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‘It’s a dream vessel for me’: Defne Ayas appointed new director of the Van Abbemuseum

Defne Ayas has been appointed director of the Van Abbemuseum in Eindhoven, Netherlands, replacing Charles Esche, who held the post for two decades. Ayas, previously director of Kunstinstituut Melly in Rotterdam and co-curator of major biennials including the 13th Gwangju Biennale, will take over ahead of the museum's 90th anniversary in 2026. She describes the role as a "dream vessel" and emphasizes the museum's commitment to decolonization, social engagement, and accessibility.

The Relentless Avant-Garde of The Renaissance Society

The Renaissance Society at the University of Chicago, founded in 1915, has consistently championed avant-garde contemporary art from its modest gallery space on the fourth floor of Cobb Hall. Under the leadership of current director Myriam Ben Salah (since 2020), the institution continues its legacy of presenting visionary works by artists who later become household names, including Henri Matisse, Pablo Picasso, Man Ray, and Félix González-Torres. The article traces the society's history through its pioneering female directors—Eva Watson Schütze, Frances Strain Biesel, and Suzanne Ghez—who shaped its forward-thinking exhibition program, from early modernist shows to local Chicago talent and cross-disciplinary collaborations.

Sotheby's auction: Modern & contemporary art

Sotheby’s is holding its Modern and Contemporary Art auction during Singapore Art Week, featuring rare works that have not been publicly available for decades. Highlights include Walter Spies’s *Die Schlittschuhlaufer (The Ice Skaters)*, estimated at $980,000–$1.8 million, and Raden Saleh’s *The Eruption of Mount Merapi, by day*, appearing at auction for the first time after being held in a private European collection for over a century. Other notable lots include works by Pacita Abad, Marc Chagall, Zao Wou-ki, Mai Trung Thu, and David Hockney. Public exhibition runs January 22–25 at The Singapore Edition, with the live auction on January 25.

Sotheby's, SAM, and Siong Leng: Singapore art events

Sotheby's is holding a major auction in Singapore on January 25, featuring works by Indonesian Romantic painter Raden Saleh, German painter Walter Spies, and British artist David Hockney, among others. The auction includes Raden Saleh's 'The Eruption Of Mount Merapi, By Day' (1865), expected to fetch between $700,000 and $1.3 million, and Walter Spies' 'Die Schlittschuhlaufer (The Ice Skaters)' (1922), estimated at $980,000 to $1.8 million. Concurrently, the Singapore Art Museum (SAM) is presenting 'Nafasan Bumi – An Endless Harvest' from January 16 to May 31, featuring Indonesian artists Elia Nurvista and Bagus Pandega, whose works use nickel and palm materials to explore the environmental and social impacts of Indonesia's palm oil and nickel industries.

Minneapolis Institute of Art announces artists for its first juried crop art exhibition

Minneapolis Institute of Art (Mia) has announced the artists for its first juried crop art exhibition, "Cream of the Crop," opening September 6, 2025. The exhibition features winners and honorable mentions selected from crop art entries at the Minnesota State Fair. Jeanne Morales won best interpretation of a Minnesota landmark, story or tradition with "My Chagall Dream," while Amy and Steve Saupe won best interpretation of an artwork at Mia with "The Treachery of a Pronto Pup." The selections were made by Mia director Katie Luber, associate curator Galina Olmsted, and associate curator Leslie Ureña. Honorable mentions include works by Jill Osiecki, Jill Moe, Amanda Cashman, and Ursula Murray Husted.

“Berthe Weill, Art Dealer of the Parisian Avant-garde” in Montreal

The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.

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South African artist Gabrielle Goliath is taking legal action after her artwork was removed from the country's Venice Biennale pavilion. Goliath and curator Ingrid Masondo will file an application with South Africa's High Court in Pretoria, arguing that the decision by Sport, Arts, and Culture Minister Gayton McKenzie is unconstitutional. They have also sent a letter to President Cyril Ramaphosa, demanding that the Department of Sport, Arts and Culture (DSAC) honor the selection committee's original choice and allow the exhibition to proceed. Meanwhile, the DSAC has reportedly restarted the Biennale planning process with the collective Beyond the Frames.

Remembering John Sailer, the gallerist and champion of Austrian art, who has died, aged 87

John Sailer, the founder of Vienna's Galerie Ulysses and a key champion of Austrian avant-garde art, has died at age 87. Sailer opened the gallery in 1974 with Gabriele Wimmer in a garage space before moving to its permanent location at Opernring 21. Over five decades, the gallery showcased Austrian artists such as Hans Hollein, Maria Lassnig, Walter Pichler, Arnulf Rainer, and Fritz Wotruba, alongside American greats like Jackson Pollock, Andy Warhol, and Helen Frankenthaler. Sailer also worked to promote Austrian and German artists in US museums, notably organizing a Rainer exhibition at the Guggenheim Museum and the Menil Collection, and successfully introducing Lassnig to the New York market at age 70.

Asian painters were ‘othered’ in Paris a century ago. Now, the art world is taking note

A new exhibition at Singapore's National Gallery, "City of Others: Asian Artists in Paris, 1920s-1940s," highlights the experiences of Asian painters who worked in Paris during the interwar period. These artists, including Le Pho, Sanyu, Tsuguharu Foujita, Liu Kang, and Georgette Chen, faced marginalization and exoticized expectations from European critics, who dismissed their work as either not "Asian" enough or insufficiently Western. Despite these challenges, they produced significant bodies of work blending Eastern and Western traditions.

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The tomb of Pharaoh Amenhotep III, one of the largest in Egypt's Valley of the Kings, has reopened to the public after a 20-year renovation led by a team from Waseda University in Tokyo. Discovered in 1799 by French engineers and looted in antiquity, the tomb features newly restored wall paintings depicting the pharaoh with ancient Egyptian gods, the structural frame of his sarcophagus, and burial chambers for his two wives. The reopening took place on October 4, 2025.

More than 200 cultural figures sign statement criticising international response to destruction of Iran’s heritage

More than 200 international scholars and cultural heritage professionals have signed a joint statement condemning the United States and Israel for inflicting "irreversible damage" on Iran’s cultural heritage. The group, which includes academics from leading global institutions, alleges that recent military strikes have damaged over 130 UNESCO-registered monuments and museums, including the Senate Palace in Tehran and sites in Isfahan. They argue these actions violate the 1954 Hague Convention and criticize international bodies like UNESCO for failing to issue a sufficiently forceful response.

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The National Etruscan Museum in Rome is undertaking a public restoration of the Sarcophagus of the Spouses, a 6th-century B.C.E. Etruscan terracotta tomb that was discovered in Cerveteri in 1881 and reassembled from 400 fragments by the museum's founder, Felice Barnabei. The open restoration will begin with the couple's legs, using digital technologies, and aims to highlight the work of art professionals while creating a long-term conservation plan for the masterpiece.

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A new study by Nicholas Brown, a postdoctoral fellow at Yale University, challenges the long-held interpretation of four clay troughs found in Tutankhamun's tomb. Discovered by Howard Carter in 1922, the troughs were previously dismissed as stands for gilded wooden staffs. Brown argues that the troughs' small bases could not have supported the staffs, and instead proposes they were used in the "Awakening of Osiris" ritual, holding libations of water for purification and rejuvenation in the afterlife. The study draws on material symbolism, including the Nile mud composition and the reed mats they rested on, to support this reinterpretation.

Andrew Cranston’s Paintings of Dreamlike Domesticity

Scottish artist Andrew Cranston has opened a new solo exhibition titled 'I’m going in a field' at Modern Art gallery in London. The show features eleven paintings that blend landscape, memory, and domestic scenes, drawing inspiration from the artist's childhood in Hawick, Scotland, and his reflections on activities like golf, which he views as a form of landscape experience.

Private galleries bring immersive Art Week experience

Private galleries and pop-ups are collaborating with venues and brands to bring immersive experiences during Miami Art Week 2025. Highlights include the launch of CONTRA, a private events platform, with a VIP grand opening at Wyncatcher in Wynwood featuring DJ sets and an installation by Daniel Allen Cohen. The NFL returns with an expanded Artist Replay experience, including debut artworks from active player Marco Wilson and legend Martellus Bennett. Opera Gallery Miami presents “In Dialogue with Color: Mid-20th Century to Now” with works by Roy Lichtenstein, Yayoi Kusama, and others. London-based SLAWN debuts “Heroes, Villains, and Violence” at The Art of Hip Hop, while artists Amanda Linares and Lee Pivnik install site-specific works for the City of Miami Beach’s “No Vacancy 2025” program at hotels.

Chelsea Exhibition Reviews: Rosebud Contemporary, Paula Cooper, Fredericks & Freiser, Berry Campbell and more

This article reviews several Chelsea gallery exhibitions, focusing on Mary Ann Unger's monumental sculpture show 'Across the Bering Strait' at Berry Campbell, which features her hydrocal-over-steel works exploring themes of feminism, anthropology, and the natural world. It also covers 'En Route' at Rosebud Contemporary, a group exhibition of abstract painters Rifka Milder, Meg Hitchcock, and Ketta Ioannidou, each reflecting on artistic journeys through their work.

US-Israel Strikes Damage 17th-Century Chehel Sotoun Palace In Isfahan, Iran

Airstrikes conducted by the United States and Israel on Isfahan, Iran, have caused significant damage to the 17th-century Chehel Sotoun Palace and several other nearby cultural landmarks. The palace, a UNESCO World Heritage Site, suffered shattered windows, damaged vaulted ceilings, and cracked historic murals, likely due to shock waves from strikes on a nearby government building.

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French figurative painter Claire Tabouret has been awarded the commission to create new stained glass windows for Notre-Dame Cathedral, replacing 19th-century works by Eugène Viollet-le-Duc and Jean-Baptiste Lassus that survived the 2019 fire. Her designs, featuring multiethnic, multigenerational worshipers during Pentecost, were unveiled in the exhibition "Claire Tabouret: In a Single Breath" at the Grand Palais. The project, chosen by President Emmanuel Macron and Archbishop Laurent Ulrich from 110 candidates, has drawn criticism as an act of vanity and a possible violation of heritage guidelines, though Tabouret and Macron remain undeterred.

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Stevenson Gallery is closing its Johannesburg branch after 17 years, with the last day on December 12. The final exhibition, Tofo Bardi's "Underground: Nothing to Hold," will close early. The gallery's Cape Town and Amsterdam locations will remain open. Founded in Cape Town in 2003 by Michael Stevenson, the Johannesburg outpost opened in 2008 and moved several times before settling in Parktown North in 2019.

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The Kochi-Muziris Biennial, South Asia's largest contemporary art biennial, has announced the 66 artists from over 20 countries participating in its 2025 edition, titled “For The Time Being.” Running from December 12 to March 31 across venues including Aspinwall House and Pepper House in Kochi, India, the event features around 50 new commissions and a theme centered on the body, memory, and temporality. The announcement comes after the 2023 edition was marred by controversy, with more than half of its 90 artists signing a public letter alleging communication breakdowns, unpaid fees, and production issues, as well as the Kerala government reportedly pulling out of a deal to acquire the main venue.

man crushed to death by warhol painted bmw art car after winch fails in washington d c 1234752837

A man was killed on the National Mall in Washington, D.C., while unloading a 1979 BMW Art Car custom-painted by Andy Warhol. The accident occurred when a winch securing the vehicle on a flatbed truck failed, pinning the unidentified man beneath the car. The sports car was to be featured in a pop-up exhibition called “Cars at the Capital,” organized by the Hagerty Drivers Foundation, which has since canceled the event out of respect for the deceased.

art collector questionnaire negotiations acquisition

CULTURED magazine asked art collectors to share their strangest negotiation experiences with artists or dealers. Responses range from a late-night studio sale in a dark East Atlanta alleyway to accidentally bidding on a second impression of a Picasso etching at auction. Other tales include haggling over a borrowed frame after a Christie's purchase, a dealer insisting the artwork be displayed in a specific room, and acquiring a Rick Lowe painting sight unseen from Gagosian after seeing it at the Venice Biennale. The survey reveals the quirky, human side of art transactions often hidden behind market mythology.

art los angeles fall gallery shows

Cultured magazine highlights several fall gallery shows in Los Angeles, featuring solo exhibitions by Mire Lee at Sprüth Magers, Rebecca Morris at Regen Projects, Lukas Geronimas at Parker Gallery, Christina Kimeze at Hauser & Wirth, and Herman Cherry at Sebastian Gladstone. The shows run through October and November 2025, showcasing a range of media from Lee's industrial paintings and Morris's abstract compositions to Geronimas's architectural sculptures, Kimeze's mystical figurative works, and Cherry's abstract expressionist paintings.

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Artist Christina Zimpel has released a new limited-edition print titled CLAP (2025) through a collaboration between Artspace and Lincoln Center Editions. The work, an edition of 36 with unique hand-embellishments in gouache, features a female figure clapping against a vibrant pink field, exploring themes of gesture, sound, and individuality.

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French artist Claire Tabouret is presenting her full-scale maquettes for Notre-Dame Cathedral's new stained glass windows at the Grand Palais in Paris, in an exhibition titled "In a Single Breath." The six windows, each over 20 feet tall, were selected by a committee from over 100 submissions last December, replacing 19th-century designs by Eugène Viollet-le-Duc. The project has sparked controversy: conservation group Sites and Monuments launched a petition with over 328,000 signatures and a legal case arguing the replacement violates the 1964 Venice Charter and French historic monuments law. A Paris administrative court ruled in favor of the state in late November, but the group plans to appeal. Tabouret's designs are now being fabricated by the historic Atelier Simon-Marq glass workshop.

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Max Liebermann's painting *Two Riders on a Beach* (1901), recently restituted to the Rosenburg family from the Cornelius Gurlitt hoard, will be auctioned at Sotheby's in London on June 24, with an estimated price of up to £500,000 ($850,000). The work is one of the first two artworks returned from the trove discovered in Gurlitt's Munich apartment in 2012; the other, Henri Matisse's *Woman with a Fan* (1932), was also handed back to the Rosenburg family last week.

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Pablo Picasso's former ceramics studio, the Madoura Pottery workshop in Vallauris, France, is set to reopen to the public in 2027 after a €7 million ($8.2 million) renovation. The studio, opened in 1938 by ceramicist Suzanne Ramié and her husband Georges, was a creative hub for Picasso, Matisse, and Marc Chagall before closing in 1997. Mayor Kevin Luciano has led the project, which includes structural repairs, asbestos removal, a new 3,000-square-foot extension for a museum entrance, and a 20,000-square-foot public garden. The first construction phase is complete, with the second starting this fall.

A Wooden Canopy by Kengo Kuma Casts Dappled Light Around a Copenhagen Museum

Architect Kengo Kuma has unveiled a monumental site-specific installation titled "Earth / Tree" at Copenhagen Contemporary. The structure features a suspended canopy of curved wooden slats designed to evoke the Japanese concept of 'komorebi,' or the dappled light that filters through trees. Positioned over a brick platform and rubble, the installation serves as a material bridge between Nordic and Japanese architectural traditions.

Zurich's Museum Rietberg transfers 11 Benin Bronzes to Nigerian government

The Museum Rietberg in Zurich is transferring ownership of 11 Benin Bronzes to the Republic of Nigeria. The transfer includes a significant commemorative bronze head from around 1850 and an 18th-century ivory tusk, both looted during the British raid on Benin City in 1897, which will be physically returned to Nigeria this summer.

Sexual assault lawsuit against the estate of artist Norval Morrisseau is dismissed

A sexual assault lawsuit against the estate of the late First Nations artist Norval Morrisseau (1932-2007) has been dismissed. The plaintiff, Mark Anthony Jacobson, had sought C$5 million in damages, alleging Morrisseau assaulted him in 2006. The dismissal was signed by Jacobson and the estate's lawyer, Jason Gratl, and filed in the BC Supreme Court on 6 January. The estate argued Morrisseau was physically incapacitated by advanced Parkinson's disease at the time, and Gratl stated that after cross-examination, Jacobson's lawyer withdrew and Jacobson consented to the dismissal without payment.