return them to Price Tower.

In Geneva, John M Armleder’s Stunning Lesson in Art History

À Genève, la renversante leçon d’histoire de l’art de John M Armleder

The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.

Masterpieces of Art Modeled and Printed in Ultra-High Definition: The Challenge Met by LITO

Des chefs-d’œuvre de l’art modélisés et imprimés en très haute définition : le défi relevé par LITO

Beaux Arts Magazine partnered with the Austrian printing and publishing company LITO to stage a challenge at its 500th-issue launch party. Guests were asked to identify the authentic 15th-century painting by Giovanni Bellini's circle from among four seemingly identical works, three of which were ultra-high-definition reproductions created by LITO. The company's patented modeling and printing technology replicates the texture of brushstrokes, varnish sheen, canvas grain, and even craquelure with unprecedented precision.

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An early self-portrait by Artemisia Gentileschi, depicting the artist as Saint Catherine of Alexandria, sold at Christie’s in New York for $5.69 million, far exceeding its $2.5–3.5 million estimate. The painting, one of only five known self-portraits by Gentileschi, was painted when she was 20 and living in Florence. The previous auction record for the artist was $5.25 million set in 2019 at Artcurial in Paris.

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MoMA PS1 has announced details for the 2026 edition of Greater New York, its quinquennial survey of art made in and around New York City, coinciding with the institution's 50th anniversary. Unlike previous editions that brought in outside curators, this iteration will be organized entirely by PS1's in-house curatorial team, led by director Connie Butler, chief curator Ruba Katrib, and associate curators Jody Graf and Elena Ketelsen González, with support from assistant curator Kari Rittenbach, curatorial assistant Sheldon Gooch, and curatorial coordinator Andrea Sánchez. The exhibition, featuring more than 50 artists, opens on April 16, 2026, though a specific theme has yet to be announced.

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Sandra Poulson, a 30-year-old Angolan artist, has opened her first museum exhibition at MoMA PS1 in New York, titled "Este quarto parece uma República!" ("This bedroom looks like a Republic!"). The show features sculptures that explore how everyday objects carry social and political meaning, including a work critiquing the influence of mega-churches in Angola. Poulson, who splits her time between Luanda, London, and Amsterdam, drew inspiration from her childhood, local furniture practices in Luanda, and colonial-era wood exploitation. The works were initially produced for Condo London and commissioned by Jahmek Contemporary Art.

George Costakis, collector and saviour of Soviet avant-garde art, celebrated with Athens exhibition

The National Gallery in Athens is hosting a major exhibition celebrating the legacy of George Costakis, the visionary collector who rescued thousands of Russian and Soviet avant-garde works from state-sponsored oblivion. Born in Moscow to Greek parents, Costakis spent decades acquiring pieces by artists like Kazimir Malevich and Liubov Popova at a time when such art was vilified by the Soviet regime. The new exhibition reinterprets these works through the lens of humanity's relationship with the environment, marking 30 years since the collection was first shown in Greece.

The History of the Brontë Sisters Portrait

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The only undisputed portrait of the Brontë sisters—Charlotte, Emily, and Anne—is currently gaining renewed attention as it tours Asia in a major exhibition from the National Portrait Gallery, London. Painted in 1834 by their brother Branwell Brontë when he was just 17, the work serves as a rare visual record of the literary icons. The painting's profile has been further elevated by a 'Brontë renaissance' in popular culture, including Emerald Fennell’s recent film adaptation of Wuthering Heights and upcoming television projects.

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German installation artist Henrike Naumann has passed away at the age of 41 following a battle with cancer. At the time of her death, Naumann was preparing for the pinnacle of her career: representing Germany at the upcoming 61st Venice Biennale. The German pavilion organizers have confirmed that they will work closely with her studio team to realize her finalized artistic vision for the exhibition as planned this May.

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The article examines the use of two iconic minimalist designs—the Vitsœ 620 chair and a Braun wall-mounted hi-fi system—in the Apple TV+ series *Severance*. Both objects were designed by German industrial designer Dieter Rams in the 1960s and appear in the show's dystopian corporate setting, specifically in the lower levels of Lumon Industries where experimental subject Gemma undergoes tests. The production team intentionally selected these pieces to convey themes of power, control, and commerce.

Spurs owner’s School of London trove nets US$47.8m in Sotheby’s white-glove evening sale

Sotheby’s Modern & Contemporary Art Evening Sale in London achieved a rare 'white-glove' result, with all 53 lots finding buyers for a total of £131 million ($175 million). The auction was highlighted by a selection of four School of London masterpieces from the private collection of billionaire Joe Lewis, owner of Tottenham Hotspur. These works, including a 1972 Francis Bacon self-portrait and two Lucian Freud portraits, realized a combined £35.8 million ($47.8 million) and established a new auction record for artist Leon Kossoff.

Private Sales Are Surging as Auction Houses Lean into Exclusive, Experience-Led Selling

Sotheby's and Christie's are increasingly turning to private, invitation-only sales to move high-value artworks, bypassing the traditional auction model. Sotheby's recent "The Apartment" exhibition in London, featuring works by David Hockney, George Condo, and Jean-Michel Basquiat, sold half its $40 million inventory before the public even saw it. Christie's reported that its three most expensive paintings sold in 2025 were all private transactions, with the house trading $1.5 billion privately last year—nearly a quarter of its global sales.

Italian Winemaker Ornellaia Reveals Marina Abramović’s Designs for Its 2023 Vintages

Marina Abramović has collaborated with the Italian winemaker Ornellaia to design labels for its 2023 vintage as part of the annual Vendemmia d’Artista project. The designs range from self-portrait drawings and photographs featuring grapes to a conceptual 9-liter bottle that instructs the drinker to listen to Nino Rota’s theme from La Dolce Vita while consuming the wine. A selection of these limited-edition bottles will be auctioned at Bonhams in June to raise funds for the Guggenheim Museum.

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The Musée d’Orsay has acquired a significant collection of 17 Impressionist and post-Impressionist fan paintings donated by Hong Kong-based collector Ms. Kan, featuring works by Pissarro, Gauguin, and Degas. In other major news, Helen Legg has been appointed the next director of London’s Royal Academy of Arts, and the New Museum premiered a new film by Camille Henrot. Additionally, the Jim Irsay Collection achieved a "white glove" result at Christie’s, totaling $94.5 million and setting 28 world records for pop-culture memorabilia.

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The Metropolitan Museum of Art has announced a landmark exhibition titled "Krasner and Pollock: Past Continuous," scheduled to open in October 2025. This major survey will feature approximately 120 works, including paintings and ephemera, marking the first time the institution has presented a joint retrospective of the famously married Abstract Expressionists. The show aims to present Lee Krasner and Jackson Pollock as artistic equals, tracing their individual trajectories and their mutual influence through loans from over 80 global lenders.

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Sotheby’s has announced the sale of the Jean and Terry de Gunzburg collection, a two-part auction series scheduled for April and May 2024 with a total estimate of $67 million to $99 million. The offering begins with a dedicated design sale featuring a historic ensemble of 15 Claude Lalanne mirrors commissioned for Yves Saint Laurent, followed by a selection of blue-chip modern and contemporary artworks.

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Refik Anadol’s controversial AI installation 'Unsupervised' at the Museum of Modern Art has sparked a heated debate on the nature of art and technology, recently highlighted in a '60 Minutes' segment. While Anadol defends his work as a poetic use of 'data as pigment' that captures viewer attention for an average of 38 minutes, critics and fellow artists raise concerns about the substance and ethics of the medium. The piece, which uses MoMA’s metadata to create morphing abstractions, became a viral sensation that challenged traditional museum engagement.

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The Pennsylvania Academy of the Fine Arts (PAFA) has appointed Kristen Shepherd as its new president and CEO, effective February 9. Shepherd, 54, previously served as executive director and CEO of the Museum of Fine Arts in St. Petersburg, Florida, and held leadership roles at the Los Angeles County Museum of Art, the Whitney Museum in New York, and Sotheby’s in New York and London. She also runs her own consulting firm, Shepherd Lane + Associates. Shepherd takes over at a challenging time for PAFA, which closed its college last May due to rising costs and low enrollment, though it continues to offer K-12 and continuing education programs.

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The Louvre Museum in Paris was forced to close on Monday, January 12, 2026, after staff launched a strike over pay, staffing levels, and working conditions. The closure is the latest in a series of disruptions since mid-December, including a three-day walkout before Christmas and multiple delayed openings in early January. Unions representing employees say the museum is understaffed, poorly maintained, and workers are overworked, calling for increased hiring, higher wages, and greater infrastructure investment. The labor unrest has been compounded by heightened scrutiny following an October daytime robbery of crown jewels valued at over $100 million, and tensions have also flared over a proposed standalone gallery for Leonardo da Vinci's *Mona Lisa*, which unions deem unrealistic given existing problems.